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Elizabeth Bishop: A Very Short Introduction (Very Short Introductions)
by Jonathan F. PostVery Short Introductions: Brilliant, Sharp, Inspiring Elizabeth Bishop has been described as the 'best-loved' poet in English of the second half of the twentieth century. This Very Short Introduction explores the 90 or so published poems that are at the core of her remarkable canon of verse. Drawing on biographical and critical material, Jonathan Post also makes frequent use of Bishop's letters and commentary by fellow poets, including Marianne Moore, Robert Lowell, and James Merrill to illuminate her writing and contemporary literary landscape. Throughout, Post places Bishop's lyric poetry within the context of her life and aesthetic values, showing how these shaped her work. The book covers a wide range of core themes present in her poetry, including her powerful use of description, the environment, balance, and ideas of love and loss, as well as looking at Bishop's interest in the visual arts. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Elizabethan Narrative Poems: The State of Play (Arden Shakespeare The State of Play)
by Lena Cowen Orlin Ann ThompsonTracing the development of narrative verse in London's literary circles during the 1590s, this volume puts Shakespeare's Venus and Adonis and The Rape of Lucrece into conversation with poems by a wide variety of contemporary writers, including Thomas Lodge, Francis Beaumont, Christopher Marlowe, Thomas Heywood, Thomas Campion and Edmund Spenser. Chapters investigate the complexities of this literary conversation and contribute for the current, vigorous reassessment of humanism's intended consequences by drawing attention to the highly diverse forms of early modern classicism as well as the complex connection between Latin pedagogy and vernacular poetic invention.Key themes and topics include:-Epyllia, masculinity and sexuality-Classicism and commerce-Genre and mimesis-Rhetoric and aesthetics
Elizabethan Narrative Poems: The State of Play (Arden Shakespeare The State of Play)
by Lena Cowen Orlin Ann ThompsonTracing the development of narrative verse in London's literary circles during the 1590s, this volume puts Shakespeare's Venus and Adonis and The Rape of Lucrece into conversation with poems by a wide variety of contemporary writers, including Thomas Lodge, Francis Beaumont, Christopher Marlowe, Thomas Heywood, Thomas Campion and Edmund Spenser. Chapters investigate the complexities of this literary conversation and contribute for the current, vigorous reassessment of humanism's intended consequences by drawing attention to the highly diverse forms of early modern classicism as well as the complex connection between Latin pedagogy and vernacular poetic invention.Key themes and topics include:-Epyllia, masculinity and sexuality-Classicism and commerce-Genre and mimesis-Rhetoric and aesthetics
Elk in Winter
by Robert PackRobert Pack is a narrative master blessed with a keen ear for everyday speech. In poems that recall Robert Frost's meditative regard of nature, Pack's newest collection, Elk in Winter, resolves universal questions in the particular, the personal, and the intimate. This rich and varied volume moves from comedy to elegy, from lyric to narrative, in which individual characters are revealed and rendered symbolic by the stories that enclose them. What finally unites the poems of Elk in Winter is Pack's desire to appeal to the ear as much as to the heart, and to discover and reveal the passionate music of ideas.
Elk in Winter
by Robert PackRobert Pack is a narrative master blessed with a keen ear for everyday speech. In poems that recall Robert Frost's meditative regard of nature, Pack's newest collection, Elk in Winter, resolves universal questions in the particular, the personal, and the intimate. This rich and varied volume moves from comedy to elegy, from lyric to narrative, in which individual characters are revealed and rendered symbolic by the stories that enclose them. What finally unites the poems of Elk in Winter is Pack's desire to appeal to the ear as much as to the heart, and to discover and reveal the passionate music of ideas.
Elk in Winter
by Robert PackRobert Pack is a narrative master blessed with a keen ear for everyday speech. In poems that recall Robert Frost's meditative regard of nature, Pack's newest collection, Elk in Winter, resolves universal questions in the particular, the personal, and the intimate. This rich and varied volume moves from comedy to elegy, from lyric to narrative, in which individual characters are revealed and rendered symbolic by the stories that enclose them. What finally unites the poems of Elk in Winter is Pack's desire to appeal to the ear as much as to the heart, and to discover and reveal the passionate music of ideas.
Embark
by Sean O'BrienA new collection by Sean O’Brien – ‘Auden’s true inheritor’, and one of our wisest poetic chronographers – is not just a literary event, but also, invariably, a reckoning of the times. Given the nature of our times, his voice is an essential one: there is no other poet currently writing with O’Brien’s intellectual authority, historical literacy and sheer command of the facts. Embark also registers our unique cultural climacteric, where the larger crises of the planet – the pandemic and the terrifying spectre of revanchist nationalism among them – impact all of us, and where the illusion of a church-and-state separation of the personal and political can no longer hold. As the poet turns seventy, he shows us how the inevitable absences that age brings are assuaged by how we furnish them; the result is not just a logic made from loss and pain, but a music, a metaphysic, and finally a redemptive art. Embark reminds us of the enduring consolations of love, of friendship, of the freedoms and possible futures still afforded by the imagination – and, through O’Brien’s own exemplary model, of poetry itself.
Emerald
by Ruth PadelAn elegy to a lost mother, Emerald is the moving new collection from prize-winning poet Ruth Padel‘Here in deep earth, the blackblossom of mourning still sifting within meI remembered that emerald was my birthstone …’Prize-winning poet Ruth Padel’s heartfelt new collection is a grief observed: an elegy for her mother on her death at the age of ninety-seven.Exploring the riches of emerald lore, Padel follows the glint of green – ‘green for awakening / for bringing life back from the dead’ – from memories of her mother, a naturalist, to the black honeycomb of a Colombian emerald mine and sunset-pink of the Emerald City, Jaipur. Beneath everything shines the jewel itself, ‘the only stone in which the flaws are prized’. Beautifully carved and cadenced, Emerald is a moving chronicle of value and loss, and a celebration of all that is precious in the life that remains.
The Emergence of the Lyric Canon
by Theodora A. HadjimichaelThe Hellenistic period was an era of literary canons, of privileged texts and collections. One of the most stable of these consisted of the nine (rarely ten) lyric poets: whether the selection was based on poetic quality, popularity, or the availability of texts in the Library of Alexandria, the Lyric Canon offers a valuable and revealing window on the reception and survival of lyric in antiquity. This volume explores the complexities inherent in the process by which lyric poetry was canonized, and discusses questions connected with the textual transmission and preservation of lyric poems from the archaic period through to the Hellenistic era. It firstly contextualizes lyric poetry geographically, and then focuses on a broad range of sources that played a critical role in the survival of lyric poetry - in particular, comedy, Plato, Aristotle's Peripatetic school, and the Hellenistic scholars - to discuss the reception of the nine canonical lyric poets and their work. By exploring the ways in which fifth- and fourth-century sources interpreted lyric material, and the role they played both in the scholarly work of the Alexandrians and in the creation of what we conventionally call the Hellenistic Lyric Canon, it elucidates what can be defined as the prevailing pattern in the transmission of lyric poetry, as well as the place of Bacchylides as a puzzling exception to this norm. The overall discussion conclusively demonstrates that the canonizing process of the lyric poets was already at work from the fifth century BC and that it is reflected both in the evaluation of lyric by fourth-century thinkers and in the activities of the Hellenistic scholars in the Library of Alexandria.
The Emergence of the Lyric Canon
by Theodora A. HadjimichaelThe Hellenistic period was an era of literary canons, of privileged texts and collections. One of the most stable of these consisted of the nine (rarely ten) lyric poets: whether the selection was based on poetic quality, popularity, or the availability of texts in the Library of Alexandria, the Lyric Canon offers a valuable and revealing window on the reception and survival of lyric in antiquity. This volume explores the complexities inherent in the process by which lyric poetry was canonized, and discusses questions connected with the textual transmission and preservation of lyric poems from the archaic period through to the Hellenistic era. It firstly contextualizes lyric poetry geographically, and then focuses on a broad range of sources that played a critical role in the survival of lyric poetry - in particular, comedy, Plato, Aristotle's Peripatetic school, and the Hellenistic scholars - to discuss the reception of the nine canonical lyric poets and their work. By exploring the ways in which fifth- and fourth-century sources interpreted lyric material, and the role they played both in the scholarly work of the Alexandrians and in the creation of what we conventionally call the Hellenistic Lyric Canon, it elucidates what can be defined as the prevailing pattern in the transmission of lyric poetry, as well as the place of Bacchylides as a puzzling exception to this norm. The overall discussion conclusively demonstrates that the canonizing process of the lyric poets was already at work from the fifth century BC and that it is reflected both in the evaluation of lyric by fourth-century thinkers and in the activities of the Hellenistic scholars in the Library of Alexandria.
Emerson as Poet
by Hyatt Howe WaggonerSince Yvor Winters' famous denunciation of Ralph Waldo Emerson and his writings in the 1930s, major critics have been silent on the subject, and Emerson scholars have generally avoided critical evaluation. Hyatt H. Waggoner reopens the debate, arguing that past criticism of Emerson has been limited by the inevitable but unfortunate influences of cultural relativism and personal taste. He suggests that by concentrating on the stabilities, on the recognizably similar patterns of response by critics to Emerson as poet, one can arrive at a portrait that transcends changing cultures and preferences. His book thus combines a full critical re-evaluation of Emerson's poetry with a thoughtful commentary on the ways in which critics and readers approach poetry.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Emily Dickinson: Everyman's Poetry (Everyman's Poetry #Vol. 38)
by Emily DickinsonThe best of Emily Dickinson's poemsEmily Dickinson (1830-86) was born in Amherst, Massachusetts, the daughter of a lawyer and politician. Despite receiving a good education she returned home to Amherst, where she spent the rest of her life, writing more than a poem a day until her death. Her refusal to compromise her highly condensed expression, which meant that only a tiny fraction of her work was published in her lifetime, makes her seem startlingly modern today
Emily Dickinson
by Emily Dickinson Ted HughesIn this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets in our literature.Emily Dickinson (1830-86) was born in Amherst, Massachussetts, where she lived most of her life as a recluse, seldom leaving the house or receiving visitors. She published just a handful of poems in her lifetime, her first collection appearing posthumously in 1890.
Emily Dickinson: A Literary Life (Literary Lives)
by L. Wagner-MartinWith special attention to Emily Dickinson's growth into a poet, this literary biographical study charts Dickinson's hard-won brilliance as she worked, largely alone, to become the unique American woman writer of the nineteenth century.
Emily Dickinson’s Poems: As She Preserved Them
by Emily DickinsonCristanne Miller’s major edition of Dickinson’s poems presents the 1,100 poems the poet retained during her lifetime, in the form she retained them. Dickinson took pains to copy these poems onto folded sheets in fair hand, arguably to preserve them for posterity. Included are Dickinson’s alternate phrases and the editor’s notes and Introduction.
Emily Dickinson’s Poems: As She Preserved Them
by Emily DickinsonWidely considered the definitive edition of Emily Dickinson’s poems, this landmark collection presents her poems here for the first time “as she preserved them,” and in the order in which she wished them to appear. It is the only edition of Dickinson’s complete poems to distinguish clearly those she took pains to copy carefully onto folded sheets in fair hand—presumably to preserve them for posterity—from the ones she kept in rougher form. It is also unique among complete editions in presenting the alternate words and phrases Dickinson chose to use on the copies of the poems she kept, so that we can peer over her shoulder and see her composing and reworking her own poems.The world’s foremost scholar of Emily Dickinson, Cristanne Miller, guides us through these stunning poems with her deft and unobtrusive notes, helping us understand the poet’s quotations and allusions, and explaining how she composed, copied, and circulated her poems. Miller’s brilliant reordering of the poems transforms our experience of them.A true delight, this award-winning collection brings us closer than we have ever been to the writing practice of one of America’s greatest poets. With its clear, uncluttered page and beautiful production values, it is a gift for students of Emily Dickinson and for anyone who loves her poems.
Emily Dickinson's Poetic Art: A Cognitive Reading (Cognition, Poetics, and the Arts)
by Margaret H. FreemanEmily Dickinson's Poetic Art is both an exciting work of literary criticism on a central figure in American literature as well as an invitation for students and researchers to engage with cognitive literary studies. Emily Dickinson's poetry can be challenging and difficult. It paradoxically gives readers a feeling of closeness and intimacy while being puzzling and obscure. Critical interpretations of Dickinson's poems tend to focus on what they mean rather than on what kind of experience they create. A cognitive approach to literary criticism, based on recent cognitive research, helps readers experience and understand the hows and whys of what a poem is saying and doing. These include cognitive linguistic analysis, versification, prosody, cognitive metaphor, schema, blending, and iconicity, all of which explain the sensory, motor, and emotive processes that motivate Dickinson's conceptualizations.By experiencing Dickinson's poetry from a cognitive perspective, readers are able to better understand why we feel so close to the poet and why her poetry endures. Emily Dickinson's Poetic Art: A Cognitive Reading is an important contribution to the study of a major American poet as well as to the vibrant field of cognitive literary studies.
Emily Dickinson's Poetic Art: A Cognitive Reading (Cognition, Poetics, and the Arts)
by Margaret H. FreemanEmily Dickinson's Poetic Art is both an exciting work of literary criticism on a central figure in American literature as well as an invitation for students and researchers to engage with cognitive literary studies. Emily Dickinson's poetry can be challenging and difficult. It paradoxically gives readers a feeling of closeness and intimacy while being puzzling and obscure. Critical interpretations of Dickinson's poems tend to focus on what they mean rather than on what kind of experience they create. A cognitive approach to literary criticism, based on recent cognitive research, helps readers experience and understand the hows and whys of what a poem is saying and doing. These include cognitive linguistic analysis, versification, prosody, cognitive metaphor, schema, blending, and iconicity, all of which explain the sensory, motor, and emotive processes that motivate Dickinson's conceptualizations.By experiencing Dickinson's poetry from a cognitive perspective, readers are able to better understand why we feel so close to the poet and why her poetry endures. Emily Dickinson's Poetic Art: A Cognitive Reading is an important contribution to the study of a major American poet as well as to the vibrant field of cognitive literary studies.
Emily Dickinson's Rich Conversation: Poetry, Philosophy, Science (Nineteenth-Century Major Lives and Letters)
by R. BrantleyEmily Dickinson's Rich Conversation is a comprehensive account of Emily Dickinson's aesthetic and intellectual life. Contrary to the image of the isolated poet, this ambitious study reveals Dickinson's agile mind developing through conversation with a community of contemporaries.
Emma Jane's Aeroplane (PDF)
by Katie Haworth Daniel RieleyEmma Jane zooms off in her aeroplane around the cities of the world. Along the way she makes a crew of animal friends who save the day when the little plane gets into trouble... A rhyming narrative with a light touch and a zingy female protagonist, this tale is perfect for little explorers everywhere.
Empathy in Contemporary Poetry after Crisis (Palgrave Studies in Affect Theory and Literary Criticism)
by Anna VeprinskaThis book examines the representation of empathy in contemporary poetry after crisis, specifically poetry after the Holocaust, the September 11, 2001 terrorist attacks, and Hurricane Katrina. The text argues that, recognizing both the possibilities and dangers of empathy, the poems under consideration variously invite and refuse empathy, thus displaying what Anna Veprinska terms empathetic dissonance. Veprinska proposes that empathetic dissonance reflects the texts’ struggle with the question of the value and possibility of empathy in the face of the crises to which these texts respond. Examining poems from Charlotte Delbo, Dionne Brand, Niyi Osundare, Charles Reznikoff, Robert Fitterman, Wisława Szymborska, Cynthia Hogue, Claudia Rankine, Paul Celan, Dan Pagis, Lucille Clifton, and Katie Ford, among others, Veprinska considers empathetic dissonance through language, witnessing, and theology. Merging comparative close readings with interdisciplinary theory from philosophy, psychology, cultural theory, history and literary theory, and trauma studies, this book juxtaposes a genocide, a terrorist act, and a natural disaster amplified by racial politics and human disregard in order to consider what happens to empathy in poetry after events at the limits of empathy.
The Emperor's Babe: A Novel
by Bernardine Evaristo'Wildly entertaining, deeply affecting' Ali Smith, author of How to be both and AutumnA coming-of-age tale to make the muses themselves roar with laughter and weep for pity -- sassy, razor-sharp and transformative -- from the acclaimed author of Mr LovermanLondinium, AD 211. Zuleika is a modern girl living in an ancient world. She's a back-alley firecracker, a scruffy Nubian babe with tangled hair and bare feet - and she's just been married off a fat old Roman. Life as a teenage bride is no joke but Zeeks is a born survivor. She knows this city like the back of her hand: its slave girls and drag queens, its shining villas and rotting slums. She knows how to get by. Until one day she catches the eye of the most powerful man on earth, the Roman Emperor, and her trouble really starts...Silver-tongued and merry-eyed, this is a story in song and verse, a joyful mash-up of today and yesterday. Kaleidoscoping distant past and vivid present, The Emperor's Babe asks what it means to be a woman and to survive in this thrilling, brutal, breathless world.