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The Alphabets of Latin America: A Carnival of Poems
by Abhay K.The Alphabets of Latin America takes you on a roller coaster ride to one of the most culturally and geographically fascinating continents, known for its legendary Maya and Inca civilizations, sizzling Samba and Tango, the world's biggest carnivals, labyrinths of Borges, magic realism of Gabriel Garcia Marquez, great poetry of Ruben Dario, Pablo Neruda , Gabriela Mistral, Cesare Vallejo, Octavio Paz, fascinating art of Frida Kahlo and Fernando Botero, among others. As you flip its pages, you will find yourself swimming with pink dolphins in the Amazon river, watching the sunset in Martian landscape of Atacama desert, kissing the heights of Machu Picchu and admiring a thousand rainbows at Iguazu Falls. Feliz Viaje!
The Alvarez Generation: Thom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath, and Peter Porter
by William WoottenThis book is the biography of a taste in poetry and its consequences. During the 1950s and 1960s, a generation of poets appeared who would eschew the restrained manner of Movement poets such as Philip Larkin, a generation who would, in the words of the introduction to A. Alvarez’s classic anthology The New Poetry, take poetry ‘Beyond the Gentility Principle’. This was the generation of Thom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath and Peter Porter. William Wootten explores what these five poets shared in common, their connections, critical reception, rivalries and differences, and locates what was new and valuable in their work. The Alvarez Generation is an important re-evaluation of a time when contemporary poetry and its criticism had a cultural weight it has now lost and when a ‘new seriousness’ was to become closely linked to questions of violence, psychic unbalance and, most controversially of all, suicide. A new Afterword contains important biographical information on Sylvia Plath and reflects on its implications both for the discussions contained in the book and for the study of Plath’s work more generally.
The Alvarez Generation: Thom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath, and Peter Porter
by William WoottenThis book is the biography of a taste in poetry and its consequences. During the 1950s and 1960s, a generation of poets appeared who would eschew the restrained manner of Movement poets such as Philip Larkin, a generation who would, in the words of the introduction to A. Alvarez’s classic anthology The New Poetry, take poetry ‘Beyond the Gentility Principle’. This was the generation of Thom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath and Peter Porter. William Wootten explores what these five poets shared in common, their connections, critical reception, rivalries and differences, and locates what was new and valuable in their work. The Alvarez Generation is an important re-evaluation of a time when contemporary poetry and its criticism had a cultural weight it has now lost and when a ‘new seriousness’ was to become closely linked to questions of violence, psychic unbalance and, most controversially of all, suicide. A new Afterword contains important biographical information on Sylvia Plath and reflects on its implications both for the discussions contained in the book and for the study of Plath’s work more generally.
Amazing Machines: Awesome Ambulances (Amazing Machines #78)
by Tony MittonA brand-new storybook in the perennially popular Amazing Machines series from Tony Mitton and Ant Parker - over 1 million copies sold to date!Turn on the siren and zoom down the streets with some animal paramedics in Awesome Ambulances, an action-packed picture book all about ambulances. Lively wordplay, vibrant art, plus a visual dictionary, make this title a must-have for bookshelves everywhere. This book is filled with humorous rhyming text by the award-winning poet Tony Mitton, which perfectly complements Ant Parker's bold, bright illustrations. A picture dictionary identifying ambulance parts builds vocabulary and makes learning about ambulances exciting and fun.
Amazing Machines In Busy Places: Construction Site (Amazing Machines #6)
by Tony MittonAmazing Machines: Construction Site follows the animal team as they explore all the vehicles and machinery on a busy construction site! Each page is filled with details that machine-mad kids will love including dumper trucks, towering cranes, diggers, cement mixers, and much more.From electric cars to powerful rockets, the internationally bestselling Amazing Machines series is the perfect way for children to learn about all sorts of machines and vehicles! Each book introduces a new vehicle or machine and the many jobs it can do. Ant Parker's bright, engaging artwork and Tony Mitton's simple, rhyming text combine to make these fantastic books for young children. Kids will love getting to know the friendly animal characters who feature throughout the series and reading about their fast-paced adventures!Continue to explore all things that go with the rest of the Amazing Machines series, including Cool Cars, Patrolling Police Cars and Roaring Rockets.
Amazing Machines: Patrolling Police Cars (Amazing Machines)
by Tony MittonA brand-new storybook in the perennially popular Amazing Machines series from Tony Mitton and Ant Parker - over 1 million copies sold to date!Patrol the streets with some cool animal drivers in this cheerful picture book all about police cars. Lively wordplay, vibrant art, plus a visual dictionary, make this title a must-have for bookshelves everywhere. This book is filled with humorous rhyming text by the award-winning poet Tony Mitton, which perfectly complements Ant Parker's bold, bright illustrations. A picture dictionary identifying police car parts builds vocabulary and makes learning about police cars exciting and fun.
Amazing Machines: Shiny Snow Machines
by Tony MittonSnow planes, sledges and snowmobileszoom across the snow.You can see them coming,as they shine and glow!Amazing Machines: Snow Machines follows Rabbit, Bird and Mouse as they wrap up warm and explore things that go in the snow! Each page is filled with details that machine-mad kids will love.From tractors and trucks to robots and rockets, the bestselling Amazing Machines series is the perfect way for children to learn about all sorts of machines and vehicles! Each book introduces a new vehicle or machine and the many jobs it can do. Ant Parker's bright, engaging artwork, and Tony Mitton's simple, rhyming text combine to make these fantastic books for young children. Kids will love getting to know the friendly animal characters who feature throughout the series and reading about their fast-paced adventures!Continue to explore all things that go with the rest of the Amazing Machines series, including Amazing Airplanes, Patrolling Police Cars, Roaring Rockets, and many more.
Ambulante Poesie: Explorationen deutschsprachiger Reiselyrik seit dem 18. Jahrhundert
Dass Reisen nicht nur zu Prosa anregen, veranschaulicht in prägnanter Weise die Gattung der Reiselyrik. Neben der kultur- und literaturhistorischen Einordnung von Reisegedichten vom 18. Jahrhundert bis zur Gegenwart steht im vorliegenden Band die poetologische Frage im Vordergrund, was es bedeutet, in der üblicherweise durch Vers, Bildlichkeit, Konzision und Selbstreflexivität sprachlich reglementierten Lyrik über das Reisen zu schreiben.
American Gangster: And Other Tales of New York (Books That Changed The World Ser.)
by Mark JacobsonThe untold story of Frank Lucas, New York's most notorious drugs lord during the 1970s. Now a blockbuster movie, directed by Ridley Scott and starring Denzel Washington and Russell Crowe.In 1970s New York, the ruthless Frank Lucas was the king of the Harlem drug trade, bringing in more than a million dollars a day. At the height of his power there were so many heroin addicts buying from him on 116th Street that he claimed the Transit Authority had to change the bus routes. Lucas lived a glamorous life, hobnobbing with sport stars, musicians, and politicians, but he was also a ruthless gangster. He was notorious for using the coffins of dead GIs to smuggle heroin into the United States and before his fall, when he was sentenced to 70 years in prison, he played a major role in the near death of New York City. In American Gangster, Marc Jacobson's captivating account of the life of Frank Lucas (the basis for the forthcoming major motion picture) joins other tales of New York City from the past thirty years. It is a vibrant, intoxicating, many-layered portrait of one of the most fascinating cities in the world from one of America's most acclaimed journalists.
American Inquisitors
by Walter LippmannAmerican Inquisitors is one of the small gems among Walter Lippmann's larger books. Written in response to the trials of John Scopes and William McAndrew in 1925 and 1927, this volume contains a succinct analysis of a basic problem of democracy: the conflict between intellectual freedom and majority rule. In both cases, the state, acting in the name of popular sovereignty, sought to suppress teaching that was contrary to the tenets of religious fundamentalism and patriotic tradition. In distilling the arguments surrounding both trials, Lippmann sounds a warning against the tyranny of the majority and challenges people to rethink their theories of liberty and democracy.American Inquisitors consists of five related dialogues, each exploring a different dilemma at the heart of democratic political theory. The first two establish the principles of majority rule and freedom of the mind in the persons of William Jennings Bryan and Thomas Jefferson, with Socrates urging a reexamination of all principles..These dialogues debate the will and the rational capacity of the people to rule and demonstrate the relative nature of freedom in democratic society.The third and fourth dialogues set a fundamentalist against a modernist and an Americanist against a scholar. Lippmann resists easy stereotyping and puts challenging insights and plausible arguments into the mouths of all the parties. These dialogues ask whether commitment to community comes before intellectual inquiry, 'or whether the search for truth precedes identity. The final dialogue, between Socrates and a conscientious teacher, attempts to define the mission of teaching and determine when and how to face the consequences of truth. Lippmann concludes that the program of liberty is to deprive the sovereign of absolute and arbitrary rule. Taken as a whole, the dialogues constitute an essential consistency within Lippmann's political thought, and delineate a recurring problem hi American politcal culture. American Inquisit
American Inquisitors
by Walter LippmannAmerican Inquisitors is one of the small gems among Walter Lippmann's larger books. Written in response to the trials of John Scopes and William McAndrew in 1925 and 1927, this volume contains a succinct analysis of a basic problem of democracy: the conflict between intellectual freedom and majority rule. In both cases, the state, acting in the name of popular sovereignty, sought to suppress teaching that was contrary to the tenets of religious fundamentalism and patriotic tradition. In distilling the arguments surrounding both trials, Lippmann sounds a warning against the tyranny of the majority and challenges people to rethink their theories of liberty and democracy.American Inquisitors consists of five related dialogues, each exploring a different dilemma at the heart of democratic political theory. The first two establish the principles of majority rule and freedom of the mind in the persons of William Jennings Bryan and Thomas Jefferson, with Socrates urging a reexamination of all principles..These dialogues debate the will and the rational capacity of the people to rule and demonstrate the relative nature of freedom in democratic society.The third and fourth dialogues set a fundamentalist against a modernist and an Americanist against a scholar. Lippmann resists easy stereotyping and puts challenging insights and plausible arguments into the mouths of all the parties. These dialogues ask whether commitment to community comes before intellectual inquiry, 'or whether the search for truth precedes identity. The final dialogue, between Socrates and a conscientious teacher, attempts to define the mission of teaching and determine when and how to face the consequences of truth. Lippmann concludes that the program of liberty is to deprive the sovereign of absolute and arbitrary rule. Taken as a whole, the dialogues constitute an essential consistency within Lippmann's political thought, and delineate a recurring problem hi American politcal culture. American Inquisit
The American Landscape in the Poetry of Frost, Bishop, and Ashbery: The House Abandoned (American Literature Readings in the 21st Century)
by M. MacArthurRobert Frost, Elizabeth Bishop, and John Ashbery stand out among major American poets - all three shaped the direction and pushed the boundaries of contemporary poetry on an international scale. Drawing on biography, cultural history, and original archival research, MacArthur shows us that these distinctive poets share one surprisingly central trope in their oeuvres: the Romantic scene of the abandoned house. This book scrutinizes the popular notion of Frost as a deeply rooted New Englander, demonstrates that Frost had an underestimated influence on Bishop - whose preoccupation with houses and dwelling is the obverse of her obsession with travel - and questions dominant, anti-biographical readings of Ashbery as an urban-identified poet. As she reads poems that evoke particular landscapes and houses lost and abandoned by these poets, MacArthur also sketches relevant cultural trends, including patterns of rural de-settlement, the transformation of rural economies from agriculture to tourism, and modern American s increasing mobility and rootlessness.
American Modernist Poetry and the Chinese Encounter
by Zhang Yuejun and Stuart ChristieAmerican Modernist Poetry and the Chinese Encounteroffers a framework for understanding the variety of imagined encounters by eight different American poets with their imagined 'Chinese' subject. The method is historical and materialist, insofar as the contributors to the volume read the claims of specific poems alongside the actual and tumultuous changes China faced between 1911 and 1979. Even where specific poems are found to be erroneous, the contributors to the volume suggest that each of the poets attempted to engage their 'Chinese' subject with a degree of commitment that presaged imaginatively China's subsequent dominance. The poems stand as unique artifacts, via proxy and in the English language, for the rise of China in the American imagination. The audience of the volume is international, including the growing number of scholars and graduate students in Chinese universities working on American literature and comparative cultural studies, as well as already established commentators and students in the west.
American Poetry in Performance: From Walt Whitman to Hip Hop
by Tyler Hoffman"Tyler Hoffman brings a fresh perspective to the subject of performance poetry, and this comes at an excellent time, when there is such a vast interest across the country and around the world in the performance of poetry. He makes important connections, explaining things in a manner that remains provocative, interesting, and accessible." ---Jay Parini, Middlebury College American Poetry in Performance: From Walt Whitman to Hip Hop is the first book to trace a comprehensive history of performance poetry in America, covering 150 years of literary history from Walt Whitman through the rap-meets-poetry scene. It reveals how the performance of poetry is bound up with the performance of identity and nationality in the modern period and carries its own shifting cultural politics. This book stands at the crossroads of the humanities and the social sciences; it is a book of literary and cultural criticism that deals squarely with issues of "performance," a concept that has attained great importance in the disciplines of anthropology and sociology and has generated its own distinct field of performance studies. American Poetry in Performance will be a meaningful contribution both to the field of American poetry studies and to the fields of cultural and performance studies, as it focuses on poetry that refuses the status of fixed aesthetic object and, in its variability, performs versions of race, class, gender, and sexuality both on and off the page. Relating the performance of poetry to shifting political and cultural ideologies in the United States, Hoffman argues that the vocal aspect of public poetry possesses (or has been imagined to possess) the ability to help construct both national and subaltern communities. American Poetry in Performance explores public poets' confrontations with emergent sound recording and communications technologies as those confrontations shape their mythologies of the spoken word and their corresponding notions about America and Americanness.
American Poetry: The Modernist Ideal (Insights)
by Clive Bloom Brian DochertyTracing its origins back to Walt Whitman, the Modernist tradition in American poetry is driven by the same concern to engage with the world in revolutionary terms, inspired by the concept of democracy vital to the American dream. But this tradition is not confined to a few writers at the beginning of the century: instead it has been an enduring force, extending from coast to coast and of varying hues: Imagist, Objectivist, Beat. International in flavour but shaped by the language and conditions of America, this poetry continues to speak to us today. This collection of specially commissioned essays brings together leading scholars and critics to define the American Modernist canon, providing a range of perspectives helpful to all those interested in this fascinating poetry.
American Poets and Poetry [2 volumes]: From the Colonial Era to the Present [2 volumes]
by Jeffrey Gray Mary McAleer Balkun James McCorkleThe ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today.American poetry springs up out of all walks of life; its poems are "maternal as well as paternal…stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine," as Walt Whitman wrote, adding "Of every hue and caste am I, of every rank and religion." Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from the Colonial era to the present, offering full treatments of hundreds of key poets of the American canon. What sets this reference apart is that it also discusses events, movements, schools, and poetic approaches, placing poets in their social, historical, political, cultural, and critical contexts and showing how their works mirror the eras in which they were written. Readers will learn about surrealism, ekphrastic poetry, pastoral elegy, the Black Mountain poets, and "language" poetry. There are long and rich entries on modernism and postmodernism as well as entries related to the formal and technical dimensions of American poetry.Particular attention is paid to women poets and poets from various ethnic groups. Poets such as Amiri Baraka, Nathaniel Mackey, Natasha Trethewey, and Tracy Smith are featured. The encyclopedia also contains entries on a wide selection of Latino and Native American poets and substantial coverage of the avant-garde and experimental movements and provides sidebars that illuminate key points.
American Poets and Poetry [2 volumes]: From the Colonial Era to the Present [2 volumes]
by Jeffrey Gray Mary McAleer Balkun James McCorkleThe ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today.American poetry springs up out of all walks of life; its poems are "maternal as well as paternal…stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine," as Walt Whitman wrote, adding "Of every hue and caste am I, of every rank and religion." Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from the Colonial era to the present, offering full treatments of hundreds of key poets of the American canon. What sets this reference apart is that it also discusses events, movements, schools, and poetic approaches, placing poets in their social, historical, political, cultural, and critical contexts and showing how their works mirror the eras in which they were written. Readers will learn about surrealism, ekphrastic poetry, pastoral elegy, the Black Mountain poets, and "language" poetry. There are long and rich entries on modernism and postmodernism as well as entries related to the formal and technical dimensions of American poetry.Particular attention is paid to women poets and poets from various ethnic groups. Poets such as Amiri Baraka, Nathaniel Mackey, Natasha Trethewey, and Tracy Smith are featured. The encyclopedia also contains entries on a wide selection of Latino and Native American poets and substantial coverage of the avant-garde and experimental movements and provides sidebars that illuminate key points.
American Political Poetry in the 21st Century (American Literature Readings in the 21st Century)
by M. DowdyDowdy uncovers and analyzes the primary rhetorical strategies, particularly figures of voice, in American political poetry from the Vietnam War-era to the present. He brings together a unique and diverse collection of poets, including an innovative section on hip hop performance.
American Sonnets for My Past and Future Assassin (Penguin Poets Ser.)
by Terrance HayesThe black poet would love to say his century beganWith Hughes or God forbid, Wheatley, but actuallyIt began with all the poetry weirdos & worriers, warriors,Poetry whiners & winos falling from ship bows, sunsetBridges & windows. In a second I'll tell you how littleWriting rescues.So begins this astonishing, muscular sequence by one of America's best-selling and most acclaimed poets. Over 70 poems, each titled 'American Sonnet for my Past and Future Assassin' and shot through with the vernacular energy of popular culture, Terrance Hayes manoeuvres his way between touching domestic visions, stories of love, loss and creation, tributes to the fallen and blistering denunciations of the enemies of the good.American Sonnets builds a living picture of the whole self, and the whole human, even as it opens to the view the dividing lines of race, gender and political oppression which define the early 21st Century. It is compassionate, hilarious, melancholy, bewildered - and unstoppably, rhythmically compelling, as few books can hope to be.
Among The Monarchs (Phoenix Poets Ser.)
by Christine GarrenIn poems of haunting lyricism, and in a voice wholly unlike any other American poet, Christine Garren's second book of poetry explores common themes such as love, loss, and family with an uncommon sensibility. Among the Monarchs is filled with unforgettable metaphors, unconventional and unpredictable juxtapositions, turns and angles of perception, and seductive free verse rhythms. Through all of this, Garren captivates readers in a unique exploration of the nature of desire, the raptures and burdens of love and loss, the peculiarities of family life and, perhaps most compelling, the power of poetic imagination to shape what we see and feel. At once engaging and disquieting, Among the Monarchs attests to the inexhaustible possibilities of lyric poetry.
Among the Monarchs (Phoenix Poets)
by Christine GarrenIn poems of haunting lyricism, and in a voice wholly unlike any other American poet, Christine Garren's second book of poetry explores common themes such as love, loss, and family with an uncommon sensibility. Among the Monarchs is filled with unforgettable metaphors, unconventional and unpredictable juxtapositions, turns and angles of perception, and seductive free verse rhythms. Through all of this, Garren captivates readers in a unique exploration of the nature of desire, the raptures and burdens of love and loss, the peculiarities of family life and, perhaps most compelling, the power of poetic imagination to shape what we see and feel. At once engaging and disquieting, Among the Monarchs attests to the inexhaustible possibilities of lyric poetry.
Amorous Aesthetics: Intellectual Love in Romantic Poetry and Poetics, 1788–1853 (Romantic Reconfigurations: Studies in Literature and Culture 1780-1850 #7)
by Seth T. RenoSituated at the intersection of affect studies, ecocriticism, aesthetics, and Romantic studies, this book presents a genealogy of love in Romantic-era poetry, science, and philosophy. While feeling and emotion have been traditional mainstays of Romantic literature, the concept of love is under-studied and under-appreciated, often neglected or dismissed as idealized, illusory, or overly sentimental. However, Seth Reno shows that a particular conception of intellectual love is interwoven with the major literary, scientific, and philosophical discourses of the period. Romantic-era writers conceived of love as integral to broader debates about the nature of life, the biology of the human body, the sociology of human relationships, the philosophy of nature, and the disclosure of being.Amorous Aesthetics traces the development of intellectual love from its first major expression in Baruch Spinoza’s Ethics, through its adoption and adaptation in eighteenth-century moral and natural philosophy, to its emergence as a Romantic tradition in the work of six major poets. From William Wordsworth and John Clare’s love of nature, to Percy Shelley’s radical politics of love, to the more sceptical stances of Felicia Hemans, Alfred Tennyson, and Matthew Arnold, intellectual love is a pillar of Romanticism.This book will interest scholars and students of Romanticism, eighteenth- and nineteenth-century British literature, affect studies, ecocriticism, aesthetics, and those who work at the intersection of literature and science.
An Amorous Discourse in the Suburbs of Hell
by Deborah LevyMan Booker Prize shortlisted Deborah Levy whips up a storm of romance and slapstick, of heavenly and earthly delights, in this dystopian philosophical poem about individualfreedom and the search for the good life.
Amours De Voyage
by Arthur Hugh CloughOver the great windy waters, and over the clear-crested summits, Unto the sun and the sky, and unto the perfecter earth, Come, let us go,--to a land wherein gods of the old time wandered, Where every breath even now changes to ether divine. <P> <P> Come, let us go; though withal a voice whisper, 'The world that we live in, Whithersoever we turn, still is the same narrow crib; 'Tis but to prove limitation, and measure a cord, that we travel; Let who would 'scape and be free go to his chamber and think; 'Tis but to change idle fancies for memories wilfully falser; 'Tis but to go and have been.'--Come, little bark! let us go.
Amy Lowell, Diva Poet
by Melissa BradshawIn her reassessment of Amy Lowell as a major figure in the modern American poetry movement, Melissa Bradshaw uses theories of the diva and female celebrity to account for Lowell's extraordinary literary influence in the early twentieth century and her equally extraordinary disappearance from American letters after her death. Recognizing Amy Lowell as a literary diva, Bradshaw shows, accounts for her commitment to her art, her extravagant self-promotion and self-presentation, and her fame, which was of a kind no longer associated with poets. It also explains the devaluation of Lowell's poetry and criticism, since a woman's diva status is always short-lived and the accomplishments of celebrity women are typically dismissed and trivialized. In restoring Lowell to her place within the American poetic renaissance of the nineteen-teens and twenties, Bradshaw also recovers a vibrant moment in popular culture when poetry enjoyed mainstream popularity, audiences packed poetry readings, and readers avidly followed the honors, exploits, and feuds of their favorite poets in the literary columns of daily newspapers. Drawing on a rich array of letters, memoirs, newspapers, and periodicals, but eschewing the biographical interpretations of her poetry that have often characterized criticism on Lowell, Bradshaw gives us an Amy Lowell who could not be further removed from the lonely victim of ill-health and obesity who appears in earlier book-length studies. Amy Lowell as diva poet takes her rightful place as a powerful writer of modernist verse who achieved her personal and professional goals without capitulating to heteronormative ideals of how a woman should act, think, or appear.