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Selected Writings: A Bilingual Edition (The Other Voice in Early Modern Europe)
by Marguerite de NavarreMarguerite de Navarre (1492–1549) was the sister and wife to kings and a pivotal influence in sixteenth-century France. An astute politician and diligent humanist, she was a champion of gender equality and the evangelical reform movement, which recognized that the clergy was more concerned with maintaining the church’s power than ministering to the faithful. As the years passed and the glitter of life at court waned, however, Marguerite came to realize her true vocation: writing. Selected Writings brings together a representative sampling of Marguerite’s varied writings, most of it never before translated into English, enabling Anglophone readers to enjoy the full breadth of her work for the first time. From verse letters and fables to mythological-pastoral tales, from spiritual songs to a selection of novellas from the Heptameron, the wide range of works included here will reveal Marguerite de Navarre to be one of the most important writers—male or female—of sixteenth-century France.
Selected Writings: A Bilingual Edition (The Other Voice in Early Modern Europe)
by Marguerite de NavarreMarguerite de Navarre (1492–1549) was the sister and wife to kings and a pivotal influence in sixteenth-century France. An astute politician and diligent humanist, she was a champion of gender equality and the evangelical reform movement, which recognized that the clergy was more concerned with maintaining the church’s power than ministering to the faithful. As the years passed and the glitter of life at court waned, however, Marguerite came to realize her true vocation: writing. Selected Writings brings together a representative sampling of Marguerite’s varied writings, most of it never before translated into English, enabling Anglophone readers to enjoy the full breadth of her work for the first time. From verse letters and fables to mythological-pastoral tales, from spiritual songs to a selection of novellas from the Heptameron, the wide range of works included here will reveal Marguerite de Navarre to be one of the most important writers—male or female—of sixteenth-century France.
The Selected Writings of Andrew Lang: Volume I: Folklore, Mythology, Anthropology; General and Theoretical (The Pickering Masters)
by Tom HubbardA novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. The first volume covers the general and theoretical aspects of Lang’s work on folklore, mythology and anthropology along with the tools and concepts which he used in his often combative contributions to these inter-related disciplines. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
The Selected Writings of Andrew Lang: Volume II: Folklore, Mythology, Anthropology; Case Studies (The Pickering Masters)
by Tom HubbardA novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. As a companion to the first volume, the second is comprised of various case studies made by Lang, ranging from ‘The Aryan Races of Peru’ and ‘The Folk-lore of France’ to ‘Irish Fairies’ and ‘The Ballads, Scottish and English’. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
The Selected Writings of Andrew Lang: Volume III: Literary Criticism (Routledge Historical Resources)
by Tom HubbardA novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. The third volume arranges his literary criticism, first by geo-cultural context and then chronologically. It begins with Lang’s views on the nature and purpose of fiction, then presents samples of his work on some of the most important authors in the respective canons of French, American, Scottish and English literature including Victor Hugo, Edgar Allan Poe, Robert Burns and Charles Dickens among many others, mainly of the nineteenth century. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). The Introduction to Volume III sets Lang within the context of the literature of his times, comparing and contrasting him with significant contemporaries. Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
The Selected Writings of Andrew Lang (The Pickering Masters)
by Tom HubbardA novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. The first volume covers the general and theoretical aspects of Lang’s work on folklore, mythology and anthropology along with the tools and concepts which he used in his often combative contributions to these inter-related disciplines. As a companion to the first volume, the second is comprised of various case studies made by Lang, ranging from ‘The Aryan Races of Peru’ and ‘The Folk-lore of France’ to ‘Irish Fairies’ and ‘The Ballads, Scottish and English’. The third volume arranges his literary criticism, first by geo-cultural context and then chronologically. It begins with Lang’s views on the nature and purpose of fiction, then presents samples of his work on some of the most important authors in the respective canons of French, American, Scottish and English literature including Victor Hugo, Edgar Allan Poe, Robert Burns and Charles Dickens among many others, mainly of the nineteenth century. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). The Introduction to Volume III sets Lang within the context of the literature of his times, comparing and contrasting him with significant contemporaries. Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
The Selected Writings of Andrew Lang: Volume III: Literary Criticism (Routledge Historical Resources)
by Tom HubbardA novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. The third volume arranges his literary criticism, first by geo-cultural context and then chronologically. It begins with Lang’s views on the nature and purpose of fiction, then presents samples of his work on some of the most important authors in the respective canons of French, American, Scottish and English literature including Victor Hugo, Edgar Allan Poe, Robert Burns and Charles Dickens among many others, mainly of the nineteenth century. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). The Introduction to Volume III sets Lang within the context of the literature of his times, comparing and contrasting him with significant contemporaries. Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
The Selected Writings of Andrew Lang: Volume I: Folklore, Mythology, Anthropology; General and Theoretical (The Pickering Masters)
by Tom HubbardA novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. The first volume covers the general and theoretical aspects of Lang’s work on folklore, mythology and anthropology along with the tools and concepts which he used in his often combative contributions to these inter-related disciplines. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
The Selected Writings of Andrew Lang (The Pickering Masters)
by Tom HubbardA novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. The first volume covers the general and theoretical aspects of Lang’s work on folklore, mythology and anthropology along with the tools and concepts which he used in his often combative contributions to these inter-related disciplines. As a companion to the first volume, the second is comprised of various case studies made by Lang, ranging from ‘The Aryan Races of Peru’ and ‘The Folk-lore of France’ to ‘Irish Fairies’ and ‘The Ballads, Scottish and English’. The third volume arranges his literary criticism, first by geo-cultural context and then chronologically. It begins with Lang’s views on the nature and purpose of fiction, then presents samples of his work on some of the most important authors in the respective canons of French, American, Scottish and English literature including Victor Hugo, Edgar Allan Poe, Robert Burns and Charles Dickens among many others, mainly of the nineteenth century. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). The Introduction to Volume III sets Lang within the context of the literature of his times, comparing and contrasting him with significant contemporaries. Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
The Selected Writings of Andrew Lang: Volume II: Folklore, Mythology, Anthropology; Case Studies (The Pickering Masters)
by Tom HubbardA novelist, poet, literary critic and anthropologist, Andrew Lang is best known for his publications on folklore, mythology and religion; many have grown up with the ‘colour’ Fairy Books which he compiled between 1889 and 1910. This three volume set presents a selection of his work in these areas. As a companion to the first volume, the second is comprised of various case studies made by Lang, ranging from ‘The Aryan Races of Peru’ and ‘The Folk-lore of France’ to ‘Irish Fairies’ and ‘The Ballads, Scottish and English’. Collectively, the General Introduction to the set and the Introductions to the individual volumes offer a thorough overview of Lang’s work in an astonishing variety of fields, including his translation work on Homer and his contributions to historiography (particularly Scottish). Headnotes to the individual items are of varying length and provide more detail on specific topics, and explanatory notes supply unique intellectual comment rather than merely factual information.
The Selected Writings of Leigh Hunt Vol 5
by Robert Morrison Michael Eberle-SinatraThis edition makes available in a single edition all of Hunt's major works, fully annotated and with a consolidated index. The set will include all of Hunt's poetry, and an extensive selection of his periodical essays.
The Selected Writings of Leigh Hunt Vol 5
by Robert Morrison Michael Eberle-SinatraThis edition makes available in a single edition all of Hunt's major works, fully annotated and with a consolidated index. The set will include all of Hunt's poetry, and an extensive selection of his periodical essays.
A Selection from the Lyrical Poems of Robert Herrick
by Robert HerrickRobert Herrick was a 17th century English poet. Herrick began as an apprentice to a jeweler before attending college. In 1627 he took his orders and became chaplain to the Duke of Buckingham. He then became a vicar in Devon where he lived for 31 years writing some of his best poetry. When the English Civil War broke out he lost his position, since he refused to pledge to the Solemn League and Covenant. He returned to London living off the charity of his friends and spent his time preparing his lyric poems for publication. When Charles became king Herrick returned to his post. His poetry themes were English country life, village customs, complimentary poems to various ladies and his friends, themes taken from classical writings and Christian faith.
Selections from the 'Carmina Burana': A New Verse Translation
by David ParlettThis is a selection from the 13the century collection of secular latin poems. Some are serious (eg Crusade poems) but the majority are light, including many love poems. A number of items from the Carmina are well known as text for Carl Orff's 'Scenic Cantata'.
Self-Portrait in the Dark
by Colette BryceThe dark attunes our eyes to detail the light can sometimes conceal; similarly, Colette Bryce’s new poems are ‘slant tellings’ that reveal strange and true reflections. Using a wide range of imaginative strategies, Bryce examines the ways in which time is held, space enclosed – and a life framed and given meaning: a face in a broken mirror, a spider trapped under a glass, or a stolen kiss in a car-wash. Bryce’s two previous prize-winning collections were widely admired for their marvellously seductive music and their speed of thought; Self-Portrait in the Dark widens and deepens the poet’s scope, and is her most emotionally compelling collection to date. Praise for The Full Indian Rope Trick ‘[Bryce’s] poems, sensitive as the needle that registers some distant earth tremor, are delicately poised . . . Bryce’s vision is questing, disquieting, dark . . . as she seeks out the truths of life and love that transform the human heart. This is a confident, complex, subversive collection that shows us the magic by which one becomes a mature poet’ The Times
Self, Text, and Romantic Irony: The Example of Byron
by Frederick GarberFrederick Garber takes up in detail several problems of the self broached in his previous book, The Autonomy of the Self from Richardson to Huysmans (Princeton, 1982). Using patterns in Byron's canon as models, he focuses on the relations of self-making and text-making as a central Romantic issue. For Byron and many of his contemporaries, putting a text into the world meant putting a self there along with it, and it also meant that the difficulties of establishing the one inevitably reflect the parallel difficulties in the other.Professor Garber discusses some of Byron's key texts and shows how their development leads to an impasse involving both self and text. Byron's way out of these dilemmas was the mode of Romantic irony, of which he is one of the greatest exemplars. The study then moves into broader areas of Anglo-European literature, its ultimate purpose being to argue not only for the efficacy of such irony but for its position as something more than a mere alternative to Romantic organicism.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Selfie: Poetry, Social Change & Ecological Connection
by James SherrySelfie: Poetry, Social Change & Ecological Connection presents the first general theory that links poetry in environmental thought to poetry as an environment. James Sherry accomplishes this task with a network model of connectivity that scales from the individual to social to environmental practices. Selfie demonstrates how parts of speech, metaphor, and syntax extend bidirectionally from the writer to the world and from the writer inward to identities that promote sustainable practices. Selfie shows how connections in the biosphere scale up from operating within the body, to social structures, to the networks that science has identified for all life. The book urges readers to construct plural identifications rather than essential claims of identity in support of environmental diversity.
Selfwolf (Phoenix Poets)
by Mark HallidayIn his third book of poems, Mark Halliday grapples with the endless struggle between self-concern and awareness of the rights of others. Through humor, ironic twists, and refreshing candor, these poems confront a variety of situations—death, divorce, artistic egotism and envy, personal relationships—where the very idea of self is under siege. "If Selfwolf were a pop music CD, it would be hailed as Mark Halliday's breakthrough album. . . . This third collection of poems teems with unsparing confessions of misdirected lust, lost faith, regret and a winningly goofy cheerfulness in the face of all that bad stuff. . . . The informal, conversational quality of Halliday's work almost hides its artfulness, which seems to be precisely his intention."—Ken Tucker, New York Times Book Review "With unflinching, often comic honesty about how 'ego-fetid, hostile, grasping' we are, Halliday exposes the self's wolfish hungers and weaknesses."—Andrew Epstein, Boston Review "Mark Halliday's new book offers more of his trademark riffs on self-consciousness. His subversive, surprising, hugely enjoyable poems will make you laugh out loud, squirm in uncomfortable recognition, and appreciate anew the comedy of our daily battles for self-preservation. . . reading Halliday is pure delight. . . . I love the daring and intelligence with which Halliday skates along the shifting boundary between self within and world outside. Selfwolf slows down our habitual negotiations between 'in here' and 'out there,' exposing the edgy comedy of how we survive."—Damaris Moore, Express Books
Selfwolf (Phoenix Poets)
by Mark HallidayIn his third book of poems, Mark Halliday grapples with the endless struggle between self-concern and awareness of the rights of others. Through humor, ironic twists, and refreshing candor, these poems confront a variety of situations—death, divorce, artistic egotism and envy, personal relationships—where the very idea of self is under siege. "If Selfwolf were a pop music CD, it would be hailed as Mark Halliday's breakthrough album. . . . This third collection of poems teems with unsparing confessions of misdirected lust, lost faith, regret and a winningly goofy cheerfulness in the face of all that bad stuff. . . . The informal, conversational quality of Halliday's work almost hides its artfulness, which seems to be precisely his intention."—Ken Tucker, New York Times Book Review "With unflinching, often comic honesty about how 'ego-fetid, hostile, grasping' we are, Halliday exposes the self's wolfish hungers and weaknesses."—Andrew Epstein, Boston Review "Mark Halliday's new book offers more of his trademark riffs on self-consciousness. His subversive, surprising, hugely enjoyable poems will make you laugh out loud, squirm in uncomfortable recognition, and appreciate anew the comedy of our daily battles for self-preservation. . . reading Halliday is pure delight. . . . I love the daring and intelligence with which Halliday skates along the shifting boundary between self within and world outside. Selfwolf slows down our habitual negotiations between 'in here' and 'out there,' exposing the edgy comedy of how we survive."—Damaris Moore, Express Books
Selfwolf (Phoenix Poets)
by Mark HallidayIn his third book of poems, Mark Halliday grapples with the endless struggle between self-concern and awareness of the rights of others. Through humor, ironic twists, and refreshing candor, these poems confront a variety of situations—death, divorce, artistic egotism and envy, personal relationships—where the very idea of self is under siege. "If Selfwolf were a pop music CD, it would be hailed as Mark Halliday's breakthrough album. . . . This third collection of poems teems with unsparing confessions of misdirected lust, lost faith, regret and a winningly goofy cheerfulness in the face of all that bad stuff. . . . The informal, conversational quality of Halliday's work almost hides its artfulness, which seems to be precisely his intention."—Ken Tucker, New York Times Book Review "With unflinching, often comic honesty about how 'ego-fetid, hostile, grasping' we are, Halliday exposes the self's wolfish hungers and weaknesses."—Andrew Epstein, Boston Review "Mark Halliday's new book offers more of his trademark riffs on self-consciousness. His subversive, surprising, hugely enjoyable poems will make you laugh out loud, squirm in uncomfortable recognition, and appreciate anew the comedy of our daily battles for self-preservation. . . reading Halliday is pure delight. . . . I love the daring and intelligence with which Halliday skates along the shifting boundary between self within and world outside. Selfwolf slows down our habitual negotiations between 'in here' and 'out there,' exposing the edgy comedy of how we survive."—Damaris Moore, Express Books
Selling Manhattan
by Carol Ann Duffy'One of those rare books that is immediately enjoyable yet will repay many re-readings' Poetry ReviewCarol Ann Duffy's highly praised second collection, for which she was given the Somerset Maughan Award, showcases the Poet Laureate's skill even at the very start of her career. Within are poems that reveal the full range of her interests: from the dramatic monologues, to meditations on death and art, to poems of protest and poems of love. Throughout it all, though, is a resounding determination to give voices to those who are usually voiceless, and always apparent is her inimitable wit, wisdom and imagination. At once tender and sharp, moving and humourous, Selling Manhattan has dazzled both readers and critics ever since it was first published in 1987.
semiautomatic (Wesleyan Poetry Series)
by Evie ShockleyArt can't shield our bodies or stabilize the earth's climate, but Evie Shockley's semiautomatic insists that it can feed the spirit and reawaken the imagination. The volume responds primarily to the twenty-first century's inescapable evidence of the terms of black life—not so much new as newly visible. The poems trace a whole web of connections between the kinds of violence that affect people across the racial, ethnic, gender, class, sexual, national, and linguistic boundaries that do and do not divide us. How do we protect our humanity, our ability to feel deeply and think freely, in the face of a seemingly endless onslaught of physical, social, and environmental abuses? Where do we find language to describe, process, and check the attacks and injuries we see and suffer? What actions can break us out of the soul-numbing cycle of emotions, moving through outrage, mourning, and despair, again and again? In poems that span fragment to narrative and quiz to constraint, from procedure to prose and sequence to song, semiautomatic culls past and present for guides to a hoped-for future.
Senecan Tragedy and the Reception of Augustan Poetry
by Christopher V. TrinactyIn their practice of aemulatio, the mimicry of older models of writing, the Augustan poets often looked to the Greeks: Horace drew inspiration from the lyric poets, Virgil from Homer, and Ovid from Hesiod, Callimachus, and others. But by the time of the great Roman tragedian Seneca, the Augustan poets had supplanted the Greeks as the "classics" to which Seneca and his contemporaries referred. Indeed, Augustan poetry is a reservoir of language, motif, and thought for Seneca's writing. Strangely, however, there has not yet been a comprehensive study revealing the relationship between Seneca and his Augustan predecessors. Christopher Trinacty's Senecan Tragedy and the Reception of Augustan Poetry is the long-awaited answer to the call for such a study. Senecan Tragedy and the Reception of Augustan Poetry uniquely places Senecan tragedy in its Roman literary context, offering a further dimension to the motivations and meaning behind Seneca's writings. By reading Senecan tragedy through an intertextual lens, Trinacty reveals Seneca's awareness of his historical moment, in which the Augustan period was eroding steadily around him. Seneca, looking back to the poetry of Horace, Virgil, and Ovid, acts as a critical interpreter of both their work and their era. He deconstructs the language of the Augustan poets, refiguring it through the perspective of his tragic protagonists. In doing so, he positions himself as a critic of the Augustan tradition and reveals a poetic voice that often subverts the classical ethos of that tradition. Through this process of reappropriation Seneca reveals much about himself as a playwright and as a man: In the inventive manner in which he re-employs the Augustan poets' language, thought, and poetics within the tragic framework, Seneca gives his model works new--and uniquely Senecan--life. Trinacty's analysis sheds new light both on Seneca and on his Augustan predecessors. As such, Senecan Tragedy and the Reception of Augustan Poetry promises to be a groundbreaking contribution to the study of both Senecan tragedy and Augustan poetry.
Sensation, Contemporary Poetry and Deleuze: Transformative Intensities (Continuum Literary Studies)
by Jon ClayFocussing on the significance of sensation, this study develops a Deleuzian poetics of reading, through an examination of contemporary innovative poetry.