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The Poetry of Punk: The Meaning Behind Punk Rock and Hardcore Lyrics
by Gerfried AmbroschPunk bands have produced an abundance of poetic texts, some crude, some elaborate, in the form of song lyrics. These lyrics are an ideal means by which to trace the developments and explain the conflicts and schisms that have shaped, and continue to shape, punk culture. They can be described as the community’s collective ‘poetic voice,’ and they come in many different forms. Their themes range from romantic love to emotional distress to radical politics. Some songs are intended to entertain, some to express strong feelings, some to provoke, some to spread awareness, and some to foment unrest. Most have an element of confrontation, of kicking against the pricks. Socially and epistemologically, they play a central role in the scene’s internal discourse, shaping communities and individual identities. The Poetry of Punk is an investigation into the Anglophone punk culture, specifically in the UK and the US, where punk originated in the mid-1970s, its focus being on the song lyrics written and performed by punk rock and hardcore artists.
The Poetry of Raymond Carver: Against the Current
by Sandra Lee KleppeBest known as one of the great short story writers of the twentieth century, Raymond Carver also published several volumes of poetry and considered himself as much a poet as a fiction writer. Sandra Lee Kleppe combines comparative analysis with an in-depth examination of Carver’s poems, making a case for the quality of Carver’s poetic output and showing the central role Carver’s pursuit of poetry played in his career as a writer. Carver constructed his own organic literary system of 'autopoetics,' a concept connected to a paradigm shift in our understanding of the inter-relatedness of biological and cultural systems. This idea is seen as informing Carver’s entire production, and a distinguishing feature of Kleppe’s book is its contextualization of Carver’s poetry within the complex literary and scientific systems that influenced his development as a writer. Kleppe addresses the common themes and intertextual links between Carver’s poetry and short story careers, situates Carver’s poetry within the love poem tradition, explores the connections between neurology and poetic memories, and examines Carver’s use of the elegy genre within the context of his terminal illness. Tellingly, Carver’s poetry, which has aroused slight interest among literary scholars, is frequently taught to medical students. This testimony to the interdisciplinary implications of Carver’s work suggests the appropriateness of Kleppe’s culminating discussion of Carver’s work as a bridge between the fields of literature and medicine.
The Poetry of Raymond Carver: Against the Current
by Sandra Lee KleppeBest known as one of the great short story writers of the twentieth century, Raymond Carver also published several volumes of poetry and considered himself as much a poet as a fiction writer. Sandra Lee Kleppe combines comparative analysis with an in-depth examination of Carver’s poems, making a case for the quality of Carver’s poetic output and showing the central role Carver’s pursuit of poetry played in his career as a writer. Carver constructed his own organic literary system of 'autopoetics,' a concept connected to a paradigm shift in our understanding of the inter-relatedness of biological and cultural systems. This idea is seen as informing Carver’s entire production, and a distinguishing feature of Kleppe’s book is its contextualization of Carver’s poetry within the complex literary and scientific systems that influenced his development as a writer. Kleppe addresses the common themes and intertextual links between Carver’s poetry and short story careers, situates Carver’s poetry within the love poem tradition, explores the connections between neurology and poetic memories, and examines Carver’s use of the elegy genre within the context of his terminal illness. Tellingly, Carver’s poetry, which has aroused slight interest among literary scholars, is frequently taught to medical students. This testimony to the interdisciplinary implications of Carver’s work suggests the appropriateness of Kleppe’s culminating discussion of Carver’s work as a bridge between the fields of literature and medicine.
The Poetry of Rimbaud
by Robert Greer CohnIn this interpretative analysis of the poetry of Rimbaud, Robert Greer Cohn first introduces the reader to the work of Rimbaud and outlines the poet's precocious, meteoric career. He then integrates the various aspects of the poetry into a coherent view, one which avoids a tendentious or reductive approach and does not fit some of the poems into a system and omit the rest. The early poems are given their due importance, and the difficult Illuminations are at last made accessible.This will be the standard book on the subject, one which will long be read and consulted by teachers and students of Rimbaud's poetry. It provides analyses of key passages of the poems, with detailed clarifications of difficult lines and even words. The author reaches many sound fresh conclusions, often by confronting resistant passages with similar ones from other works or with the work of other poets close to him in spirit.This is an intelligent and serious book which faces the direct beauty of the text and tries with honesty to explain all the difficulties while further enhancing the reader's sense of mystery.Originally published in 1974.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Poetry of Robert Browning (Readers' Guides to Essential Criticism)
by Britta MartensRobert Browning's pre-eminent status amongst Victorian poets has endured despite the recent broadening of the literary canon. He is the main practitioner of the period's most important poetic genre, the dramatic monologue, while his engagement with many aspects of nineteenth-century culture makes him a key figure in the wider field of Victorian studies. This stimulating introduction to Browning criticism provides an overview of the major responses to the poet’s work over the last two hundred years. It offers an insightful guide to criticism from various theoretical perspectives, elucidating Browning’s participation in Victorian debates about aesthetics, history, politics, religion, gender and psychology.
The Poetry of Robert Browning (Readers' Guides to Essential Criticism)
by Britta MartensRobert Browning's pre-eminent status amongst Victorian poets has endured despite the recent broadening of the literary canon. He is the main practitioner of the period's most important poetic genre, the dramatic monologue, while his engagement with many aspects of nineteenth-century culture makes him a key figure in the wider field of Victorian studies.This stimulating introduction to Browning criticism provides an overview of the major responses to the poet's work over the last two hundred years. It offers an insightful guide to criticism from various theoretical perspectives, elucidating Browning's participation in Victorian debates about aesthetics, history, politics, religion, gender and psychology.
The Poetry of Sappho: An Expanded Edition, Featuring Newly Discovered Poems
by Jim PowellToday, thousands of years after her birth, in lands remote from her native island of Lesbos and in languages that did not exist when she wrote her poetry in Aeolic Greek, Sappho remains an important name among lovers of poetry and poets alike,. Celebrated throughout antiquity as the supreme Greek poet of love and of the personal lyric, noted especially for her limpid fusion of formal poise, lucid insight, and incandescent passion, today her poetry is also prized for its uniquely vivid participation in a living paganism. Collected in an edition of nine scrolls by scholars in the second century BC, Sappho's poetry largely disappeared when the Fourth Crusade sacked Constantinople in 1204. All that remained was one poem and a handful of quoted passages . A century ago papyrus fragments recovered in Egypt added a half dozen important texts to Sappho's surviving works. In 2004 a new complete poem was deciphered and published. By far the most significant discovery in a hundred years, it offers a new and tellingly different example of Sappho's poetic art and reveals another side of the poet, thinking about aging and about the transmission of culture from one generation to the next. Jim Powell's translations represent a unique combination of poetic mastery in English verse and a deep schlolarly engagement with Sappho's ancient Greek. They are incomparably faithful to the literal sense of the Greek poems and, simultaneously, to their forms, preserving the original meters and stanzas while exactly replicating the dramatic action of their sequences of disclosure and the passionate momentum of their sentences. Powell's translations have often been anthologized and selected for use in textbooks, winning recognition among discerning readers as by far the best versions in English.
The Poetry of Sappho: An Expanded Edition, Featuring Newly Discovered Poems
by Jim PowellToday, thousands of years after her birth, in lands remote from her native island of Lesbos and in languages that did not exist when she wrote her poetry in Aeolic Greek, Sappho remains an important name among lovers of poetry and poets alike,. Celebrated throughout antiquity as the supreme Greek poet of love and of the personal lyric, noted especially for her limpid fusion of formal poise, lucid insight, and incandescent passion, today her poetry is also prized for its uniquely vivid participation in a living paganism. Collected in an edition of nine scrolls by scholars in the second century BC, Sappho's poetry largely disappeared when the Fourth Crusade sacked Constantinople in 1204. All that remained was one poem and a handful of quoted passages . A century ago papyrus fragments recovered in Egypt added a half dozen important texts to Sappho's surviving works. In 2004 a new complete poem was deciphered and published. By far the most significant discovery in a hundred years, it offers a new and tellingly different example of Sappho's poetic art and reveals another side of the poet, thinking about aging and about the transmission of culture from one generation to the next. Jim Powell's translations represent a unique combination of poetic mastery in English verse and a deep schlolarly engagement with Sappho's ancient Greek. They are incomparably faithful to the literal sense of the Greek poems and, simultaneously, to their forms, preserving the original meters and stanzas while exactly replicating the dramatic action of their sequences of disclosure and the passionate momentum of their sentences. Powell's translations have often been anthologized and selected for use in textbooks, winning recognition among discerning readers as by far the best versions in English.
The Poetry of Saying: British Poetry and its Discontents, 1950-2000 (Liverpool English Texts and Studies #45)
by Robert SheppardIn The Poetry of Saying Robert Sheppard explores an array of ‘experimental’ writers and styles of writing many of which have never secured a large audience in Britain, but which are often fascinatingly innovative. As a published poet in this tradition, Sheppard provides a detailed and thought provoking account of the development of the British poetry movement from the 1950s. As well as analysing the work of individual poets such as Roy Fisher, Lee Harwood and Tom Raworth The Poetry of Saying also examines the influence of the Poetry Society and poetry magazines on the evolution of British poetry throughout this period. The overriding virtue of the poetry of this period is its diversity, a fact that Sheppard has not ignored. As well as providing a fascinating into the work of these poets, The Poetry of Saying offers an ‘insider’s’ commentary on the social, political and historical background during this exciting period in British poetry.
The Poetry of Sex
by Sophie HannahThe Poetry of Sex - a raucous, highly enjoyable anthology by acclaimed poet Sophie Hannah 'We've been at it all summer, from the Canadian border to the edge of Mexico . . .'It's hard to imagine a more fruitful subject for poets than sex, in all its glorious manifestations: from desire and hope, through disappointment and confusion, to conclusion and consequence. And little has changed over the centuries, as Sophie Hannah's anthology vividly demonstrates, from Catullus pleading with Lesbos to Walt Whitman singing the body electric. Moods and attitudes may vary but the drive persists as does the desire to write about it.Sophie Hannah's selection ranges from ancient Rome to modern New York, from gay to straight, but her principle has been to go low on the sugar and high on the excitement. It is essential reading for poetry lovers and romantics everywhere. Sophie Hannah has published five collections of poetry. Her fifth Pessimism for Beginners was shortlisted for the T.S. Eliot Award in 2007. Her Selected Poems is published by Penguin (revised edition, 2013). She is also the writer of bestselling psychological crime fiction, most recently The Carrier. Her novels have been translated into 24 languages. Born in Manchester, she now lives in Cambridge with her husband and children, and is a Fellow Commoner of Lucy Cavendish College.
The Poetry of Simon Armitage: A Study Guide for GCSE Students
by Tony ChildsSimon Armitage is one of the leading poets of his generation. Since his first collection, Zoom, in 1989 he has published ten full-length collections of poetry, while also writing and presenting numerous works for radio, television and film. He is now one of the poets most widely studied at GCSE examination level. This study guide to Simon Armitage's poetry will be essential reading and preparation for GCSE students and their teachers, to whose needs it has been expertly tailored. The book examines Armitage's work in just the ways that students need to think about it - in respect of how the poems are crafted in language and form, and the kinds of themes, ideas and attitudes that they reflect. It also includes sections on studying individual poems for the examination, an illuminating biography with questions and answers and sample essays.
The Poetry Of Sorley Maclean (Scotnotes Ser. #30)
by Emma DymockAlong with his contemporaries Edwin Morgan and Hugh MacDiarmid, Sorley MacLean is recognised as one of the most important Scottish poets of the twentieth century. Born at Oscaig on the island of Raasay in 1911, MacLean was greatly influenced by Gaelic tradition and by contemporary cultural and political ideas from around the world. In many ways he brought Scottish Gaelic poetry into the modern era, and he is a key figure in modern Scottish literature. MacLean’s poetry ranges beyond Scotland to confront European and world events and politics. This book offers a detailed study of MacLean’s poems, providing insight into the context of his work. It also includes close readings of selected poems that best represent his key themes and ideas. This Scotnote is ideal for senior school pupils and students of all ages as a general introduction or as a starting point for more in-depth study.
The Poetry of Susan Howe: History, Theology, Authority (Modern and Contemporary Poetry and Poetics)
by W. MontgomeryThe Poetry of Susan Howe provides a comprehensive survey of the major works of one of America's foremost contemporary poets. The book describes the relationship between poetic form and the various configurations of history, religious thought, and authority in Howe's writing. Will Montgomery argues that her highly opaque texts reflect the resistance that the past offers to contemporary investigation. Addressing lyric, literary history, collage and visual poetics, The Poetry of Susan Howe is a lucid and persuasive investigation of the volatile movements of this extraordinary body of work.
The Poetry of T. S. Eliot (Routledge Library Editions: T. S. Eliot)
by D. E. MaxwellIn this fascinating and revealing book, first published in 1952, Maxwell shows the development of Eliot’s poetry and poetic thought in the light of his political and religious attachments. This study traces Eliot’s style from the earliest poems to the Quartets, and examines the characteristics of Eliot’s earlier work adumbrate that of his maturity. The Poetry of T. S. Eliot is essential reading for students of literature.
The Poetry of T. S. Eliot (Routledge Library Editions: T. S. Eliot #6)
by D. E. MaxwellIn this fascinating and revealing book, first published in 1952, Maxwell shows the development of Eliot’s poetry and poetic thought in the light of his political and religious attachments. This study traces Eliot’s style from the earliest poems to the Quartets, and examines the characteristics of Eliot’s earlier work adumbrate that of his maturity. The Poetry of T. S. Eliot is essential reading for students of literature.
The Poetry of Ted Hughes: Language, Illusion & Beyond (Longman Studies In Twentieth Century Literature)
by Dr Paul BentleyThis text provides a lucid and accessible introduction to the poetry of Ted Hughes, a major figure in twentieth- century poetry whose work is concerned with the forces of nature and their interaction with the human mind. It is also the first full length study to place Hughes's poetry in the context of significant developments in literary theory that have occured during his life, drawing in particular on the 'French theorists'- Jacques Lacan, Julia Kristeva, and Roland Barthes. The study sheds new light on Hughes's prosody, and on such matters as Hughes's relation to the 'Movement' poets, the influence of Sylvia Plath, his relation to Romanticism, his interest in myth and shamanism, and the implications of the Laureateship for his work. The poems are presented in chronological order, tracing the development of Hughes's highly distinctive style. The study also discusses Hughes's recently published non-fiction- Winter Pollen (1994) and Shakespeare and the Goddess of Complete Being (1992). The Poetry of Ted Hughes is indispensable for all students and academics interested in contemporary poetry and culture.
The Poetry of Ted Hughes: Language, Illusion & Beyond (Longman Studies In Twentieth Century Literature)
by Dr Paul BentleyThis text provides a lucid and accessible introduction to the poetry of Ted Hughes, a major figure in twentieth- century poetry whose work is concerned with the forces of nature and their interaction with the human mind. It is also the first full length study to place Hughes's poetry in the context of significant developments in literary theory that have occured during his life, drawing in particular on the 'French theorists'- Jacques Lacan, Julia Kristeva, and Roland Barthes. The study sheds new light on Hughes's prosody, and on such matters as Hughes's relation to the 'Movement' poets, the influence of Sylvia Plath, his relation to Romanticism, his interest in myth and shamanism, and the implications of the Laureateship for his work. The poems are presented in chronological order, tracing the development of Hughes's highly distinctive style. The study also discusses Hughes's recently published non-fiction- Winter Pollen (1994) and Shakespeare and the Goddess of Complete Being (1992). The Poetry of Ted Hughes is indispensable for all students and academics interested in contemporary poetry and culture.
The Poetry of Ted Hughes (Readers' Guides to Essential Criticism)
by Sandie ByrneThis Reader's Guide charts the reception history of Ted Hughes' poetry from his first to last published collection, culminating in posthumous tributes and assessments of his lifetime achievement. Sandie Byrne explores the criticism relating to key issues such as nature, myth, the Laureateship, and Hughes' relationship with Sylvia Plath.
The Poetry of Ted Hughes (Readers' Guides to Essential Criticism)
by Sandie ByrneThis Reader's Guide charts the reception history of Ted Hughes' poetry from his first to last published collection, culminating in posthumous tributes and assessments of his lifetime achievement. Sandie Byrne explores the criticism relating to key issues such as nature, myth, the Laureateship, and Hughes' relationship with Sylvia Plath.
The Poetry of the Americas: From Good Neighbors to Countercultures (Modernist Literature and Culture)
by Harris FeinsodThe Poetry of the Americas offers a lively and detailed history of relations among poets in the US and Latin America, spanning three decades from the Good Neighbor diplomacy of World War II through the Cold War cultural policies of the late 1960s. Connecting works by Martín Adán, Elizabeth Bishop, Paul Blackburn, Jorge Luis Borges, Julia de Burgos, Ernesto Cardenal, Jorge Carrera Andrade, Allen Ginsberg, Langston Hughes, José Lezama Lima, Pablo Neruda, Charles Olson, Octavio Paz, Heberto Padilla, Wallace Stevens, Derek Walcott, William Carlos Williams, and many others, Feinsod reveals how poets of many nations imagined a "poetry of the Americas" that linked multiple cultures, even as it reflected the inequities of the inter-American political system. This account offers a rich contextual study of the state-sponsored institutions and the countercultural networks that sustained this poetry, from Nelson Rockefeller's Office of the Coordinator for Inter-American Affairs to the mid-1960s avant-garde scene in Mexico City. This innovative literary-historical project enables new readings of such canonical poems as Stevens's "Notes Toward a Supreme Fiction" and Neruda's "The Heights of Macchu Picchu," but it positions these alongside lesser known poetry, translations, anthologies, literary journals and private correspondences culled from library archives across the Americas. The Poetry of the Americas thus broadens the horizons of reception and mutual influence--and of formal, historical, and political possibility--through which we encounter midcentury American poetry, recasting traditional categories of "U.S." or "Latin American" literature within a truly hemispheric vision.
The Poetry of the Americas: From Good Neighbors to Countercultures (Modernist Literature and Culture)
by Harris FeinsodThe Poetry of the Americas offers a lively and detailed history of relations among poets in the US and Latin America, spanning three decades from the Good Neighbor diplomacy of World War II through the Cold War cultural policies of the late 1960s. Connecting works by Martín Adán, Elizabeth Bishop, Paul Blackburn, Jorge Luis Borges, Julia de Burgos, Ernesto Cardenal, Jorge Carrera Andrade, Allen Ginsberg, Langston Hughes, José Lezama Lima, Pablo Neruda, Charles Olson, Octavio Paz, Heberto Padilla, Wallace Stevens, Derek Walcott, William Carlos Williams, and many others, Feinsod reveals how poets of many nations imagined a "poetry of the Americas" that linked multiple cultures, even as it reflected the inequities of the inter-American political system. This account offers a rich contextual study of the state-sponsored institutions and the countercultural networks that sustained this poetry, from Nelson Rockefeller's Office of the Coordinator for Inter-American Affairs to the mid-1960s avant-garde scene in Mexico City. This innovative literary-historical project enables new readings of such canonical poems as Stevens's "Notes Toward a Supreme Fiction" and Neruda's "The Heights of Macchu Picchu," but it positions these alongside lesser known poetry, translations, anthologies, literary journals and private correspondences culled from library archives across the Americas. The Poetry of the Americas thus broadens the horizons of reception and mutual influence--and of formal, historical, and political possibility--through which we encounter midcentury American poetry, recasting traditional categories of "U.S." or "Latin American" literature within a truly hemispheric vision.
Poetry of the Civil War
by John BoyesOn January 17 1861, a few weeks after South Carolina became the first state to formally secede from the Union, Quaker poet John Greenleaf Whittier's 'A Word for the Hour' was published in The Boston Evening Transcript. It was to herald the birth of a new era of American poetry - one that expressed the hopes and fears, and the hatred and hostility, of a nation torn in two.The only conflict to be fought on American soil by Americans, the Civil War pitched brother against brother, father against son and left a legacy burned deep in the American psyche, as this superb collection of poetry reveals.In Poetry of the Civil War the tragedy, heroism, pathos, and futility of the bloodshed are brought vividly to life and leave an indelible impression of what it must have been like to live through some of the nation's darkest hours.
Poetry of the First World War (Macmillan Collector's Library #141)
by Marcus ClaphamThe First World War was one of the deadliest conflicts in modern history and produced horrors undreamed of by the young men who cheerfully volunteered for a war that was supposed to be over by Christmas. Whether in the patriotic enthusiasm of Rupert Brooke, the disillusionment of Charles Hamilton Sorley, or the bitter denunciations of Siegfried Sassoon and Wilfred Owen, the war produced an astonishing outpouring of powerful poetry. Edited by author and editor Marcus Clapham, the major poets are all represented in this beautiful Macmillan Collector’s Library anthology, Poetry of the First World War, alongside many others whose voices are less well known, and their verse is accompanied by contemporary motifs.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.
Poetry of the First World War: An Anthology (Oxford World's Classics)
The First World War produced an extraordinary flowering of poetic talent, poets whose words commemorate the conflict more personally and as enduringly as monuments in stone. Lines such as 'What passing-bells for these who die as cattle?' and 'They shall grow not old, as we that are left grow old' have come to express the feelings of a nation about the horrors and aftermath of war. This new anthology provides a definitive record of the achievements of the Great War poets. As well as offering generous selections from the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, Rupert Brooke, and Ivor Gurney, it also incorporates less well-known writing by civilian and women poets. Music hall and trench songs provide a further lyrical perspective on the War. A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context. Although the War has now passed out of living memory, its haunting of our language and culture has not been exorcised. Its poetry survives because it continues to speak to and about us.