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Garments Against Women
by Anne BoyerThe multi-award-winning meditation on survival, care and the place of literature in an unequal world'Around that time my daughter and I had this exchange:Anne, imagine if the world had nothing in it.Do you mean nothing at all - just darkness - or a world without objects?I mean a world without things: no houses, chairs, or cars. A world with only people and trees and dirt.What do you think would happen?People would make things. We would make things with trees and dirt.'When the cold comes, when our needs announce themselves, it is with clothing, with possessions, in literature, through dreams - in all the forms and categories that shape, contain and constrain - that we keep ourselves alive. Yet, in a society in which some are rich and some are poor, who gets to dream, and who invents our forms? This is a book made of money and the lack of money; of writing and of not-writing; of illness and of care; of low-rent apartments, cake-baking mothers, Socratic daughters and bodies that refuse to become information.
Gate of Lilacs: A Verse Commentary on Proust
by Clive JamesOver a period of fifteen years Clive James learned French by almost no other method than reading À la recherche du temps perdu. Then he spent half a century trying to get up to speed with Proust's great novel in two different languages. Gate of Lilacs is the unique product of James's love and engagement with Proust's eternal masterpiece. With À la recherche du temps perdu, Proust, in James's words, 'followed his creative instinct all the way until his breath gave out', and now James has done the same. In Gate of Lilacs, James, a brilliant critical essayist and poet, has blended the two forms into one.I had always thought the critical essay and the poem were closely related forms . . . If I wanted to talk about Proust's poetry beyond the basic level of talking about his language - if I wanted to talk about the poetry of his thought - then the best way to do it might be to write a poem.There is nothing like a poem for transmitting a mental flavour. Instead of trying to describe it, you can evoke it. In the end, if À la recherche du temps perdu is a book devoted almost entirely to its author's gratitude for life, for love, and for art, this much smaller book is devoted to its author's gratitude for Proust.
Gathering: Anthology / Collection / Ensemble - Together As One (Wordcatcher Modern Poetry)
by Ross LaneAnthology - Poems by my Several Selves: 'An anthology of poetry is traditionally a collected work by various writers and, in a sense, that is exactly what this book is. We are all different people at many junctions in our lives. We are moulded and shaped by the people, places and events that leave their fingerprints and footprints on our souls, and as such we change and evolve, losing sometimes our perspective but at the same time gaining another.' Collection - An Intentional Collection of Poetry: 'There is rarely an end to a collection, itself being the action or process of collecting someone or something into a place to be cherished, observed, reviewed and displayed. This is my first intentional collection of poetry, a selection of work that gathers further memories of people, places, events and dreams.' Ensemble - All the Parts Working Together: 'Through the writing of this collection I became fixated upon the concept of an ensemble, how it was all the parts of a thing taken together for consideration in relation only to the whole. This expanded my subject matter and areas of life that I wanted to explore. I loved the concept that even the tiniest pieces of memory and life had a significant impact on who we are as a whole, who we have become and who we aspire to be.'
Gaudete
by Ted Hughes'The poem we are told was originally intended as a film scenario. Ted Hughes has that sure poetic instinct that heads implacably for the particular instances rather than ideas or abstraction; he has an especial talent for evoking the visual particular . . . Ted Hughes has produced a strange bastard form that [works] because he has such an acute sense of the suggestive power of specific visual images and the ability to evoke them in words.' Oliver Lyne, Times Literary Supplement
GCSE English Edexcel Unseen Poetry Guide
by Cgp BooksBuild confidence and skills for the Unseen Poetry section of the Grade 9-1 GCSE Edexcel English Literature exams with this superb Poetry Guide! It includes a wide range of full poems, with warm-up questions and exam-style comparison questions. There's also a section of in-depth advice on how to analyse and compare poems in the exam, including how to write a good answer and top tips for targeting Grades 8-9. Students then have the opportunity to mark sample answers to Unseen Poetry questions - ideal for helping them identify what’s required to achieve each grade. To top it all off, there's a whole section of exam-style practice for realistic test preparation (with all the answers included of course). To make sure they can practise their poetry anywhere, this book comes with a free Online Edition! Don’t miss CGP’s fantastic GCSE Edexcel English Literature Poetry Guides for the Conflict Anthology (9781789080001) and the Relationships Anthology (9781789080018).
Gelli's Words of Wales: A Children's Anthology (Wordcatcher Modern Poetry)
byAs part of our Eisteddfod celebrations, we worked with poet Francesca Kay and author Chris Lynch to develop our writing skills. We are so proud of our writing we decided to publish our work. We all had the opportunity to write in different styles and used different story or poem formats and then chose the work we would like to be published. We hope you enjoy reading our work as much as we enjoyed writing it! A book full of creative, funny and enjoyable poems and stories created by the cheerful and creative kids of Gelli Primary to celebrate all things Welsh.
Gender and Place in Chicana/o Literature: Critical Regionalism and the Mexican American Southwest (Literatures of the Americas)
by Melina V. Vizcaíno-AlemánThis book is a study of gender and place in twentieth-century Chicana/o literature and culture, covering the early period of regional writing to contemporary art. Remapping Chicana/o literary and cultural history from the critical regional perspective of the Mexican American Southwest, it uncovers the aesthetics of Chicana/o critical regionalism in the writings of Cleofas Jaramillo, Fray Angélico Chávez, Elena Zamora O’Shea, and Jovita González. In addition to bringing renewed attention to contemporary writers like Richard Rodriguez and introducing the work of Chicana artist Carlota d.Z. EspinoZa, the study also revisits the more recognized work of Américo Paredes, Mario Suárez, Mary Helen Ponce, and Rodolfo “Corky” Gonzales to reconsider the aesthetics of gender and place in Chicana/o literature and culture.
Gender and Power in Shrew-Taming Narratives, 1500-1700
by D. Wootton G. HoldernessExplores dramatic, narrative and polemical versions of the 'taming of the shrew' story, from the Middle Ages to the Restoration, in light of recent historical work on the position of early modern women in society. Its essays address shrew narratives as an extended cultural dialogue debating issues of gender and sexual politics.
Gender and Representations of the Female Subject in Early Modern England: Creating Their Own Meanings (Palgrave Shakespeare Studies)
by Akiko KusunokiThis book examines the interactions between social assumptions about womanhood and women's actual voices represented in plays and writings by authors of both genders in Jacobean England, placing the special emphasis on Lady Mary Wroth.
Gender And Song In Early Modern England (PDF)
by Leslie C. Dunn Katherine R. LarsonSong offers a vital case study for examining the rich interplay of music, gender, and representation in the early modern period. This collection engages with the question of how gender informed song within particular textual, social, and spatial contexts in sixteenth- and seventeenth-century England. Bringing together ongoing work in musicology, literary studies, and film studies, it elaborates an interdisciplinary consideration of the embodied and gendered facets of song, and of song's capacity to function as a powerful-and flexible-gendered signifier. The essays in this collection draw vivid attention to song as a situated textual and musical practice, and to the gendered processes and spaces of song's circulation and reception. In so doing, they interrogate the literary and cultural significance of song for early modern readers, performers, and audiences.
Gender, Sex, and the City: Urdu Rekhti Poetry in India, 1780-1870 (Literatures and Cultures of the Islamic World)
by R. VanitaExplores the urban, cosmopolitan sensibilities of Urdu poetry written in the late eighteenth and early nineteenth centuries in Lucknow. Ruth Vanita analyzes Rekhti, a type of Urdu poetry distinguished by a female speaker and a focus on women's lives, and shows how it becamea catalyst for the transformation of the ghazal.
Gender Trouble Couplets, Volume 1: Volume 1
by A.W. StrouseJudith Butler’s Gender Trouble: Feminism and the Subversion of Identity radically claimed that the sexed body is a fallacy, discursively constructed by the performance of gender. A.W. Strouse has undertaken to rewrite Butler’s classic tome into an octosyllabic poem. Inspired by the rhyming encyclopedias of the Middle Ages, Strouse transforms each of Butler’s sentences into Seussian couplets. This performative repetition of Chapter 1 of Butler’s Gender Trouble, “Subjects of Sex/Gender/Desire,” deconstructs Butler’s deconstruction. Relishing in the campiness of rhyme and meter—in the bodily pleasures of form—Strouse’s Gender Trouble Couplets, Volume 1 is an imitation for which there is no original. Gender Trouble, perhaps, was poetry all along.
The Genius of Parody: Imitation and Originality in Seventeenth- and Eighteenth-Century English Literature
by R. MackRecent theoretical approaches have compelled critics to rethink many received notions regarding the significance of contemporary parodic activity. This study places parody firmly (if paradoxically) where it belongs: at the centre of the literary-creative process in the literature of the Seventeenth and Eighteenth centuries.
Gentle Chaos: Poems, Tales, and Magic
by Tyler GacaFrom the wild imagination of Tyler Gaca, also known as TikTok's Ghosthoney, comes a beautiful compendium of poems, images, personal stories, and vignettes that explore magic, queerness, Tyler&’s unique story, and the enchantment and comfort to be found in the weird, the dark, and the different. In this raw yet enchanting collection of poems, essays, photographs, and artworks, Tyler Gaca dreamily navigates themes of magic and queerness, offering readers an intimate look inside his mind and his worlds, real and imagined. The writings in Gentle Chaos reflect on growing up queer and in love with magic, discovering yourself and your place in the world, and daring to seek out love and hope. The artworks are dedicated to salvaged antique photographs, haircuts, dead moths, the creatures we dream up, and much more. The result is a whimsical, vulnerable, and transporting journey into the gentle chaos within us all.
Geoffrey Chaucer: A Very Short Introduction (Very Short Introductions)
by David WallaceOriginally writing over 600 years ago, Geoffrey Chaucer is today enjoying a global renaissance. Why do poets, translators, and audiences from so many cultures, from the mountains of Iran to the islands of Japan, find Chaucer so inspiring? In part this is down to the character and sheer inventiveness of Chaucer's work. At the time Chaucer's writings were not just literary adventures, but also a means of convincing the world that poetry and science, tragedy and astrology, could all be explored through the English language. French was still England's aristocratic language of choice when Chaucer was born; Latin was used for university education, theological discussion, and for burying the dead. Could a hybrid tongue such as English ever generate great writing to compare with French and Latin? Chaucer, miraculously, believed that it could, through gradual expansion of expressiveness and scientific precision. He was never paid to do this; he was valued, rather, as a capable civil servant, regulating the export of wool and the building of seating for royal tournaments. Such experiences, however, fed his writing, leading him to achieve a range of social registers, from noble tragedy to barnyard farce, unrivalled for centuries. His tale-telling geography is vast, his fascination with varieties of religious belief endless, and his desire to voice female experience especially remarkable. Many Chaucerian poets and performers, today, are women. In this Very Short Introduction David Wallace introduces the life, performance, and poetry of Chaucer, and analyses his astonishing and enduring appeal. Previously published in hardback as Geoffrey Chaucer: A New Introduction ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Geoffrey Chaucer: A Very Short Introduction (Very Short Introductions)
by David WallaceOriginally writing over 600 years ago, Geoffrey Chaucer is today enjoying a global renaissance. Why do poets, translators, and audiences from so many cultures, from the mountains of Iran to the islands of Japan, find Chaucer so inspiring? In part this is down to the character and sheer inventiveness of Chaucer's work. At the time Chaucer's writings were not just literary adventures, but also a means of convincing the world that poetry and science, tragedy and astrology, could all be explored through the English language. French was still England's aristocratic language of choice when Chaucer was born; Latin was used for university education, theological discussion, and for burying the dead. Could a hybrid tongue such as English ever generate great writing to compare with French and Latin? Chaucer, miraculously, believed that it could, through gradual expansion of expressiveness and scientific precision. He was never paid to do this; he was valued, rather, as a capable civil servant, regulating the export of wool and the building of seating for royal tournaments. Such experiences, however, fed his writing, leading him to achieve a range of social registers, from noble tragedy to barnyard farce, unrivalled for centuries. His tale-telling geography is vast, his fascination with varieties of religious belief endless, and his desire to voice female experience especially remarkable. Many Chaucerian poets and performers, today, are women. In this Very Short Introduction David Wallace introduces the life, performance, and poetry of Chaucer, and analyses his astonishing and enduring appeal. Previously published in hardback as Geoffrey Chaucer: A New Introduction ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Geoffrey Hill's later work: Radiance of apprehension
by Alex WylieAn exploration of the later work of Geoffrey Hill, often described as ‘the greatest living poet’ in his lifetime. This book reads, interprets, evaluates, and sets in context the work of Hill’s prolific later period from 1996 to 2016, the year of his death.
Geoffrey Hill's later work: Radiance of apprehension
by Alex WylieAn exploration of the later work of Geoffrey Hill, often described as ‘the greatest living poet’ in his lifetime. This book reads, interprets, evaluates, and sets in context the work of Hill’s prolific later period from 1996 to 2016, the year of his death.
Geography III (FSG Classics) (PDF)
by Elizabeth BishopWhether writing about waiting as a child in a dentist's office, viewing a city from a plane high above, or losing items ranging from door keys to one's lover in the masterfully restrained "One Art," Elizabeth Bishop somehow conveyed both large and small emotional truths in language of stunning exactitude and even more astonishing resonance. As John Ashbery has written, "The private self . . . melts imperceptibly into the large utterance, the grandeur of poetry, which, because it remains rooted in everyday particulars, never sounds 'grand,' but is as quietly convincing as everyday speech. "
Geoparsing Early Modern English Drama (Geocriticism and Spatial Literary Studies)
by M. Matei-ChesnoiuGeo-spatial identity and early Modern European drama come together in this study of how cultural or political attachments are actively mediated through space. Matei-Chesnoiu traces the modulated representations of rivers, seas, mountains, and islands in sixteenth-century plays by Shakespeare, Jasper Fisher, Thomas May, and others.
George Berkeley and Romanticism: Ghostly Language
by Chris TownsendGeorge Berkeley's mainstream legacy amongst critics and philosophers, from Samuel Johnson to Bertrand Russell, has tended to concern his claim that the objects of perception are in fact nothing more than our ideas. Yet there's more to Berkeley than idealism alone, and the poets now grouped under the label 'Romanticism' took up Berkeley's ideas in especially strange and surprising ways. As this book shows, the poets Blake, Wordsworth, Coleridge, and Shelley focused less on Berkeley's arguments for idealism than they did on his larger, empirically-derived claim that nature constitutes a kind of linguistic system. It is through that 'ghostly language' that we might come to know ourselves, each other, and even God. This book is a reappraisal of the role that Berkeley's ideas played in Romanticism, and it pursues his spiritualized philosophy across a range of key Romantic-period poems. But it is also a re-reading of Berkeley himself, as a thinker who was deeply concerned with language and with written—even literary—style. In that sense, it offers an incisive case study into the reception of philosophical ideas into the workings of poetry, and of the role of poetics within the history of ideas more broadly.
George Berkeley and Romanticism: Ghostly Language
by Chris TownsendGeorge Berkeley's mainstream legacy amongst critics and philosophers, from Samuel Johnson to Bertrand Russell, has tended to concern his claim that the objects of perception are in fact nothing more than our ideas. Yet there's more to Berkeley than idealism alone, and the poets now grouped under the label 'Romanticism' took up Berkeley's ideas in especially strange and surprising ways. As this book shows, the poets Blake, Wordsworth, Coleridge, and Shelley focused less on Berkeley's arguments for idealism than they did on his larger, empirically-derived claim that nature constitutes a kind of linguistic system. It is through that 'ghostly language' that we might come to know ourselves, each other, and even God. This book is a reappraisal of the role that Berkeley's ideas played in Romanticism, and it pursues his spiritualized philosophy across a range of key Romantic-period poems. But it is also a re-reading of Berkeley himself, as a thinker who was deeply concerned with language and with written—even literary—style. In that sense, it offers an incisive case study into the reception of philosophical ideas into the workings of poetry, and of the role of poetics within the history of ideas more broadly.
George Crabbe: Everyman's Poetry (Everyman's Poetry)
by Stephen DerryA selection of poems by George Crabbe, edited by Stephen Derry