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Love Like Salt: A Memoir
by Helen StevensonCHOSEN BY MAGGIE O'FARRELL IN THE GUARDIAN AS ONE OF HER BEST BOOKS OF THE YEAR'It's a slice of a life . . . a complex, intelligent, beautiful, thoughtful, rather lyrical book' -Cathy Rentzenbrink, author of The Last Act of Love'A moving treatise on inheritance, not just of a disease like cystic fibrosis, but of our attitudes to living and loving, our sense of cultural and familial landscape, and how these intangibles pass down through generations. Stevenson picks apart her life like a strand of DNA to uncover just how we become the sum of our parts' Daily Telegraph'A beautiful memoir . . . [Stevenson] is a novelist and a translator and her memoir is about translation in the larger sense. Translating the world is what we all do but she reminds us that one can hope - with a mind as intricately well read and original as hers - to translate misfortune; to absorb and see beyond it . . . Stevenson makes of poetry, fiction and philosophy a protective shawl for her story . . . Although intense she has a carefree wit' Kate Kellaway, Observer'Love Like Salt is a human triumph ... Ultimately, Love Like Salt follows in the hallowed footsteps of Helen MacDonald's brilliant H is for Hawk or Cathy Rentzenbrink's The Last Act of Love. These are not misery memoirs but reminders that life comes in all shades - that in the darkest moments, beauty and humour can be found' Francesca Brown, Stylist'Did Clara taste salty when I kissed her? She did. She tasted of mermaids, of the sea.'Love Like Salt is a deeply affecting memoir, beautifully and intelligently written. It is about mothers and daughters, music and illness, genes and inheritance, writing and story-telling. It is about creating joy from the hand you've been dealt and following its lead - in this case to rural France, where the author and her family lived for seven years. And back again.'I had always written, and until the birth of Clara I wrote for a living. Once I knew the Cystic Fibrosis gene had unfolded itself in our daughter's body, like a paper flower meeting water, I felt that to write, even if I had had time, or been able, would have been to squander a kind of power which was needed for tending and nurturing. Every moment became a moment in which I protected my baby. Some of it I did in secret, like a madwoman muttering spells. I thought of her as a candle, cupping my hand around her.A beautifully written memoir, in the vein of H is for Hawk and The Last Act of Love, about motherhood, music and living the best life you can, even in the shadow of illness.
Love Me Do: 50 Great Beatles Moments
by Paolo HewittLove Me Do tells the story of the Beatles by highlighting and then examining in detail fifty significant events in their amazing career. Taking a completely new approach to the band, Paolo Hewitt creates one of the great Beatle biographies in time for the 50th anniversary of the release of the band's first single. Using huge amounts of research and personal insight, Paolo Hewitt will take the reader on a rollercoaster ride, from little-known moments such as the Beatles' audition to be Billy Fury's backing band, the band's early recording of 'That'll be the Day' and George Harrison being deported from Hamburg, to more famous moments, such as the band's stint at The Cavern, their 1969 rooftop gig and the making of the Sgt Pepper album. Beginning with the formation of the Beatles in the late 1950s and concluding with the band's reformation in 1996 - when Paul McCartney, George Harrison and Ringo Starr recorded and released two of John Lennon's songs - this book traces how the Beatles influenced their generation and countless others since.
Love of My Life: The Life and Loves of Freddie Mercury
by Lesley-Ann JonesWHO - OR WHAT - WAS THE REAL LOVE OF FREDDIE MERCURY'S LIFE?Millions of Queen and screen fans who watched the Oscar-winning film Bohemian Rhapsody believe that Mary Austin, the woman he could never quite let go of, was the love of Freddie Mercury's life. But the truth is infinitely more complicated.Best-selling biographer and music writer Lesley-Ann Jones explores the charismatic frontman's romantic encounters, from his boarding school years in Panchgani, India to his tragic, final, bed-ridden days in his magnificent London mansion. She reveals why none of his love interests ever perfected the art of being Freddie's life partner.In Love of My Life, the author follows him through his obsessions with former shop girl Mary, German actress Barbara Valentin and Irish-born barber boyfriend Jim Hutton. She explores his adoration of globally fêted Spanish soprano Montserrat Caballé. She delves into his intimate friendship with Elton John, and probes his imperishable bonds with his fellow band members. She deconstructs his complicated relationship with the 'food of love' - his music - and examines closely his voracious appetite for - what some would call his fatal addiction to - sex. Which of these was the real love of Freddie Mercury's life? Was any of them? Drawing on personal interviews and first-hand encounters, this moving book brings to the fore a host of Freddie's lesser-known loves, weaving them in and out of the passions that consumed him. The result, a mesmerising portrait of a legendary rock star, is unputdownable. Love of My Life, published during the year of the 30th anniversary of his death and that would have seen his 75th birthday, is Lesley-Ann's personal and compassionate tribute to an artist she has revered for as long as she has written about music and musicians.
Love & Pain: The epic times and crooked lines of life inside and outside Silverchair
by Ben Gillies Chris JoannouThis is the powerful, untold story of two of the three members of Silverchair, Australia's most awarded musical act. From their beginnings in Ben Gillies' garage, this trio of high school kids from Newcastle, New South Wales, became famous with their smash-hit single 'Tomorrow', setting them on a path to domination of the Australian charts, worldwide touring and fame.So much has been written about Silverchair over the years but very little has been said by the band's members. In Love & Pain, childhood friends Ben Gillies (drummer) and Chris Joannou (bass player) tell us tales about growing up across the road from each other and starting in Silverchair, wild stories from the peak of their days in the spotlight, and the ups and downs of how their lives have panned out since.While there are some funny, unforgettable rock 'n' roll stories, there is also all the love and pain that came with being in the band: the cost of fame and intense pressure on two teenagers who had no way of preparing for it; the navigation of their friendships with each other and their relationships with friends and family members; the mistakes they made and the successes they cherished. Gillies and Joannou write with vulnerability and raw and blistering honesty, making for an extraordinary account of a band adored by so many.
Love Songs: The Hidden History
by Ted GioiaThe love song is timeless. From its beginnings, it has been shaped by bohemians and renegades, slaves and oppressed minorities, prostitutes, immigrants and other excluded groups. But what do we really know about the origins of these intimate expressions of the heart? And how have our changing perceptions about topics such as sexuality and gender roles changed our attitudes towards these songs? In Love Songs: The Hidden History, Ted Gioia uncovers the unexplored story of the love song for the first time. Drawing on two decades of research, Gioia presents the full range of love songs, from the fertility rites of ancient cultures to the sexualized YouTube videos of the present day. The book traces the battles over each new insurgency in the music of love--whether spurred by wandering scholars of medieval days or by four lads from Liverpool in more recent times. In these pages, Gioia reveals that the tenderest music has, in different eras, driven many of the most heated cultural conflicts, and how the humble love song has played a key role in expanding the sphere of individualism and personal autonomy in societies around the world. Gioia forefronts the conflicts, controversies, and the battles over censorship and suppression spurred by such music, revealing the outsiders and marginalized groups that have played a decisive role in shaping our songs of romance and courtship, and the ways their innovations have led to reprisals and strife. And he describes the surprising paths by which the love song has triumphed over these obstacles, and emerged as the dominant form of musical expression in modern society.
Love Songs: The Hidden History
by Ted GioiaThe love song is timeless. From its beginnings, it has been shaped by bohemians and renegades, slaves and oppressed minorities, prostitutes, immigrants and other excluded groups. But what do we really know about the origins of these intimate expressions of the heart? And how have our changing perceptions about topics such as sexuality and gender roles changed our attitudes towards these songs? In Love Songs: The Hidden History, Ted Gioia uncovers the unexplored story of the love song for the first time. Drawing on two decades of research, Gioia presents the full range of love songs, from the fertility rites of ancient cultures to the sexualized YouTube videos of the present day. The book traces the battles over each new insurgency in the music of love--whether spurred by wandering scholars of medieval days or by four lads from Liverpool in more recent times. In these pages, Gioia reveals that the tenderest music has, in different eras, driven many of the most heated cultural conflicts, and how the humble love song has played a key role in expanding the sphere of individualism and personal autonomy in societies around the world. Gioia forefronts the conflicts, controversies, and the battles over censorship and suppression spurred by such music, revealing the outsiders and marginalized groups that have played a decisive role in shaping our songs of romance and courtship, and the ways their innovations have led to reprisals and strife. And he describes the surprising paths by which the love song has triumphed over these obstacles, and emerged as the dominant form of musical expression in modern society.
Love Songs in Motion: Voicing Intimacy in Somaliland (Chicago Studies in Ethnomusicology)
by Christina J. WoolnerAn intimate account of everyday life in Somaliland, explored through an ever-evolving musical genre of love songs. At first listen, both music and talk about love are conspicuously absent from Somaliland’s public soundscapes. The lingering effects of war, the contested place of music in Islam, and gendered norms of emotional expression limit opportunities for making music and sharing personal feelings. But while Christina J. Woolner was researching peacebuilding in Somaliland’s capital, Hargeysa, she kept hearing snippets of songs. Almost all of these, she learned, were about love. In these songs, poets, musicians, and singers collaborate to give voice to personal love aspirations and often painful experiences of love-suffering. Once in circulation, the intimate and heartfelt voices of love songs provide rare and deeply therapeutic opportunities for dareen-wadaag (feeling-sharing). In a region of political instability, these songs also work to powerfully unite listeners on the basis of shared vulnerability, transcending social and political divisions and opening space for a different kind of politics. Taking us from 1950s recordings preserved on dusty cassettes to new releases on YouTube and live performances at Somaliland’s first postwar music venue—where the author herself eventually takes the stage—Woolner offers an account of love songs in motion that reveals the capacity of music to connect people and feelings across time and space, creating new possibilities for relating to oneself and others.
Love Songs in Motion: Voicing Intimacy in Somaliland (Chicago Studies in Ethnomusicology)
by Christina J. WoolnerAn intimate account of everyday life in Somaliland, explored through an ever-evolving musical genre of love songs. At first listen, both music and talk about love are conspicuously absent from Somaliland’s public soundscapes. The lingering effects of war, the contested place of music in Islam, and gendered norms of emotional expression limit opportunities for making music and sharing personal feelings. But while Christina J. Woolner was researching peacebuilding in Somaliland’s capital, Hargeysa, she kept hearing snippets of songs. Almost all of these, she learned, were about love. In these songs, poets, musicians, and singers collaborate to give voice to personal love aspirations and often painful experiences of love-suffering. Once in circulation, the intimate and heartfelt voices of love songs provide rare and deeply therapeutic opportunities for dareen-wadaag (feeling-sharing). In a region of political instability, these songs also work to powerfully unite listeners on the basis of shared vulnerability, transcending social and political divisions and opening space for a different kind of politics. Taking us from 1950s recordings preserved on dusty cassettes to new releases on YouTube and live performances at Somaliland’s first postwar music venue—where the author herself eventually takes the stage—Woolner offers an account of love songs in motion that reveals the capacity of music to connect people and feelings across time and space, creating new possibilities for relating to oneself and others.
Love Songs of Chandidas: The Rebel Poet-Priest of Bengal (Routledge Revivals)
by Deben BhattacharyaFirst published in 1967, Love Songs of Chandidās provides an informative introduction which makes vividly clear the importance of Chandidās to the Indian peasant masses. As the author tells us, the traveller through the Birbhum area of Bengal hears Chandidās everywhere, in the villages, in the fields, on the roads. Night after night, the people gather in the temple courtyards or on the village greens to listen to professional ‘Kirtan’ singers sing his songs of the divine love of Radha and Krishna. The influence of Chandidās on contemporary Bengali literature is equally important, his songs having enriched the work of great poets such as Rabindranath Tagore, Govindadas, and many others. The author also discusses the interesting topic of the Sahaja (‘spontaneity’) movement in Indian faith and literature, as manifested in the songs of Chandidās, and the worship of love-making, divine and human, as an important aspect of this faith. This book will be of interest to students of literature, music, history, cultural studies and South Asian studies.
Love Songs of Chandidas: The Rebel Poet-Priest of Bengal (Routledge Revivals)
First published in 1967, Love Songs of Chandidās provides an informative introduction which makes vividly clear the importance of Chandidās to the Indian peasant masses. As the author tells us, the traveller through the Birbhum area of Bengal hears Chandidās everywhere, in the villages, in the fields, on the roads. Night after night, the people gather in the temple courtyards or on the village greens to listen to professional ‘Kirtan’ singers sing his songs of the divine love of Radha and Krishna. The influence of Chandidās on contemporary Bengali literature is equally important, his songs having enriched the work of great poets such as Rabindranath Tagore, Govindadas, and many others. The author also discusses the interesting topic of the Sahaja (‘spontaneity’) movement in Indian faith and literature, as manifested in the songs of Chandidās, and the worship of love-making, divine and human, as an important aspect of this faith. This book will be of interest to students of literature, music, history, cultural studies and South Asian studies.
A Lover Sings: Selected Lyrics
by Billy BraggBilly Bragg is one of Britain's most distinctive and accomplished songwriters, whose work has articulated the passions, both personal and political, of Britain during the past five decades. A Lover Sings contains over seventy of his best-known lyrics, selected and annotated by the author.'Sexuality', 'A New England', 'Levi Stubbs' Tears' - these are unadorned, poetic songs that skilfully interweave everyday observation with much broader concerns: of fairness and outrage, of generosity and love. A Lover Sings reveals a unique sensibility: principled and proudly of the Left, funny, forthright and tender. It is a remarkable collection.
Loverly: The Life and Times of My Fair Lady (Broadway Legacies)
by Dominic McHughFew musicals have had the impact of Lerner and Loewe's timeless classic My Fair Lady. Sitting in the middle of an era dominated by such seminal figures as Rodgers and Hammerstein, Frank Loesser, and Leonard Bernstein, My Fair Lady not only enjoyed critical success similar to that of its rivals but also had by far the longest run of a Broadway musical up to that time. From 1956 to 1962, its original production played without a break for 2,717 performances, and the show went on to be adapted into one of the most successful movie musicals of all time in 1964, when it won eight Academy Awards. Internationally, the show also broke records in London, and the original production toured to Russia at the height of the Cold War in an attempt to build goodwill. It remains a staple of the musical theater canon today, an oft-staged show in national, regional, and high school theaters across the country. Using previously-unpublished documents, author Dominic McHugh presents a completely new, behind-the-scenes look at the five-year creation of the show, revealing the tensions and complex relationships that went into its making. McHugh charts the show from the aftermath of the premiere of Shaw's Pygmalion and the playwright's persistent refusal to allow it to be made into a musical, through to the quarrel that led lyricist Alan Jay Lerner and composer Frederick Loewe to part ways halfway through writing the show, up to opening night and through to the present. This book is the first to shed light on the many behind-the-scenes creative discussions that took place from casting decisions all the way through the final months of frantic preparation leading to the premiere in March 1956. McHugh also traces sketches for the show, looking particularly at the lines cut during the rehearsal and tryout periods, to demonstrate how Lerner evolved the relationship between Higgins and Eliza in such a way as to maintain the delicate balance of ambiguity that characterizes their association in the published script. He looks too at the movie version, and how the cast album and subsequent revivals have influenced the way in which the show has been received. Overall, this book explores why My Fair Lady continues to resonate with audiences worldwide more than fifty years after its premiere.
Loverly: The Life and Times of My Fair Lady (Broadway Legacies)
by Dominic McHughFew musicals have had the impact of Lerner and Loewe's timeless classic My Fair Lady. Sitting in the middle of an era dominated by such seminal figures as Rodgers and Hammerstein, Frank Loesser, and Leonard Bernstein, My Fair Lady not only enjoyed critical success similar to that of its rivals but also had by far the longest run of a Broadway musical up to that time. From 1956 to 1962, its original production played without a break for 2,717 performances, and the show went on to be adapted into one of the most successful movie musicals of all time in 1964, when it won eight Academy Awards. Internationally, the show also broke records in London, and the original production toured to Russia at the height of the Cold War in an attempt to build goodwill. It remains a staple of the musical theater canon today, an oft-staged show in national, regional, and high school theaters across the country. Using previously-unpublished documents, author Dominic McHugh presents a completely new, behind-the-scenes look at the five-year creation of the show, revealing the tensions and complex relationships that went into its making. McHugh charts the show from the aftermath of the premiere of Shaw's Pygmalion and the playwright's persistent refusal to allow it to be made into a musical, through to the quarrel that led lyricist Alan Jay Lerner and composer Frederick Loewe to part ways halfway through writing the show, up to opening night and through to the present. This book is the first to shed light on the many behind-the-scenes creative discussions that took place from casting decisions all the way through the final months of frantic preparation leading to the premiere in March 1956. McHugh also traces sketches for the show, looking particularly at the lines cut during the rehearsal and tryout periods, to demonstrate how Lerner evolved the relationship between Higgins and Eliza in such a way as to maintain the delicate balance of ambiguity that characterizes their association in the published script. He looks too at the movie version, and how the cast album and subsequent revivals have influenced the way in which the show has been received. Overall, this book explores why My Fair Lady continues to resonate with audiences worldwide more than fifty years after its premiere.
Loving Amy: A Mother's Story
by Janis WinehouseArguably the most gifted artist of her generation, Amy Winehouse died tragically young, aged just 27. With a worldwide fanbase and millions of record sales to her name, she should have had the world at her feet. Instead, in the years prior to her passing, she battled with addictions and was often the subject of lurid tabloid headlines. But who was the real Amy?Amy's mother, Janis, knew her in a way that no-one else did. In this warm, poignant and, at times, heartbreaking memoir, she reveals the full story of the daughter she loved. As the world watched the rise of a superstar, then the freefall of an addict to her untimely death, Janis simply saw her Amy, the girl she'd given birth to in 1983; the girl she'd raised and stood by despite her unruly behaviour; the girl whose body she was forced to identify two days after her death - and the girl she's grieved for every day since.Packed with exclusive material that has never been seen before, such as extracts from Amy's teenage diaries, photos and notes, Loving Amy offers a new and intimate perspective on the life and death of the phenomenon that is Amy Winehouse.
Loving Music Till It Hurts
by William ChengCan music feel pain? Do songs possess dignity? Do symphonies have rights? Of course not, you might say. Yet think of how we anthropomorphize music, not least when we believe it has been somehow mistreated. A singer butchered or mangled the "Star-Spangled Banner" at the Super Bowl. An underrehearsed cover band made a mockery of Led Zeppelin's classics. An orchestra didn't quite do justice to Mozart's Requiem. Such lively language upholds music as a sentient companion susceptible to injury and in need of fierce protection. There's nothing wrong with the human instinct to safeguard beloved music . . . except, perhaps, when this instinct leads us to hurt or neglect fellow human beings in turn: say, by heaping outsized shame upon those who seem to do music wrong; or by rushing to defend a conductor's beautiful recordings while failing to defend the multiple victims who have accused this maestro of sexual assault. Loving Music Till It Hurts is a capacious exploration of how people's head-over-heels attachments to music can variously align or conflict with agendas of social justice. How do we respond when loving music and loving people appear to clash?
Loving Music Till It Hurts
by William ChengCan music feel pain? Do songs possess dignity? Do symphonies have rights? Of course not, you might say. Yet think of how we anthropomorphize music, not least when we believe it has been somehow mistreated. A singer butchered or mangled the "Star-Spangled Banner" at the Super Bowl. An underrehearsed cover band made a mockery of Led Zeppelin's classics. An orchestra didn't quite do justice to Mozart's Requiem. Such lively language upholds music as a sentient companion susceptible to injury and in need of fierce protection. There's nothing wrong with the human instinct to safeguard beloved music . . . except, perhaps, when this instinct leads us to hurt or neglect fellow human beings in turn: say, by heaping outsized shame upon those who seem to do music wrong; or by rushing to defend a conductor's beautiful recordings while failing to defend the multiple victims who have accused this maestro of sexual assault. Loving Music Till It Hurts is a capacious exploration of how people's head-over-heels attachments to music can variously align or conflict with agendas of social justice. How do we respond when loving music and loving people appear to clash?
Loving the Band
by Emily BakerLoving the Band by Emily Baker is a boy-band novel for romance and pop-loving readers!For all the millions of fans across the globe of One Direction, The Wanted, JLS, Justin Bieber... and in fact anyone who's ever had a pop-idol crush!What happens when you meet the boy band of every girl's dream . . . and not one but two of them fall for you?Two of the world's most popular boys.One gorgeous girl . . .When Jess and her best friend Tegan meet The Only Truth, the hottest boy band in the world, she's not too fussed - she's heard of them but she's too busy getting over a recent break-up to get caught up in the hysteria that's taking over London.So when the boys need to hide from the paparazzi, the girls are happy to help. But Jess goes from indifference to infatuation when she starts getting close to two of the boys. One is friendly and flirty, the other is brooding and serious - and soon Jess has to make the biggest decision of her life. Jess may not have been a fan to begin with. She certainly is now.Emily Baker is a fantastically talented debut UK author. Only sixteen years old, Emily is a massive One Direction fan and her personal experience of being so devoted to a world-famous band gives this romantic YA novel its powerful emotion and authority. Loving the Band was inspired by a different fan-fiction novel Emily wrote and published on the youth writers' community site Movellas.
Low End Theory: Bass, Bodies and the Materiality of Sonic Experience
by Paul C. JasenLow End Theory probes the much-mythologized field of bass and low-frequency sound. It begins in music but quickly moves far beyond, following vibratory phenomena across time, disciplines and disparate cultural spheres (including hauntings, laboratories, organ workshops, burial mounds, sound art, studios, dancefloors, infrasonic anomalies, and a global mystery called The Hum). Low End Theory asks what it is about bass that has fascinated us for so long and made it such a busy site of bio-technological experimentation, driving developments in science, technology, the arts, and religious culture. The guiding question is not so much what we make of bass, but what it makes of us: how does it undulate and unsettle; how does it incite; how does it draw bodily thought into new equations with itself and its surroundings? Low End Theory is the first book to survey this sonorous terrain and devise a conceptual language proper to it. With its focus on sound's structuring agency and the multi-sensory aspects of sonic experience, it stands to make a transformative contribution to the study of music and sound, while pushing scholarship on affect, materiality, and the senses into fertile new territory. Through energetic and creative prose, Low End Theory works to put thought in touch with the vibratory encounter as no scholarly book has done before.For more information, visit: http://www.lowendtheorybook.com/
Low End Theory: Bass, Bodies and the Materiality of Sonic Experience
by Paul C. JasenLow End Theory probes the much-mythologized field of bass and low-frequency sound. It begins in music but quickly moves far beyond, following vibratory phenomena across time, disciplines and disparate cultural spheres (including hauntings, laboratories, organ workshops, burial mounds, sound art, studios, dancefloors, infrasonic anomalies, and a global mystery called The Hum). Low End Theory asks what it is about bass that has fascinated us for so long and made it such a busy site of bio-technological experimentation, driving developments in science, technology, the arts, and religious culture. The guiding question is not so much what we make of bass, but what it makes of us: how does it undulate and unsettle; how does it incite; how does it draw bodily thought into new equations with itself and its surroundings? Low End Theory is the first book to survey this sonorous terrain and devise a conceptual language proper to it. With its focus on sound's structuring agency and the multi-sensory aspects of sonic experience, it stands to make a transformative contribution to the study of music and sound, while pushing scholarship on affect, materiality, and the senses into fertile new territory. Through energetic and creative prose, Low End Theory works to put thought in touch with the vibratory encounter as no scholarly book has done before.For more information, visit: http://www.lowendtheorybook.com/
Lowside of the Road: A Life Of Tom Waits
by Barney HoskynsSpanning Tom Waits' extraordinary 40-year career, from Closing Time to Orphans, Lowside of the Road is Barney Hoskyns' unique take on one of rock's great enigmas. Like Bob Dylan and Neil Young, Waits is a chameleonic survivor who's achieved long-term success while retaining cult credibility and outsider mystique. From his perilous "jazzbo" years in '70s Los Angeles to the multiple-Grammy winner of recent years - by way of such shape-shifting '80s albums as Swordfishtrombones - this exhaustive biography charts Waits' life step-by-step and album-by-album. Affectionate and penetrating, and based on a combination of assiduous research and deep critical insight, this is a outstanding investigation of a notoriously private artist and performer - the definitive account to date of Tom Waits' life and work.
Luca Marenzio: The Career of a Musician Between the Renaissance and the Counter-Reformation
by Marco BizzariniRegarded by his contemporaries as the leading madrigal composer of his time, Luca Marenzio was an important figure in sixteenth-century Italian music, and also highly esteemed in England, Flanders and Poland. This English translation of Marco Bizzarini's study of the life and work of Marenzio provides valuable insights into the composer's influence and place in history, and features an extensive, up-to-date bibliography and the first published list of archival sources containing references to Marenzio. Women play a decisive role as dedicatees of Marenzio's madrigals and in influencing the way in which they were performed. Bizzarini examines in detail the influence of both female and male patrons and performers on Marenzio's music and career, including his connections with the confraternity of SS Trinit nd other institutions. Dedications were also a political tool, as the book reveals. Many of Marenzio's dedications were made at the request of his employer Cardinal d'Este who wanted to please his French allies. Bizzarini examines these extra-musical dimensions to Marenzio's work and discusses the composer's new musical directions under the more austere administration of Pope Clement VIII.
Luca Marenzio: The Career of a Musician Between the Renaissance and the Counter-Reformation
by Marco BizzariniRegarded by his contemporaries as the leading madrigal composer of his time, Luca Marenzio was an important figure in sixteenth-century Italian music, and also highly esteemed in England, Flanders and Poland. This English translation of Marco Bizzarini's study of the life and work of Marenzio provides valuable insights into the composer's influence and place in history, and features an extensive, up-to-date bibliography and the first published list of archival sources containing references to Marenzio. Women play a decisive role as dedicatees of Marenzio's madrigals and in influencing the way in which they were performed. Bizzarini examines in detail the influence of both female and male patrons and performers on Marenzio's music and career, including his connections with the confraternity of SS Trinit nd other institutions. Dedications were also a political tool, as the book reveals. Many of Marenzio's dedications were made at the request of his employer Cardinal d'Este who wanted to please his French allies. Bizzarini examines these extra-musical dimensions to Marenzio's work and discusses the composer's new musical directions under the more austere administration of Pope Clement VIII.
The Lucca Choirbook: Lucca, Archivio Di Stato, Ms 238 - Lucca, Archivio Arcivescovile, Ms 97 - Pisa, Archivio Arcivescovile, Biblioteca Maffi, Cartella 11/iii (PDF) (Late Medieval And Early Renaissance Music In Facsimile Ser. #2)
by Reinhard StrohmMore than forty years ago in the state archives of Lucca, Italy, musicologist Reinhard Strohm noticed that bindings on some of the books were unusual: they consisted of the pages of a centuries-old music manuscript. In the following years, Strohm worked with the archivists to remove these leaves and reassemble as much as possible of the original manuscript, a major cultural recovery now known as The Lucca Choirbook. The recovered volume comprises what remains of a gigantic cathedral codex commissioned in Bruges around 1463 and containing English, Franco-Flemish, and Italian sacred music of the fifteenth century—including works by the celebrated composers Guillaume Du Fay and Henricus Isaac. This facsimile of the choirbook includes all the known leaves, ordered according to their proper placement in the original codex. In the introduction, Strohm tells the fascinating story of this choirbook, identifying its early users and reconstructing its travel from Bruges to Lucca.
Luck's In My Corner: The Life and Music of Hot Lips Page
by Todd Bryant WeeksLuck’s in My Corner is a comprehensive biography of one of the most compelling jazz musicians of the Swing Era, Oran "Hot Lips’ Page. Page was the greatest of the Kansas City trumpeters, whose crackling, growling solos made him the go-to man during Count Basie’s earliest days as a bandleader. Page went on to be a featured trumpeter with Artie Shaw, a star of New York’s 52nd street, and a pioneer of the R & B scene of the 1950s. This book presents an in-depth chronology of Page’s career, with special attention paid to the development of his trumpet style. Luck’s in My Corner examines the life and music of a forgotten figure of the Swing Era and returns him to his rightful place as a leading light in the world of jazz. Todd Bryant Weeks has combined genealogical, musicological, discographical and historical research, resulting in a revealing and entertaining examination of a life that spanned major changes in American popular music. This book includes a new and complete discography by the author and dozens of unpublished photos.
Luck's In My Corner: The Life and Music of Hot Lips Page
by Todd Bryant WeeksLuck’s in My Corner is a comprehensive biography of one of the most compelling jazz musicians of the Swing Era, Oran "Hot Lips’ Page. Page was the greatest of the Kansas City trumpeters, whose crackling, growling solos made him the go-to man during Count Basie’s earliest days as a bandleader. Page went on to be a featured trumpeter with Artie Shaw, a star of New York’s 52nd street, and a pioneer of the R & B scene of the 1950s. This book presents an in-depth chronology of Page’s career, with special attention paid to the development of his trumpet style. Luck’s in My Corner examines the life and music of a forgotten figure of the Swing Era and returns him to his rightful place as a leading light in the world of jazz. Todd Bryant Weeks has combined genealogical, musicological, discographical and historical research, resulting in a revealing and entertaining examination of a life that spanned major changes in American popular music. This book includes a new and complete discography by the author and dozens of unpublished photos.