- Table View
- List View
Creative Involution: Bergson, Beckett, Deleuze (Other Becketts)
by S. E. GontarskiAn original philosophical approach to one of the 20th century’s most important literary figures Creative Involution: Bergson, Beckett Deleuze focuses on a force, on a philosophical trajectory that not only had a profound impact on critical thought of the 20th and now 21st centuries, but on cosmopolitan, contemporary culture more broadly and on artistic experiment and expression in particular. It explores how the work of Samuel Beckett intersects with such preoccupations of time as a "double headed monster," of memory and multiplicity, of being and becoming that continue in an involutionary turn through the work of Gilles Deleuze. 　 Key Features: Deploys new critical approaches (e.g., a return to Bergson and Bergsonism) Addresses underexplored works in the Beckett canon Presents new critiques of representation and Beckett’s relationship to philosophy Attentive to critical thinking around affect theory and/in literature. S. E. Gontarski is Robert O. Lawton Distinguished Professor of English at Florida State University where he edited the Journal of Beckett Studies from 1992-2008. He currently serves as Co-Editor for the Journal. Among his recent books are: The Beckett Critical Reader: Archives, Theories, and Translations (2012) and The Edinburgh Companion to Samuel Beckett and the Arts (2014), both from Edinburgh University Press, and a second edition of On Beckett: Essays and Criticism from Anthem Press (2012).
Creative Lives and Works: Adrian C. Mayer, M.N. Srinivas, André Béteille and Johnathan Parry (Creative Lives and Works)
by Jack Goody Alan MacfarlaneCreative Lives and Works: Adrian C. Mayer, M.N. Srinivas, André Béteille and Johnathan Parry is a collection of interviews conducted by one of England’s leading social anthropologists and historians, Professor Alan Macfarlane. Filmed over a period of 40 years, the four conversations in this volume, are part of a larger set of interviews that cut across various disciplines, from the social sciences, the sciences to the performing and visual arts. The current volume, on four of the world’s foremost social anthropologists and sociologists, who have been closely associated with the British anthropological tradition, is the third in the series of several such books. These conversations focus primarily on fieldwork experience in India and how new dimensions and interpretations were added to the discipline of sociology and social anthropology as more and more primitive cultures and ancient civilizations were studied. This book brings out the diversity of the Indian subcontinent and its people through its engaging conversations and occasional anecdotes. Immensely riveting as conversations, this collection gives one a flavour of the many different cultures that coexist in a vast country like India, often with no knowledge of each other’s existence while de-jargonizing complex sociological concepts. The book will be of enormous value not just to those interested in the subject of Sociology, Social Anthropology and Ethnography, but also those with an avid interest in History, Culture Studies as well as those with an interest in learning about other societies. Please note: This title is co-published with Social Science Press, New Delhi. Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
Creative Lives and Works: Adrian C. Mayer, M.N. Srinivas, André Béteille and Johnathan Parry (Creative Lives and Works)
by Jack Goody Alan MacfarlaneCreative Lives and Works: Adrian C. Mayer, M.N. Srinivas, André Béteille and Johnathan Parry is a collection of interviews conducted by one of England’s leading social anthropologists and historians, Professor Alan Macfarlane. Filmed over a period of 40 years, the four conversations in this volume, are part of a larger set of interviews that cut across various disciplines, from the social sciences, the sciences to the performing and visual arts. The current volume, on four of the world’s foremost social anthropologists and sociologists, who have been closely associated with the British anthropological tradition, is the third in the series of several such books. These conversations focus primarily on fieldwork experience in India and how new dimensions and interpretations were added to the discipline of sociology and social anthropology as more and more primitive cultures and ancient civilizations were studied. This book brings out the diversity of the Indian subcontinent and its people through its engaging conversations and occasional anecdotes. Immensely riveting as conversations, this collection gives one a flavour of the many different cultures that coexist in a vast country like India, often with no knowledge of each other’s existence while de-jargonizing complex sociological concepts. The book will be of enormous value not just to those interested in the subject of Sociology, Social Anthropology and Ethnography, but also those with an avid interest in History, Culture Studies as well as those with an interest in learning about other societies. Please note: This title is co-published with Social Science Press, New Delhi. Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
Creative Lives and Works: Antony Hewish, Martin Rees and Neil Turok
by Alan MacfarlaneCreative Lives and Works: Antony Hewish, Martin Rees and Neil Turok is a collection of interviews conducted by one of England’s leading social anthropologists and historians, Professor Alan Macfarlane. Filmed over a period of 40 years, the three conversations in this volume, are part of a larger set of interviews that cut across various disciplines, from the social sciences, the sciences and to even the performing and visual arts. The current volume on three of England’s foremost astrophysicists-cosmologists is the fourth in the series of several such books. Antony Hewish, who won the Nobel Prize in 1974, in the foreword to Questions of Truth writes, ‘The ghostly presence of virtual particles defies rational common sense and is non-intuitive for those unacquainted with physics.... But when the most elementary physical things behave in this way, we should be prepared to accept that the deepest aspects of our existence go beyond our common-sense understanding’. Sir Martin Rees eloquently puts forward the problems and challenges of the 21st century, in relation to science, ethics and politics. Like Hewish and Rees, Neil Turok also piques the layman’s interest in the mysteries of the cosmic world. Immensely riveting as conversations, this collection takes one into the world of boundless discoveries hidden among the blue skies. The book will be of enormous value not just to those interested in Astronomy and Cosmology as well as the History of Science, but also to those with an inquisitive mind. Please note: This title is co-published with Social Science Press, New Delhi. Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
Creative Lives and Works: Antony Hewish, Martin Rees and Neil Turok
by Alan MacfarlaneCreative Lives and Works: Antony Hewish, Martin Rees and Neil Turok is a collection of interviews conducted by one of England’s leading social anthropologists and historians, Professor Alan Macfarlane. Filmed over a period of 40 years, the three conversations in this volume, are part of a larger set of interviews that cut across various disciplines, from the social sciences, the sciences and to even the performing and visual arts. The current volume on three of England’s foremost astrophysicists-cosmologists is the fourth in the series of several such books. Antony Hewish, who won the Nobel Prize in 1974, in the foreword to Questions of Truth writes, ‘The ghostly presence of virtual particles defies rational common sense and is non-intuitive for those unacquainted with physics.... But when the most elementary physical things behave in this way, we should be prepared to accept that the deepest aspects of our existence go beyond our common-sense understanding’. Sir Martin Rees eloquently puts forward the problems and challenges of the 21st century, in relation to science, ethics and politics. Like Hewish and Rees, Neil Turok also piques the layman’s interest in the mysteries of the cosmic world. Immensely riveting as conversations, this collection takes one into the world of boundless discoveries hidden among the blue skies. The book will be of enormous value not just to those interested in Astronomy and Cosmology as well as the History of Science, but also to those with an inquisitive mind. Please note: This title is co-published with Social Science Press, New Delhi. Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
Creative Radicalism in the Middle East: Culture and the Arab Left after the Uprisings (Written Culture and Identity)
by Sorcha ThomsonAddressing the question of how neoliberal ideology has served to conflate the radical left with extremism, this book examines how the Arab left has asserted itself in the context of authoritarianism and Islamic extremism during and after the Arab uprisings. It examines how the Arab cultural left has offered a critique of the signifying practices of political hegemonies in the region and argues that though creative expression as constituted in the very language of the Arab uprisings, it has put forward its own alternativesUsing a wide array of texts and sources, both Arab and non-Arab, the opening chapters of the book identify how ethical and radical values pertaining to sociality are co-opted by political leaders in the Middle East and turned into jargon. Later chapters outline resistance to this co-option through a poetics of inter-subjectivity that takes structures of feeling into account, ranging from disappointment, despair and distrust, to dignity, solidarity and reconfigured senses of the sacred. In showing how psychological and affective states relate to signifying practices, the book offers an original conceptual framework for differentiating 'radicalization' from the creative radicalism of the Arab avant-garde.
Creative Radicalism in the Middle East: Culture and the Arab Left after the Uprisings (Written Culture and Identity)
by Sorcha ThomsonAddressing the question of how neoliberal ideology has served to conflate the radical left with extremism, this book examines how the Arab left has asserted itself in the context of authoritarianism and Islamic extremism during and after the Arab uprisings. It examines how the Arab cultural left has offered a critique of the signifying practices of political hegemonies in the region and argues that though creative expression as constituted in the very language of the Arab uprisings, it has put forward its own alternativesUsing a wide array of texts and sources, both Arab and non-Arab, the opening chapters of the book identify how ethical and radical values pertaining to sociality are co-opted by political leaders in the Middle East and turned into jargon. Later chapters outline resistance to this co-option through a poetics of inter-subjectivity that takes structures of feeling into account, ranging from disappointment, despair and distrust, to dignity, solidarity and reconfigured senses of the sacred. In showing how psychological and affective states relate to signifying practices, the book offers an original conceptual framework for differentiating 'radicalization' from the creative radicalism of the Arab avant-garde.
Creative Shakespeare: The Globe Education Guide to Practical Shakespeare
by Fiona BanksThis unique book desribes the ways in which educational practitioners at Shakespeare's Globe theatre bring Shakespeare to life for students of all ages.The Globe approach is always active and inclusive - each student finds their own way into Shakespeare - focussing on speaking, moving and performing rather than reading. Drawing on her rich and varied experience as a teacher, Fiona Banks offers a range of examples and practical ideas teachers can take and adapt for their own lessons. The result is a stimulating and inspiring book for teachers of drama and English keen to enliven and enrich their students' experience of Shakespeare.
Creative Shakespeare: The Globe Education Guide to Practical Shakespeare
by Fiona BanksThis unique book desribes the ways in which educational practitioners at Shakespeare's Globe theatre bring Shakespeare to life for students of all ages.The Globe approach is always active and inclusive - each student finds their own way into Shakespeare - focussing on speaking, moving and performing rather than reading. Drawing on her rich and varied experience as a teacher, Fiona Banks offers a range of examples and practical ideas teachers can take and adapt for their own lessons. The result is a stimulating and inspiring book for teachers of drama and English keen to enliven and enrich their students' experience of Shakespeare.
Creative Storytelling: Building Community/Changing Lives
by Jack ZipesJack Zipes has reinvigorated storytelling as a successful and engaging tool for teachers and professional storytellers. Encouraging storytellers, librarians, and schoolteachers to be active in this magical process, Zipes proposes an interactive storytelling that creates and strengthens a sense of community for students, teachers and parents while extolling storytelling as animation, subversion, and self-discovery.
Creative Storytelling: Building Community/Changing Lives
by Jack ZipesJack Zipes has reinvigorated storytelling as a successful and engaging tool for teachers and professional storytellers. Encouraging storytellers, librarians, and schoolteachers to be active in this magical process, Zipes proposes an interactive storytelling that creates and strengthens a sense of community for students, teachers and parents while extolling storytelling as animation, subversion, and self-discovery.
Creative Truths in Provincial Policing
by Paula LichtarowiczIt doesn’t take much to tip the world into chaos. You don’t even have to mean to do it. You might be an honest family man; a police chief in a small town in Central Vietnam, say, with no desire whatsoever to unleash catastrophe. A man such as Chief Duong, with simple dreams of domestic happiness and future immortality by means of a small statue on a roundabout. But the problem with dreams is it’s often hard to look ahead. To see that borrowing money for your daughter’s marriage to a local bigwig will lead to the kidnap of a footballer from Scunthorpe, the downfall of a global soft drinks empire, incidents of attempted matricide, public murder, re-arranged marriage, hypnotic malpractice, and one unfortunate act of geriatric perversion. And that’s not to mention what happens to the town’s monkeys.Because every action has a consequence. And were she asked Mrs Duong could consult her astrological charts and tell her husband exactly that. But it’s not just the chief who needs telling. There’s roving British blogger, J C Bone, with an illegal marriage contract on his hands, and Global Human Resource Manager, Sherry-Sioux with a celebrity surveillance programme to keep under wraps. There’s a chief superintendent with lucrative investment plans and a physician with trail-blazing psychological ambitions. And then there’s Chief Duong’s freedom-fighting children. You see the biggest problem with chaos is that once it’s unleashed, everyone’s involved. And once everyone’s involved, how on earth is one little police chief ever going to put things right?
The Creative Underground: Art, Politics and Everyday Life (Routledge Research in Cultural and Media Studies)
by Paul ClementsPaul Clements champions the creative underground and expressions of difference through visionary avant-garde and resistant ideas. This is represented by an admixture of utopian literature, manifestos and lifestyles which challenge normality and attempt to reinvent society, as practiced for example, by radicals in bohemian enclaves or youth subcultures. He showcases a range of 'art' and participatory cultural practices that are examined sociopolitically and historically, employing key theoretical ideas which highlight their contribution to aesthetic thinking, political ideology, and public discourse. A reevaluation of the arts and progressive modernism can reinvigorate culture through active leisure and post-work possibilities beyond materialism and its constraints, thereby presenting alternatives to established understandings and everyday cultural processes. The book teases out the difficult relationship between the individual, culture and society especially in relation to autonomy and marginality, while arguing that the creative underground is crucial for a better world, as it offers enchantment, vitality and hope.
The Creative Underground: Art, Politics and Everyday Life (Routledge Research in Cultural and Media Studies)
by Paul ClementsPaul Clements champions the creative underground and expressions of difference through visionary avant-garde and resistant ideas. This is represented by an admixture of utopian literature, manifestos and lifestyles which challenge normality and attempt to reinvent society, as practiced for example, by radicals in bohemian enclaves or youth subcultures. He showcases a range of 'art' and participatory cultural practices that are examined sociopolitically and historically, employing key theoretical ideas which highlight their contribution to aesthetic thinking, political ideology, and public discourse. A reevaluation of the arts and progressive modernism can reinvigorate culture through active leisure and post-work possibilities beyond materialism and its constraints, thereby presenting alternatives to established understandings and everyday cultural processes. The book teases out the difficult relationship between the individual, culture and society especially in relation to autonomy and marginality, while arguing that the creative underground is crucial for a better world, as it offers enchantment, vitality and hope.
Creative Writing: A Workbook with Readings
by Linda AndersonCreative Writing is a complete writing course that will jump-start your writing and guide you through your first steps towards publication. Suitable for use by students, tutors, writers’ groups or writers working alone, this book offers: a practical and inspiring section on the creative process, showing you how to stimulate your creativity and use your memory and experience in inventive ways in-depth coverage of the most popular forms of writing, in extended sections on fiction, poetry and life writing, including biography and autobiography, giving you practice in all three forms so that you might discover and develop your particular strengths a sensible, up-to-date guide to going public, to help you to edit your work to a professional standard and to identify and approach suitable publishers a distinctive collection of exciting exercises, spread throughout the workbook to spark your imagination and increase your technical flexibility and control a substantial array of illuminating readings, bringing together extracts from contemporary and classic writings in order to demonstrate a range of techniques that you can use or adapt in your own work. Creative Writing: A Workbook with Readings presents a unique opportunity to benefit from the advice and experience of a team of published authors who have also taught successful writing courses at a wide range of institutions, helping large numbers of new writers to develop their talents as well as their abilities to evaluate and polish their work to professional standards. These institutions include Lancaster University and the University of East Anglia, renowned as consistent producers of published writers.
Creative Writing: A Workbook with Readings
by Linda AndersonCreative Writing is a complete writing course that will jump-start your writing and guide you through your first steps towards publication. Suitable for use by students, tutors, writers’ groups or writers working alone, this book offers: a practical and inspiring section on the creative process, showing you how to stimulate your creativity and use your memory and experience in inventive ways in-depth coverage of the most popular forms of writing, in extended sections on fiction, poetry and life writing, including biography and autobiography, giving you practice in all three forms so that you might discover and develop your particular strengths a sensible, up-to-date guide to going public, to help you to edit your work to a professional standard and to identify and approach suitable publishers a distinctive collection of exciting exercises, spread throughout the workbook to spark your imagination and increase your technical flexibility and control a substantial array of illuminating readings, bringing together extracts from contemporary and classic writings in order to demonstrate a range of techniques that you can use or adapt in your own work. Creative Writing: A Workbook with Readings presents a unique opportunity to benefit from the advice and experience of a team of published authors who have also taught successful writing courses at a wide range of institutions, helping large numbers of new writers to develop their talents as well as their abilities to evaluate and polish their work to professional standards. These institutions include Lancaster University and the University of East Anglia, renowned as consistent producers of published writers.
Creative Writing: Drafting, Revising and Editing
by Donna Lee Brien Gail Pittaway Russell Carpenter Karen Head Justine Mann Kathleen Ahrens Michael Kardos Kim Wiltshire Craig Batty Stayci Taylor Nigel McLoughlin Laurence Davis Elizabeth Maldonado Resa BizzaroThis stimulating edited collection focuses on the practice of revision across all creative writing genres, providing a guide to the modes and methods of drafting, revising and editing. Offering an overview of how creative writing is generated and improved, the chapters address questions of how creative writers revise, why editing is such a crucial part of the creative process and how understanding the theories underpinning revision can enhance writers' projects. Innovative and thought-provoking, this book is ideal for undergraduate and postgraduate students of creative writing, along with all creative writers looking to hone and polish their craft.
Creative Writing: Drafting, Revising and Editing
by Michael Kardos Craig Batty Donna Lee Brien Kim Wiltshire Gail Pittaway Russell Carpenter Karen Head Justine Mann Kathleen Ahrens Stayci Taylor Nigel McLoughlin Laurence Davis Elizabeth Maldonado Resa BizzaroThis stimulating edited collection focuses on the practice of revision across all creative writing genres, providing a guide to the modes and methods of drafting, revising and editing. Offering an overview of how creative writing is generated and improved, the chapters address questions of how creative writers revise, why editing is such a crucial part of the creative process and how understanding the theories underpinning revision can enhance writers' projects. Innovative and thought-provoking, this book is ideal for undergraduate and postgraduate students of Creative Writing, along with all creative writers looking to hone and polish their craft.
Creative Writing: A Workbook with Readings
by Sally O’Reilly Jane YehCreative Writing: A Workbook with Readings provides a complete creative writing course: from ways to jump-start your writing and inspire your creativity, right through to presenting your work to agents and publishers. It covers the genres of fiction, poetry and life writing (including autobiography, biography and travel writing), combining discussions of technique with readings and exercises to guide you step by step towards becoming more adept at creative writing. The second edition has been updated and in large part newly written, with readings by a diverse group of contemporary authors displaying a variety of styles and approaches. Each chapter also features an array of inspiring writing exercises, enabling you to experiment with different methods and discover your strengths. Above all, Creative Writing: A Workbook with Readings will help you to develop your abilities while nurturing your individual voice as a writer.
Creative Writing: A Workbook with Readings
by Jane Yeh Sally O'ReillyCreative Writing: A Workbook with Readings provides a complete creative writing course: from ways to jump-start your writing and inspire your creativity, right through to presenting your work to agents and publishers. It covers the genres of fiction, poetry and life writing (including autobiography, biography and travel writing), combining discussions of technique with readings and exercises to guide you step by step towards becoming more adept at creative writing. The second edition has been updated and in large part newly written, with readings by a diverse group of contemporary authors displaying a variety of styles and approaches. Each chapter also features an array of inspiring writing exercises, enabling you to experiment with different methods and discover your strengths. Above all, Creative Writing: A Workbook with Readings will help you to develop your abilities while nurturing your individual voice as a writer.
Creative Writing Analysis
by Graeme HarperCreative Writing Analysis is a guide to solving creative writing problems; acting as a practical introduction to progressing a creative writing project as well as an exploration of the many ways in which creative writing can be understood. Through chapters on topics including writing methods, textual analysis, practice-led research, interdisciplinarity, and cultural contexts, this book explores the various forms of analysis that can be employed. Graeme Harper provides information to assist in creative decision making, and as a means for discussing approaches and outcomes in creative writing. The book also includes an Afterword by Dianne Donnelly, whose work in Creative Writing Studies has been widely recognized as a contribution to the critical examination of creative writing. Whether you are a creative writer seeking to improve your work or you are simply interested in analysing the practice and outcomes of others doing creative writing, Creative Writing Analysis offers strategies to assist students and practitioners of creative writing and literary studies.
Creative Writing Analysis
by Graeme HarperCreative Writing Analysis is a guide to solving creative writing problems; acting as a practical introduction to progressing a creative writing project as well as an exploration of the many ways in which creative writing can be understood. Through chapters on topics including writing methods, textual analysis, practice-led research, interdisciplinarity, and cultural contexts, this book explores the various forms of analysis that can be employed. Graeme Harper provides information to assist in creative decision making, and as a means for discussing approaches and outcomes in creative writing. The book also includes an Afterword by Dianne Donnelly, whose work in Creative Writing Studies has been widely recognized as a contribution to the critical examination of creative writing. Whether you are a creative writer seeking to improve your work or you are simply interested in analysing the practice and outcomes of others doing creative writing, Creative Writing Analysis offers strategies to assist students and practitioners of creative writing and literary studies.
Creative Writing and the Experiences of Others: Strategies for Outsiders (Routledge Focus on Literature)
by Nandita DineshIn times that are rife with complex manifestations of identity politics, writing classrooms across the world are hosting heated debates about what it means for authors to write about experiences outside their own. This book focuses on writing as the act of witnessing when the writers themselves were not present to witness in person. It seeks to answer the questions that come along with these experiences, such as what might it mean to write in order “to watch,” “to try and understand,” “to never look away,” and “to never forget” when the writer is an outsider to an experience? What might it mean to write about others in ways that do not essentialize or sensationalize, and in ways that are as humble, ethical, and responsible as possible? What might it mean to bear witness through the written word while engaged in a constant (re)negotiation with one’s own positioning i.e., to cultivate a condition of critical empathy that doesn’t also have the consequence of creative paralysis?
Creative Writing and the Experiences of Others: Strategies for Outsiders (Routledge Focus on Literature)
by Nandita DineshIn times that are rife with complex manifestations of identity politics, writing classrooms across the world are hosting heated debates about what it means for authors to write about experiences outside their own. This book focuses on writing as the act of witnessing when the writers themselves were not present to witness in person. It seeks to answer the questions that come along with these experiences, such as what might it mean to write in order “to watch,” “to try and understand,” “to never look away,” and “to never forget” when the writer is an outsider to an experience? What might it mean to write about others in ways that do not essentialize or sensationalize, and in ways that are as humble, ethical, and responsible as possible? What might it mean to bear witness through the written word while engaged in a constant (re)negotiation with one’s own positioning i.e., to cultivate a condition of critical empathy that doesn’t also have the consequence of creative paralysis?
Creative Writing and the New Humanities
by Paul DawsonThis book examines the institutional history and disciplinary future of creative writing in the contemporary academy, looking well beyond the perennial questions 'can writing be taught?' and 'should writing be taught?'.Paul Dawson traces the emergence of creative writing alongside the new criticism in American universities; examines the writing workshop in relation to theories of creativity and literary criticism; and analyzes the evolution of creative writing pedagogy alongside and in response to the rise of 'theory' in America, England and Australia.Dawson argues that the discipline of creative writing developed as a series of pedagogic responses to the long-standing 'crisis' in literary studies. His polemical account provides a fresh perspective on the importance of creative writing to the emergence of the 'new humanities' and makes a major contribution to current debates about the role of the writer as public intellectual.