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Written on Bamboo and Silk: The Beginnings of Chinese Books and Inscriptions, Second Edition

Paleography, which often overlaps with archaeology, deciphers ancient inscriptions and modes of writing to reveal the knowledge and workings of earlier societies. In this now-classic paleographic study of China, Tsuen-Hsuin Tsien traces the development of Chinese writing from the earliest inscriptions to the advent of printing, with specific attention to the tools and media used. This edition includes material that treats the many major documents and ancient Chinese artifacts uncovered over the forty years since the book’s first publication, as well as an afterword by Edward L. Shaughnessy. Written on Bamboo and Silk has long been considered a landmark in its field. Critical in this regard is the excavation of numerous sites throughout China, where hundreds of thousands of documents written on bamboo and silk—as well as other media—were found, including some of the earliest copies of historical, medical, astronomical, military, and religious texts that are now essential to the study of early Chinese literature, history, and philosophy. Discoveries such as these have made the amount of material evidence on the origins and evolution of communication throughout Chinese history exceedingly broad and rich, and yet Tsien succeeds in tackling it all and building on the earlier classic work that changed

The Written Poem: Semiotic Conventions from Old to Modern English

This text discusses the visual and graphic conventions in contemporary poetry in English. It defines contemporary poetry and its historical construction as a "seen object" and uses literary and social theory of the 1990s to facilitate the study. In examining how a poem is recognized, the interpretive conventions for reading it and how the spacial arrangement on the page is meaningful for contemporary poetry, the text takes examples from individual poems. There is also a focus on changes in manuscript conventions from Old to Middle English poetry and the change from a social to a personal understanding of poetic meaning from the late 18th through the 19th century.

Written Voices, Spoken Signs: Tradition, Performance, and the Epic Text (Center for Hellenic Studies Colloquia #1)

Written Voices, Spoken Signs is a stimulating introduction to new perspectives on Homer and other traditional epics. Taking advantage of recent research on language and social exchange, the nine essays in this volume focus on performance and audience reception of oral poetry. These innovative essays by leading scholars of Homer, oral poetics, and epic invite us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in recounting a past that is alive. Tackling the question of full-length performance of the monumental Iliad, Andrew Ford considers the extent to which the work was perceived as a coherent whole in the archaic age. John Miles Foley addresses questions about spoken signs and the process of reference in epic discourse, and Ahuvia Kahane studies rhythm as a semantic factor in the Homeric performance. Richard Martin suggests a new range of performance functions for the Homeric simile. And Gregory Nagy establishes the importance of one feature of epic language, the ellipsis. These six essays centered on Homer engage with fundamental issues that are addressed by three essays primarily concerned with medieval epic: those by Franz Bäuml on the concept of fact; by Wulf Oesterreicher on types of orality; and by Ursula Schaefer on written and spoken media. In their Introduction the editors highlight the underlying approach and viewpoints of this collaborative volume.

The Written World and the Unwritten World: Collected Non-Fiction

'An indispensable writer ... Calvino, possesses the power of seeing into the deepest recesses of human minds and then bringing their dreams to life' Salman RushdieThe difference between life and literature; the good intentions of holiday reading; the avante-garde; the fate of the novel; the fantastical; the art of translation: these are just some of the ideas in The Written World and the Unwritten World. A collection of essays, articles, interviews, correspondence, notes and other occasional pieces on writing, reading and interpreting books, this work gives us new insight into Italo Calvino's expansive, curious and generous mind.Translated by Ann Goldstein

Wrongful Damage to Property in Roman Law: British perspectives

Examines the American exploitation film – blaxploitation, exploitation-horror and sexploitation – between 1959 and 1977

Wrongful Damage to Property in Roman Law: British perspectives (Edinburgh University Press)

Explores hieroglyphs as a metaphor for the relationship between new media and writing in British modernism

WSQ, Level 2: The Trampoline

Ben wants a trampoline at home. What is his dad's response? Wellington Square is designed to meet the needs of children aged 7-13+ who are having difficulty in learning to read. It provides straightforward progression through all 5 levels of the scheme, from wordless picture books to storybooks with full-text. Wellington Square widens your pupils' reading experience through imaginative and stimulating support material.

Wu Wenying and the Art of Southern Song Ci Poetry

The author begins with a biography exploring the moral and aesthetic implications of Wu's life as a guest-poet" patronized by officials and aristocrats, and continues with a reconstruction of the historical and literary context needed for modern readers to grasp his poetic techniques.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Wuthering Heights: Illustrations By Marjolein Bastin (Modern Plays)

I am Heathcliff! Whatever our souls are made of, his and mine are the same.The Yorkshire moors tell an epic story of love, revenge and redemption. Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights.He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed.Shot through with music, dance, passion and hope, Emma Rice transforms Emily Brontë's masterpiece into a powerful and uniquely theatrical experience. This edition was published to coincide with the world premiere at Bristol Old Vic in October 2021.

Wuthering Heights: Illustrations By Marjolein Bastin (Modern Plays)

I am Heathcliff! Whatever our souls are made of, his and mine are the same.The Yorkshire moors tell an epic story of love, revenge and redemption. Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights.He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed.Shot through with music, dance, passion and hope, Emma Rice transforms Emily Brontë's masterpiece into a powerful and uniquely theatrical experience. This edition was published to coincide with the world premiere at Bristol Old Vic in October 2021.

Wuthering Heights (Modern Plays)

I am Heathcliff! Whatever our souls are made of, his and mine are the same.The Yorkshire moors tell an epic story of love, revenge and redemption.Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights.He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed.Shot through with music, dance, passion and hope, Emma Rice transforms Emily Brontë's masterpiece into a powerful and uniquely theatrical experience.This edition was published to coincide with the world premiere at Bristol Old Vic in October 2021.

Wuthering Heights (Modern Plays)

I am Heathcliff! Whatever our souls are made of, his and mine are the same.The Yorkshire moors tell an epic story of love, revenge and redemption.Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights.He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed.Shot through with music, dance, passion and hope, Emma Rice transforms Emily Brontë's masterpiece into a powerful and uniquely theatrical experience.This edition was published to coincide with the world premiere at Bristol Old Vic in October 2021.

Wuthering Heights (Modern Plays)

We don't in general take to strangers here… unless they take to us first.Channelling Emily Brontë's piercing wit and fierce emotion, Inspector Sands bring their characteristic humour, passion and pathos to the infamous love story of Catherine and Heathcliff. Wuthering Heights contains violence, peril, social awkwardness, exhilarating music, high winds and mud.Wuthering Heights was developed with the support of Bristol Old Vic Ferment, UCL Culture, The Royal Central School of Speech and Drama and Jacksons Lane, and was co-produced by China Plate, Inspector Sands, Royal & Derngate, Northampton, and Oxford Playhouse. This edition was published to coincide with the world premiere and UK tour in May 2023.

Wuthering Heights (Modern Plays)

We don't in general take to strangers here… unless they take to us first.Channelling Emily Brontë's piercing wit and fierce emotion, Inspector Sands bring their characteristic humour, passion and pathos to the infamous love story of Catherine and Heathcliff. Wuthering Heights contains violence, peril, social awkwardness, exhilarating music, high winds and mud.Wuthering Heights was developed with the support of Bristol Old Vic Ferment, UCL Culture, The Royal Central School of Speech and Drama and Jacksons Lane, and was co-produced by China Plate, Inspector Sands, Royal & Derngate, Northampton, and Oxford Playhouse. This edition was published to coincide with the world premiere and UK tour in May 2023.

Wuthering Heights: Character Studies (Character Studies)

Readers and critics have been intrigued - and disturbed - by the characters of Wuthering Heights since its publication in 1847. Heathcliff and Catherine, the tormented and enigmatic lovers at the centre of the novel, have justifiably been the focus of critical attention. Yet the novel is peopled with a large cast of idiosyncratic characters, each of whom plays a significant role in the plot. This novel, with its references to physiognomy and monomania, its interest in dreams as revelations of the unconscious mind, and its recognition of the importance of origins in character-formation, reflects important developments in the conception of character and psychology in the nineteenth century.

Wuthering Heights: Character Studies (Character Studies)

Readers and critics have been intrigued - and disturbed - by the characters of Wuthering Heights since its publication in 1847. Heathcliff and Catherine, the tormented and enigmatic lovers at the centre of the novel, have justifiably been the focus of critical attention. Yet the novel is peopled with a large cast of idiosyncratic characters, each of whom plays a significant role in the plot. This novel, with its references to physiognomy and monomania, its interest in dreams as revelations of the unconscious mind, and its recognition of the importance of origins in character-formation, reflects important developments in the conception of character and psychology in the nineteenth century.

Wuthering Heights (Critics Debate)

An introduction to some of the main themes in the criticism of Emily Bronte, this book offers a distinctive reading of the roles of property and passion in "Wuthering Heights". It explores the presentation of houses, the anxieties of patriarchy and tensions between literacy and superstition.

Wyndham Lewis: A Critical Guide

Wyndham Lewis (1882-1957) was one of the most innovative writers and painters of his time. An indefatigable critic of ideology, politics, and culture, Lewis was also one of modernism’s key creative artists and a unique twentieth-century thinker. This book offers a scholarly companion to his written work. It features dedicated chapters on such novels as Tarr (1918), The Apes of God (1930), The Revenge for Love (1937), The Human Age sequence (1928-55), and Self Condemned (1954). Also included are chapters on Lewis’s pre-war writing, cultural criticism, politics, satire, and reputation and legacy. Other chapters consider such varied topics as Vorticism and avant-gardism, war, race and gender, technology and mass media, and modernism. Wyndham Lewis: A Critical Guide is essential reading for scholars working on Lewis, modernism, and twentieth-century socio-cultural history.

Wyndham Lewis: Collected Poems and Plays

At the beginning of his career Wyndham Lewis (1882-1957) wrote vigorous poetry, and plays which in their form and vehement characterisation resemble the later work of Samuel Beckett. This volume includes major works: One-Way Song , and Enemy of the Stars in its two very different versions, as well as other writings that can now be seen as central to the formation of Lewis's work. The plays and poems crackle with ferocious energy, concentrated and brilliant, as Lewis creates a literary equivalent to the visual revolutions of Cubism and Vorticism. He explores how an artist should think and write in an oppressive world, the relationship between imagination and action. This edition, with Alan Munton's annotations, is a definitive text based on Lewis's own final corrections. An introduction by C.H. Sisson places these radical works in the context of Lewis's other writings.

Wyndham Lewis: Collected Poems and Plays

At the beginning of his career Wyndham Lewis (1882-1957) wrote vigorous poetry, and plays which in their form and vehement characterisation resemble the later work of Samuel Beckett. This volume includes major works: One-Way Song , and Enemy of the Stars in its two very different versions, as well as other writings that can now be seen as central to the formation of Lewis's work. The plays and poems crackle with ferocious energy, concentrated and brilliant, as Lewis creates a literary equivalent to the visual revolutions of Cubism and Vorticism. He explores how an artist should think and write in an oppressive world, the relationship between imagination and action. This edition, with Alan Munton's annotations, is a definitive text based on Lewis's own final corrections. An introduction by C.H. Sisson places these radical works in the context of Lewis's other writings.

Wyndham Lewis: An Anthology of His Prose (Routledge Library Editions: Wyndham Lewis #3)

Originally published in 1969, this project had Wyndham Lewis’ personal approval and is a comprehensive anthology of his prose writings, especially those which are difficult to access. There are extracts from some of Wyndham Lewis’ remarkable books such as Paleface, The Art of Being Ruled and Men Without Art. Lesser known works such as Filibusters in Barbary, The Diabolical Principle and The Dithyrambic Spectator, Blasting and Bombardiering, and Rude Assignment, are freely drawn upon and there is a section devoted to writings on the USA, a country which Lewis knew well.

Wyndham Lewis: An Anthology of His Prose (Routledge Library Editions: Wyndham Lewis #3)

Originally published in 1969, this project had Wyndham Lewis’ personal approval and is a comprehensive anthology of his prose writings, especially those which are difficult to access. There are extracts from some of Wyndham Lewis’ remarkable books such as Paleface, The Art of Being Ruled and Men Without Art. Lesser known works such as Filibusters in Barbary, The Diabolical Principle and The Dithyrambic Spectator, Blasting and Bombardiering, and Rude Assignment, are freely drawn upon and there is a section devoted to writings on the USA, a country which Lewis knew well.

Wyndham Lewis and Western Man

X: Writings ’79–’82 (pdf)

X (Modern Plays)

It's a tax write-off. This is where they send the new, the under-qualified, the old. And most of all the British. Mars is full of blonde Americans. It's like they're building the master race out there.Billions of miles from home, the lone research base on Pluto has lost contact with Earth. Unable to leave or send for help, the skeleton crew sit waiting.Waiting.Waiting long enough for time to start eating away at them.To lose all sense of it.To start seeing things in the dark outside.Alistair McDowall's play X premiered at the Royal Court on 30 March 2016 in the Jerwood Theatre Downstairs.