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Bleak House (BFI TV Classics)

A new edition to our BFI TV Classics series, this analysis of BBC's Bleak House aims to analyze this critically acclaimed production in terms of its adaptation status, narrative organization, acting, setting and mise-en-scene, while also using it to comment on more general issues in television studies.

Bleak House (The Critics Debate)

Bleak House by Charles Dickens (Bloomsbury Master Guides)

This ebook is now available from Bloomsbury Academic. Bloomsbury Academic publish acclaimed resources for undergraduate and postgraduate courses across a broad range of subjects including Art & Visual Culture, Biblical Studies, Business & Management, Drama & Performance Studies, Economics, Education, Film & Media, History, Linguistics, Literary Studies, Philosophy, Politics & International Relations, Religious Studies, Social Work & Social Welfare, Study Skills and Theology. Visit bloomsbury.com for more information.

Bleak Liberalism

Why is liberalism so often dismissed by thinkers from both the left and the right? To those calling for wholesale transformation or claiming a monopoly on “realistic” conceptions of humanity, liberalism’s assured progressivism can seem hard to swallow. Bleak Liberalism makes the case for a renewed understanding of the liberal tradition, showing that it is much more attuned to the complexity of political life than conventional accounts have acknowledged. Amanda Anderson examines canonical works of high realism, political novels from England and the United States, and modernist works to argue that liberalism has engaged sober and even stark views of historical development, political dynamics, and human and social psychology. From Charles Dickens’s Bleak House and Hard Times to E. M. Forster’s Howards End to Doris Lessing’s The Golden Notebook, this literature demonstrates that liberalism has inventive ways of balancing sociological critique and moral aspiration. A deft blend of intellectual history and literary analysis, Bleak Liberalism reveals a richer understanding of one of the most important political ideologies of the modern era.

Bleak Liberalism

Why is liberalism so often dismissed by thinkers from both the left and the right? To those calling for wholesale transformation or claiming a monopoly on “realistic” conceptions of humanity, liberalism’s assured progressivism can seem hard to swallow. Bleak Liberalism makes the case for a renewed understanding of the liberal tradition, showing that it is much more attuned to the complexity of political life than conventional accounts have acknowledged. Amanda Anderson examines canonical works of high realism, political novels from England and the United States, and modernist works to argue that liberalism has engaged sober and even stark views of historical development, political dynamics, and human and social psychology. From Charles Dickens’s Bleak House and Hard Times to E. M. Forster’s Howards End to Doris Lessing’s The Golden Notebook, this literature demonstrates that liberalism has inventive ways of balancing sociological critique and moral aspiration. A deft blend of intellectual history and literary analysis, Bleak Liberalism reveals a richer understanding of one of the most important political ideologies of the modern era.

Bleak Liberalism

Why is liberalism so often dismissed by thinkers from both the left and the right? To those calling for wholesale transformation or claiming a monopoly on “realistic” conceptions of humanity, liberalism’s assured progressivism can seem hard to swallow. Bleak Liberalism makes the case for a renewed understanding of the liberal tradition, showing that it is much more attuned to the complexity of political life than conventional accounts have acknowledged. Amanda Anderson examines canonical works of high realism, political novels from England and the United States, and modernist works to argue that liberalism has engaged sober and even stark views of historical development, political dynamics, and human and social psychology. From Charles Dickens’s Bleak House and Hard Times to E. M. Forster’s Howards End to Doris Lessing’s The Golden Notebook, this literature demonstrates that liberalism has inventive ways of balancing sociological critique and moral aspiration. A deft blend of intellectual history and literary analysis, Bleak Liberalism reveals a richer understanding of one of the most important political ideologies of the modern era.

Bleak Liberalism

Why is liberalism so often dismissed by thinkers from both the left and the right? To those calling for wholesale transformation or claiming a monopoly on “realistic” conceptions of humanity, liberalism’s assured progressivism can seem hard to swallow. Bleak Liberalism makes the case for a renewed understanding of the liberal tradition, showing that it is much more attuned to the complexity of political life than conventional accounts have acknowledged. Amanda Anderson examines canonical works of high realism, political novels from England and the United States, and modernist works to argue that liberalism has engaged sober and even stark views of historical development, political dynamics, and human and social psychology. From Charles Dickens’s Bleak House and Hard Times to E. M. Forster’s Howards End to Doris Lessing’s The Golden Notebook, this literature demonstrates that liberalism has inventive ways of balancing sociological critique and moral aspiration. A deft blend of intellectual history and literary analysis, Bleak Liberalism reveals a richer understanding of one of the most important political ideologies of the modern era.

Bleak Liberalism

Why is liberalism so often dismissed by thinkers from both the left and the right? To those calling for wholesale transformation or claiming a monopoly on “realistic” conceptions of humanity, liberalism’s assured progressivism can seem hard to swallow. Bleak Liberalism makes the case for a renewed understanding of the liberal tradition, showing that it is much more attuned to the complexity of political life than conventional accounts have acknowledged. Amanda Anderson examines canonical works of high realism, political novels from England and the United States, and modernist works to argue that liberalism has engaged sober and even stark views of historical development, political dynamics, and human and social psychology. From Charles Dickens’s Bleak House and Hard Times to E. M. Forster’s Howards End to Doris Lessing’s The Golden Notebook, this literature demonstrates that liberalism has inventive ways of balancing sociological critique and moral aspiration. A deft blend of intellectual history and literary analysis, Bleak Liberalism reveals a richer understanding of one of the most important political ideologies of the modern era.

Bleak Liberalism

Why is liberalism so often dismissed by thinkers from both the left and the right? To those calling for wholesale transformation or claiming a monopoly on “realistic” conceptions of humanity, liberalism’s assured progressivism can seem hard to swallow. Bleak Liberalism makes the case for a renewed understanding of the liberal tradition, showing that it is much more attuned to the complexity of political life than conventional accounts have acknowledged. Amanda Anderson examines canonical works of high realism, political novels from England and the United States, and modernist works to argue that liberalism has engaged sober and even stark views of historical development, political dynamics, and human and social psychology. From Charles Dickens’s Bleak House and Hard Times to E. M. Forster’s Howards End to Doris Lessing’s The Golden Notebook, this literature demonstrates that liberalism has inventive ways of balancing sociological critique and moral aspiration. A deft blend of intellectual history and literary analysis, Bleak Liberalism reveals a richer understanding of one of the most important political ideologies of the modern era.

Bleaker House: Chasing My Novel to the End of the World

'Perfect' Lena Dunham 'This year's literary sensation' Evening StandardHow far would you travel to become a writer?8000 miles from home1085 calories a day3 months to write the novel that would make her nameAt least that was the plan. But when Nell Stevens travelled to Bleaker Island in the Falklands (official population: two) she didn’t count on the isolation getting to her . . . Hilarious and heartbreaking, this is a book about loneliness and creativity. It is about discovering who you are when there’s no one else around. And it’s about what to do when a plan doesn’t work: ultimately Nell may have failed to write a novel, but she succeeded in becoming a writer.

Blended Language Program Evaluation

Advocating an argument-based approach, Blended Language Program Evaluation presents a framework for planning, conducting, and appraising evaluation of blended language learning across three institutional levels, and demonstrates its utility and application in four case studies carried out in diverse international contexts.

Blending Technologies in Second Language Classrooms

This book introduces an approach for making principled decisions about the use of technologies specifically in Applied Linguistics. The research is grounded in the growing area of 'blended learning' that seeks to combine face-to-face instruction with online-based interactions to record students using a foreign language productively.

Blending Technologies in Second Language Classrooms

This book analyses the classroom blending of face-to-face and online technologies in the teaching and learning of second languages. Its theoretical framework integrates the rapidly changing and developing fields of both applied linguistics and computer-assisted language learning (CALL). It examines such themes as the normalization of the computer and the rise of mobile devices, the development of open educational resources, flipped learning, gamification, and the increased focus on communication and problem-solving tasks in class. The author illustrates how the design or ‘bricolage’ of blended learning is part of a radical shift in our conceptualisation of the learning environment. Building on the framework established in its first edition, this book will appeal to teachers-in-training, scholars and practitioners of second language education.

The Blickling Concordance: A Lexicon to The Blickling Homilies

This Concordance is a complete wordlist of the Blickling homiletic texts, which date from the late 10th century making them one of the earliest extant examples of prose writings in English. Each word is cited in standard dictionary form, expanded grammatically and referenced by line and page number to R. J. Kelly's edition and translation of The Blickling Homilies (Continuum, 2003). Frequently occurring words, such as prepositions and conjunctions, are cited in an Appendix, which also includes an outline of the principal linguistic structures of Old English. Important features of this Concordance include quick and straightforward cross referencing to the homiletic texts; identifying words from earlier Anglo-Saxon dialects; and the correction of scribal errors. The Concordance will be of particular interest to linguistics, cultural historians and researchers in various interdisciplinary fields.

Blind Joe Death's America: John Fahey, the Blues, and Writing White Discontent

For over sixty years, American guitarist John Fahey (1939–2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with African American blues, including his own. In this book, George Henderson mines Fahey's parallel careers as essayist, notorious liner note stylist, musicologist, and fabulist for the first time. These vocations, inspired originally by Cold War educators' injunction to creatively express rather than suppress feelings, took utterly idiosyncratic and prescient turns.Fahey voraciously consumed ideas: in the classroom, the counterculture, the civil rights struggle, the new left; through his study of philosophy, folklore, African American blues; and through his experience with psychoanalysis and southern paternalism. From these, he produced a profoundly and unexpectedly refracted vision of America. To read Fahey is to vicariously experience devastating critical energies and self-soothing uncertainty, passions emerging from a singular location—the place where lone, white rebel sentiment must regard the rebellion of others. Henderson shows the nuance, contradictions, and sometimes brilliance of Fahey's words that, though they were never sung to a tune, accompanied his music.

Blind Narrations and Artistic Subjectivities: Corporeal Refractions

Blind Narrations and Artistic Subjectivities: Corporeal Refractions makes an important contribution to the field of blindness studies by highlighting the centrality of blindness in literary compositions. It presents a critical interpretation of selected prose writings by three blind authors: Argentine poet and essayist Jorge Luis Borges; Australian religious educator and diarist John M. Hull; and the American memoirist and poet Stephen Kuusisto. The volume discusses themes like theorizing the corporeality of writing aesthetic turn to the experience of blindness altered sensation and self-understanding lived experience of growing blind self-knowledge through interaction with the world artistic subjectivity, narrative choices, and the implied author This book will be useful for scholars and researchers of blindness studies, disability studies, arts and aesthetics, literature, cultural studies, and philosophy.

Blind Narrations and Artistic Subjectivities: Corporeal Refractions

Blind Narrations and Artistic Subjectivities: Corporeal Refractions makes an important contribution to the field of blindness studies by highlighting the centrality of blindness in literary compositions. It presents a critical interpretation of selected prose writings by three blind authors: Argentine poet and essayist Jorge Luis Borges; Australian religious educator and diarist John M. Hull; and the American memoirist and poet Stephen Kuusisto. The volume discusses themes like theorizing the corporeality of writing aesthetic turn to the experience of blindness altered sensation and self-understanding lived experience of growing blind self-knowledge through interaction with the world artistic subjectivity, narrative choices, and the implied author This book will be useful for scholars and researchers of blindness studies, disability studies, arts and aesthetics, literature, cultural studies, and philosophy.

The Blind Spot: An Essay on the Novel

An essential collection of literary criticism by one of Spain's most acclaimed authorsJavier Cercas is one of the most enjoyable and innovative novelists at work today. Well known among English-language readers as the author of Soldiers of Salamis (winner of the Independent Foreign Fictio Prize), The Anatomy of a Moment and The Impostor, Cercas is also Professor of Spanish Literature at the University of Girona. In 2015, following in the footsteps of George Steiner, Mario Vargas Llosa and Umberto Eco, as Weidenfeld Visiting Professor in Comparative European Literature at St Anne's College, Oxford, Cercas gave a series of five lectures on the novel today, which have since been revised and are now published in English for the first time as The Blind Spot.Starting with Don Quixote and his own experience as a writer, Cercas launches out into a consideration of the most challenging fiction of the last hundred years, from Kafka, Borges, Perec, Calvino and Kundera, to Sebald, Coetzee, Barnes, Foster Wallace and Knausgård. First, he defines and celebrates certain aspects of the novel in the twenty-first century which are also features of Cervantes' masterpiece: its essential irony and ambiguity, its total commitment to innovation, its natural, joyful and omnivorous desire to cram the whole world within its pages, and its intricate concern with fiction and reality. Then he moves on to consider the actual meaning of the novel, the uncertain and discredited role of the writer as intellectual, and the role of the reader in the creation of a form whose aim is to tell the truth by telling lies.The result is a dazzling short book which provides a new interpretation of novel from Cervantes and Melville to the present, and which will be as stimulating for readers and writers of literature in the twenty-first century as E. M. Forster's Aspects of the Novel or Milan Kundera's The Art of the Novel were in the last.Translated from the Spanish by Anne McLean

Blindness and Enlightenment: With a new translation of Diderot's 'Letter on the Blind' and La Mothe Le Vayer's 'Of a Man Born Blind'

Blindness and Enlightenment presents a reading and a new translation of Diderot's Letter on the Blind. Diderot was the editor of the Encyclopédie, that Trojan horse of Enlightenment ideas, as well as a novelist, playwright, art critic and philosopher. His Letter on the Blind of 1749 is essential reading for anyone interested in Enlightenment philosophy or eighteenth-century literature because it contradicts a central assumption of Western literature and philosophy, and of the Enlightenment in particular, namely that moral and philosophical insight is dependent on seeing. Kate Tunstall's essay guides the reader through the Letter, its anecdotes, ideas and its conversational mode of presenting them, and it situates the Letter in relation both to the Encyclopedie and to a rich tradition of writing about and, most importantly, talking and listening to the blind.

Blindness and Enlightenment: With a new translation of Diderot's 'Letter on the Blind' and La Mothe Le Vayer's 'Of a Man Born Blind'

Blindness and Enlightenment presents a reading and a new translation of Diderot's Letter on the Blind. Diderot was the editor of the Encyclopédie, that Trojan horse of Enlightenment ideas, as well as a novelist, playwright, art critic and philosopher. His Letter on the Blind of 1749 is essential reading for anyone interested in Enlightenment philosophy or eighteenth-century literature because it contradicts a central assumption of Western literature and philosophy, and of the Enlightenment in particular, namely that moral and philosophical insight is dependent on seeing. Kate Tunstall's essay guides the reader through the Letter, its anecdotes, ideas and its conversational mode of presenting them, and it situates the Letter in relation both to the Encyclopedie and to a rich tradition of writing about and, most importantly, talking and listening to the blind.

Bliss (Modern Plays)

The water's here, just like us, but soon it'll be flowing past fresh flowers and new grass, and all the way out to the sea. Based on a short story by the brilliant but often overlooked Russian writer Andrey Platonov (1899-1951), Bliss is the tragi-comic tale of a young couple trying to build a life against the odds in the aftermath of the Russian civil war.As ex-soldier Nikita struggles to overcome what we now might recognise as PTSD, the play opens up into a colourful and strangely heart-warming kaleidoscope of stories, song, laughter and magic, as the survivors of years of devastating war and political revolution all strive to comprehend how society can recover from catastrophe, how real love has both passionate and practical faces, and how the future is only built by those who manage to survive their past.This boisterous play is published in Methuen Drama's Lost Plays series, celebrating new plays that had productions postponed due to the Covid-19 outbreak and the global shutdown of theatre spaces.

Bliss (Modern Plays)

The water's here, just like us, but soon it'll be flowing past fresh flowers and new grass, and all the way out to the sea. Based on a short story by the brilliant but often overlooked Russian writer Andrey Platonov (1899-1951), Bliss is the tragi-comic tale of a young couple trying to build a life against the odds in the aftermath of the Russian civil war.As ex-soldier Nikita struggles to overcome what we now might recognise as PTSD, the play opens up into a colourful and strangely heart-warming kaleidoscope of stories, song, laughter and magic, as the survivors of years of devastating war and political revolution all strive to comprehend how society can recover from catastrophe, how real love has both passionate and practical faces, and how the future is only built by those who manage to survive their past.This boisterous play is published in Methuen Drama's Lost Plays series, celebrating new plays that had productions postponed due to the Covid-19 outbreak and the global shutdown of theatre spaces.

Bliss (Modern Plays)

It's good to see you're alive. Good to know not all the ghosts in the streets are enemies...1921. Russia. Winter. When Nikita returns home from the brutal civil war, he attempts to start a new life with his drunken father Mikhail and his new wife Lyuba, the feisty young girl he remembers from his school days. When Nikita fails to consummate his marriage – all the while aware that he is being haunted by a mysterious figure – escape is the only solution he can find. He finally emerges in a new town further along the Potudan River, only to be accused of an ambiguous crime against the Soviet State…Based on a short story by the Russian writer Andrey Platonov (1899-1951), Bliss is a kaleidoscope of hopes, dreams and realities, as the survivors of years of devastating war and political revolution search for their 'bliss' in post-war Soviet Russia. They quickly learn that a society needs time to recover from catastrophe, and that the future is only built by those who manage to accept their past.This edition of Bliss was published alongside the world premiere at the Finborough Theatre, London in May 2022.

Bliss (Modern Plays)

It's good to see you're alive. Good to know not all the ghosts in the streets are enemies...1921. Russia. Winter. When Nikita returns home from the brutal civil war, he attempts to start a new life with his drunken father Mikhail and his new wife Lyuba, the feisty young girl he remembers from his school days. When Nikita fails to consummate his marriage – all the while aware that he is being haunted by a mysterious figure – escape is the only solution he can find. He finally emerges in a new town further along the Potudan River, only to be accused of an ambiguous crime against the Soviet State…Based on a short story by the Russian writer Andrey Platonov (1899-1951), Bliss is a kaleidoscope of hopes, dreams and realities, as the survivors of years of devastating war and political revolution search for their 'bliss' in post-war Soviet Russia. They quickly learn that a society needs time to recover from catastrophe, and that the future is only built by those who manage to accept their past.This edition of Bliss was published alongside the world premiere at the Finborough Theatre, London in May 2022.

Blogger Relations als Teilbereich der Medienarbeit: Unternehmenskommunikation mit neuen Öffentlichkeiten

Verena Gliese gibt in diesem Buch einen Überblick darüber, wie gesellschaftliche und technologische Veränderungen die Arbeit von Kommunikationsfachleuten verändert haben. Im Fokus stehen dabei neue Öffentlichkeiten, denen sich Unternehmen zunehmend gegenüberstehen sehen. Sie besitzen im Vergleich zu massenmedialen Öffentlichkeiten eigene Strukturen, Themen und Aufmerksamkeitsregeln. Am Beispiel von Bloggern als Laienjournalisten wird herausgearbeitet, welche Auswirkungen dies für die strategische und operative Planung der Medienarbeit von Unternehmen hat.