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Black Soundscapes White Stages: The Meaning of Francophone Sound in the Black Atlantic (The <I>Callaloo</I> African Diaspora Series)
by Edwin C. Hill Jr.Black Soundscapes White Stages explores the role of sound in understanding the African Diaspora on both sides of the Atlantic, from the City of Light to the islands of the French Antilles. From the writings of European travelers in the seventeenth century to short-wave radio transmissions in the early twentieth century, Edwin C. Hill Jr. uses music, folk song, film, and poetry to listen for the tragic cri nègre. Building a conceptualization of black Atlantic sound inspired by Frantz Fanon's pioneering work on colonial speech and desire, Hill contends that sound constitutes a terrain of contestation, both violent and pleasurable, where colonial and anti-colonial ideas about race and gender are critically imagined, inscribed, explored, and resisted. In the process, this book explores the dreams and realizations of black diasporic mobility and separation as represented by some of its most powerful soundtexts and cultural practitioners, and it poses questions about their legacies for us today.In the process, thee dreams and realities of Black Atlantic mobility and separation as represented by some of its most powerful soundtexts and cultural practitioners, such as the poetry of Léon-Gontran Damas—a founder of the Négritude movement—and Josephine Baker’s performance in the 1935 film Princesse Tam Tam. As the first in Johns Hopkins’s new series on the African Diaspora, this book offers new insight into the legacies of these exceptional artists and their global influence.
Black Teeth and a Brilliant Smile (Modern Plays)
by Adelle StripeWriting is the hardest thing I've done. It's a grind. You see me up here and you think I've made it. But it's not all it's cracked up to be. The Beacon, Buttershaw 1990. Andrea Dunbar, acclaimed writer of Rita, Sue, and Bob Too, mum, sister, best friend, is struggling with her latest work. Her aching head is full of voices, stories from her past which have to be heard…A bittersweet tale of the north/south divide, it reveals how a shy teenage girl defied the circumstances into which she was born and went on to become one of her generation's greatest dramatists.Adelle Stripe's 'outstanding debut novel' of Andrea Dunbar's life is adapted for the stage by Lisa Holdsworth. This edition was published to coincide with the stage premiere at the Ambassador Theatre, Bradford in May 2019.
Black Teeth and a Brilliant Smile (Modern Plays)
by Adelle StripeWriting is the hardest thing I've done. It's a grind. You see me up here and you think I've made it. But it's not all it's cracked up to be. The Beacon, Buttershaw 1990. Andrea Dunbar, acclaimed writer of Rita, Sue, and Bob Too, mum, sister, best friend, is struggling with her latest work. Her aching head is full of voices, stories from her past which have to be heard…A bittersweet tale of the north/south divide, it reveals how a shy teenage girl defied the circumstances into which she was born and went on to become one of her generation's greatest dramatists.Adelle Stripe's 'outstanding debut novel' of Andrea Dunbar's life is adapted for the stage by Lisa Holdsworth. This edition was published to coincide with the stage premiere at the Ambassador Theatre, Bradford in May 2019.
Black Travel Writing: Contemporary Narratives of Travel to Africa by African American and Black British Authors (American Culture Studies #35)
by Isabel KalousWhat does it mean for Black diasporic writers to travel to Africa? Focusing on the period between the 1990s and 2010s, Isabel Kalous examines autobiographical narratives of travel to Africa by African American and Black British authors. She places the texts within the long tradition of Black diasporic engagement with the continent, scrutinizes the significance of Black mobility, and demonstrates that travel writing serves as a means to negotiate questions of identity, belonging, history, and cultural memory. To provide a framework for the analyses of contemporary narratives, her study outlines the emergence, development, and key characteristics of the multifaceted genre of Black travel writing. Authors discussed include, among others, Saidiya Hartman, Barack Obama, and Caryl Phillips.
The Black Tulip
by Alexandre Dumas Robin BussSet at the height of the "tulipomania" that gripped Holland in 17th century, this is the story of Cornelius van Baerle, a humble grower whose sole desire is to grow the perfect specimen of the tulip negra. When his godfather is murdered, Cornelius finds himself caught up in the deadly politics of the time, imprisoned and facing a death sentence. His jailor's daughter Rosa, holds both the key to his survival and his chance to produce the ultimate tulip.
The Black Unicorn: Poems (Penguin Modern Classics)
by Audre LordeI have been womanfor a long timebeware my smileI am treacherous with old magicFilled with rage and tenderness, Audre Lorde's most acclaimed poetry collection speaks of mothers and children, female strength and vulnerability, renewal and revenge, goddesses and warriors, ancient magic and contemporary America. These are fearless assertions of identity, told with incantatory power.
Black USA and Spain: Shared Memories in the 20th Century (Routledge Studies in Twentieth-Century Literature)
by Rosalía Cornejo-ParriegoDuring the 20th-century, Spaniards and African-Americans shared significant cultural memories forged by the profound impact that various artistic and historical events had on each other. Addressing three crucial periods (the Harlem Renaissance and Jazz Age, the Spanish Civil War, and Franco's dictatorship), this collection of essays explores the transnational bond and the intercultural exchanges between these two communities, using race as a fundamental critical category. The study of travelogues, memoirs, documentaries, interviews, press coverage, comics, literary works, music, and performances by iconic figures such as Josephine Baker, Langston Hughes, and Ramón Gómez de la Serna, as well as the experiences of ordinary individuals such as African American nurse Salaria Kea, invite an examination of the ambiguities and paradoxes that underlie this relationship: among them, the questionable and, at times, surprising racial representations of blacks in Spanish avant-garde texts and in the press during the years of Franco’s dictatorship; African Americans very unique view of the Spanish Civil War in light of their racial identity; and the oscillation between fascination and anxiety when these two communities look at each other.
Black USA and Spain: Shared Memories in the 20th Century (Routledge Studies in Twentieth-Century Literature)
by Rosalía Cornejo-ParriegoDuring the 20th-century, Spaniards and African-Americans shared significant cultural memories forged by the profound impact that various artistic and historical events had on each other. Addressing three crucial periods (the Harlem Renaissance and Jazz Age, the Spanish Civil War, and Franco's dictatorship), this collection of essays explores the transnational bond and the intercultural exchanges between these two communities, using race as a fundamental critical category. The study of travelogues, memoirs, documentaries, interviews, press coverage, comics, literary works, music, and performances by iconic figures such as Josephine Baker, Langston Hughes, and Ramón Gómez de la Serna, as well as the experiences of ordinary individuals such as African American nurse Salaria Kea, invite an examination of the ambiguities and paradoxes that underlie this relationship: among them, the questionable and, at times, surprising racial representations of blacks in Spanish avant-garde texts and in the press during the years of Franco’s dictatorship; African Americans very unique view of the Spanish Civil War in light of their racial identity; and the oscillation between fascination and anxiety when these two communities look at each other.
Black Watch (Ff Plays Ser.)
by Gregory BurkeViewed through the eyes of those on the ground, Black Watch reveals what it means to be part of the legendary Scottish regiment, what it means to be part of the war on terror and what it means to make the journey home again.This book contains Gregory Burke's award-winning text, with production notes by the director John Tiffany and colour photographs that capture the powerful and inventive use of movement in this visceral, complex and urgent piece of theatre.The National Theatre of Scotland's production of Black Watch opened at the Edinburgh Festival Fringe in 2006 where it won a Herald Angel, a Scotsman Fringe First, a Best Theatre Writing Award from The List, a Stage Award for Best Ensemble, the Critics' Circle Award and the South Bank Show Award for Theatre. In 2007 it began a world tour in Scotland. "Completely brilliant." Daily Telegraph "Black Watch is a glorious piece of theatre, raw, truthful, uncomfortable, political, funny, moving, graceful and dynamic." Scotland on Sunday"A brilliantly realised piece." Evening Standard "A magnificent piece of social and political theatre. A high point not just of the festival but of the theatrical year" Observer
Black, White, and in Color: Essays on American Literature and Culture
by Hortense J. SpillersBlack, White, and in Color offers a long-awaited collection of major essays by Hortense Spillers, one of the most influential and inspiring black critics of the past twenty years. Spanning her work from the early 1980s, in which she pioneered a broadly poststructuralist approach to African American literature, and extending through her turn to cultural studies in the 1990s, these essays display her passionate commitment to reading as a fundamentally political act-one pivotal to rewriting the humanist project. Spillers is best known for her race-centered revision of psychoanalytic theory and for her subtle account of the relationships between race and gender. She has also given literary criticism some of its most powerful readings of individual authors, represented here in seminal essays on Ralph Ellison, Gwendolyn Brooks, and William Faulkner. Ultimately, the essays collected in Black, White, and in Color all share Spillers's signature style: heady, eclectic, and astonishingly productive of new ideas. Anyone interested in African American culture and literature will want to read them.
Black, White, and in Color: Essays on American Literature and Culture
by Hortense J. SpillersBlack, White, and in Color offers a long-awaited collection of major essays by Hortense Spillers, one of the most influential and inspiring black critics of the past twenty years. Spanning her work from the early 1980s, in which she pioneered a broadly poststructuralist approach to African American literature, and extending through her turn to cultural studies in the 1990s, these essays display her passionate commitment to reading as a fundamentally political act-one pivotal to rewriting the humanist project. Spillers is best known for her race-centered revision of psychoanalytic theory and for her subtle account of the relationships between race and gender. She has also given literary criticism some of its most powerful readings of individual authors, represented here in seminal essays on Ralph Ellison, Gwendolyn Brooks, and William Faulkner. Ultimately, the essays collected in Black, White, and in Color all share Spillers's signature style: heady, eclectic, and astonishingly productive of new ideas. Anyone interested in African American culture and literature will want to read them.
Black Women Centre Stage: Diasporic Solidarity in Contemporary Black British Theatre (Routledge Advances in Theatre & Performance Studies)
by Paola Prieto LópezThis book examines the political alliances that are built across the diaspora in contemporary plays written by Black women playwrights in the UK. Through the concept of creative diasporic solidarity, it offers an innovative theoretical approach to examine the ways in which the playwrights respond creatively to the violence and marginalisation of Black communities, especially Black women. This study demonstrates that theatre can act as a productive space for the ethical encounter with the Other (understood in terms of alterity, as someone different from the self) by examining the possibilities of these plays to activate the spectators’ responsibility and solidarity towards different types of violence experienced by Black women, offering alternative modes of relationality. The book engages with a range of contemporary works written by Black women playwrights in the UK, including Mojisola Adebayo, Theresa Ikoko, Diana Nneka Atuona, Gloria Williams, Charlene James, or Yusra Warsama, bringing to the fore a gendered and intersectional approach to the analysis of the texts. This book will be of great interest to students and scholars in contemporary theatre, gender studies and diaspora studies.
Black Women Centre Stage: Diasporic Solidarity in Contemporary Black British Theatre (Routledge Advances in Theatre & Performance Studies)
by Paola Prieto LópezThis book examines the political alliances that are built across the diaspora in contemporary plays written by Black women playwrights in the UK. Through the concept of creative diasporic solidarity, it offers an innovative theoretical approach to examine the ways in which the playwrights respond creatively to the violence and marginalisation of Black communities, especially Black women. This study demonstrates that theatre can act as a productive space for the ethical encounter with the Other (understood in terms of alterity, as someone different from the self) by examining the possibilities of these plays to activate the spectators’ responsibility and solidarity towards different types of violence experienced by Black women, offering alternative modes of relationality. The book engages with a range of contemporary works written by Black women playwrights in the UK, including Mojisola Adebayo, Theresa Ikoko, Diana Nneka Atuona, Gloria Williams, Charlene James, or Yusra Warsama, bringing to the fore a gendered and intersectional approach to the analysis of the texts. This book will be of great interest to students and scholars in contemporary theatre, gender studies and diaspora studies.
Black Women Playwrights: Visions on the American Stage (Studies in Modern Drama)
by Carol P. Marsh-LockettFirst published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Black Women Playwrights: Visions on the American Stage (Studies in Modern Drama #Vol. 11)
by Carol P. Marsh-LockettFirst published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Black Women, Writing and Identity: Migrations of the Subject
by Carole Boyce-DaviesBlack Women Writing and Identity is an exciting work by one of the most imaginative and acute writers around. The book explores a complex and fascinating set of interrelated issues, establishing the significance of such wide-ranging subjects as: * re-mapping, re-naming and cultural crossings * tourist ideologies and playful world travelling * gender, heritage and identity * African women's writing and resistance to domination * marginality, effacement and decentering * gender, language and the politics of location Carole Boyce-Davies is at the forefront of attempts to broaden the discourse surrounding the representation of and by black women and women of colour. Black Women Writing and Identity represents an extraordinary achievement in this field, taking our understanding of identity, location and representation to new levels.
Black Women, Writing and Identity: Migrations of the Subject
by Carole Boyce-DaviesBlack Women Writing and Identity is an exciting work by one of the most imaginative and acute writers around. The book explores a complex and fascinating set of interrelated issues, establishing the significance of such wide-ranging subjects as: * re-mapping, re-naming and cultural crossings * tourist ideologies and playful world travelling * gender, heritage and identity * African women's writing and resistance to domination * marginality, effacement and decentering * gender, language and the politics of location Carole Boyce-Davies is at the forefront of attempts to broaden the discourse surrounding the representation of and by black women and women of colour. Black Women Writing and Identity represents an extraordinary achievement in this field, taking our understanding of identity, location and representation to new levels.
Black Women’s Literature of the Americas: Griots and Goddesses (Routledge African Diaspora Literary and Cultural Studies)
by Tonia Leigh WindDrawing on a range of historical and literary texts, this book examines how Black women under the yoke of slavery negotiated their sense of belonging and spirituality from a liminal position, stuck between a new life in the Americas, and their connections to their African ancestral roots and a wider diasporic community. The book investigates how Black women in the Spanish-speaking Caribbean, the United States, and Brazil turned to their spiritual beliefs as a tool of resilience and resistance. These “griots” and “goddesses” are forced to negotiate complex issues such as race, gender, identity, maternity, sexuality, and belonging, from a liminal position that looks to both settle roots in a foreign land, and stay connected to ancestors and the Sacred. As these Black female protagonists turn to (re)memory and ancestral knowledge to map their connection with the Divine, they become mediators of worlds, and hybrid griots surpassing temporal and geographical boundaries. With important reflections on Toni Morrison’s Beloved, Dahlma Llanos-Figueroa’s Daughters of the Stone, and Ana Maria Gonçalves’s Um Defeito de Cor, amongst other texts, this book will be of interest to advanced students and researchers of comparative literature, religious studies, gender studies, and African diaspora studies.
Black Women’s Literature of the Americas: Griots and Goddesses (Routledge African Diaspora Literary and Cultural Studies)
by Tonia Leigh WindDrawing on a range of historical and literary texts, this book examines how Black women under the yoke of slavery negotiated their sense of belonging and spirituality from a liminal position, stuck between a new life in the Americas, and their connections to their African ancestral roots and a wider diasporic community. The book investigates how Black women in the Spanish-speaking Caribbean, the United States, and Brazil turned to their spiritual beliefs as a tool of resilience and resistance. These “griots” and “goddesses” are forced to negotiate complex issues such as race, gender, identity, maternity, sexuality, and belonging, from a liminal position that looks to both settle roots in a foreign land, and stay connected to ancestors and the Sacred. As these Black female protagonists turn to (re)memory and ancestral knowledge to map their connection with the Divine, they become mediators of worlds, and hybrid griots surpassing temporal and geographical boundaries. With important reflections on Toni Morrison’s Beloved, Dahlma Llanos-Figueroa’s Daughters of the Stone, and Ana Maria Gonçalves’s Um Defeito de Cor, amongst other texts, this book will be of interest to advanced students and researchers of comparative literature, religious studies, gender studies, and African diaspora studies.
Black Women’s Stories of Everyday Racism: Narrative Analysis for Social Change
by Simone Drake James Phelan Robyn Warhol Lisa ZunshineBlack Women’s Stories of Everyday Racism puts literary narrative theory to work on an urgent real-world problem. The book calls attention to African American women’s everyday experiences with systemic racism and demonstrates how four types of narrative theory can help generate strategies to explain and dismantle that racism. This volume presents fifteen stories told by eight midwestern African American women about their own experiences with casual and structural racism, followed by four detailed narratological analyses of the stories, each representing a different approach to narrative interpretation. The book makes a case for the need to hear the personal stories of these women and others like them as part of a larger effort to counter the systemic racism that prevails in the United States today.Readers will find that the women’s stories offer powerful evidence that African Americans experience racism as an inescapable part of their day-to-day lives—and sometimes as a force that radically changes their lives. The stories provide experience-based demonstrations of how pervasive systemic racism is and how it perpetuates power differentials that are baked into institutions such as schools, law enforcement, the health care system, and business. Containing countless signs of the stress and trauma that accompany and follow from experiences of racism, the stories reveal evidence of the women’s resilience as well as their unending need for it, as they continue to feel the negative effects of experiences that occurred many years ago. The four interpretive chapters note the complex skill involved in the women’s storytelling. The analyses also point to the overall value of telling these stories: how they are sometimes cathartic for the tellers; how they highlight the importance of listening—and the likelihood of misunderstanding—and how, if they and other stories like them were heard more often, they would be a force to counteract the structural racism they so graphically expose.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution (CC-BY) 4.0 license.
Black Women’s Stories of Everyday Racism: Narrative Analysis for Social Change
by Simone Drake James Phelan Robyn Warhol Lisa ZunshineBlack Women’s Stories of Everyday Racism puts literary narrative theory to work on an urgent real-world problem. The book calls attention to African American women’s everyday experiences with systemic racism and demonstrates how four types of narrative theory can help generate strategies to explain and dismantle that racism. This volume presents fifteen stories told by eight midwestern African American women about their own experiences with casual and structural racism, followed by four detailed narratological analyses of the stories, each representing a different approach to narrative interpretation. The book makes a case for the need to hear the personal stories of these women and others like them as part of a larger effort to counter the systemic racism that prevails in the United States today.Readers will find that the women’s stories offer powerful evidence that African Americans experience racism as an inescapable part of their day-to-day lives—and sometimes as a force that radically changes their lives. The stories provide experience-based demonstrations of how pervasive systemic racism is and how it perpetuates power differentials that are baked into institutions such as schools, law enforcement, the health care system, and business. Containing countless signs of the stress and trauma that accompany and follow from experiences of racism, the stories reveal evidence of the women’s resilience as well as their unending need for it, as they continue to feel the negative effects of experiences that occurred many years ago. The four interpretive chapters note the complex skill involved in the women’s storytelling. The analyses also point to the overall value of telling these stories: how they are sometimes cathartic for the tellers; how they highlight the importance of listening—and the likelihood of misunderstanding—and how, if they and other stories like them were heard more often, they would be a force to counteract the structural racism they so graphically expose.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution (CC-BY) 4.0 license.
Black Women’s Writing (Insights)
by Gina WiskerThis book contains a lively and wide ranging collection of critical essays on Black women's writing from Afro-American, African, South African, British and Caribbean novelists, poets, short story writers and a dramatist. The contributors are black and white, female and male, academics and readers who chart their engagement with and enjoyment of the texts of some of the key figures in black women's writing across several continents.
Black Writers From South Africa: Towards A Discourse Of Liberation (St Antony's Series)
by Jane Watts
Black Writers Interpret the Harlem Renaissance (The Harlem Renaissance 1920-1940)
by Cary D. WintzFirst Published in 1996. One of the most interesting features of the Harlem Renaissance was the degree to which black writers and poets were involved in promoting and analyzing their own literary movement. One of its formative events was the 1926 attempt by Wallace Thurman, Langston Hughes and other young writers to publish a literary magazine, FIRE!! This was the first of several efforts by black writers to establish literary journals. While these efforts failed, the magazine Opportunity employed a series of black poets as columnists to analyze and review black literary efforts. This volume collects the writings of this important literary journal as well as including many autobiographical and historical sketches.
Black Writers Interpret the Harlem Renaissance (The Harlem Renaissance 1920-1940 #Vol. 3)
by Cary D. WintzFirst Published in 1996. One of the most interesting features of the Harlem Renaissance was the degree to which black writers and poets were involved in promoting and analyzing their own literary movement. One of its formative events was the 1926 attempt by Wallace Thurman, Langston Hughes and other young writers to publish a literary magazine, FIRE!! This was the first of several efforts by black writers to establish literary journals. While these efforts failed, the magazine Opportunity employed a series of black poets as columnists to analyze and review black literary efforts. This volume collects the writings of this important literary journal as well as including many autobiographical and historical sketches.