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Beyond Postprocess
by Sidney I. Dobrin J. A. Rice Michael VastolaBeyond Postprocess offers a vigorous, provocative discussion of postprocess theory in its contemporary profile. Fueled by something like a fundamental refusal to see writing as self-evident, reducible, and easily explicable, the contributors rethink postprocess, suggesting that there is no easily defined moment or method that could be called postprocess. Instead, each contribution to this collection provides a unique and important example of what work beyond postprocess could be. Since postprocess theory in writing studies first challenged traditional conceptions of writing and the subject who writes, developments there have continued to push theorists of writing in a number of promising theoretical directions. Spaces for writing have arisen that radically alter ideological notions of space, rational thinking, intellectual property and politics, and epistemologies; and new media, digital, and visual rhetorics have increasingly complicated the scene, as well. Contributors to Beyond Postprocess reconsider writing and writing studies through posthumanism, ecology, new media, materiality, multimodal and digital writing, institutional critique, and postpedagogy. Through the lively and provocative character of these essays, Beyond Postprocess aims to provide a critical site for nothing less than the broad reevaluation of what it means to study writing today. Its polyvocal considerations and conclusions invest the volume with a unique potential to describe not what that field of study should be, but what it has the capacity to create. The central purpose of Beyond Postprocess is to unleash this creative potential.
Beyond Postprocess and Postmodernism: Essays on the Spaciousness of Rhetoric
by Theresa Enos Keith D. MillerIn this collection of original essays, editors Theresa Enos and Keith D. Miller join their contributors--a veritable "who's who" in composition scholarship--in seeking to illuminate and complicate many of the tensions present in the field of rhetoric and composition. The contributions included here emphasize key issues in past and present work, setting the stage for future thought and study. The book also honors the late Jim Corder, a major figure in the development of the rhetoric and composition discipline. In the spirit of Corder's unfinished work, the contributors to this volume absorb, probe, stretch, redefine, and interrogate classical, modern, and postmodern rhetorics--and challenge their limitations. Beyond Postprocess and Postmodernism: Essays on the Spaciousness of Rhetoric will be of interest to scholars, teachers, and students in rhetoric and composition, English, and communication studies. Offering a provocative discussion of postprocess composition theories and pedagogies and postmodern rhetorics, as well as the first thorough consideration of Jim Corder's contributions, this work is certain to influence the course of future study and research.
Beyond Postprocess and Postmodernism: Essays on the Spaciousness of Rhetoric
by Theresa Jarnagi Enos Keith D. Miller Jill McCrackenIn this collection of original essays, editors Theresa Enos and Keith D. Miller join their contributors--a veritable "who's who" in composition scholarship--in seeking to illuminate and complicate many of the tensions present in the field of rhetoric and composition. The contributions included here emphasize key issues in past and present work, setting the stage for future thought and study. The book also honors the late Jim Corder, a major figure in the development of the rhetoric and composition discipline. In the spirit of Corder's unfinished work, the contributors to this volume absorb, probe, stretch, redefine, and interrogate classical, modern, and postmodern rhetorics--and challenge their limitations. Beyond Postprocess and Postmodernism: Essays on the Spaciousness of Rhetoric will be of interest to scholars, teachers, and students in rhetoric and composition, English, and communication studies. Offering a provocative discussion of postprocess composition theories and pedagogies and postmodern rhetorics, as well as the first thorough consideration of Jim Corder's contributions, this work is certain to influence the course of future study and research.
Beyond Powerful Radio: A Communicator's Guide to the Internet Age—News, Talk, Information & Personality for Broadcasting, Podcasting, Internet, Radio
by Valerie GellerBeyond Powerful Radio is a complete guide to becoming a powerful broadcast communicator on radio or internet! This how-to cookbook is for broadcasters who want to learn the craft and improve. This practical and easy-to-read book, filled with bullet lists, offers techniques to learn everything from how to produce and host a show, to news gathering, coverage of investigative and breaking stories, writing and delivering the commercial copy and selling the air time. With contributions from over 100 top experts across all broadcast fields, Beyond Powerful Radio offers techniques, advice and lessons to build original programming, for news, programming, talk shows, producers, citizen journalism, copy writing, sales, commercials, promotions, production, research, fundraising, and more. Plus: Tips to assemble a winning team; to develop, build, and market your brand; get your next job in broadcasting, effectively promote your product; increase sales; write and produce commercials; raise money with your station; deal with creative burnout and manage high ego talent; and to research and grow your audience. Never be boring! Get, keep, and grow audiences through powerful personality, storytelling, and focus across any format. Tried-and-true broadcast techniques apply to the myriad forms of audio broadcast available today, including Web radio and podcasting. While the technology and delivery systems change, the one constant is content! Listeners, viewers, and surfers want to be entertained, informed, inspired, persuaded, and connected with powerful personalities, and storytellers. A full Instructor Manual is available with complete lesson plans for broadcast instructors - course includes Audio Production/Radio Programming/Management/Broadcast Journalism. The Instructor Manual is available for download here: http://cw.routledge.com/textbooks/9780240522241/
Beyond Powerful Radio: A Communicator's Guide to the Internet Age—News, Talk, Information & Personality for Broadcasting, Podcasting, Internet, Radio
by Valerie GellerBeyond Powerful Radio is a complete guide to becoming a powerful broadcast communicator on radio or internet! This how-to cookbook is for broadcasters who want to learn the craft and improve. This practical and easy-to-read book, filled with bullet lists, offers techniques to learn everything from how to produce and host a show, to news gathering, coverage of investigative and breaking stories, writing and delivering the commercial copy and selling the air time. With contributions from over 100 top experts across all broadcast fields, Beyond Powerful Radio offers techniques, advice and lessons to build original programming, for news, programming, talk shows, producers, citizen journalism, copy writing, sales, commercials, promotions, production, research, fundraising, and more. Plus: Tips to assemble a winning team; to develop, build, and market your brand; get your next job in broadcasting, effectively promote your product; increase sales; write and produce commercials; raise money with your station; deal with creative burnout and manage high ego talent; and to research and grow your audience. Never be boring! Get, keep, and grow audiences through powerful personality, storytelling, and focus across any format. Tried-and-true broadcast techniques apply to the myriad forms of audio broadcast available today, including Web radio and podcasting. While the technology and delivery systems change, the one constant is content! Listeners, viewers, and surfers want to be entertained, informed, inspired, persuaded, and connected with powerful personalities, and storytellers. A full Instructor Manual is available with complete lesson plans for broadcast instructors - course includes Audio Production/Radio Programming/Management/Broadcast Journalism. The Instructor Manual is available for download here: http://cw.routledge.com/textbooks/9780240522241/
Beyond Principles and Parameters: Essays in Memory of Osvaldo Jaeggli (Studies in Natural Language and Linguistic Theory #45)
by Kyle Johnson I. G. RobertsKyle Johnson University of Massachusetts at Amherst Ian Roberts University of Stuttgart An important chapter in the history of syntactic theory opened as the 70's reached their close. The revolution that Chomsky had brought to linguistics had to this point engendered theories which remained within the grip of the philologists' construction-based vision. Their image of language as a catalogue of independent constructions served as the backdrop against which much of transformational grammar's detailed exploration evolved. In a sense, the highly successful pursuit of th phonology and morphology in the 19 century as compared to the absence of similar results in syntax (beyond observations such as Wackemagel's Law, etc. ) attests to this: just noting that, for example, French relative clauses allow subject-postposing but not preposition-stranding while English relatives do not allow the former but do allow the latter does not take us far beyond a simple record of the facts. Prior to this point, th syntactic theory had not progressed beyond the 19 century situation. But as the 80's approached, this image began to give way to a different one: grammar as a puzzle of interlocking "modules," each made up of syntactic principles which cross-cut the philologist's constructions. More and more, "constructions" decomposed into the epiphenomenal interplay of encapsulated mini-theories: X Theory, Binding Theory, Bounding Theory, Case Theory, Theta Theory, and so on. Syntactic analyses became reoriented toward the twin goals of identifying the content of these modules and deconstructing into them the descriptive results of early transformational grammar.
Beyond Productivity: Embodied, Situated, and (Un)Balanced Faculty Writing Processes
by Kim Hensley Owens Derek Van IttersumIn Beyond Productivity, a wide range of contributors share honest narratives of the sometimes-impossible conditions that scholars face when completing writing projects. The essays provide backstage views of the authors' varying approaches to moving forward when the desire to produce wanes, when deciding a project is not working, when working within and around and redefining academic productivity expectations, and when writing with ever-changing bodies that do not always function as expected. This collection positions scholarly writers' ways of writing as a form of flexible, evolving knowledge. By exhibiting what is lost and gained through successive rounds of transformation and adaptation over time, the contributors offer a sustainable understanding and practice of process—one that looks beyond productivity as the primary measure of success. Each presents a fluid understanding of the writing process, illustrating its deeply personal nature and revealing how fragmented and disjointed methods and experiences can highlight what is precious about writing. Beyond Productivity determines anew the use and value of scholarly writing and the processes that produce it, both within and beyond the context of the losses, constraints, and adaptations associated with the COVID-19 pandemic.
Beyond Psychoanalytic Literary Criticism: Between Literature and Mind
by Benjamin H. OgdenThrough a series of radical and innovative chapters, Beyond Psychoanalytic Literary Criticism: Between Literature and Mind challenges the tradition of applied psychoanalysis that has long dominated psychoanalytic literary criticism. Benjamin H. Ogden, a literary scholar, proposes that a new form of analytic literary criticism take its place, one that begins from a place of respect for the mystery of literature and the complexity of its inner workings. In this book, through readings of authors such as J.M. Coetzee, Flannery O’Connor, and Vladimir Nabokov, the mysteries upon which literary works rely for their enduring power are enumerated and studied. Such mysteries are thereafter interwoven into a series of pioneering studies of how the conceptions of thinking, dreaming, and losing become meaningful within the unique aesthetic conditions of individual novels and poems. Each chapter is a provisional solution to the difficult "bridging problems" that arise when literary figures work in the psychoanalytic space, and when psychoanalysts attempt to make use of literature for analytic purposes. At every turn, Beyond Psychoanalytic Literary Criticism: Between Literature and Mind acts as a living example of the territory it explores: the space between two disciplines, wherein the writer brings into being a form of psychoanalytic literary criticism of his own making. Forgoing traditional applied psychoanalysis and technical jargon, this highly accessible, interdisciplinary work will appeal to psychoanalysts and psychoanalytic psychotherapists, as well as literary critics and scholars.
Beyond Psychoanalytic Literary Criticism: Between Literature and Mind
by Benjamin H. OgdenThrough a series of radical and innovative chapters, Beyond Psychoanalytic Literary Criticism: Between Literature and Mind challenges the tradition of applied psychoanalysis that has long dominated psychoanalytic literary criticism. Benjamin H. Ogden, a literary scholar, proposes that a new form of analytic literary criticism take its place, one that begins from a place of respect for the mystery of literature and the complexity of its inner workings. In this book, through readings of authors such as J.M. Coetzee, Flannery O’Connor, and Vladimir Nabokov, the mysteries upon which literary works rely for their enduring power are enumerated and studied. Such mysteries are thereafter interwoven into a series of pioneering studies of how the conceptions of thinking, dreaming, and losing become meaningful within the unique aesthetic conditions of individual novels and poems. Each chapter is a provisional solution to the difficult "bridging problems" that arise when literary figures work in the psychoanalytic space, and when psychoanalysts attempt to make use of literature for analytic purposes. At every turn, Beyond Psychoanalytic Literary Criticism: Between Literature and Mind acts as a living example of the territory it explores: the space between two disciplines, wherein the writer brings into being a form of psychoanalytic literary criticism of his own making. Forgoing traditional applied psychoanalysis and technical jargon, this highly accessible, interdisciplinary work will appeal to psychoanalysts and psychoanalytic psychotherapists, as well as literary critics and scholars.
Beyond representation: Television drama and the politics and aesthetics of identity (PDF)
by Geraldine HarrisBeyond representation explores whether the last thirty years witnessed signs of 'progress’ or ’progressiveness’ in the representation of ‘marginalised’ or subaltern identity categories within television drama in Britain and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity that have influenced and informed television drama criticism during this period. This book examines ideas around politics and aesthetics, which emerge from such theories as Marxist-socialism and postmodernism, feminism and postmodern feminism, anti-racism and postcolonialism, queer theory and theories of globalisation, and evaluates their impact on television criticism and on television as an institution. These discussions are consolidated through a number of case studies that offer analyses of a range of television drama texts including ‘Ally McBeal', 'Supply and Demand', 'The Bill', 'Second Generation', 'Star Trek: Enterprise', 'Queer as Folk', 'Metrosexuality' and 'The Murder of Stephen Lawrence'.
Beyond representation: Television drama and the politics and aesthetics of identity
by Geraldine HarrisBeyond representation explores whether the last thirty years witnessed signs of 'progress’ or ’progressiveness’ in the representation of ‘marginalised’ or subaltern identity categories within television drama in Britain and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity that have influenced and informed television drama criticism during this period. This book examines ideas around politics and aesthetics, which emerge from such theories as Marxist-socialism and postmodernism, feminism and postmodern feminism, anti-racism and postcolonialism, queer theory and theories of globalisation, and evaluates their impact on television criticism and on television as an institution. These discussions are consolidated through a number of case studies that offer analyses of a range of television drama texts including ‘Ally McBeal', 'Supply and Demand', 'The Bill', 'Second Generation', 'Star Trek: Enterprise', 'Queer as Folk', 'Metrosexuality' and 'The Murder of Stephen Lawrence'.
Beyond Return: Genre and Cultural Politics in Contemporary French Fiction (Contemporary French and Francophone Cultures #63)
by Lucas HollisterIn the aftermath of the efflorescence of experimental literature and theory that characterized the Trente Glorieuses (1945-75), ‘contemporary’ French literature is often said to embrace more traditional or readable novelistic forms. This rejection of the radical aesthetics of mid-century French literature, this rehabilitation of fictional forms that have been called sub-literary, regressive, or outdated, has been given a name: the ‘return to the story.’ In Beyond Return, Lucas Hollister proposes new perspectives on the cultural politics of such fictions. Examining adventure novels, radical noir, postmodernist mysteries, war novels, and dystopian fictions, Hollister shows how authors like Jean Echenoz, Jean-Patrick Manchette, Jean Rouaud, and Antoine Volodine develop radically dissimilar notions of the aesthetics of ‘return,’ and thus redraw in different manners the boundaries of the contemporary, the French, and the literary. In the process, Hollister argues for the need to move beyond the nostalgic, anti-modernist rhetoric of the ‘return to the story’ in order to appreciate the potentialities of innovative contemporary genre fictions.
Beyond Rigidity: The Unfinished Semantic Agenda of Naming and Necessity
by Scott SoamesIn this fascinating work, Scott Soames offers a new conception of the relationship between linguistic meaning and assertions made by utterances. He gives meanings of proper names and natural kind predicates and explains their use in attitude ascriptions. He also demonstrates the irrelevance of rigid designation in understanding why theoretical identities containing such predicates are necessary, if true.
Beyond Romantic Ecocriticism: Toward Urbanatural Roosting (Nineteenth-Century Major Lives and Letters)
by A. NicholsNichols chronicles the Enlightenment view of 'Nature' as static and separate from humans as it moved towards the Romantic 'nature' characterized by dynamic links among all living things. Engaging Romantic and Victorian thinkers, as well as contemporary scholarship, he draws new conclusions about 21st-century ideas of nature.
Beyond Romanticism: New Approaches to Texts and Contexts 1780-1832 (Routledge Library Editions: Romanticism)
by Stephen Copley John WhaleFirst published in 1992. Beyond Romanticism represents a substantial challenge to traditional views of the Romantic period and provides a sustained critique of ‘Romantic ideology’. The debates with which it engages had previously been under-represented in the study of Romanticism, where the claims of history had never had quite the same status as they have had in other periods, and where confidence in poetic literary value remains high. Individual essays examine the philosophical underpinnings of Romantic discourse; they survey analogous and competing discourses of the period such as mesmerism, Hellenism, orientalism and nationalism; and analyse both the manifestations of Romanticism in particular historical and textual moments, and the texts and modes of writing which have been historically marginalized or silenced by ‘the Romantic’. This title will be of interest to students of literature.
Beyond Romanticism: New Approaches to Texts and Contexts 1780-1832 (Routledge Library Editions: Romanticism)
by Stephen Copley John WhaleFirst published in 1992. Beyond Romanticism represents a substantial challenge to traditional views of the Romantic period and provides a sustained critique of ‘Romantic ideology’. The debates with which it engages had previously been under-represented in the study of Romanticism, where the claims of history had never had quite the same status as they have had in other periods, and where confidence in poetic literary value remains high. Individual essays examine the philosophical underpinnings of Romantic discourse; they survey analogous and competing discourses of the period such as mesmerism, Hellenism, orientalism and nationalism; and analyse both the manifestations of Romanticism in particular historical and textual moments, and the texts and modes of writing which have been historically marginalized or silenced by ‘the Romantic’. This title will be of interest to students of literature.
Beyond Safety: Risk, Cosmopolitanism, and Neoliberal Contemporary Life
by Emily JohansenBeyond Safety argues that concerns about the ethical impossibility of individual safety in the face of risks with increasingly obvious global consequences alters representations of neoliberal contemporary life. As the climate crises in the Caribbean and Australia, ongoing European refugee and American border crises, and, most recently, anxieties about Coronavirus illustrate, contemporary life is characterized by global connections that produce and reflect precarious outcomes and dangers. The ability to ignore risk or shift it to others underscores the fact that it is mitigable for particular segments of society while inescapable for others. Emily Johansen investigates depictions of global danger and safety in contemporary transnational fictional and popular texts-those characterized by a narrative or representational emphasis on border crossing and global interdependences. She demonstrates how these texts use risk to question and re-imagine the norms and practices of contemporary global citizenship. Beyond Safety thus brings together three of the central keywords of contemporary literary criticism of the last ten years (cosmopolitanism, precarity, neoliberalism) and shows how their intersection allows for a fuller conception of contemporary life and imagines a new global future.
Beyond Safety: Risk, Cosmopolitanism, and Neoliberal Contemporary Life
by Emily JohansenBeyond Safety argues that concerns about the ethical impossibility of individual safety in the face of risks with increasingly obvious global consequences alters representations of neoliberal contemporary life. As the climate crises in the Caribbean and Australia, ongoing European refugee and American border crises, and, most recently, anxieties about Coronavirus illustrate, contemporary life is characterized by global connections that produce and reflect precarious outcomes and dangers. The ability to ignore risk or shift it to others underscores the fact that it is mitigable for particular segments of society while inescapable for others. Emily Johansen investigates depictions of global danger and safety in contemporary transnational fictional and popular texts-those characterized by a narrative or representational emphasis on border crossing and global interdependences. She demonstrates how these texts use risk to question and re-imagine the norms and practices of contemporary global citizenship. Beyond Safety thus brings together three of the central keywords of contemporary literary criticism of the last ten years (cosmopolitanism, precarity, neoliberalism) and shows how their intersection allows for a fuller conception of contemporary life and imagines a new global future.
Beyond Semantics and Pragmatics
by Gerhard PreyerThe study of meaning in language embraces a diverse range of problems and methods. Philosophers think through the relationship between language and the world; linguists document speakers' knowledge of meaning; psychologists investigate the mechanisms of understanding and production. Up through the early 2000s, these investigations were generally compartmentalized: indeed, researchers often regarded both the subject-matter and the methods of other disciplines with skepticism. Since then, however, there has been a sea change in the field, enabling researchers increasingly to synthesize the perspectives of philosophy, linguistics and psychology and to energize all the fields with rich new intellectual perspectives that facilitate meaningful interchange. The time is right for a broader exploration and reflection on the status and problems of semantics as an interdisciplinary enterprise, in light of a decade of challenging and successful research in this area. Taking as its starting-point Lepore and Stone's 2014 book Imagination and Convention, this volume aims to reconcile different methodological perspectives while refocusing semanticists on new problems where integrative work will find the broadest and most receptive audience.
Beyond Semantics and Pragmatics
The study of meaning in language embraces a diverse range of problems and methods. Philosophers think through the relationship between language and the world; linguists document speakers' knowledge of meaning; psychologists investigate the mechanisms of understanding and production. Up through the early 2000s, these investigations were generally compartmentalized: indeed, researchers often regarded both the subject-matter and the methods of other disciplines with skepticism. Since then, however, there has been a sea change in the field, enabling researchers increasingly to synthesize the perspectives of philosophy, linguistics and psychology and to energize all the fields with rich new intellectual perspectives that facilitate meaningful interchange. The time is right for a broader exploration and reflection on the status and problems of semantics as an interdisciplinary enterprise, in light of a decade of challenging and successful research in this area. Taking as its starting-point Lepore and Stone's 2014 book Imagination and Convention, this volume aims to reconcile different methodological perspectives while refocusing semanticists on new problems where integrative work will find the broadest and most receptive audience.
Beyond Semiotics: Text, Culture and Technology
by Niall LucyWhere is semiotics now? As the promised science of the social life of signs in general, semiotics has not been good to its word. Although well-established institutionally today--through specialist journals, research centres, international conferences, professional associations and the like--semiotics now seems quaintly out of place in a world where text, culture and technology defy metadisciplinary, if not metaphysical, explanation. When the semiotician has finished explaining the music of Primal Scream, the textuality of an email message or the culture of the internet, most would believe there was still lots to be said. A generation ago, the radical humanities scholar turned to semiotics for the last word on news production, cinematic desire or the meaning of youth style. Today that last word (which is always the latest word too) is more likely to go to cultural studies, literary theory or postmodernism--all of which are in several senses 'beyond' semiotics even while remaining indebted to it. In addition, we can't so easily presume to separate notions of production and desire, say, or news and cinema, precisely because we can no longer say for sure where the differences lie between notions of text, culture and technology. Beyond Semiotics provides an approach to these three interdependent concepts of text, culture and technology, in order to show what semiotics had always had to marginalize, forget, or not see in the quest to professionalize itself. Meanwhile, outside the limitation of any discipline, the secular mysteries of text, culture and technology today continue to call for a response--not with the aim of laying bare the truth, but of opening up the sign.
Beyond Spain's Borders: Women Players in Early Modern National Theaters (Transculturalisms, 1400-1700)
by Anne J. Cruz Maria Cristina QuinteroThe prolific theatrical activity that abounded on the stages of early modern Europe demonstrates that drama was a genre that transcended national borders. The transnational character of early modern theater reflects the rich admixture of various dramatic traditions, such as Spain’s comedia and Italy’s commedia dell’arte, but also the transformations across cultures of Spanish novellas to French plays and English interludes. Of particular import to this study is the role that women and gender played in this cross-pollination of theatrical sources and practices. Contributors to the volume not only investigate the gendered effect of Spanish texts and literary types on English and French drama, they address the actual journeys of Spanish actresses to French theaters and of Italian actresses to the Spanish stage, while several emphasize the movement of royal women to various courts and their impact on theatrical activity in Spain and abroad. In their innovative focus on women’s participation and influence, the chapters in this volume illustrate the frequent yet little studied transnational and transcultural points of contact between Spanish theater and the national theaters of England, France, Austria, and Italy.
Beyond Spain's Borders: Women Players in Early Modern National Theaters (Transculturalisms, 1400-1700)
by Anne J. Cruz María Cristina QuinteroThe prolific theatrical activity that abounded on the stages of early modern Europe demonstrates that drama was a genre that transcended national borders. The transnational character of early modern theater reflects the rich admixture of various dramatic traditions, such as Spain’s comedia and Italy’s commedia dell’arte, but also the transformations across cultures of Spanish novellas to French plays and English interludes. Of particular import to this study is the role that women and gender played in this cross-pollination of theatrical sources and practices. Contributors to the volume not only investigate the gendered effect of Spanish texts and literary types on English and French drama, they address the actual journeys of Spanish actresses to French theaters and of Italian actresses to the Spanish stage, while several emphasize the movement of royal women to various courts and their impact on theatrical activity in Spain and abroad. In their innovative focus on women’s participation and influence, the chapters in this volume illustrate the frequent yet little studied transnational and transcultural points of contact between Spanish theater and the national theaters of England, France, Austria, and Italy.
Beyond Superstructuralism
by Richard HarlandMoving on from his previous book, Superstructuralism , Richard Harland argues that the focus on single words in the structuralist theory of language is its key weakness and that the next advance beyond post-structuralism depends upon replacing word-based with syntagm-based theories. In a lucid way he develops a new syntagmatic theory which shows that the effect of combining words grammatically can transform the very nature of meaning. The wide breadth of coverage in the book covers both post-Chomskyan' linguistics and Derrida, and sets up an opposition to analytic and speech-act views of language. By presenting a systematic critique and counter-proposal, Harland challenges the very foundation of recent literary and language based theory.
Beyond Superstructuralism
by Richard HarlandMoving on from his previous book, Superstructuralism , Richard Harland argues that the focus on single words in the structuralist theory of language is its key weakness and that the next advance beyond post-structuralism depends upon replacing word-based with syntagm-based theories. In a lucid way he develops a new syntagmatic theory which shows that the effect of combining words grammatically can transform the very nature of meaning. The wide breadth of coverage in the book covers both post-Chomskyan' linguistics and Derrida, and sets up an opposition to analytic and speech-act views of language. By presenting a systematic critique and counter-proposal, Harland challenges the very foundation of recent literary and language based theory.