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Ben Jonson, John Marston and Early Modern Drama: Satire and the Audience
by Rebecca YearlingThis book examines the influence of John Marston, typically seen as a minor figure among early modern dramatists, on his colleague Ben Jonson. While Marston is usually famed more for his very public rivalry with Jonson than for the quality of his plays, this book argues that such a view of Marston seriously underestimates his importance to the theatre of his time. In it, the author contends that Marston's plays represent an experiment in a new kind of satiric drama, with origins in the humanist tradition of serio ludere. His works—deliberately unpredictable, inconsistent and metatheatrical—subvert theatrical conventions and provide confusingly multiple perspectives on the action, forcing their spectators to engage actively with the drama and the moral dilemmas that it presents. The book argues that Marston's work thus anticipates and perhaps influenced the mid-period work of Ben Jonson, in plays such as Sejanus, Volpone and The Alchemist.
Ben Jonson's Antimasques: A History of Growth and Decline (Routledge Revivals)
by Lesley MickelFirst published in 1999, this volume examines how under the patronage of James I and then Charles I, Ben Jonson wrote no less than 28 court masques. Paying particular attention to the antimasque, Lesley Mickel discusses in detail those court entertainments which contributed significantly to the genre’s evolution and development. Her approach is innovative in that she examines these court entertainments in relation to Jonson’s poetry and dramatic works. This reveals some idea of the way in which Jonson perceived the relationship between satire and panegyric, as well as highlighting the related, if oppositional, views of state power which he expresses in the Roman plays and in the masques.
Ben Jonson's Antimasques: A History of Growth and Decline (Routledge Revivals)
by Lesley MickelFirst published in 1999, this volume examines how under the patronage of James I and then Charles I, Ben Jonson wrote no less than 28 court masques. Paying particular attention to the antimasque, Lesley Mickel discusses in detail those court entertainments which contributed significantly to the genre’s evolution and development. Her approach is innovative in that she examines these court entertainments in relation to Jonson’s poetry and dramatic works. This reveals some idea of the way in which Jonson perceived the relationship between satire and panegyric, as well as highlighting the related, if oppositional, views of state power which he expresses in the Roman plays and in the masques.
Ben Jonson’s Theatrical Republics
by J. SandersThis timely book challenges conventional critical wisdom about the work of Ben Jonson. Looking in particular at his Jacobean and Caroline plays, it explores his engagement with concepts of republicanism. Julie Sanders investigates notions of community in Jonson's stage worlds - his 'theatrical republics' - and reveals a Jonson to contrast with the traditional image of the writer as conservative, absolutist, misogynist, and essentially 'anti-theatrical'. The Jonson presented here is a positive celebrant of the social and political possibilities of theatre.
Bending Genre: Essays on Creative Nonfiction
by Margot SingerEver since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. An early and influential book on questions of form in creative nonfiction, Bending Genre asks not where the boundaries between the genres should be drawn, but what happens when you push the line. The expanded second edition doubles the first edition with 23 new essays that broaden the exploration of hybridity, structure, unconventionality, and resistance in creative nonfiction, pushing the conversation forward in diverse and exciting ways.Written for writers and students of creative writing, this collection brings together perspectives from leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, David Shields, Kazim Ali--and in the new edition--Catina Bacote, Ira Sukrungruang, Ingrid Horrocks, Elena Passarello, and Aviya Kushner. Each writer's innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself, Bending Genre is an exciting hybrid that breaks new ground. Features in the second edition: -Updated introduction to the new edition -Expanded sections on Hybrids, Structures, and "Unconventions" -A new section on Resistances -50 essays in all
Bending Genre: Essays on Creative Nonfiction
by Margot Singer Nicole WalkerEver since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. This debate over ethics, however, has sidelined important questions of literary form. Bending Genre does not ask where the boundaries between genres should be drawn, but what happens when you push the line. Written for writers and students of creative writing, this collection brings together perspectives from today's leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, and David Shields. Each writer's innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself, Bending Genre is an exciting hybrid that breaks new ground.
Bending Genre: Essays on Creative Nonfiction
by Margot Singer Nicole WalkerEver since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. This debate over ethics, however, has sidelined important questions of literary form. Bending Genre does not ask where the boundaries between genres should be drawn, but what happens when you push the line. Written for writers and students of creative writing, this collection brings together perspectives from today's leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, and David Shields. Each writer's innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself, Bending Genre is an exciting hybrid that breaks new ground.
Bending Genre: Essays on Creative Nonfiction
Ever since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. An early and influential book on questions of form in creative nonfiction, Bending Genre asks not where the boundaries between the genres should be drawn, but what happens when you push the line. The expanded second edition doubles the first edition with 23 new essays that broaden the exploration of hybridity, structure, unconventionality, and resistance in creative nonfiction, pushing the conversation forward in diverse and exciting ways.Written for writers and students of creative writing, this collection brings together perspectives from leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, David Shields, Kazim Ali--and in the new edition--Catina Bacote, Ira Sukrungruang, Ingrid Horrocks, Elena Passarello, and Aviya Kushner. Each writer's innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself, Bending Genre is an exciting hybrid that breaks new ground. Features in the second edition: -Updated introduction to the new edition -Expanded sections on Hybrids, Structures, and "Unconventions" -A new section on Resistances -50 essays in all
Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville
by David S. ReynoldsThe award-winning Beneath the American Renaissance is a classic work on American literature. It immeasurably broadens our knowledge of our most important literary period, as first identified by F.O. Matthiessen's American Renaissance. With its combination of sharp critical insight, engaging observation, and narrative drive, it represents the kind of masterful cultural history for which David Reynolds is known. Here the major works of Emerson, Thoreau, Whitman, Poe, Hawthorne, Melville, and Dickinson receive striking, original readings set against the rich backdrop of contemporary popular writing. Now back in print, the volume includes a new foreword by historian Sean Wilentz that reveals the book's impact and influence. A magisterial work of criticism and cultural history, Beneath the American Renaissance will fascinate anyone interested in the genesis of America's most significant literary epoch and the iconic figures who defined it.
Beneatha's Place (Modern Plays)
by Kwame Kwei-ArmahSome things we do for those we are responsible for, some things for ourselves, and some things we do for the ancestors.Today, it's all three!1959. The first wave of independence is sweeping across Africa and Beneatha has left the prejudice of 1950s America for a brighter future with her Nigerian husband in Lagos. But on the day they move into their new house in the white suburbs, it doesn't take long for cracks to appear, changing the course of the rest of their lives.Present day. Now a renowned Dean whose colleagues are questioning the role of African American studies for future generations, Beneatha returns to the same house in search of answers. Inspired by Lorraine Hansberry's ground-breaking modern classic, A Raisin in the Sun, Beneatha's Place challenges today's culture wars about colonial history and reckoning with the past. A razor-sharp satire from Young Vic Artistic Director Kwame Kwei-Armah, about the power of knowing your history and the cost of letting it go, this edition was published to coincide with the London premiere at the Young Vic Theatre, in June 2023.
Beneatha's Place (Modern Plays)
by Kwame Kwei-ArmahSome things we do for those we are responsible for, some things for ourselves, and some things we do for the ancestors.Today, it's all three!1959. The first wave of independence is sweeping across Africa and Beneatha has left the prejudice of 1950s America for a brighter future with her Nigerian husband in Lagos. But on the day they move into their new house in the white suburbs, it doesn't take long for cracks to appear, changing the course of the rest of their lives.Present day. Now a renowned Dean whose colleagues are questioning the role of African American studies for future generations, Beneatha returns to the same house in search of answers. Inspired by Lorraine Hansberry's ground-breaking modern classic, A Raisin in the Sun, Beneatha's Place challenges today's culture wars about colonial history and reckoning with the past. A razor-sharp satire from Young Vic Artistic Director Kwame Kwei-Armah, about the power of knowing your history and the cost of letting it go, this edition was published to coincide with the London premiere at the Young Vic Theatre, in June 2023.
Bengal and Italy: Transcultural Encounters from the Mid-19th to the Early 21st Century (Routledge Studies in Comparative Literature)
by Paromita Chakravarti Mario PrayerThe ten essays collected in this book manifest the current global interest for trans-border dialogues and trace the origins and development of Italian and Bengali internationalisms in the period from the mid-19th to the early 20th century. Despite having differing political statuses and lacking a shared geographical or historical space, Bengal and Italy remained uniquely connected and, at times, actively sought to transcend different kinds of constraints in their search for a significant dialogue and mutual enrichment in the fields of literature, music, architecture, art, cinema, diplomacy, entrepreneurship, travels, education and intellectual engagement. In this context, the volume confronts strategies of evaluation adopted by prominent representatives of the Bengali and Italian cultural environments with particular emphasis on readings embedded in the moment of contact. Both regions benefited from this ‘elective affinity’ as they advanced along their respective paths towards a fuller awareness of their specific identity, and thus set a positive example of transcultural understanding which may provide inspiration in today’s world.
Bengal and Italy: Transcultural Encounters from the Mid-19th to the Early 21st Century (Routledge Studies in Comparative Literature)
The ten essays collected in this book manifest the current global interest for trans-border dialogues and trace the origins and development of Italian and Bengali internationalisms in the period from the mid-19th to the early 20th century. Despite having differing political statuses and lacking a shared geographical or historical space, Bengal and Italy remained uniquely connected and, at times, actively sought to transcend different kinds of constraints in their search for a significant dialogue and mutual enrichment in the fields of literature, music, architecture, art, cinema, diplomacy, entrepreneurship, travels, education and intellectual engagement. In this context, the volume confronts strategies of evaluation adopted by prominent representatives of the Bengali and Italian cultural environments with particular emphasis on readings embedded in the moment of contact. Both regions benefited from this ‘elective affinity’ as they advanced along their respective paths towards a fuller awareness of their specific identity, and thus set a positive example of transcultural understanding which may provide inspiration in today’s world.
Benjamin, Adorno, and the Experience of Literature (Routledge Studies in Twentieth-Century Philosophy)
by Corey McCall Nathan RossThis collection features original essays that examine Walter Benjamin’s and Theodor Adorno’s essays and correspondence on literature. Taken together, the essays present the view that these two monumental figures of 20th-century philosophy were not simply philosophers who wrote about literature, but that they developed their philosophies in and through their encounters with literature. Benjamin, Adorno, and the Experience of Literature is divided into three thematic sections. The first section contains essays that directly demonstrate the ways in which literature enriched the thinking of Benjamin and Adorno. It explores themes that are recognized to be central to their thinking—mimesis, the critique of historical progress, and the loss and recovery of experience—through their readings of literary authors such as Baudelaire, Beckett, and Proust. The second section continues the trajectory of the first by bringing together four essays on Benjamin’s and Adorno’s reading of Kafka, whose work helped them develop a distinctive critique of and response to capitalism. The third and final section focuses more intently on the question of what it means to gain authentically critical insight into a literary work. The essays examine Benjamin’s response to specific figures, including Georg Büchner, Robert Walser, and Julien Green, whose work he sees as neglected, undigested, or misunderstood. This book offers a unique examination of two pivotal 20th-century philosophers through the lens of their shared experiences with literature. It will appeal to a wide range of scholars across philosophy, literature, and German studies.
Benjamin, Adorno, and the Experience of Literature (Routledge Studies in Twentieth-Century Philosophy)
by Corey McCall Nathan RossThis collection features original essays that examine Walter Benjamin’s and Theodor Adorno’s essays and correspondence on literature. Taken together, the essays present the view that these two monumental figures of 20th-century philosophy were not simply philosophers who wrote about literature, but that they developed their philosophies in and through their encounters with literature. Benjamin, Adorno, and the Experience of Literature is divided into three thematic sections. The first section contains essays that directly demonstrate the ways in which literature enriched the thinking of Benjamin and Adorno. It explores themes that are recognized to be central to their thinking—mimesis, the critique of historical progress, and the loss and recovery of experience—through their readings of literary authors such as Baudelaire, Beckett, and Proust. The second section continues the trajectory of the first by bringing together four essays on Benjamin’s and Adorno’s reading of Kafka, whose work helped them develop a distinctive critique of and response to capitalism. The third and final section focuses more intently on the question of what it means to gain authentically critical insight into a literary work. The essays examine Benjamin’s response to specific figures, including Georg Büchner, Robert Walser, and Julien Green, whose work he sees as neglected, undigested, or misunderstood. This book offers a unique examination of two pivotal 20th-century philosophers through the lens of their shared experiences with literature. It will appeal to a wide range of scholars across philosophy, literature, and German studies.
Benjamin Franklin, Jonathan Edwards, And The Representation Of American Culture
by Barbara B. Oberg Harry S. Stout
Benjamin-Handbuch: Leben – Werk – Wirkung
by Thomas Küpper Timo SkrandiesFacettenreicher Intellektueller der Weimarer Republik und des Exils. Walter Benjamins Werk lebt: Die Radikalität seines Denkens und die Vielfalt seiner Impulse wirken bis heute in zahlreichen Bereichen fort. Das interdisziplinär angelegte Handbuch informiert über die Biografie und zeichnet die einflussreiche Wirkungsgeschichte nach. Es analysiert Einzelschriften und Textgruppen und eröffnet einen Zugang zur Edition der Gesammelten Schriften. Unter Berücksichtigung des Nachlasses.
Benjamin Markovits: Critical Essays (Contemporary Writers)
by Michael KalischBenjamin Markovits is a leading Anglo-American novelist with a varied and ambitious body of work, ranging from a trilogy of historical fictions on the life of Lord Byron (Imposture, 2007; A Quiet Adjustment, 2008; Childish Loves, 2011) to an award-winning portrayal of a gentrification project in Obama-era Detroit (You Don’t Have to Live Like This, 2015) to intimate studies of contemporary family life (A Weekend in New York, 2018; Christmas in Austin, 2019). Prolific and unpredictable, Markovits is one of the most interesting realist writers working today. Featuring contributions from emerging and established scholars, this collection provides fresh perspectives on Markovits’s place in the contemporary literary field, as well as offering a detailed survey of his work to date. The collection begins with Markovits’s early ‘campus novel’, The Syme Papers (2004), before exploring his celebrated ‘Byron Trilogy’, and the 2005 story cycle, Either Side of Winter. Contributors consider Markovits’s best-known book, You Don’t Have to Live Like This, which won the James Tait Memorial Prize, as well as his more recent fictions focusing on the trials and tribulations of the Essinger family. Taken together, this authoritative collection brings to light the many preoccupations of Markovits’s singular oeuvre—from Byron to basketball, from race relations to real estate. It also includes a frank and wide-ranging interview with the author. The collection will be a first port of call for students and scholars in search of a comprehensive introduction to the work of one of our most exciting contemporary novelists.
Benjamin Markovits: Critical Essays (Contemporary Writers)
Benjamin Markovits is a leading Anglo-American novelist with a varied and ambitious body of work, ranging from a trilogy of historical fictions on the life of Lord Byron (Imposture, 2007; A Quiet Adjustment, 2008; Childish Loves, 2011) to an award-winning portrayal of a gentrification project in Obama-era Detroit (You Don’t Have to Live Like This, 2015) to intimate studies of contemporary family life (A Weekend in New York, 2018; Christmas in Austin, 2019). Prolific and unpredictable, Markovits is one of the most interesting realist writers working today. Featuring contributions from emerging and established scholars, this collection provides fresh perspectives on Markovits’s place in the contemporary literary field, as well as offering a detailed survey of his work to date. The collection begins with Markovits’s early ‘campus novel’, The Syme Papers (2004), before exploring his celebrated ‘Byron Trilogy’, and the 2005 story cycle, Either Side of Winter. Contributors consider Markovits’s best-known book, You Don’t Have to Live Like This, which won the James Tait Memorial Prize, as well as his more recent fictions focusing on the trials and tribulations of the Essinger family. Taken together, this authoritative collection brings to light the many preoccupations of Markovits’s singular oeuvre—from Byron to basketball, from race relations to real estate. It also includes a frank and wide-ranging interview with the author. The collection will be a first port of call for students and scholars in search of a comprehensive introduction to the work of one of our most exciting contemporary novelists.
Benjamin Zephaniah: Band 17/diamond (Collins Big Cat)
by Benjamin ZephaniahBuild your child’s reading confidence at home with books at the right level
Benjamin's Library: Modernity, Nation, and the Baroque (Signale: Modern German Letters, Cultures, and Thought)
by Jane O. NewmanIn Benjamin’s Library, Jane O. Newman offers, for the first time in any language, a reading of Walter Benjamin’s notoriously opaque work, Origin of the German Tragic Drama that systematically attends to its place in discussions of the Baroque in Benjamin’s day. Taking into account the literary and cultural contexts of Benjamin’s work, Newman recovers Benjamin’s relationship to the ideologically loaded readings of the literature and political theory of the seventeenth-century Baroque that abounded in Germany during the political and economic crises of the Weimar years. To date, the significance of the Baroque for Origin of the German Tragic Drama has been glossed over by students of Benjamin, most of whom have neither read it in this context nor engaged with the often incongruous debates about the period that filled both academic and popular texts in the years leading up to and following World War I. Armed with extraordinary historical, bibliographical, philological, and orthographic research, Newman shows the extent to which Benjamin participated in these debates by reconstructing the literal and figurative history of sixteenth- and seventeenth-century books that Benjamin analyzes and the literary, art historical and art theoretical, and political theological discussions of the Baroque with which he was familiar. In so doing, she challenges the exceptionalist, even hagiographic, approaches that have become common in Benjamin studies. The result is a deeply learned book that will infuse much-needed life into the study of one of the most influential thinkers of the twentieth century.
Benn-Handbuch: Leben – Werk – Wirkung
by Christian M. Hanna Friederike ReentsGottfried Benns Doppelrolle als Dichter und Arzt ist neben der Einzigartigkeit seiner Lyrik, der radikalen Modernität seiner Prosa und der zeitgeschichtlichen Brisanz der Briefwechsel einer der Gründe für seine bis heute anhaltende Wirkungskraft. Das erste umfassende Handbuch beleuchtet historische und biografische Hintergründe, analysiert das Werk und gibt einen Überblick über literarische, geistes- und naturwissenschaftliche Strömungen, in deren Spannungsfeld sich Benns Texte bewegen. Neben detaillierten Einzelinterpretationen liegt ein Schwerpunkt auf der Darstellung von Benns Ästhetik und Poetik anhand von Konzeptionen und Strukturen (Medizynische Lyrik bis Phänotypologie), Denkfiguren und Motiven (Ambivalenz bis Wissenschaftskritik) sowie seiner Schreibweisen und Techniken (Montagetechnik bis Essayistisches Schreiben). Ein Kapitel zur nationalen und internationalen Rezeptionsgeschichte rundet das Handbuch ab.
Benvenuto Cellini: Sexuality, Masculinity, and Artistic Identity in Renaissance Italy
by M. GallucciCelebrated goldsmith and sculptor of the Italian Renaissance, Benvenuto Cellini (1500-71) fits the conventional image of a Renaissance man: a skillful virtuoso and courtier; an artist who worked in marble, bronze, and gold; and a writer and poet. Using the methodologies of New Historicism, social history, and gender and sexuality studies, this book places Cellini and his cultural production in the context of contemporary discourses about sexuality, law, magic, masculinity, and honor. In his life and literary oeuvre, the notorious artist, rogue, and sodomite aligned himself with the transgressive and oppositional voices of his day.