- Table View
- List View
The Pit and the Pendulum: The Essential Poe
by Edgar Allan Poe Peter AckroydThis selection of Poe's critical writings, short fiction and poetry demonstrates an intense interest in aesthetic issues and the astonishing power and imagination with which he probed the darkest corners of the human mind. The Fall of the House of Usher describes the final hours of a family tormented by tragedy and the legacy of the past. In The Tell Tale Heart, a murderer's insane delusions threaten to betray him, while stories such as The Pit and the Pendulum and The Cask of Amontillado explore extreme states of decadence, fear and hate.
Plague: A Gripping Suspense Thriller About An Incurable Outbreak In Miami
by Graham Masterton'One of Britain's finest horror writers' DAILY MAIL A deadly disease. No cure. Anyone who leaves the plague-zone must be shot. At first the rules were simple: quarantine the city, and let the plague die. So men and women closed their doors, and lived in lockdown, fighting for survival against a disease as contagious and destructive as the Black Death. A disease for which there was no known cure.But the plague did not die. And so, at lunchtime on a Friday afternoon, the President announces the new rules. Every American should take up arms to protect the disease-free zones. Anyone attempting to leave the plague-zone must be shot.A gripping suspense thriller about an outbreak of plague in the USA, this is perfect for fans of Dean Koontz or Stephen King. 'One of the most original and frightening storytellers of our time' PETER JAMES 'A true master of horror' JAMES HERBERT 'God, he's good' STEPHEN KING
Plague Lords
by James AxlerAfter a century of chaos following the nukes, Deathlands is forming pockets of civilization, aided by preDark stockpiles of weapons, fuel and pieces of 21st-century knowledge. But these troves are hard to come by, and survival remains a blood quest.
A Plague of Giants (Seven Kennings #1)
by Kevin Hearne'TRULY EPIC FANTASY' James Islington, author of The Shadow of What Was LostFrom the east came the Bone Giants. From the south, the fire-wielding Hathrim.It was an invasion that sparked war across the six nations of Teldwen. Now the kingdom's only hope is the discovery of a new form of magic - one that will call the wondrous beasts of the world to fight by the side of humankind.In the start of a thrilling new series, the New York Times bestselling author of The Iron Druid Chronicles creates an unforgettable fantasy world of warring giants and elemental magic.'This isn't just a breath of fresh air for the genre, it's a damned hurricane' Jason M. Hough, New York Times bestselling author'A rare masterpiece that's both current and timeless . . . merging the fantasy bones of Tolkien and Rothfuss with a wide cast of characters who'll break your heart'Delilah S. Dawson
Plain Bad Heroines: A Novel
by Emily Danforth‘Brimming from start to finish with sly humour and gothic mischief…a brilliant piece of exuberant storytelling’ SARAH WATERS ‘Atmospheric, sexy, creepy, full of lesbians and wasps, disturbing and funny and totally addictive’ KATE DAVIES, author of In At The Deep End
Plain Bad Heroines: A Novel
by Emily M. Danforth‘Brimming from start to finish with sly humour and gothic mischief’ SARAH WATERS ‘Atmospheric, sexy, creepy…totally addictive’ KATE DAVIES, author of In At The Deep End ‘A gloriously over-the-top queer romp’ I PAPER, top picks for 2021
Planet of the Lawn Gnomes (Goosebumps Most Wanted Ser. #1)
by R. L. StineThe infamous, Most Wanted Goosebumps characters are out on the loose and they're coming after you! There is no place to hide. Nothing is safe! Jay Gardner is a mischievous kid who can't stay out of trouble. Unfortunately, Jay gets in so much trouble, his family is forced to move. But there's something odd about Jay's new town. Why does everyone have lawn gnomes in front of their homes? And why is everyone afraid to go outside at night? Jay is about to learn that mischief can lead to terror.
Plant Attack: Plant Attack (Tremors #3)
by Brian MorseThese ghostly adventures and spine-chilling stories are great for reads for reluctant readers. Written by well-known authors and illustrated by much-loved illustrators, this series will appeal to boys and girls.
Plant Attack: Tremors (Tremors #3)
by Brian MorseThese ghostly adventures and spine-chilling stories are great for reads for reluctant readers. Written by well-known authors and illustrated by much-loved illustrators, this series will appeal to boys and girls.
Playing With Fire (Skulduggery Pleasant #2)
by Derek LandyMeet Skulduggery Pleasant: detective, sorcerer, warrior. Oh yes. And dead.
The Pleasure Principle (Hq Digital Ser.)
by Jane O'ReillyIt’s time for Verity to get a new kind of education… When it comes to sex, shy and awkward Verity is as reluctant as a virgin. So imagine her horror and shame when her ex reveals her inadequacies to the entire world online!
Plots and Misadventures: A Second Collection Of Short Stories
by Stephen GallagherDrawn from together from publication in such outlets as Weird Tales, Night Visions and The Magazine of Fantasy and Science Fiction, Plots and Misadventures is the second collection of short stories from the award-winning author of Valley of Lights, Chimera, and The Kingdom of Bones. Includes Doctor Hood, the novella that inspired the TV series Eleventh Hour, and World Fantasy Award nominee Little Dead Girl Singing. Contents: Little Dead Girl Singing The Back of his Hand Restraint The Plot Doctor Hood Jailbird for Jesus Hunter, Killer My Repeater The Wishing Ball Like Clockwork The Blackwood Oak Endpiece: Nine Horrors and a Dream
Poison Study: Magic Study / Poison Study / Fire Study (The Chronicles of Ixia #1)
by Maria V. SnyderChoose: A quick death or a slow poison
The Poisoned Crown: The Sangreal Trilogy Three (The\sangreal Trilogy Ser. #Vol. 3)
by Amanda HemingwayThe concluding part of the captivating Sangreal trilogy from the author of Prospero’s Children.
The Politics of Horror
by Damien K. PicarielloThe Politics of Horror features contributions from scholars in a variety of fields—political science, English, communication studies, and others—that explore the connections between horror and politics. How might resources drawn from the study of politics inform our readings of, and conversations about, horror? In what ways might horror provide a useful lens through which to consider enduring questions in politics and political thought? And what insights might be drawn from horror as we consider contemporary political issues? In turning to horror, the contributors to this volume offer fresh provocations to inform a broad range of discussions of politics.
Poltergeist (Devil's Advocates)
by Rob McLaughlin'Created’ by Steven Spielberg yet officially directed by Tobe Hooper, Poltergeist (1982) can be best described as ‘family horror movie’ both in its target audience and in its narrative context, the story of an All-American suburban family, the Freelings, whose home suddenly becomes the site of a spectacular haunting, apparently summoned by their young daughter. The film is somewhat of an anachronism and this Devil's Advocate explores this in both the scope of production and narrative. The book discusses the duality of the text highlighting debates surrounding both Spielberg's somewhat saccharine portrayal of middle-class Americana and his more subversive cinematic endeavours. The duality of the text also will also be discussed in the context of the film's production – with both Spielberg and Hooper on set for much of the time, the result was a movie with the production values, effects and marketing of a high budget mainstream cinema blockbuster apparently directed by a subversive 'grindhouse' cinema auteur. Yet Poltergeist is neither nor both of those things, instead being a unique hybrid of genres and styles taking the best and worst from both aspects of family blockbuster and cult horror film, and as such can be seen as a text that is something unique – a classic modern take on the traditional haunted house story.
Ponti: A Novel
by Sharlene TeoShortlisted for the Edward Stanford Fiction, with a Sense of Place Award'Remarkable . . . her characters glow with life and humour' Ian McEwan2003. Singapore. Friendless and fatherless, sixteen-year-old Szu lives in the shadow of her mother Amisa, once a beautiful actress and now a hack medium performing séances with her sister in a rusty house. When Szu meets the privileged, acid-tongued Circe, they develop an intense friendship which offers Szu an escape from her mother’s alarming solitariness, and Circe a step closer to the fascinating, unknowable Amisa.Seventeen years later, Circe is struggling through a divorce in fraught and ever-changing Singapore when a project comes up at work: a remake of the cult seventies horror film series ‘Ponti’, the very project that defined Amisa’s short-lived film career. Suddenly Circe is knocked off balance: by memories of the two women she once knew, by guilt, and by a past that threatens her conscience . . .Told from the perspectives of all three women, Ponti by Sharlene Teo is an exquisite story of friendship and memory spanning decades. Infused with mythology and modernity, with the rich sticky heat of Singapore, it is at once an astounding portrayal of the gaping loneliness of teenagehood, and a vivid exploration of how tragedy can make monsters of us.Shortlisted for Hearsts' Big Book Award 2018.
Pop Art
by Joe HillA beautiful story about Art; a living, breathing boy in all respects - who happens to be made of inflatable plastic. POP ART is an exceptional, must-read of a short story.Joe Hill is the New York Times bestselling author of NOS4A2, Horns, and Heart-Shaped Box, and the prize-winning story collection 20th Century Ghosts. He is also the co-author, with Stephen King, of In the Tall Grass.
Portent
by James HerbertIn James Herbert's Portent it is the near future and signs of an impending global disaster are multiplying. Earthquakes, floods and volcanic eruptions sweep the earth. As the storms and tempests rage, a series of ominous events signal the emergence of a new and terrifying force. While scuba-diving on the Great Barrier Reef a diver watches fascinated as a tiny light floats past him towards the surface. Moments later he is torn to pieces as the reef erupts with colossal power. On the banks of the Ganges, a young boy pauses from his back-breaking labours, transfixed by the play of a mysterious light amidst the monsoon rains, before a towering geyser of boiling water bursts from beneath the streets, scalding him to death. In the Chinese city of Kashi travellers bring back reports of a strange light seen shining above the endless dunes of the Taklimakan Desert. And as the city's inhabitants watch for its return, the desert rises up to engulf them in a tidal wave of sand. All have seen a portent. A sign of unimaginable powers about to be unleashed. A sign that something incredible is about to begin...
Possession
by Peter JamesA terrifying novel of a young man who is willing to defy everything. Even death...Fabian Hightower has been killed in a car crash. At least, that is what a policeman is asking Alex, his mother to believe. But Alex knows she saw him that morning - at a time when he must have been dead. When the funeral is over Alex tries hard to forget her bizarre experience. But her mind seems to be playing strange tricks on her, turning her grief into horror. When she turns to a medium her worst fears are realised. Fabian has unfinished business and he is determined to come back. But why? Whatever the answer, something terrifies the medium so much she refuses to return. Alex longs to turn to others for support. But there is a secret about Fabian that only she knows - a secret she must never share...'One of the best crime writers in the business.' Karin Slaughter'Genuinely frightening ... only Mary Shelley's Frankenstein and Stephen King's The Shining have scared me as much.' Evening StandardRead more from the multi-million copy bestselling author of the Roy Grace novels:Possession DreamerSweet Heart Twilight Prophecy Host Alchemist Denial The Truth Faith * Each Peter James novel can be read as a standalone*
Possession (Devil's Advocates)
by Alison TaylorPremiering at the 1981 Cannes Film Festival, Andrzej Żuławski’s Possession remains a distinct phenomenon. Though in competition for the illustrious Palme d’Or, its art cinema context did not rescue it from being banned as part of the United Kingdom’s ‘video nasties’ campaign, alongside unashamedly lowbrow titles such as Faces of Death and Zombie Flesh Eaters. Skirting the boundary between art and exploitation, body horror and cerebral reverie, relationship drama and political statement, Possession is a truly astonishing film. Part visceral horror, part surreal experiment, part gothic romance dressed in the iconography of a spy thriller: there is no doubt that the polarity evinced by Possession’s initial release was in part a product of its resistance to clear categorisation.With a production history almost as bizarre as the film itself, a cult following gained with its VHS release, and being re-appreciated in the decades since as a valuable work of auteur cinema, the story of how this film came to be is as fascinating as it is unfathomable. Alison Taylor’s Devil’s Advocate considers Possession’s history, stylistic achievement, and legacy as an enduring and unique work of horror cinema. Beginning with a marital breakdown and ending with an apocalypse, the film’s strangeness has not dissipated over time; its transgressive imagery, histrionic performances, and spiral staircase logic remain affective and confounding to critics and fans alike. Respecting the film’s wilfully enigmatic nature, this book helps to unpack its key threads, including the collision between the banal and the horrific, the socio-historical context of its divided Berlin setting, and the significance of its legacy, particularly with regard to the contemporary trend for extreme art horror on the festival circuit.
Postcolonial Settings in the Fiction of James Clarence Mangan, Joseph Sheridan Le Fanu and Bram Stoker: Strange Surroundings (New Directions in Irish and Irish American Literature)
by Richard JorgeThis book explores how three Anglo-Irish writers, J.C. Mangan, J.S. Le Fanu and Bram Stoker, use settings in their short fictions to recreate, depict and confront Ireland’s colonial situation in the nineteenth century. This study provides an innovative approach by targeting a genre (the short story) which has not been explored in its entirety— certainly not within nineteenth century Ireland - much less using a postcolonial approach to the short story. Added to this is the fact that it analyses how these writers used settings as an anticolonial tool. To do so, the book is divided into two major sections, an analysis of Irish settings and non-Irish ones. It works on the premise that all three writers used the idea of displacement to target colonialism and its effects on Irish society. In short, this book addresses a gap in scholarship, as the Irish Gothic short story as a decolonizing tool has not been sufficiently and globally studied.
Posthumanity in the Anthropocene: Margaret Atwood's Dystopias (Routledge Studies in Contemporary Literature)
by Esther Muñoz-GonzálezIn this book, Margaret Atwood’s dystopian novels—The Handmaid’s Tale, the MaddAddam trilogy, The Heart Goes Last, and The Testaments—are analyzed from the perspective provided by the combined views of the construction of the posthuman subject in its interactions with science and technology, and the Anthropocene as a cultural field of enquiry. Posthumanist critical concerns try to dismantle anthropocentric notions of the human and defend the need for a closer relationship between humanity and the environment. Supported by the exemplification of the generic characteristics of the cli-fi genre, this book discusses the effects of climate change, at the individual level, and as a collective threat that can lead to a "world without us." Moreover, Margaret Atwood is herself the constant object of extensive academic interest and Posthuman theory is widely taught, researched, and explored in almost every intellectual field. This book is aimed at worldwide readers, not only those interested in Margaret Atwood’s oeuvre, but also those interested in the debate between critical posthumanism and transhumanism, together with the ethical implications of living in the Anthropocene era regarding our daily lives and practices. It will be especially attractive for academics: university teachers, postgraduates, researchers, and college students in general.
Posthumanity in the Anthropocene: Margaret Atwood's Dystopias (Routledge Studies in Contemporary Literature)
by Esther Muñoz-GonzálezIn this book, Margaret Atwood’s dystopian novels—The Handmaid’s Tale, the MaddAddam trilogy, The Heart Goes Last, and The Testaments—are analyzed from the perspective provided by the combined views of the construction of the posthuman subject in its interactions with science and technology, and the Anthropocene as a cultural field of enquiry. Posthumanist critical concerns try to dismantle anthropocentric notions of the human and defend the need for a closer relationship between humanity and the environment. Supported by the exemplification of the generic characteristics of the cli-fi genre, this book discusses the effects of climate change, at the individual level, and as a collective threat that can lead to a "world without us." Moreover, Margaret Atwood is herself the constant object of extensive academic interest and Posthuman theory is widely taught, researched, and explored in almost every intellectual field. This book is aimed at worldwide readers, not only those interested in Margaret Atwood’s oeuvre, but also those interested in the debate between critical posthumanism and transhumanism, together with the ethical implications of living in the Anthropocene era regarding our daily lives and practices. It will be especially attractive for academics: university teachers, postgraduates, researchers, and college students in general.
Postmodern Vampires: Film, Fiction, and Popular Culture
by Sorcha Ní FhlainnPostmodern Vampires: Film, Fiction, and Popular Culture is the first major study to focus on American cultural history from the vampire’s point of view. Beginning in 1968, Ní Fhlainn argues that vampires move from the margins to the centre of popular culture as representatives of the anxieties and aspirations of their age. Mapping their literary and screen evolution on to the American Presidency, from Richard Nixon to Donald Trump, this essential critical study chronicles the vampire’s blood-ties to distinct socio-political movements and cultural decades in the late twentieth and early twenty-first centuries. Through case studies of key texts, including Interview with the Vampire, The Lost Boys, Blade, Twilight, Let Me In, True Blood and numerous adaptations of Dracula, this book reveals how vampires continue to be exemplary barometers of political and historical change in the American imagination. It is essential reading for scholars and students in Gothic and Horror Studies, Film Studies, and American Studies, and for anyone interested in the articulate undead.