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The Myth of Harm: Horror, Censorship and the Child
by Sarah ClearyThe horror genre has endured a long and controversial success within popular culture. Fraught with accusations pertaining to its alleged ability to harm and corrupt young people and indeed society as a whole, the genre is constantly under pressure to suppress that which has made it so popular to begin with - its ability to frighten and generate discussion about society's darker side. Recognising the circularity of patterns in each generational manifestation of horror censorship, The Myth of Harm draws upon cases such as the Slenderman stabbing and the James Bulger murder amongst many others in order to explore the manner in which horror has been repeatedly cast as a harmful influence upon children at the expense of scrutinising other more complex social issues.Focusing on five major controversies beginning in the 1930's Golden Age of Horror Cinema and ending on a more contemporary note with Cyber-Gothic horror – this book identifies and considers the various myths and false hoods surrounding the genre of horror and question the very motivation behind the proliferation and dissemination of these myths as scapegoats for political and social issues, platforms for “moral entrepreneurs” and tools of hyperbolae for the news industry.
The Myth of Harm: Horror, Censorship and the Child
by Sarah ClearyThe horror genre has endured a long and controversial success within popular culture. Fraught with accusations pertaining to its alleged ability to harm and corrupt young people and indeed society as a whole, the genre is constantly under pressure to suppress that which has made it so popular to begin with - its ability to frighten and generate discussion about society's darker side. Recognising the circularity of patterns in each generational manifestation of horror censorship, The Myth of Harm draws upon cases such as the Slenderman stabbing and the James Bulger murder amongst many others in order to explore the manner in which horror has been repeatedly cast as a harmful influence upon children at the expense of scrutinising other more complex social issues.Focusing on five major controversies beginning in the 1930's Golden Age of Horror Cinema and ending on a more contemporary note with Cyber-Gothic horror – this book identifies and considers the various myths and false hoods surrounding the genre of horror and question the very motivation behind the proliferation and dissemination of these myths as scapegoats for political and social issues, platforms for “moral entrepreneurs” and tools of hyperbolae for the news industry.
Mythical Monsters in Classical Literature
by Paul MurgatroydThis engaging, readable yet impeccably scholarly investigation of monsters in Classical literature will entertain and stimulate as well as inform. It covers all the major mythical monsters mentioned by Greek and Roman authors (Medusa, Hydra, Polyphemus, the Minotaur, Sphinx, Harpies, Sirens, Cerberus, Chimaera, Centaurs, and many more) along with Classical precursors of vampires, werewolves and the living dead. Versions of these creatures that appear in later literature and film are also discussed.Mythical Monsters is original in considering monsters squarely from a literary standpoint, introducing elements of literary analysis gradually as the work progresses, and building up to quite a sophisticated approach. This will increase readers' critical appreciation and plain enjoyment of these stories, which continue to fascinate today. To facilitate browsing, each chapter can be read independently. There is a useful bibliography, and the book is enlivened by illustrations from ancient and more recent art.
Mythical Monsters in Classical Literature
by Paul MurgatroydThis engaging, readable yet impeccably scholarly investigation of monsters in Classical literature will entertain and stimulate as well as inform. It covers all the major mythical monsters mentioned by Greek and Roman authors (Medusa, Hydra, Polyphemus, the Minotaur, Sphinx, Harpies, Sirens, Cerberus, Chimaera, Centaurs, and many more) along with Classical precursors of vampires, werewolves and the living dead. Versions of these creatures that appear in later literature and film are also discussed.Mythical Monsters is original in considering monsters squarely from a literary standpoint, introducing elements of literary analysis gradually as the work progresses, and building up to quite a sophisticated approach. This will increase readers' critical appreciation and plain enjoyment of these stories, which continue to fascinate today. To facilitate browsing, each chapter can be read independently. There is a useful bibliography, and the book is enlivened by illustrations from ancient and more recent art.
The Nameless Day: Book One Of The Crucible Trilogy (The Crucible Trilogy #1)
by Sara DouglassThe first book of The Crucible, an exciting historical fantasy from the author of the popular Axis triology.
Nanny Needed
by Georgina Cross'Woah!… This is so freaking fast paced and the unexpected twists have you in a whirlwind. I can honestly say I never bloody guessed a single one! DAMN!!!' ⭐⭐⭐⭐⭐, Goodreads reviewer When Sarah Larsen answers the Bird family’s advertisement, her life changes overnight.
Naomi's Room: Naomis Room
by Jonathan Aycliffe'A chilling story' -- IndependentCharles and Laura live a sheltered, gilded life in the the privileged world of Cambridge academia: young and in love, their marriage is blessed by a wonderful child - Naomi.On Christmas Eve morning, Charles sets off with Naomi on a shopping trip to London. By the end of the day, all Charles and his wife have left are cups of tea and police sympathy... Their beautiful, angelic only child, has disappeared. Days later her murdered body is discovered... but is she dead?
Narraciones Extraordinarias
by Edgar Allan PoeLa genialidad y la originalidad de Edgar Allan Poe, maestro del relato de terror y detectivesco, encuentran quizás su mejor expresión en los cuentos, que, según sus propias apreciaciones críticas, son la segunda forma literaria, pues permiten una lectura sin interrupciones, y por tanto la unidad de efecto que resulta imposible en la novela. La obra de Poe influyó notablemente en los simbolistas franceses, en especial en Charles Baudelaire, quien lo dio a conocer en Europa.
Narrating Death: The Limit of Literature
by Daniel K. Jernigan Walter Wadiak Michelle WangDrawing on literary and visual texts spanning from the twelfth century to the present, this volume of essays explores what happens when narratives try to push the boundaries of what can be said about death.
Narrating Death: The Limit of Literature
by Daniel K. Jernigan Walter Wadiak W. Michelle WangDrawing on literary and visual texts spanning from the twelfth century to the present, this volume of essays explores what happens when narratives try to push the boundaries of what can be said about death.
The Narrative of Arthur Gordon Pym of Nantucket: Large Print (Collins Classics)
by Edgar Allan PoeHarperCollins is proud to present its incredible range of best-loved, essential classics.
Narwhal I'm Around (The Incredibly Dead Pets of Rex Dexter #2)
by Aaron ReynoldsThis wet, wild, and hilariously illustrated story from a New York Times bestselling author takes readers on a wacky adventure that spirals out of control as soon as our pet hero discovers a narwhal hanging out in his bedroom.Rex Dexter is cursed . . . with brains . . . and daring . . . and more than his fair share of devilish good looks. But also with an actual curse: dead animals keep showing up in his bedroom, wanting him to solve their murders.After successfully sleuthing a series of endangered animal assassinations, Rex is pretty sure he's home free, spiritually speaking. But that's when he finds a two thousand pound narwhal in his beanbag chair. And this tough guy is dead. And super crabby about it.Fishy business is at hand. And as if that's not bad enough, Rex's mom has a stressful new job. His new teacher may be part of a Russian hit squad. His best friend Darvish is distracted by a role-playing game. And, horror of horrors, Rex may accidentally have a girlfriend.Rex Dexter is neck-deep in dead pet problems. And he's determined to solve them. Or let his best friend Darvish die trying.
Natural Causes: Inspector McLean 1 (Inspector McLean #1)
by James OswaldA devastating serial killer. A chilling cold case. Only DI Tony McLean realises the connection...Edinburgh is horrified by a series of bloody killings. Deaths for which there appears to be neither rhyme nor reason, and which leave the city's police stumped.DI Tony McLean is focused on the investigation, but his attention is drawn by a chilling cold case - a young girl ritualistically murdered, her remains hidden for sixty years.It seems impossible that there could be any connection between the cases, but McLean starts to wonder.Because if it's true, they might be facing an evil beyond anything they ever imagined... See what reviewers are already saying about James Oswald's bestselling Inspector McLean series... 'Creepy, gritty and gruesome' Sunday Mirror'The new Ian Rankin' Daily Record'Oswald easily outstrips the formulaic work of bigger names' Guardian'Crime fiction's next big thing' Sunday Telegraph'Oswald is among the leaders in the new batch of excellent Scottish crime writers' Daily Mail'Oswald's writing is in a class above most' Daily Express
The Nature of Rare Things
by Mr Derek WilsonWhen paranormal investigator and Cambridge lecturer Dr. Nathaniel Gye is commissioned at a séance to find a dead man's killer, he dismisses the incident as a clumsy fraud by a fake medium. But when Nathaniel's own wife disappears in Italy, an eventuality foretold by the same unquiet spirit, he is forced to look for connections between her predicament and the violent death of a man she never knew.In this dark and fast-paced mystery, the urgent search for answers takes Nathaniel far from his quiet university existence and into a labyrinth of hazardous twists and turns involving a stolen Renaissance painting and the love life of poets Robert and Elizabeth Browning.
The Nazi Occult (Dark Osprey)
by Kenneth Hite Darren TanIn the dark dungeons beneath Nazi Germany, teams of occult experts delved into ancient and forbidden lore, searching for lost secrets of power. This book tells the complete history of the Nazi occult programs, from their quests for the Ark of the Covenant, the Spear of Destiny, and the Holy Grail, through their experiments with lycanthrope and zero-point energy. It also includes information on the shadow war fought in the dying days of the Reich as the Nazis deployed strange flying saucers that battled to save their final stronghold in the Antarctic. For years, the Allied governments worked to keep this information from reaching the public, and sought to discredit those few who dared to seek the truth. Now, using a combination of photography and artwork reconstructions, the true story of the most secret battles of World War II can finally be told.
Near Dark (BFI Film Classics)
by Stacey AbbottFirst released in 1987, Near Dark is a vampire film set in the contemporary American Midwest that tells the story of Caleb, a half-vampire trying to decide whether to embrace his vampire nature or return to his human family. The film, an early work of the now-established director Kathryn Bigelow, skilfully mixes genre conventions, combining gothic tropes with those of the Western, road movie and film noir, while also introducing elements of the outlaw romance genre.Stacey Abbott's study of the film addresses it as a genre hybrid that also challenges conventions of the vampire film. The vampires are morally ambiguous and undermine the class structures that have historically defined stories of the undead. These are not aristocrats but instead they capture the allure and horror of the disenfranchised and the underclass. As Abbott describes, Near Dark was crucial in consolidating Bigelow's standing as a director of significance at an early point in her career, not simply because of her visual art background, but because of the way in which she would from Near Dark onward re-envision other traditionally mainstream genres of filmmaking.
Near Dark (BFI Film Classics)
by Stacey AbbottFirst released in 1987, Near Dark is a vampire film set in the contemporary American Midwest that tells the story of Caleb, a half-vampire trying to decide whether to embrace his vampire nature or return to his human family. The film, an early work of the now-established director Kathryn Bigelow, skilfully mixes genre conventions, combining gothic tropes with those of the Western, road movie and film noir, while also introducing elements of the outlaw romance genre.Stacey Abbott's study of the film addresses it as a genre hybrid that also challenges conventions of the vampire film. The vampires are morally ambiguous and undermine the class structures that have historically defined stories of the undead. These are not aristocrats but instead they capture the allure and horror of the disenfranchised and the underclass. As Abbott describes, Near Dark was crucial in consolidating Bigelow's standing as a director of significance at an early point in her career, not simply because of her visual art background, but because of the way in which she would from Near Dark onward re-envision other traditionally mainstream genres of filmmaking.
Necessary Evil
by Shaun HutsonIt was to be a routine job. Matt Franklin and his companions would rob the Securicor van. Simple. Until the job turned into a nightmare. Two of them are shot dead and another fatally wounded. But who is trying to wipe them out, killing not just them but their families too? How are the Government and the British army implicated? What lurks within a secret research establishment in the English countryside? Franklin has to find out. Finally the only one left alive, he tires of being the prey and decides to become the hunter. His quest will bring him into conflict with forces he cannot begin to imagine or understand but he is driven by a need for revenge that overrides his fear.Aided by a desperate detective, Franklin becomes embroiled in a series of events that lead to a terrifying climax in the London Underground where he comes face to face with the answers he has sought.Like all of us, Franklin was told monsters don't exist. He's about to find out someone was lying . . .
Necessary Evil: The Milkweed Triptych: Book Three (Milkweed Triptych #3)
by Ian TregillisThe history of the Twentieth Century has been shaped by a secret conflict between technology and magic. When a twisted Nazi scientist devised a way to imbue ordinary humans with supernatural abilities - to walk through walls, throw fire and see the future - his work became the prized possession of first the Third Reich, then the Soviet Army. Only Britain's warlocks, and the dark magics they yield, have successfully countered the threat posed by these superhuman armies. But for decades, this conflict has been manipulated by Gretel, the mad seer. And now her long plan has come to fruition. And with it, a danger vastly greater than anything the world has known. Now British Intelligence officer Raybould Marsh must make a last-ditch effort to change the course of history - if his nation, and those he loves, are to survive.
Necropolis
by James AxlerThe damnation and deception that enslaved humanity was exposed after the earth was razed by a nuclear holocaust. As immortal god kings continue to lay claim to the planet, the epic struggle to repossess Earth rages on.
Necroscope: Defilers (Gateway Essentials #2)
by Brian LumleyJake Cutter is reluctantly learning how to be a Necroscope - how to use the Möbius continuum to travel instantaneously from place to place, how to talk to the dead - but the dead don't like him much. It seems Jake's got a hitchhiker in his mind, a dead vampire named Korath. But since Korath holds the key to the Möbius equations, Jake can't just kick him out...In Australia, Jake helped E-Branch destroy the aerie of the mind-master, Nephran Malinari, one of the trio of Great Vampires who came to Earth from the vampire world. Malinari escaped and went to ground with the hideously beautiful Lady Vavara. Vavara has taken over a holy monastery on a beautiful Greek island and turned the nuns into most unholy creatures of fearsome appetites for all things carnal.But Jake wants revenge against the Italian mobsters who killed the woman he loved. As far as he's concerned, E-Branch can search for Malinari, Vavara, and the metamorphic Lord Szwart without him until he's satisfied his own bloodlust. But it seems vampire-hunting is truly Jake's job now - the men he's trying to kill aren't men at all but vampires hidden for two generations in human guise!To defeat them, Jake will need every weapon in Necroscope's arsenal, including the power to call the unsleeping dead out of their mouldering graves...
Necroscope®: The Plague-bearer (Necroscope)
by Brian LumleyHarry Keogh is moving on. Though the search for his missing wife and child continues, his heart now lies in Edinburgh with Bonnie Jean-a beautiful Scottish werewolf whose friendly pack and flourishing pub have given him a place he can almost call home.But from the rocky heights of Sicily, the diabolical Francezci brothers plot the wolf-pack's destruction; and down in the terrible Pit beneath Le Manse Madonie, an ancient evil schemes.The vampires conspire. They reach a decision. They choose a vector. Mafia thug Mike Milazzo is no good to anyone, anytime, anywhere . . . which makes him perfect. Disposable.The brothers infect him with a deadly poison-an engineered plague that even a werewolf could never survive-and they offer him a terrible bargain: successfully contaminate the wolf-pack, and receive the antidote. Fail, and die!Mike has everything to lose. So does Harry Keogh. But the Necroscope lost everything once before, and he isn't about to do it again...
Necroscope: Invaders (Gateway Essentials #11)
by Brian LumleyHarry Keogh, Necroscope, is no more . . .And the Wamphyri are back - not only in the Vampire World, where the ancient northern ice has melted to release the original, the most evil, most powerful vampires of all time, but in our world, too. Without Necroscope - the one man who could talk to the dead and undead alike - only Ben Trask and the weirdly talented espers of his secret organisation, E- Branch, stand between Mankind's survival and its domination by terrible invaders from Starside. Trask: human lie-detector; David Chung: locator of all things evil; Ian Goodfly: precog, whose glimpses of the ever-furtive future have so often saved the lives of his E-Branch colleagues. Three men, their technology and the esoteric talents against shape-changing challengers from a parallel universe. The odds don't look good, and Harry Keogh is dead and gone, his motes scattered throughout the Universes of Light. But as Harry himself was witness, death isn't like that . . .Harry may be dead, but his legacy lives on.
Necroscope!: Defilers (Necroscope #1)
by Brian LumleyDEAD MEN TELL NO TALES...Except to Harry Keogh, Necroscope. And what they tell him is horrifying.In the Balkan mountains of Rumania, a terrible evil is growing. Long buried in hallowed ground, bound by earth and silver, the master vampire schemes and plots. Trapped in unlife, neither dead nor living, Thibor Ferenczy hungers for freedom and revenge.The vampire's human tool is Boris Dragosani, part of a super-secret Soviet spy agency. Dragosani is an avid pupil, eager to plumb the depthless evil of the vampire's mind. Ferenczy teaches Dragosani the awful skills of the necromancer, gives him the ability to rip secrets from the mind and bodies of the dead. Dragosani works not for Ferenczy's freedom but world domination. he will rule the world with knowledge raped from the dead.His only opponent: Harry Koegh, champion of the dead and the living.To protect Harry, the dead will do anything - even rise from their graves!