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Days of Twilight, Nights of Frenzy: A Memoir
by Werner Schroeter Claudia LenssenWerner Schroeter was a leading figure of New German Cinema. In more than forty films made between 1967 and 2008, including features, documentaries, and shorts, he ignored conventional narrative, creating instead dense, evocative collages of image and sound. For years, his work was eclipsed by contemporaries such as Wim Wenders, Rainer Werner Fassbinder, Werner Herzog, and Alexander Kluge. Yet his work has become known to a wider audience through several recent retrospectives, including at the Museum of Modern Art, New York. Written in the last years of his life, Days of Twilight, Nights of Frenzy sees Schroeter looking back at his life with the help of film critic and friend Claudia Lenssen. Born in 1945, Schroeter grew up near Heidelberg and spent just a few weeks in film school before leaving to create his earliest works. Over the years, he would work with acclaimed artists, including Marianne Hopps, Isabelle Huppert, Candy Darling, and Christine Kaufmann. In the 1970s, Schroeter also embarked on prolific parallel careers in theater and opera, where he worked in close collaboration with the legendary diva Maria Callas. His childhood; his travels in Italy, France, and Latin America; his coming out and subsequent life as an gay man in Europe; and his run-ins with Hollywood are but a few of the subjects Schroeter recalls with insights and characteristic understated humor. A sharp, lively, even funny memoir, Days of Twilight, Nights of Frenzy captures Schroeter’s extravagant life vividly over a vast prolific career, including many stories that might have been lost were it not for this book. It is sure to fascinate cinephiles and anyone interested in the culture around film and the arts.
De Profundis
by Rita Correia Isabel Robalinho Miguel Vale de Almeida Oscar WildeNo Verão de 1891, Wilde é apresentado ao jovem Lord Alfred Douglas, familiarmente conhecido como Bosie, estudante de Oxford com aspirações literárias, filho do Marquês de Queensberry. Inicia-se então a tempestuosa amizade que culminará no julgamento e condenação de Oscar Wilde a dois anos de trabalhos forçados, em 1895. A longa carta dirigida a Lord Alfred Douglas foi escrita durante os últimos meses que Wilde passou na prisão de Reading. Esta carta não foi enviada a Bosie da prisão, mas confiada a Robert Ross, amigo de Wilde, várias vezes mencionado ao longo do texto, que dela mandou fazer duas cópias, de acordo com a vontade de Oscar Wilde. Uma das cópias teria como destinatário Lord Alfred Douglas, que sempre negou tê-la recebido, a segunda foi deixada em testamento ao filho de Wilde, Vyvyan Holland.
De Profundis: The First And Second Series Complete - Nature, Self-reliance, Friendship, Compensation, Oversoul And Other Great Works In One Collection (hardcover) (Arcturus Classics)
by Oscar Wilde"I thought life was going to be a brilliant comedy, and you were to be one of the many graceful figures in it." While imprisoned in 1895-7 for "gross indecency", the brilliant poet and playwright Oscar Wilde wrote a long, impassioned letter to his estranged young lover, Lord Alfred Douglas. Later published as De Profundis, Wilde's letter describes the unbearable pains and blissful pleasures of his love, as well as his views on art, Christianity, and incarceration. Heavily abridged in most editions, De Profundis is here reproduced in full - a telling insight into this charismatic and sensitive author's life and times.
The Dead Don't Need Reminding: In Search of Fugitives, Mississippi, and Black TV Nerd Shit
by Julian RandallThis brilliant, adult nonfiction debut from the acclaimed MG author and poet weaves two personal narratives of recovery and reclamation, spliced with a dazzle of pop-cultureThe Dead Don&’t Need Reminding is a braided story of Julian Randall&’s return from the cliff edge of a harrowing depression and his determination to retrace the hustle of a white-passing grandfather to the Mississippi town from which he was driven amid threats of tar and feather. Alternatively wry, lyrical, and heartfelt, Randall transforms pop culture moments into deeply personal explorations of grief, family, and the American way. He envisions his fight to stay alive through a striking medley of media ranging from Into the Spiderverse and Jordan Peele movies to BoJack Horseman and the music of Odd Future. Pulsing with life, sharp, and wickedly funny, The Dead Don&’t Need Reminding is Randall&’s journey to get his ghost story back.
Dead End Girls
by Wendy HeardDetermined to escape menacing families, two desperate teens fake their own deaths in this queer contemporary thriller perfect for fans of Natasha Preston and Karen McManus. In one week Maude will be dead. At least, that&’s what she wants everyone to think. After years of research, Maude has decided to fake her own death. She&’s figured out the how, the when, the where, and who will help her unsuspectingly. The why is complex: revenge, partly. Her terrible parents deserve this. But there&’s also 'l&’appel du vide,' the call of the void, that beckons her toward a new life where she will be tied to no one, free and adrift. Then Frankie, a step-cousin she barely knows, figures out what she&’s plotting, and the plan seems like it&’s ruined. Except Frankie doesn&’t want to rat her out—Frankie wants in. The girls vault into the unknown, risking everything for a new and limitless life. But there are some things you can never run away from. What if the poison is not in the soil, but in the roots? This pulse-pounding thriller offers a nuanced exploration of identity, freedom, and falling in love while your world falls apart."A clever page-turner that I couldn&’t put down." —Natasha Preston, #1 New York Times Bestselling AuthorA Rainbow Book List Selection A YALSA Amazing Audiobook for Young Adults A YALSA Quick Pick for Reluctant Young Adult Readers
Dead Flip
by Sara FarizanIn this &“terrifyingly fun&” (New York Times) horror comedy two friends must solve the mystery of their long-missing former friend&’s supernatural reappearance—perfect for fans of Stranger Things. Growing up, Cori, Maz, and Sam were inseparable best friends, sharing their love for Halloween, arcade games, and one another. Now it&’s 1992, Sam has been missing for five years, and Cori and Maz aren&’t speaking anymore. How could they be, when Cori is sure Sam is dead and Maz thinks he may have been kidnapped by a supernatural pinball machine? These days, all Maz wants to do is party, buy CDs at Sam Goody, and run away from his past. Meanwhile, Cori is a homecoming queen, hiding her abiding love of horror movies and her queer self under the bubblegum veneer of a high school queen bee. But when Sam returns—still twelve years old while his best friends are now seventeen—Maz and Cori are thrown back together to solve the mystery of what really happened to Sam the night he went missing. Beneath the surface of that mystery lurk secrets the friends never told one another, then and now. And Sam&’s is the darkest of all . . . Award-winning author of If You Could Be Mine and Here to Stay Sara Farizan delivers edge-of-your-seat terror as well as her trademark referential humor, witty narration, and insightful characters.
Dead to Her: A Novel
by Sarah PinboroughFrom the No.1 Sunday Times bestselling author of Behind Her Eyes ‘An absolute rollercoaster of a ride: twist upon twist, expertly handled – I actually gasped out loud several times’ Lucy Foley, No. 1 bestselling author of The Hunting Party and The Guest List
Dead to Her
by Sarah PinboroughWhen Marcie met Jason Maddox, she couldn’t believe her luck. Becoming Jason’s second wife catapulted her into the elite world of high society. But underneath the polite, old money manners, she knows she’ll always be an outsider, and her hard-won life hangs by a thread. Something new… Then Jason’s widowed boss brings back a new wife from his trip to London. Young, beautiful, reckless – nobody can take their eyes off Keisha. Including Jason. Something you can never, ever undo… Marcie refuses to be replaced so easily. People would kill for her life of luxury. What will Marcie do to keep it?
Deadly Deceit (Kate Daniels #3)
by Mari HannahDeadly Deceit is Mari Hannah's third gripping crime novel featuring DCI Kate Daniels. Four a.m. on a wet stretch of the A1 and a driver skids out of control. Quick on the scene, Senior Investigating Officer Kate Daniels and partner DS Hank Gormley are presented with a horrifying image of carnage and mayhem that quickly becomes one of the worst road traffic accidents in Northumberland’s history. But as the casualties mount up, they soon realize that not all deaths were as a result of the accident . . . On the other side of town a house goes up in flames, turning its two inhabitants into charred corpses. Seemingly unconnected with the traffic accident, Kate sets about investigating both incidences separately. But it soon becomes apparent that all is not what it seems, and Kate and her colleagues are always one step behind a ruthless killer who will stop at nothing to get what they want.
Dear John, I Love Jane: Women Write About Leaving Men for Women
by Candace Walsh Laura AndréThe new buzzword in female sexuality is "sexual fluidity”-the idea that for many women, sexual identity can shift over time, often in the direction of same-sex relationships. Examples abound in popular culture, from actress Cynthia Nixon, who left her male partner of 15 years to be with a woman, to writer and comedienne Carol Leifer, who divorced her husband for the same reason.In a culture increasingly open to accepting this fluidity, Dear John, I Love Jane is a timely, fiercely candid exploration of female sexuality and personal choice. The book is comprised of essays written by a broad spectrum of women, including a number of well-known writers and personalities. Their stories are sometimes funny, sometimes painful-but always achingly honest-accounts of leaving a man for a woman, and the consequences of making such a choice.Arousing, inspiring, bawdy, bold, and heartfelt, Dear John, I Love Jane is an engrossing reflection of a new era of female sexuality.
Death Claims: Dave Brandstetter Investigation 2 (Dave Brandstetter)
by Joseph HansenAfter forty years, Hammett has a worthy successor' The TimesDave Brandstetter stands alongside Philip Marlowe, Sam Spade and Lew Archer as one of the best fictional PIs in the business. Like them, he was tough, determined, and ruthless when the case demanded it. Unlike them, he was gay. Joseph Hansen's groundbreaking novels follow Brandstetter as he investigates cases in which motives are murky, passions run high, and nothing is ever as simple as it looks. Set in 1970s and 80s California, the series is a fascinating portrait of a time and a place, with mysteries to match Chandler and Macdonald.John Oats is dead; drowned in the treacherous waves of the Pacific. But was it accident, suicide, or murder? Between the mysteriously absent son, the bitter ex-wife and the current lover, there are plenty of people with reason to lie to Dave about what really happened that night - and why.
Death Goes on Skis: Introduced by Sandi Toksvig - 'Her detective novels are hilarious' (Virago Modern Classics)
by Nancy Spain'Her detective novels are hilarious - less about detecting than delighting, with absurd farce and a wonderful turn of phrase . . . Nancy Spain was bold, she was brave, she was funny, she was feisty. I owe her a great deal' Sandi ToksvigMiriam Birdseye is daring, brilliant - and a long way from The Ivy. Our dashing heroine, a famous revue artist, takes to the slopes with her coterie of admirers. Champagne flows and wherever Miriam goes she leaves a trail of gossip in her wake.Fellow ski-resort guests include the celebrated Russian ex-ballerina, Natasha Nevkorina, whose beauty is matched only by her languor, Natasha's burly husband, nightclub owner Johnny DuVivien, and the wealthy Flahertés, a family who have made their money importing scents: handsome playboy Barney, his wife Regan, their two obnoxious children and the governess, Rosalie. Unbeknownst to Regan, Barney's mistress, a film star, is also there with her husband.When secrets start to unravel, tensions rise, and soon amateur sleuths Miriam and Natasha have not one but two murders to solve. In the hands of Nancy Spain, for whom farce and humour are a lot more fun than a conventional detective novel, the result is a deliciously wild ride.'An either intense or sombre approach to crime is to Miss Spain foreign: in her world an inspired craziness rules . . . Her wit, her zest, her outrageousness, and the colloquial stylishness of her writing are quite her own' Elizabeth Bowen
A Death in the Parish: The sequel to Murder Before Evensong (Canon Clement Mystery)
by Reverend Richard ColesTHE SEQUEL TO THE NO. 1 SUNDAY TIMES BESTSELLER MURDER BEFORE EVENSONGCANON DANIEL CLEMENT IS BACK...'Champton joins St Mary Mead and Midsomer in the great atlas of fictional English villages where the crimes are as dastardly as the residents delightful' - DAMIAN BARRIt's been a few months since murder tore apart the community of Champton apart. As Canon Daniel Clement tries to steady his flock, the parish is joined with Upper and Lower Badsaddle, bringing a new tide of unwanted change. But church politics soon become the least of Daniel's problems. His mother - headstrong, fearless Audrey - is obviously up to something, something she is determined to keep from him. And she is not the only one. And then all hell breaks loose when murder returns to Champton in the form of a shocking ritualistic killing...
Death of a Mermaid
by Lesley Thomson'Lesley Thomson gets better and better' Ian RankinWhen Freddy Power was eighteen, her father threw her out. Her sin had been to fall in love with a woman. Freddy waited for two decades to be invited back into the family. The summons never came.But now, in the wake of her parents' death, Freddy feels the call of home like a siren's song. The trawlers emerging out of the mist. Fishermen unloading their catch down at the harbour. Her best friend, Mags, exploring the cliffs at sunset.But when she arrives at Newhaven, after twenty-two years of silence, her brothers and her friends act like strangers. Then Mags goes missing, and old secrets – and old passions – are reignited. Freddy is determined to lead the hunt for Mags – even if it means confronting her past, and facing the truth about her family...Reviews for Death of a Mermaid:'Catholic guilt, monstrous hypocrisy and all kinds of fishy business are explored in an atmosphere of creeping dread' The Times'A truly brilliant book, full of atmosphere and a creeping sense of menace. Lesley Thomson lures you in with meticulously drawn characters and a matchless sense of place, and then you are caught in the jaws of a remorseless thriller' Elly Griffiths'A strong sense of place, wonderfully woven with a cast of memorable characters' Mari Hannah'Death of a Mermaid is a tense, beautifully written novel, with characters so well-crafted you expect them to walk off the page' Rachael Blok'A powerful tale of dark secrets that fester in a small seaside town' William Shaw
Death Sets Sail: A Murder Most Unladylike Mystery (Murder Most Unladylike Mystery #9)
by Robin StevensThe final novel in the number-one bestselling, award-winning Murder Most Unladylike series.Daisy Wells and Hazel Wong are in Egypt, where they are taking a cruise along the Nile. They are hoping to see some ancient temples and a mummy or two; what they get, instead, is murder. Also travelling on the SS Hatshepsut is a mysterious society called the Breath of Life: a group of genteel English ladies and gentlemen, who believe themselves to be reincarnations of the ancient pharaohs. Three days into the cruise their leader, Theodora Miller, is found dead in her cabin, stabbed during the night. It soon becomes clear to Daisy and Hazel that Theodora's timid daughter Hephzibah, who is prone to sleepwalking, is being framed. And within the society, everyone has a reason to want Theodora dead...Daisy and Hazel leap into action and begin to investigate their most difficult case yet. But there is danger all around, and only one of the Detective Society will make it home alive...
Debating Religious Liberty and Discrimination
by John Corvino Ryan T. Anderson Sherif GirgisVirtually everyone supports religious liberty, and virtually everyone opposes discrimination. But how do we handle the hard questions that arise when exercises of religious liberty seem to discriminate unjustly? How do we promote the common good while respecting conscience in a diverse society? This point-counterpoint book brings together leading voices in the culture wars to debate such questions: John Corvino, a longtime LGBT-rights advocate, opposite Ryan T. Anderson and Sherif Girgis, prominent young social conservatives. Many such questions have arisen in response to same-sex marriage: How should we treat county clerks who do not wish to authorize such marriages, for example; or bakers, florists, and photographers who do not wish to provide same-sex wedding services? But the conflicts extend well beyond the LGBT rights arena. How should we treat hospitals, schools, and adoption agencies that can't in conscience follow antidiscrimination laws, healthcare mandates, and other regulations? Should corporations ever get exemptions? Should public officials? Should we keep controversial laws like the Religious Freedom Restoration Act, or pass new ones like the First Amendment Defense Act? Should the law give religion and conscience special protection at all, and if so, why? What counts as discrimination, and when is it unjust? What kinds of material and dignitary harms should the law try to fight-and what is dignitary harm, anyway? Beyond the law, how should we treat religious beliefs and practices we find mistaken or even oppressive? Should we tolerate them or actively discourage them? In point-counterpoint format, Corvino, Anderson and Girgis explore these questions and more. Although their differences run deep, they tackle them with civility, clarity, and flair. Their debate is an essential contribution to contemporary discussions about why religious liberty matters and what respecting it requires.
DEBATING RELIGIOUS LIBERTY & DISCRIMIN C
by Sherif Girgis Ryan T. Anderson John CorvinoVirtually everyone supports religious liberty, and virtually everyone opposes discrimination. But how do we handle the hard questions that arise when exercises of religious liberty seem to discriminate unjustly? How do we promote the common good while respecting conscience in a diverse society? This point-counterpoint book brings together leading voices in the culture wars to debate such questions: John Corvino, a longtime LGBT-rights advocate, opposite Ryan T. Anderson and Sherif Girgis, prominent young social conservatives. Many such questions have arisen in response to same-sex marriage: How should we treat county clerks who do not wish to authorize such marriages, for example; or bakers, florists, and photographers who do not wish to provide same-sex wedding services? But the conflicts extend well beyond the LGBT rights arena. How should we treat hospitals, schools, and adoption agencies that can't in conscience follow antidiscrimination laws, healthcare mandates, and other regulations? Should corporations ever get exemptions? Should public officials? Should we keep controversial laws like the Religious Freedom Restoration Act, or pass new ones like the First Amendment Defense Act? Should the law give religion and conscience special protection at all, and if so, why? What counts as discrimination, and when is it unjust? What kinds of material and dignitary harms should the law try to fight-and what is dignitary harm, anyway? Beyond the law, how should we treat religious beliefs and practices we find mistaken or even oppressive? Should we tolerate them or actively discourage them? In point-counterpoint format, Corvino, Anderson and Girgis explore these questions and more. Although their differences run deep, they tackle them with civility, clarity, and flair. Their debate is an essential contribution to contemporary discussions about why religious liberty matters and what respecting it requires.
Debating Same-Sex Marriage (Point/Counterpoint)
by John Corvino Maggie GallagherPolls and election results show Americans sharply divided on same-sex marriage, and the controversy is unlikely to subside anytime soon. Debating Same-Sex Marriage provides an indispensable roadmap to the ongoing debate. Taking a "point/counterpoint" approach, John Corvino (a philosopher and prominent gay advocate) and Maggie Gallagher (a nationally syndicated columnist and co-founder of the National Organization for Marriage) explore fundamental questions: What is marriage for? Is sexual difference essential to it? Why does the government sanction it? What are the implications of same-sex marriage for children's welfare, for religious freedom, and for our understanding of marriage itself? While the authors disagree on many points, they share the following conviction: Because marriage is a vital public institution, this issue deserves a comprehensive, rigorous, thoughtful debate.
Debating Same-Sex Marriage (Point/Counterpoint)
by Maggie Gallagher John CorvinoPolls and election results show Americans sharply divided on same-sex marriage, and the controversy is unlikely to subside anytime soon. Debating Same-Sex Marriage provides an indispensable roadmap to the ongoing debate. Taking a "point/counterpoint" approach, John Corvino (a philosopher and prominent gay advocate) and Maggie Gallagher (a nationally syndicated columnist and co-founder of the National Organization for Marriage) explore fundamental questions: What is marriage for? Is sexual difference essential to it? Why does the government sanction it? What are the implications of same-sex marriage for children's welfare, for religious freedom, and for our understanding of marriage itself? While the authors disagree on many points, they share the following conviction: Because marriage is a vital public institution, this issue deserves a comprehensive, rigorous, thoughtful debate.
The Decision Between Us: Art and Ethics in the Time of Scenes
by John Paul RiccoThe Decision Between Us combines an inventive reading of Jean-Luc Nancy with queer theoretical concerns to argue that while scenes of intimacy are spaces of sharing, they are also spaces of separation. John Paul Ricco shows that this tension informs our efforts to coexist ethically and politically, an experience of sharing and separation that informs any decision. Using this incongruous relation of intimate separation, Ricco goes on to propose that “decision” is as much an aesthetic as it is an ethical construct, and one that is always defined in terms of our relations to loss, absence, departure, and death. Laying out this theory of “unbecoming community” in modern and contemporary art, literature, and philosophy, and calling our attention to such things as blank sheets of paper, images of unmade beds, and the spaces around bodies, The Decision Between Us opens in 1953, when Robert Rauschenberg famously erased a drawing by Willem de Kooning, and Roland Barthes published Writing Degree Zero, then moves to 1980 and the “neutral mourning” of Barthes’ Camera Lucida, and ends in the early 1990s with installations by Felix Gonzalez-Torres. Offering surprising new considerations of these and other seminal works of art and theory by Jean Genet, Marguerite Duras, and Catherine Breillat, The Decision Between Us is a highly original and unusually imaginative exploration of the spaces between us, arousing and evoking an infinite and profound sense of sharing in scenes of passionate, erotic pleasure as well as deep loss and mourning.
The Decision Between Us: Art and Ethics in the Time of Scenes
by John Paul RiccoThe Decision Between Us combines an inventive reading of Jean-Luc Nancy with queer theoretical concerns to argue that while scenes of intimacy are spaces of sharing, they are also spaces of separation. John Paul Ricco shows that this tension informs our efforts to coexist ethically and politically, an experience of sharing and separation that informs any decision. Using this incongruous relation of intimate separation, Ricco goes on to propose that “decision” is as much an aesthetic as it is an ethical construct, and one that is always defined in terms of our relations to loss, absence, departure, and death. Laying out this theory of “unbecoming community” in modern and contemporary art, literature, and philosophy, and calling our attention to such things as blank sheets of paper, images of unmade beds, and the spaces around bodies, The Decision Between Us opens in 1953, when Robert Rauschenberg famously erased a drawing by Willem de Kooning, and Roland Barthes published Writing Degree Zero, then moves to 1980 and the “neutral mourning” of Barthes’ Camera Lucida, and ends in the early 1990s with installations by Felix Gonzalez-Torres. Offering surprising new considerations of these and other seminal works of art and theory by Jean Genet, Marguerite Duras, and Catherine Breillat, The Decision Between Us is a highly original and unusually imaginative exploration of the spaces between us, arousing and evoking an infinite and profound sense of sharing in scenes of passionate, erotic pleasure as well as deep loss and mourning.
The Decision Between Us: Art and Ethics in the Time of Scenes
by John Paul RiccoThe Decision Between Us combines an inventive reading of Jean-Luc Nancy with queer theoretical concerns to argue that while scenes of intimacy are spaces of sharing, they are also spaces of separation. John Paul Ricco shows that this tension informs our efforts to coexist ethically and politically, an experience of sharing and separation that informs any decision. Using this incongruous relation of intimate separation, Ricco goes on to propose that “decision” is as much an aesthetic as it is an ethical construct, and one that is always defined in terms of our relations to loss, absence, departure, and death. Laying out this theory of “unbecoming community” in modern and contemporary art, literature, and philosophy, and calling our attention to such things as blank sheets of paper, images of unmade beds, and the spaces around bodies, The Decision Between Us opens in 1953, when Robert Rauschenberg famously erased a drawing by Willem de Kooning, and Roland Barthes published Writing Degree Zero, then moves to 1980 and the “neutral mourning” of Barthes’ Camera Lucida, and ends in the early 1990s with installations by Felix Gonzalez-Torres. Offering surprising new considerations of these and other seminal works of art and theory by Jean Genet, Marguerite Duras, and Catherine Breillat, The Decision Between Us is a highly original and unusually imaginative exploration of the spaces between us, arousing and evoking an infinite and profound sense of sharing in scenes of passionate, erotic pleasure as well as deep loss and mourning.
The Decision Between Us: Art and Ethics in the Time of Scenes
by John Paul RiccoThe Decision Between Us combines an inventive reading of Jean-Luc Nancy with queer theoretical concerns to argue that while scenes of intimacy are spaces of sharing, they are also spaces of separation. John Paul Ricco shows that this tension informs our efforts to coexist ethically and politically, an experience of sharing and separation that informs any decision. Using this incongruous relation of intimate separation, Ricco goes on to propose that “decision” is as much an aesthetic as it is an ethical construct, and one that is always defined in terms of our relations to loss, absence, departure, and death. Laying out this theory of “unbecoming community” in modern and contemporary art, literature, and philosophy, and calling our attention to such things as blank sheets of paper, images of unmade beds, and the spaces around bodies, The Decision Between Us opens in 1953, when Robert Rauschenberg famously erased a drawing by Willem de Kooning, and Roland Barthes published Writing Degree Zero, then moves to 1980 and the “neutral mourning” of Barthes’ Camera Lucida, and ends in the early 1990s with installations by Felix Gonzalez-Torres. Offering surprising new considerations of these and other seminal works of art and theory by Jean Genet, Marguerite Duras, and Catherine Breillat, The Decision Between Us is a highly original and unusually imaginative exploration of the spaces between us, arousing and evoking an infinite and profound sense of sharing in scenes of passionate, erotic pleasure as well as deep loss and mourning.
The Deep-Sea Duke
by Lauren JamesLauren James dives into a strange new world with a truly imaginative look at the climate crisis in this breathtaking companion to The Starlight Watchmaker.
Deep Wheel Orcadia: A Novel
by Harry Josephine GilesAstrid is returning home from art school on Mars, looking for inspiration. Darling is fleeing a life that never fit, searching for somewhere to hide. They meet on Deep Wheel Orcadia, a distant space station struggling for survival as the pace of change threatens to leave the community behind.Deep Wheel Orcadia is a magical first: a science-fiction verse-novel written in the Orkney dialect. This unique adventure in minority language poetry comes with a parallel translation into playful and vivid English, so the reader will miss no nuance of the original. The rich and varied cast weaves a compelling, lyric and effortlessly readable story around place and belonging, work and economy, generation and gender politics, love and desire – all with the lightness of touch, fluency and musicality one might expect of one the most talented poets to have emerged from Scotland in recent years. Hailing from Orkney, Harry Josephine Giles is widely known as a fine poet and spellbindingly original performer of their own work; Deep Wheel Orcadia now strikes out into audacious new space.