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African Language Media (Routledge African Media, Culture and Communication Studies)

by Phillip Mpofu Israel A. Fadipe Thulani Tshabangu

This book outlines how African language media is affected by politics, technology, culture, and the economy and how this media is creatively produced and appropriated by audiences across cultures and contexts. African language media can be considered as a tool for communication, socialization, and community that defines the various identities of indigenous people in Africa. This book shows how vernacular media outlets including radio and television, as well as native formats such as festivals, rituals and dance, can be used to influence all facets of local peoples’ experience and understanding of community. The book also explores the relationship between African language media sources and contemporary issues including the digitalization conundrum, peace and conflict resolution, identity formation, hate speech and fake news. Furthermore, it shows how local media can be used for development communication purposes during health and environmental crises. The book includes cases studies demonstrating the uses, experiences and activities related to various forms of media available in African languages. This book will be of interest to scholars in the field of communication and media studies, health and environmental communication, journalism, African studies and anthropology.

African Language Media (Routledge African Media, Culture and Communication Studies)

by Phillip Mpofu, Israel A. Fadipe, and Thulani Tshabangu

This book outlines how African language media is affected by politics, technology, culture, and the economy and how this media is creatively produced and appropriated by audiences across cultures and contexts. African language media can be considered as a tool for communication, socialization, and community that defines the various identities of indigenous people in Africa. This book shows how vernacular media outlets including radio and television, as well as native formats such as festivals, rituals and dance, can be used to influence all facets of local peoples’ experience and understanding of community. The book also explores the relationship between African language media sources and contemporary issues including the digitalization conundrum, peace and conflict resolution, identity formation, hate speech and fake news. Furthermore, it shows how local media can be used for development communication purposes during health and environmental crises. The book includes cases studies demonstrating the uses, experiences and activities related to various forms of media available in African languages. This book will be of interest to scholars in the field of communication and media studies, health and environmental communication, journalism, African studies and anthropology.

African Languages and Literatures in the 21st Century

by Esther Mukewa Lisanza Leonard Muaka

This edited book examines the crucial role still played by African languages in pedagogy and literatures in the 21st century, generating insights into how they effectively serve cultural needs across the African continent and beyond. Boldly positioning African languages as key resources in the 21st century, chapters focus on themes such as language revolt by marginalized groups at grassroots level, the experience of American students learning African languages, female empowerment through the use of African languages in music, film and literary works, and immigration issues. The contributions are written by scholars of language, literature, education and linguistics, and the book will be of interest to students and scholars in these and related areas.

African Youth Languages: New Media, Performing Arts and Sociolinguistic Development

by Ellen Hurst-Harosh Fridah Kanana Erastus

This book showcases current research on language in new media, the performing arts and music in Africa, emphasising the role that youth play in language change and development. The authors demonstrate how the efforts of young people to throw off old colonial languages and create new local ones has become a site of language creativity. Analysing the language of ‘new media’, including social media, print media and new media technologies, and of creative arts such as performance poetry, hip-hop and rap, they use empirical research from such diverse countries as Cameroon, Nigeria, Kenya, the Ivory Coast and South Africa. This original edited collection will appeal to students and scholars of African sociolinguistics, particularly in the light of the rapidly changing globalized context in which we live.

African Youth Languages: New Media, Performing Arts and Sociolinguistic Development

by Ellen Hurst-Harosh Fridah Kanana Erastus

This book showcases current research on language in new media, the performing arts and music in Africa, emphasising the role that youth play in language change and development. The authors demonstrate how the efforts of young people to throw off old colonial languages and create new local ones has become a site of language creativity. Analysing the language of ‘new media’, including social media, print media and new media technologies, and of creative arts such as performance poetry, hip-hop and rap, they use empirical research from such diverse countries as Cameroon, Nigeria, Kenya, the Ivory Coast and South Africa. This original edited collection will appeal to students and scholars of African sociolinguistics, particularly in the light of the rapidly changing globalized context in which we live.

Africa's Endangered Languages: Documentary and Theoretical Approaches

by Jason Kandybowicz Harold Torrence

Relatively little is known about Africa's endangered languages. Unlike indigenous languages in Australia, North Asia, and the Americas, which are predominantly threatened by colonizers, African languages are threatened most immediately by other local languages. As a result, the threat of language extinction is perceived as lower in Africa than in other parts of the globe, and a disproportionate amount of research is devoted to the study of endangered African languages when compared to any other linguistically threatened region in the world. There are approximately 308 highly endangered languages spoken in Africa (roughly 12% of all African languages) and at least 201 extinct African languages. This volume hopes to illuminate and challenge this trend. Chapters offer both documentary and theoretical perspectives, emphasizing the symbiotic relationship between the two approaches and its implications for the preservation of endangered languages, both in the African context and more broadly. Documentary-oriented chapters deal with key issues in African language documentation including language preservation and revitalization, community activism, and data collection and dissemination methodologies, among others. Theoretically-oriented chapters provide detailed descriptions and analyses of phonetic, phonological, morphological, syntactic, and semantic phenomena, and connect these to current theoretical issues and debates. Africa's Endangered Languages provides thorough coverage of a continent's neglected languages that will spur linguists and Africanists alike to work to protect them.

Africa's Endangered Languages: Documentary and Theoretical Approaches


Relatively little is known about Africa's endangered languages. Unlike indigenous languages in Australia, North Asia, and the Americas, which are predominantly threatened by colonizers, African languages are threatened most immediately by other local languages. As a result, the threat of language extinction is perceived as lower in Africa than in other parts of the globe, and a disproportionate amount of research is devoted to the study of endangered African languages when compared to any other linguistically threatened region in the world. There are approximately 308 highly endangered languages spoken in Africa (roughly 12% of all African languages) and at least 201 extinct African languages. This volume hopes to illuminate and challenge this trend. Chapters offer both documentary and theoretical perspectives, emphasizing the symbiotic relationship between the two approaches and its implications for the preservation of endangered languages, both in the African context and more broadly. Documentary-oriented chapters deal with key issues in African language documentation including language preservation and revitalization, community activism, and data collection and dissemination methodologies, among others. Theoretically-oriented chapters provide detailed descriptions and analyses of phonetic, phonological, morphological, syntactic, and semantic phenomena, and connect these to current theoretical issues and debates. Africa's Endangered Languages provides thorough coverage of a continent's neglected languages that will spur linguists and Africanists alike to work to protect them.

Africa's Lost Classics: New Histories of African Cinema

by Lizelle Bisschoff

Until recently, the story of African film was marked by a series of truncated histories: many outstanding films from earlier decades were virtually inaccessible and thus often excluded from critical accounts. However, various conservation projects since the turn of the century have now begun to make many of these films available to critics and audiences in a way that was unimaginable just a decade ago. In this accessible and lively collection of essays, Lizelle Bisschoff and David Murphy draw together the best scholarship on the diverse and fragmented strands of African film history. Their volume recovers over 30 'lost' African classic films from 1920-2010 in order to provide a more complex genealogy and begin to trace new histories of African filmmaking: from 1920s Egyptian melodramas through lost gems from apartheid South Africa to neglected works by great Francophone directors, the full diversity of African cinema will be revealed.

Africa's Lost Classics: New Histories of African Cinema

by Lizelle Bisschoff

Until recently, the story of African film was marked by a series of truncated histories: many outstanding films from earlier decades were virtually inaccessible and thus often excluded from critical accounts. However, various conservation projects since the turn of the century have now begun to make many of these films available to critics and audiences in a way that was unimaginable just a decade ago. In this accessible and lively collection of essays, Lizelle Bisschoff and David Murphy draw together the best scholarship on the diverse and fragmented strands of African film history. Their volume recovers over 30 'lost' African classic films from 1920-2010 in order to provide a more complex genealogy and begin to trace new histories of African filmmaking: from 1920s Egyptian melodramas through lost gems from apartheid South Africa to neglected works by great Francophone directors, the full diversity of African cinema will be revealed.

Afrikaans Eerste Addisionele Taal Graad 2

by Siyavula

A South African textbook.

Afrikaans Eerste Addisionele Taal Graad 5

by Siyavula

A South African textbook.

Afrikaans Eerste Addisionele Taal Graad 7

by Siyavula

A South African textbook.

Afrikaans Eerste Addisionele Taal Graad 9

by Siyavula

A South African textbook.

After Bataille: Sacrifice, Exposure, Community

by Patrick Ffrench

Author of the obscene narrative Story of the Eye and of works of heretical philosophy such as Inner Experience, Georges Bataille (1897-1962) is one of the most powerful and secretly influential French thinkers of the last century. His work is driven by a compulsion to communicate an experience which exceeds the limits of communicative exchange, and also constitutes a sustained focus on the nature of this complusion. After Bataille takes this sense of compulsion as its motive and traces it across different figures in Batailles thought, from an obsession with the thematics and the event of sacrifice, through the exposure of being and of the subject, to the necessary relation to others in friendship and in community. In each of these instances After Bataille is distinctive in staging a series of encounters between Bataille, his contemporaries, and critics and theorists who extend or engage with his legacy. It thus offers a vital account of the place of Bataille in contemporary thought.

After Bataille: Sacrifice, Exposure, Community

by Patrick Ffrench

Author of the obscene narrative Story of the Eye and of works of heretical philosophy such as Inner Experience, Georges Bataille (1897-1962) is one of the most powerful and secretly influential French thinkers of the last century. His work is driven by a compulsion to communicate an experience which exceeds the limits of communicative exchange, and also constitutes a sustained focus on the nature of this complusion. After Bataille takes this sense of compulsion as its motive and traces it across different figures in Batailles thought, from an obsession with the thematics and the event of sacrifice, through the exposure of being and of the subject, to the necessary relation to others in friendship and in community. In each of these instances After Bataille is distinctive in staging a series of encounters between Bataille, his contemporaries, and critics and theorists who extend or engage with his legacy. It thus offers a vital account of the place of Bataille in contemporary thought.

After Newspeak: Language Culture and Politics in Russia from Gorbachev to Putin

by Michael S. Gorham

In After Newspeak, Michael S. Gorham presents a cultural history of the politics of Russian language from Gorbachev and glasnost to Putin and the emergence of new generations of Web technologies. Gorham begins from the premise that periods of rapid and radical change both shape and are shaped by language. He documents the role and fate of the Russian language in the collapse of the USSR and the decades of reform and national reconstruction that have followed. Gorham demonstrates the inextricable linkage of language and politics in everything from dictionaries of profanity to the flood of publications on linguistic self-help, the speech patterns of the country’s leaders, the blogs of its bureaucrats, and the official programs promoting the use of Russian in the so-called near abroad. Gorham explains why glasnost figured as such a critical rhetorical battleground in the political strife that led to the Soviet Union’s collapse and shows why Russians came to deride the newfound freedom of speech of the 1990s as little more than the right to swear in public. He assesses the impact of Medvedev’s role as Blogger-in-Chief and the role Putin’s vulgar speech practices played in the restoration of national pride. Gorham investigates whether Internet communication and new media technologies have helped to consolidate a more vibrant democracy and civil society or if they serve as an additional resource for the political technologies manipulated by the Kremlin.

Afterliff

by John Lloyd Jon Canter

A liff is a familiar object or experience that English has no word for. Afterliff, its long-awaited sequel, corrects this disgraceful oversight by recycling the names found on signposts.This brilliant successor to Douglas Adams' and John Lloyd's 1983 classic The Meaning of Liff features over 900 essential new definitions, including:Anglesey n.Hypothetical object at which a lazy eye is looking.Badlesmeare n.One who dishonestly ticks the 'I have read and agree to the Terms and Conditions' box.Caterham n.An overwhelming desire to use the Pope's hat as an oven glove.Clavering ptcpl v.Pretending to text when alone and feeling vulnerable in public.Eworthy adj.Of a person: worth emailing but not worth phoning or meeting.Kanumbra n.The sense that someone is standing behind you.Ljubljana interj.What people say to the dentist on the way out.Loughborough n.The false gusto with which children eat vegetables in adverts.Sorrento n.The thing that goes round and round as a YouTube video loads.Uralla n.A towel used as a bathmat. In 1983, John Lloyd and Douglas Adams authored The Meaning of Liff, a bestselling humour classic which went on to sell hundreds of thousands of copies. John Lloyd's other books include 1,411 QI Facts To Knock You Sideways and The Book of General Ignorance.

Agricola: Invader (Agricola #1)

by Simon Turney

The first volume in a thrilling new historical adventure series by Simon Turney, critically acclaimed author of Legion XXII and Sons of Rome.58 AD, Rome. Agricola, teenage son of an impoverished yet distinguished noble family, has staked all his resources and reputation on a military career. His reward? A posting as tribune in the far-off northern province of Britannia. Serving under renowned general Suetonius Paulinus, Agricola soon learns the brutality of life on the very edges of the empire, for the Celtic tribes of Britannia are far from vanquished. To take control of the province, the Romans must defeat the ancient might of the druids - and the fury of the Iceni, warriors in their thousands led by a redoubtable queen named Boudicca...Reviews for Simon Turney'If you want gritty and utterly authentic edge of the seat Roman action, you should be reading Simon Turney.' Anthony Riches'A vivid, historically authentic Roman military thriller.' Alex Gough'Brings a whole new dimension to the genre.' Historical Novel Society'Brimming with tension, mystery and adventure!' Gordon Doherty'First-rate Roman fiction.' Matthew Harffy

Aktion Grammatik! (PDF)

by John Klapper Helen Kent

Make German grammar second nature with this trusted reference book containing over 300 activities - now completely revised in line with the new A-level specifications. - Supplement key resources in class or encourage independent practice at home, with clear explanations of the grammar points needed at A-level and knowledge-check exercises throughout - Prepare for assessment with longer application activities focused on developing writing skills such as translation and summary - Build confidence as exercises get increasingly more challenging to mirror students' advancement throughout the course - Check students' progress with regular grammar tests and all answers supplied online

The Alfonsine Tables of Toledo (Archimedes #8)

by José Chabás B.R. Goldstein

The Alfonsine Tables of Toledo is for historians working in the fields of astronomy, science, the Middle Ages, Spanish and other Romance languages. It is also of interest to scholars interested in the history of Castile, in Castilian-French relations in the Middle Ages and in the history of patronage. It explores the Castilian canons of the Alfonsine Tables and offers a study of their context, language, astronomical content, and diffusion. The Alfonsine Tables of Toledo is unique in that it: includes an edition of a crucial text in history of science; provides an explanation of astronomy as it was practiced in the Middle Ages; presents abundant material on early scientific language in Castilian; presents new material on the diffusion of Alfonsine astronomy in Europe; describes the role of royal patronage of science in a medieval context.

Algernon Swinburne and Walter Pater: Victorian Aestheticism, Doubt and Secularisation

by SarahGlendon Lyons

How did literary aestheticism emerge in Victorian Britain, with its competing models of religious doubt and visions of secularisation? For Lyons, the aestheticism developed and progressively revised by Algernon Charles Swinburne (1837-1909) and Walter Pater (1839-1894) illuminates the contradictory impulses of modern secularism: on the one hand, a desire to cast itself as a form of neutrality or disinterestedness; on the other, a desire to affirm 'this world' as the place of human flourishing or even enchantment. The standard narrative of a 'crisis of faith' does not do justice to the fissured, uncertain quality of Victorian visions of secularisation. Precisely because it had the status of a confusing hypothesis rather than a self-evident reality, it provoked not only dread and melancholia, but also forms of fantasy. Within this context Lyons gives a fundamentally new account of the aims and nature of Victorian aestheticism, taking as a focus its deceptively simple claim that art is for art's sake first of all.

Algernon Swinburne and Walter Pater: Victorian Aestheticism, Doubt and Secularisation

by SarahGlendon Lyons

How did literary aestheticism emerge in Victorian Britain, with its competing models of religious doubt and visions of secularisation? For Lyons, the aestheticism developed and progressively revised by Algernon Charles Swinburne (1837-1909) and Walter Pater (1839-1894) illuminates the contradictory impulses of modern secularism: on the one hand, a desire to cast itself as a form of neutrality or disinterestedness; on the other, a desire to affirm 'this world' as the place of human flourishing or even enchantment. The standard narrative of a 'crisis of faith' does not do justice to the fissured, uncertain quality of Victorian visions of secularisation. Precisely because it had the status of a confusing hypothesis rather than a self-evident reality, it provoked not only dread and melancholia, but also forms of fantasy. Within this context Lyons gives a fundamentally new account of the aims and nature of Victorian aestheticism, taking as a focus its deceptively simple claim that art is for art's sake first of all.

All the Greek Verbs

by N. Marinone

All the Greek Verbs has established itself as an indispensable guide for all learners of Greek. In a clear and simple format, the book sets out over 13,000 verb forms, which are listed alphabetically, and referred to the verbs from which they derive. Poetic and dialect forms are differentiated and grammatical tables set out standard endings and inflexions, making it easy for the student of Greek to navigate their way through the language.

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Showing 126 through 150 of 5,451 results