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The Hitchhiker's Guide to the Galaxy: The Original Radio Scripts
by Douglas AdamsMarch 1978 saw the first ever transmission of Douglas Adams' The Hitchhiker's Guide to the Galaxy on BBC Radio 4; the beginning of a cult phenomenon. The Hitchhiker's Guide to the Galaxy: The Original Radio Scripts includes a previously unpublished Hitchhiker script, 'Sheila's Ear'; an introduction by producer Geoffrey Perkins; and a Who's Who of all those involved in the radio series. This scriptbook features all twelve original radio scripts - Hitchhiker as it was written and exactly as it was broadcast for the very first time. They include amendments and additions made during recordings and original notes on the writing and producing of the series by Douglas Adams and Geoffrey Perkins. For those who have always loved Douglas Adams, as well as for his new generation of fans, these scripts are essential reading - with the previously 'lost' script making this edition a must-have piece of Adams memorabilia.
The Hitchhiker's Guide to the Galaxy Radio Scripts Volume 2: The Tertiary, Quandary and Quintessential Phases
by Douglas AdamsTwenty-five years after the original radio series of The Hitchhiker's Guide to the Galaxy exploded into the public consciousness, the further exploits of its bewildered hero Arthur Dent were finally adapted for radio by Dirk Maggs, in part using drafts written by Douglas Adams before his death. The resulting fourteen completely new episodes were produced by Above the Title Productions and broadcast on BBC Radio 4, with nearly all of the original cast reunited for recording.The Hitchhiker's Guide to the Galaxy Radio Scripts Volume 2 brilliantly bring to life the last three books in Adams' perennially popular Hitchhiker series: Life, the Universe and Everything; So Long, and Thanks for All the Fish; and Mostly Harmless. Dirk Maggs supplies notes which highlight original Adams material and explain how the cast, special effects and music were directed. The scripts are introduced by Simon Jones, who played Arthur Dent in both the original and the recent radio series, as well as in The Hitchhiker's Guide to the Galaxy television series. Douglas Adams first conceived The Hitchhiker's Guide to the Galaxy for radio and it is an honour to his memory that all five Hitchhiker novels have now been adapted for this medium. These scripts exemplify the freshness of perspective, humour and perspicacity that epitomize the work of Douglas Adams.
Hitler and Film: The Führer's Hidden Passion
by Bill NivenAn exposé of Hitler’s relationship with film and his influence on the film industry A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler’s fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler’s influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Arguing that Hitler was as central to the Nazi film industry as Goebbels, Niven also explores Hitler’s representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated, and how Hitler’s vision for the medium went far beyond “straight propaganda.” He aimed to raise documentary film to a powerful art form rivaling architecture in its ability to reach the masses.
Hitler - Films from Germany: History, Cinema and Politics since 1945 (The Holocaust and its Contexts)
by Karolin Machtans and Martin A. RuehlThe first book-length study to critically examine the recent wave of Hitler biopics in German cinema and television. A group of international experts discuss films like Downfall in the context of earlier portrayals of Hitler and draw out their implications for the changing place of the Third Reich in the national historical imagination.
Hitler's Dancers: German Modern Dance and the Third Reich
by Lilian Karina Marion Kant Jonathan SteinbergThe Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
Hold It Real Still: Clint Eastwood, Race, and the Cinema of the American West
by Lawrence P. JacksonHow did the American western feature film genre rebrand itself in the late seventies and respond to the fury of global and domestic political affairs?In Hold It Real Still, Lawrence Jackson examines Clint Eastwood's influence on the western film while also exploring how that genre continues to operate into the twenty-first century as an ideological channel for ideas about race and imperialism. Jackson argues that the western genre pivoted from an initial doctrine of racial liberalism, albeit a clumsy one, during the John Wayne years to a motile agenda of substitution, exclusion, and false equivalency during the Clint Eastwood period. The book traces how Eastwood, an actor first associated with the avant-garde, anti-colonialist discourse of "spaghetti" western cinema, reversed himself in the second half of the 1970s with The Outlaw Josey Wales—a film that had at its heart the fantasy of Black erasure from American life. Jackson situates Eastwood's work as a response to massive social and political upheavals in America: defeat in Vietnam, riots in northern cities, the civil rights movement and associated legislation, and the Great Migration, which made possible a degree of mixed-race public interaction that was impossible even as late as the 1960s. Hinged by a close reading of four blockbuster films which continue to shape discourses in cinematic arts, American liberalism, the westerns, and race relations today—The Good, the Bad and the Ugly, Josey Wales, Ride with the Devil, and Django Unchained—Jackson's unique critique flashes on the contradictory symbolic structures at work in these masterpieces. Juxtaposing the films' motifs, tropes, and hidden Black figures with historicist readings lays bare the containment strategies of the 1970s and beyond used to stymie civil rights progress and racial equity in the United States. Tackling the rise of neoracism and the domestic apparatus of surveillance, control, and erasure, Hold It Real Still offers an astonishing revision of what audiences and critics thought they understood about a uniquely American genre of film.
Hold It Real Still: Clint Eastwood, Race, and the Cinema of the American West
by Lawrence P. JacksonHow did the American western feature film genre rebrand itself in the late seventies and respond to the fury of global and domestic political affairs?In Hold It Real Still, Lawrence Jackson examines Clint Eastwood's influence on the western film while also exploring how that genre continues to operate into the twenty-first century as an ideological channel for ideas about race and imperialism. Jackson argues that the western genre pivoted from an initial doctrine of racial liberalism, albeit a clumsy one, during the John Wayne years to a motile agenda of substitution, exclusion, and false equivalency during the Clint Eastwood period. The book traces how Eastwood, an actor first associated with the avant-garde, anti-colonialist discourse of "spaghetti" western cinema, reversed himself in the second half of the 1970s with The Outlaw Josey Wales—a film that had at its heart the fantasy of Black erasure from American life. Jackson situates Eastwood's work as a response to massive social and political upheavals in America: defeat in Vietnam, riots in northern cities, the civil rights movement and associated legislation, and the Great Migration, which made possible a degree of mixed-race public interaction that was impossible even as late as the 1960s. Hinged by a close reading of four blockbuster films which continue to shape discourses in cinematic arts, American liberalism, the westerns, and race relations today—The Good, the Bad and the Ugly, Josey Wales, Ride with the Devil, and Django Unchained—Jackson's unique critique flashes on the contradictory symbolic structures at work in these masterpieces. Juxtaposing the films' motifs, tropes, and hidden Black figures with historicist readings lays bare the containment strategies of the 1970s and beyond used to stymie civil rights progress and racial equity in the United States. Tackling the rise of neoracism and the domestic apparatus of surveillance, control, and erasure, Hold It Real Still offers an astonishing revision of what audiences and critics thought they understood about a uniquely American genre of film.
Hold Me Tight and Tango Me Home: A Memoir
by Maria Finn&“Beautifully told. Maria Finn relays her adventures in the world of tango with excitement, wit, and insight.&” —Robert Farris Thompson, author of Tango: The Art History of Love Maria Finn's husband was cheating. First she threw him out. Then she cried. Then she signed up for tango lessons. It turns out that tango has a lot to teach about understanding love and loss, about learning how to follow and how to lead, how to live with style and flair, take risks, and sort out what it is you really want. As Maria's world begins to revolve around the friendships she makes in dance class and the milongas (social dances) she attends regularly in New York City, we discover with her the fascinating culture, history, music, moves, and beauty of the Argentine tango. With each new dance step she learns—the embrace, the walk, the sweep, the exit—she is one step closer to returning to the world of the living. Eventually Maria travels to Buenos Aires, the birthplace of tango, and finds the confidence to try romance again. As exhilarating as the dance itself, the story whirls us into the center of the ballroom dancing craze. And buoyed by the author's humor and passion, it imparts surprising insights about how to get on with life after you've lost in love.
Hold the Line: One woman’s observations of lockdown, love, letting go and going viral
by Kim StephensNavigating motherhood from the age of 18, Kim Stephens shelved her inner journo and embraced a life of media sales and sports marketing, working with some of the biggest sports brands globally, and locally, whilst pursuing her own ultra-running ambitions.Arguing vehemently against the possibility that she was running from her own truth, Covid-19 wiped out Kim’s possibilities for continued escape.After three children, two divorces and a gradual sexual awakening, Kim found herself at 40-something virtually unemployed, with all the time in the world to write, sip gin and study a general response to one of the world’s most draconian lockdowns.Her humorous observations of middle-class South African behaviour through the various levels of lockdown earned her a certain notoriety and a degree of viral success, and with that the courage to put it all into a book.Hold the Line tells the story of teenage pregnancy, the situational blindness of white South Africa, the disappointment of divorce and the deep joy found through true awakening.Stitched together with the lockdown writing that Kim penned for a growing base of followers, she shares a more in-depth life story with her usual candid self-deprecation.Written to rattle a few truths from within its readers, Hold the Line ends ironically as the world begins to follow a potential third World War via TikTok.
The Holiday and British Film
by M. KerryA refreshing insight into a previously neglected area of popular British cinema – the holiday film - including historical information about the British holiday and analyses of key films from the 1900s to the recent past.
Holidays: All About Going Away And Staying At Home, About Train Trips, Lion Parks And Family
by William McInnesFrom bestselling author William McInnes, a book about the languid, unending holidays of summer; it's about going away and staying at home, about sunburn, seagulls, family and friends.Remember those long, languid holidays when the only decisions to be made were what to pack in the Esky and who should get the front seat on the drive to the beach?Let William McInnes reignite your nostalgia for holidays past, and give you a taste of the boundless opportunities that await in holidays to come in this book about our love affair with life away from the everyday.This book will take you back to the holidays you had as a kid and remind you of the ones you've had with your own family or friends or even the ones where you've flown solo.Holidays are the runway to possibilities - a romantic sunset, the spare seat at breakfast being taken by an attractive stranger, a miraculous airline upgrade - or missing bags, unfortunate rashes and wrong turns that lead to places you definitely did not intend to go. Whether you are away from home and somewhere exotic or just in your own backyard on a lilo in an above-ground pool, whatever happens, you know that life is sweet because you're on HOLIDAYS.**Includes a bonus extract from William's hilarious and heartwarming memoir Fatherhood**"McInnes is a natural storyteller . . ." - Sun Herald, Sydney"McInnes enjoys a quirky love affair with the quintessential Australian holiday" - Brisbane News"Proves that the journey is just as agreeable as the destination" - Sunday Age". . . full of beautifully crafted childhood reminiscences and anecdotes" - Sunday Examiner"McInnes is a wonderfully engaging writer - witty and warm and a master of a good yarn. If your holidays aer a way off, curl up with William and he'll take you away" - Adelaide Advertiser
Holly and the Dancing Cat (Magic Ballerina #13)
by Darcey BussellReturn to the magical world of Enchantia in the captivating third series of Magic Ballerina by Darcey Bussell!
Holly and the Magic Tiara (Magic Ballerina #15)
by Darcey BussellReturn to the magical world of Enchantia in the captivating third series of Magic Ballerina by Darcey Bussell!
Holly and the Silver Unicorn: Holly And The Silver Unicorn (Magic Ballerina #14)
by Darcey BussellReturn to the magical world of Enchantia in the captivating third series of Magic Ballerina by Darcey Bussell!
The Holly Jolly Christmas Activity Book
by HarperCollinsFrom crafting ideas to scavenger hunts, ridiculous party games to sing-a-thons and hilarious quizzes, keep friends and family entertained through the whole festive period with The Holly Jolly Christmas Activity Book! Ho ho ho!
Hollyweird Science: From Spaceships to Microchips (Science and Fiction)
by Kevin R. Grazier Stephen CassInformative, entertaining and upbeat, this book continues Grazier and Cass's exploration of how technology, science, and scientists are portrayed in Hollywood productions. Both big and small-screen productions are featured and their science content illuminated—first by the authors and subsequently by a range of experts from science and the film world. Starring roles in this volume are played by, among other things, computers (human and mechanical), artificial intelligences, robots, and spacecraft. Interviews with writers, producers, and directors of acclaimed science-themed films stand side by side with the perspectives of scientists, science fiction authors, and science advisors. The result is a stimulating and informative reading experience for the layperson and professional scientist or engineer alike. The book begins with a foreword by Zack Stentz, who co-wrote X-Men: First Class and Thor, and is currently a writer/producer on CW’s The Flash.
Hollyweird Science: From Quantum Quirks to the Multiverse (Science and Fiction)
by Kevin R. Grazier Stephen CassLighthearted, quirky, and upbeat, this book explores the portrayal of science and technology on both the big and little screen -- and how Hollywood is actually doing a better job of getting it right than ever before. Grounded in the real-word, and often cutting-edge, science and technology that inspires fictional science, the authors survey Hollywood depictions of topics such as quantum mechanics, parallel universes, and alien worlds. Including material from interviews with over two dozen writers, producers, and directors of acclaimed science-themed productions -- as well as scientists, science fiction authors, and science advisors -- Hollyweird Science examines screen science fiction from the sometimes-conflicting vantage points of storytellers, researchers, and viewers. Including a foreword by Eureka co-creator and executive producer Jaime Paglia, and an afterword by astronomer and science fiction author Michael Brotherton, Ph.D., this book is accessible to all readers from the layperson to the armchair expert to the professional scientist, and will delight all of them equally.
Hollywood: The Oral History
by Sam Wasson Jeanine BasingerHollywood: The Oral History covers the history of Hollywood from the Silent era up to the 21st century.What makes this book unique from any other survey of Hollywood's history is that it is the history of an art form through the words of those people who created it - from Harold Lloyd to Katharine Hepburn to Warren Beatty to Jane Fonda and beyond, including directors, writers, producers, editors, designers of sets and costumes.As such, the authenticity of the text is irrefutable.The material in the book - gathered over the decades by the American Film Institute - has never been published before, has never been heard before.It is comprehensive - a monument that will never age nor be surpassed.
Hollywood: Politics and Society
by Mark WheelerAt the beginning of the 21st century, the US film industry had overtaken aeronautics and car industries to become one of the highest exporters of American products. Mark Wheeler's important new book provides both a political history of Hollywood and a reflection on the relationship between cinema and politics in America, from 1900 to the present day. Wheeler considers the interplay between the movies studios, state and national government and cultural policy and legislation, with case studies of the censorship that followed in the wake of the Hays Code 1930 and the investigations of the House Committee of Un-American Activities (HUAC) in the 1950s that led to the notorious blacklisting of alleged or known Communist sympathisers. His history of political constituencies within Hollywood ranges from the conservative right to the liberal and the communist left, from trades unionists to movie moguls. The book concludes with a look at the politics of show business, addressing links between Hollywood and political activism, films such as 'The Candidate' and 'Bulworth' that have themselves engaged with the political process, and considering the irony that despite the fact that Hollywood is perceived as a bastion of liberalism the two most famous actors-turned-politicians have been Ronald Reagan and Arnold Schwarzenegger.
Hollywood: Politics and Society
by Mark WheelerAt the beginning of the 21st century, the US film industry had overtaken aeronautics and car industries to become one of the highest exporters of American products. Mark Wheeler's important new book provides both a political history of Hollywood and a reflection on the relationship between cinema and politics in America, from 1900 to the present day. Wheeler considers the interplay between the movies studios, state and national government and cultural policy and legislation, with case studies of the censorship that followed in the wake of the Hays Code 1930 and the investigations of the House Committee of Un-American Activities (HUAC) in the 1950s that led to the notorious blacklisting of alleged or known Communist sympathisers. His history of political constituencies within Hollywood ranges from the conservative right to the liberal and the communist left, from trades unionists to movie moguls. The book concludes with a look at the politics of show business, addressing links between Hollywood and political activism, films such as 'The Candidate' and 'Bulworth' that have themselves engaged with the political process, and considering the irony that despite the fact that Hollywood is perceived as a bastion of liberalism the two most famous actors-turned-politicians have been Ronald Reagan and Arnold Schwarzenegger.
Hollywood Abroad: Audiences and Cultural Exchange
by Melvyn Stokes Richard MaltbyHollywood Abroad is the first book to examine the reception of Hollywood movies by non-American audiences. Although numerous books on film history have analyzed the ways in which American films came to dominate world markets, there has so far been very little published work on how audiences outside the United States have responded to Hollywood-produced films. Hollywood Abroad explores the reception of U.S. films in Britain, France, Belgium, Turkey, Australia, India, Japan, and Central Africa. The book covers topics from the first major penetration of American films into France, Britain, and Australia to the impact of such films as The Best Years of Our Lives to the response of Belgian young people in the age of the multiplex. It demonstrates that the story of the reception of American films overseas is less one of domination than of a complex adoption of Hollywood into various cultures.
Hollywood Abroad: Audiences and Cultural Exchange
by Melvyn Stokes Richard MaltbyHollywood Abroad is the first book to examine the reception of Hollywood movies by non-American audiences. Although numerous books on film history have analyzed the ways in which American films came to dominate world markets, there has so far been very little published work on how audiences outside the United States have responded to Hollywood-produced films. Hollywood Abroad explores the reception of U.S. films in Britain, France, Belgium, Turkey, Australia, India, Japan, and Central Africa. The book covers topics from the first major penetration of American films into France, Britain, and Australia to the impact of such films as The Best Years of Our Lives to the response of Belgian young people in the age of the multiplex. It demonstrates that the story of the reception of American films overseas is less one of domination than of a complex adoption of Hollywood into various cultures.
The Hollywood Action and Adventure Film (New Approaches to Film Genre)
by Yvonne TaskerThe Hollywood Action and Adventure Film presents a comprehensive overview and analysis of the history, myriad themes, and critical approaches to the action and adventure genre in American cinema. Draws on a wide range of examples, spanning the silent spectacles of early cinema to the iconic superheroes of 21st-century action films Features case studies revealing the genre’s diverse roots – from westerns and war films, to crime and espionage movies Explores a rich variety of aesthetic and thematic concerns that have come to define the genre, touching on themes such as the outsider hero, violence and redemption, and adventure as escape from the mundane Integrates discussion of gender, race, ethnicity, and nationality alongside genre history Provides a timely and richly revealing portrait of a powerful cinematic genre that has increasingly come to dominate the American cinematic landscape
The Hollywood Action and Adventure Film (New Approaches to Film Genre)
by Yvonne TaskerThe Hollywood Action and Adventure Film presents a comprehensive overview and analysis of the history, myriad themes, and critical approaches to the action and adventure genre in American cinema. Draws on a wide range of examples, spanning the silent spectacles of early cinema to the iconic superheroes of 21st-century action films Features case studies revealing the genre’s diverse roots – from westerns and war films, to crime and espionage movies Explores a rich variety of aesthetic and thematic concerns that have come to define the genre, touching on themes such as the outsider hero, violence and redemption, and adventure as escape from the mundane Integrates discussion of gender, race, ethnicity, and nationality alongside genre history Provides a timely and richly revealing portrait of a powerful cinematic genre that has increasingly come to dominate the American cinematic landscape
Hollywood Action Films and Spatial Theory (Routledge Advances in Film Studies)
by Nick JonesThis book applies the discourse of the so-called ‘spatial turn’ to popular contemporary cinema, in particular the action sequences of twenty-first century Hollywood productions. Tackling a variety of spatial imaginations (contemporary iconic architecture; globalisation and non-places; phenomenological knowledge of place; consumerist spaces of commodity purchase; cyberspace), the diverse case studies not only detail the range of ways in which action sequences represent the challenge of surviving and acting in contemporary space, but also reveal the consistent qualities of spatial appropriation and spatial manipulation that define the form. Jones argues that action sequences dramatise the restrictions and possibilities of space, offering examples of radical spatial praxis through their depictions of spatial engagement, struggle and eventual transcendence.