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A Point of View
by Clive James21st century Britain: a point of view from our fiercest and funniest critic The BBC Radio 4 series A Point of View has been on the air since 2007. Clive James was one of the most popular presenters, and now, for the first time, his original pieces – sixty in total – and previously unpublished postscripts are collected together in one volume. Read along with Clive James as he offers his informative, thought-provoking and entertaining insights into everything from wheelie bins to plastic surgery, Elizabeth Hurley to the Olympics, Britain’s Got Talent to Damien Hirst, Harry Potter to giving up smoking – and plenty more besides.
Poison and Poisoning in Science, Fiction and Cinema: Precarious Identities (PDF)
by Heike Klippel Bettina Wahrig Anke ZechnerThis book is about poison and poisonings; it explores the facts, fears and fictions that surround this fascinating topic. Poisons attract attention because they are both dangerous and hard to discover. Secretive and invisible, they are a challenging object of representation. How do science studies, literature, and especially film—the medium of the visible—explain and show what is hidden? How can we deal with uncertainties emerging from the ambivalence of dangerous substances? These considerations lead the editors of this volume to the notion of “precarious identities” as a key discursive marker of poisons and related substances. This book is unique in facilitating a multi-faceted conversation between disciplines. It draws on examples from historical cases of poisoning; figurations of uncertainty and blurred boundaries in literature; and cinematic examples, from early cinema and arthouse to documentary and blockbuster. The contributions work with concepts from gender studies, new materialism, post-colonialism, deconstructivism, motif studies, and discourse analysis.
Poitier Revisited: Reconsidering a Black Icon in the Obama Age
by Mia Mask Ian Gregory StrachanSidney Poitier remains one of the most recognizable black men in the world. Widely celebrated but at times criticized for the roles he played during a career that spanned 60 years, there can be no comprehensive discussion of black men in American film, and no serious analysis of 20th century American film history that excludes him. Poitier Revisited offers a fresh interrogation of the social, cultural and political significance of the Poitier oeuvre. The contributions explore the broad spectrum of critical issues summoned up by Poitier's iconic work as actor, director and filmmaker. Despite his stature, Poitier has actually been under-examined in film criticism generally. This work reconsiders his pivotal role in film and American race relations, by arguing persuasively, that even in this supposedly 'post-racial' moment of Barack Obama, the struggles, aspirations, anxieties, and tensions Poitier's films explored are every bit as relevant today as when they were first made.
Poitier Revisited: Reconsidering a Black Icon in the Obama Age
by Mia Mask Ian Gregory StrachanSidney Poitier remains one of the most recognizable black men in the world. Widely celebrated but at times criticized for the roles he played during a career that spanned 60 years, there can be no comprehensive discussion of black men in American film, and no serious analysis of 20th century American film history that excludes him. Poitier Revisited offers a fresh interrogation of the social, cultural and political significance of the Poitier oeuvre. The contributions explore the broad spectrum of critical issues summoned up by Poitier's iconic work as actor, director and filmmaker. Despite his stature, Poitier has actually been under-examined in film criticism generally. This work reconsiders his pivotal role in film and American race relations, by arguing persuasively, that even in this supposedly 'post-racial' moment of Barack Obama, the struggles, aspirations, anxieties, and tensions Poitier's films explored are every bit as relevant today as when they were first made.
Poland Daily: Economy, Work, Consumption and Social Class in Polish Cinema
by Ewa MazierskaLike many Eastern European countries, Poland has seen a succession of divergent economic and political regimes over the last century, from prewar “embedded liberalism,” through the state socialism of the Soviet era, to the present neoliberal moment. Its cinema has been inflected by these changing historical circumstances, both mirroring and resisting them. This volume is the first to analyze the entirety of the nation’s film history—from the reemergence of an independent Poland in 1918 to the present day—through the lenses of political economy and social class, showing how Polish cinema documented ordinary life while bearing the hallmarks of specific ideologies.
Poland Daily: Economy, Work, Consumption and Social Class in Polish Cinema
by Ewa MazierskaLike many Eastern European countries, Poland has seen a succession of divergent economic and political regimes over the last century, from prewar “embedded liberalism,” through the state socialism of the Soviet era, to the present neoliberal moment. Its cinema has been inflected by these changing historical circumstances, both mirroring and resisting them. This volume is the first to analyze the entirety of the nation’s film history—from the reemergence of an independent Poland in 1918 to the present day—through the lenses of political economy and social class, showing how Polish cinema documented ordinary life while bearing the hallmarks of specific ideologies.
Polanski: A Biography
by Christopher SandfordBorn in Paris to Polish-Jewish parents, Polanski dealt with the terrors of his childhood - including internment in Auschwitz - by creating an elaborate fantasy world in which he lived as a film star. He would go on to become one of the very best and most infamous directors in Hollywood's history - with a backlist that includes Repulsion, Rosemary's Baby, Macbeth, Chinatown, Tess, Frantic and, more recently, the Oscar- and Golden Globe-winning The Pianist. Yet, it is within his own personal life that the most dramatic story unfolds - he's been at the centre of two of the most lurid crimes ever committed in Hollywood. In August 1969 his wife Sharon Tate, eight months pregnant, and seven of the couple's friends were butchered by the Manson family; Polanski himself, who was in London at the time, was the intended target. Eight years later he was arrested by LA police on charges of drugging and raping a 13-year old model and aspiring actress He fled the country and has since lived in exile in Paris, where he complains of continual harassment by the US authorities. Polanski's latest film was the hit Oliver Twist and, Variety insists, he promises to follow it with his long-awaited version of the Tate killings. Both projects, dealing with child exploitation and murder, can only fuel the controversy that surrounds him. This biography is the first chance his fans and detractors will have to read about him in real depth. It will reveal the brilliant invention, self-destruction, talent, self-destruction, sex, drugs and wild excesses, with names and stories told for the first time. Fascinating, flawed, wildy creative, this is the full, uncut story of one of the greatest directors of our time.
Poldark: The Complete Scripts - Series 1
by Debbie HorsfieldCornwall, 1783. The American Revolutionary War is over. Cornishman Ross Poldark returns to his father's lands a battle-weary soul. Met by a homeland gripped in recession and the revelation of his father's death, Ross must contend with the disrepair of his property and the challenge of keeping his family tin mine in business as his sweetheart prepares to marry his cousin. Amidst the stark beauty of the Cornish landscape, Ross must fight for his livelihood, making allies, and enemies, along the way.Delve deeper into the hit BBC drama starring Aidan Turner as Ross Poldark and Eleanor Tomlinson as Demelza. Collecting together Debbie Horsfield's original scripts, Poldark: The Complete Scripts - Series 1 allows you to relive the greatest moments from the first series, from Poldark's initial homecoming to the series' dramatic close. This is the perfect accompaniment for fans of the series and gives a unique insight into how the show was visualized.
Poldark: The Complete Scripts - Series 2
by Debbie HorsfieldCornwall, 1790. Ross Poldark faces the darkest hour of his life. Accused of wrecking two ships, he is to stand trial at the Bodmin Assizes. Despite their stormy married life, Demelza has tried to rally support for her husband. But there are plenty of enemies who would be happy to see Ross convicted, not least the powerful banker George Warleggan, whose personal rivalry with Ross grows ever more intense.This second volume of Debbie Horsfield's original scripts for the acclaimed television series takes readers from Ross's trial to the dramatic final episode. Poldark: The Complete Scripts - Series 2 is the perfect companion to the television series starring Aidan Turner, and affords a fascinating insight into how Winston Graham's beloved novels are transformed for the screen.
Poldark's Cornwall (Location Guides #5)
by Gill KnappettAre you longing to know where your favourite scenes in Poldark were filmed? Or discover the secrets behind the derelict mines and perfect, unspoiled beaches? Pitkin's latest addition to the Film Locations series allows you the inside knowledge to go behind the scenes and follow in the footsteps of Ross and Demelza. Travel back in time and join them along the windswept cliffs, rugged coastline and untouched, pristine beaches. From Padstow to the Lizard peninsula, Cornwall takes centre stage, providing the breath-taking backdrop that brings the series to life. The latest awarding-winning adaptation of Winston Graham's Poldark, produced by the BBC, has captured the hearts of millions of viewers worldwide. As the third series returns to our screens this summer, and with a forth series underway, tourists from all over the globe are flocking to the deepest corners of the UK's southwestern tip. Over the last three years the series has brought the region's rich heritage back to life, with tales of smugglers, shipwrecks and the secrets of the mines gripping viewer's imaginations. Visit the Poldark family mines at Agnes Head or Levant Mine, a World Heritage Site. Gallop along the clifftops of Chapel Porth, and learn of famous shipwrecks at Gunwalloe. If it's the glistening, azur waters you're after, don't miss Holywell Bay, Cornwall's largest stretch of coastline, which becomes the Warleggans private beach in series two. Cornwall has been an inspiration for writer's, film directors and artists alike for centuries, and Eleanor Tomlinson (Demelza) sums up its magic. "So much of the piece came alive when we were filming in Cornwall and everyone found their character in the outdoors." Britain's best kept secret is yours to enjoy.
Police Aesthetics: Literature, Film, and the Secret Police in Soviet Times
by Cristina VatulescuThe documents emerging from the secret police archives of the former Soviet bloc have caused scandal after scandal, compromising revered cultural figures and abruptly ending political careers. Police Aesthetics offers a revealing and responsible approach to such materials. Taking advantage of the partial opening of the secret police archives in Russia and Romania, Vatulescu focuses on their most infamous holdings—the personal files—as well as on movies the police sponsored, scripted, or authored. Through the archives, she gains new insights into the writing of literature and raises new questions about the ethics of reading. She shows how police files and films influenced literature and cinema, from autobiographies to novels, from high-culture classics to avant-garde experiments and popular blockbusters. In so doing, she opens a fresh chapter in the heated debate about the relationship between culture and politics in twentieth-century police states.
Police Officer: Police Officer Library Ebook (Play the Part)
by Liz GogerlyFind out what a police officer does. Follow step-up-step activities to make a police station front desk, a uniform and a police car. Then follow simple role plays to act out the part of a police officer!
Policing the World on Screen: American Mythologies and Hollywood's Rogue Crimefighters
by Marilyn YaquintoThis book analyzes Hollywood storytelling that features an American crimefighter—whether cop, detective, or agent—who must safeguard society and the nation by any means necessary. That often means going “rogue” and breaking the rules, even deploying ugly violence, but excused as self-defense or to serve the greater good. This ends-justifies-means approach dates back to gunfighters taming the western frontier to urban cowboy cops battling urban savagery—first personified by “Dirty” Harry Callahan—and later dispatched in global interventions to vanquish threats to national security. America as the world’s “policeman often means controlling the Other at home and abroad, which also extends American hegemony from the Cold War through the War on Terror. This book also examines pioneering portrayals by males of color and female crimefighters to embody such a social or national defender, which are frustrated by their existence as threats the white knight exists to defeat.
Polish Cinema: A History
by Marek HaltofFirst published in 2002, Marek Haltof’s seminal volume was the first comprehensive English-language study of Polish cinema, providing a much-needed survey of one of Europe’s most distinguished—yet unjustly neglected—film cultures. Since then, seismic changes have reshaped Polish society, European politics, and the global film industry. This thoroughly revised and updated edition takes stock of these dramatic shifts to provide an essential account of Polish cinema from the nineteenth century to today, covering such renowned figures as Kieślowski, Skolimowski, and Wajda along with vastly expanded coverage of documentaries, animation, and television, all set against the backdrop of an ever-more transnational film culture.
Polish Cinema: A History
by Marek HaltofFirst published in 2002, Marek Haltof’s seminal volume was the first comprehensive English-language study of Polish cinema, providing a much-needed survey of one of Europe’s most distinguished—yet unjustly neglected—film cultures. Since then, seismic changes have reshaped Polish society, European politics, and the global film industry. This thoroughly revised and updated edition takes stock of these dramatic shifts to provide an essential account of Polish cinema from the nineteenth century to today, covering such renowned figures as Kieślowski, Skolimowski, and Wajda along with vastly expanded coverage of documentaries, animation, and television, all set against the backdrop of an ever-more transnational film culture.
Polish Film and the Holocaust: Politics and Memory
by Marek HaltofDuring World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska’s The Last Stage (1948) and Aleksander Ford’s Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda’s A Generation (1955) and Andrzej Munk’s The Passenger (1963). Between 1965 and 1980 there was an “organized silence” regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieślowski’s Decalogue 8 (1988), Andrzej Wajda’s Korczak (1990), Jan Jakub Kolski’s Keep Away from the Window (2000), and Roman Polański’s The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland’s national memory.
Polish Migrants in European Film 1918–2017 (Palgrave European Film and Media Studies)
by Kris Van HeuckelomThis study explores the representation of international migration on screen and how it has gained prominence and salience in European filmmaking over the past 100 years. Using Polish migration as a key example due to its long-standing cultural resonance across the continent, this book moves beyond a director-oriented approach and beyond the dominant focus on postcolonial migrant cinemas. It succeeds in being both transnational and longitudinal by including a diverse corpus of more than 150 films from some twenty different countries, of which Roman Polański’s The Tenant, Jean-Luc Godard’s Passion and Krzysztof Kieślowski’s Trois couleurs: Blanc are the best-known examples. Engaging with contemporary debates on modernisation and Europeanisation, the author proposes the notion of “close Otherness” to delineate the liminal position of fictional characters with a Polish background. Polish Migrants in European Film 1918-2017 takes the reader through a wide range of genres, from interwar musicals to Cold War defection films; from communist-era exile right up to the contemporary moment. It is suitable for scholars interested in European or Slavic studies, as well as anyone who is interested in topics such as identity construction, ethnic representation, East-West cultural exchanges and transnationalism.
Polish Popular Music on Screen
by Ewa MazierskaThis book examines the interface between Polish popular music and screen media against the background of Polish history, cinema, and popular culture and situates that interface in a local as well as global context. It looks at Polish musicals, biographical films about musicians, documentary films and, finally, music videos. The author draws attention to the immense popularity of musical comedies in Polish interwar cinema, the enduring appeal of musical genres during the period of state socialism, despite their low status in film criticism, and the re-birth of musicals in the 2010s. Mazierska also discusses the most important stars, directors and authors of songs presented in Polish films, and points to the effect of technological changes on inception and transformation of music-centred genres of screen media, including the effect of YouTube on their growth and preservation. The book is informed by the question of how parochial and universal is Polish popular music and its screen representation.
Polish Romantic Drama: Three Plays in English Translation (Polish Theatre Archives Ser. #Vol. 5)
by Harold B. SegelThis is the first volume in English to be devoted entirely to Polish Romantic drama. It contains translations of three major plays: Forefathers; Eve, Part III, by Adam Mickiewics; The Un-Divine Comedy by Zygmunt Krasinski; and Fantazy by Juliusz Slowacki. In his highly informative introduction, Professor Segel discusses the plays against the background of the Romantic movement in Poland and points out their ideological and artistic importance. As products of a revolutionary Poland; they were written and published in Paris by writers who either resettled there after the Insurrection of 1830 or otherwise identified with the Great Emigration; they are permeated with the spirit of Romantic Rebellion, with pleas for universial justice, and with queries concerning the role of the poet in society. Brillant productions of the plays in Poland in the late nineteenth and early twentieth-centuries gave impetus to an entire tradition of modern Polish theatrical experimentation as well as dramatic writing which extends to the present day.
Polish Romantic Drama: Three Plays in English Translation
by Harold B. SegelThis is the first volume in English to be devoted entirely to Polish Romantic drama. It contains translations of three major plays: Forefathers; Eve, Part III, by Adam Mickiewics; The Un-Divine Comedy by Zygmunt Krasinski; and Fantazy by Juliusz Slowacki. In his highly informative introduction, Professor Segel discusses the plays against the background of the Romantic movement in Poland and points out their ideological and artistic importance. As products of a revolutionary Poland; they were written and published in Paris by writers who either resettled there after the Insurrection of 1830 or otherwise identified with the Great Emigration; they are permeated with the spirit of Romantic Rebellion, with pleas for universial justice, and with queries concerning the role of the poet in society. Brillant productions of the plays in Poland in the late nineteenth and early twentieth-centuries gave impetus to an entire tradition of modern Polish theatrical experimentation as well as dramatic writing which extends to the present day.
Political Animals: The New Feminist Cinema (International Library of the Moving Image (PDF))
by Sophie MayerFemale filmmakers are hitting the headlines. The last five years have witnessed: the first Best Director Academy Award won by a woman; women filmmakers emerging from Saudi Arabia, Brunei, Iran, South Korea, Japan, Paraguay, Uruguay, Burkina Faso and Kenya; the first stirrings of a 'trans cinema', with the release of films that represent transgender characters and their experiences, challenging our understanding of gender and identity; feminist porn screened at public festivals; and Pussy Riot's online documentation of offline activism sending shockwaves around the world. Political Animals argues that a new wave of feminist cinema is speaking to a new audience hungry for intersectional accounts of women in the public sphere that are missing in the mainstream. It reveals how innovative production and distribution strategies are responding to urgent political situations (resulting in colourful guerrilla aesthetics exemplified in the rough, D.I.Y, online videos made by Pussy Riot, but equally found in recent documentaries and features by established filmmakers too) and tunes in to the transnational, transgenerational conversations that are taking place between filmmakers such as Sally Potter, Claire Denis, Barbara Hammer, Mania Akbari, Haifaa al-Mansour, Emily Jacir, Andrea Arnold and Clio Barnard. Courageous and complex, the new feminist cinema is a political animal that, while laying claim to the public sphere as its own, refuses to be domesticated by it
Political Communication and Social Theory (Communication and Society)
by Aeron DavisPolitical Communication and Social Theory presents an advanced and challenging text for students and scholars of political communication and mass media in democracies. It draws together work from across political communication, media sociology and political sociology, and includes a mix of theoretical debate and current examples from several democratic media systems. Its wide ranging discussions both introduce and contest the traditional scholarship on a number of contemporary topics and issues. These include: comparative political and media systems theories of democracy, representation and the public sphere political party communication, marketing and elections the production of news media and public policy media sociology and journalist-source relations celebrity politics, popular culture and political leadership new media and online democracy national-global politics and international political communication foreign policy-making, war and media the crisis of public communication in established democracies. At the same time, Political Communication and Social Theory also offers a fascinating investigation of the causes of crisis in established political and media systems. In today’s democracies, trust in politicians, state institutions and mainstream media sources has dropped to new lows. The traditional business model that sustained journalism is failing and nations are struggling to respond to the existing global recession and impending environmental and resource crises. Drawing on interviews with over 100 experienced politicians, journalists and civil servants, Aeron Davis explores how the varied political actors and communicative processes, at the centre of UK democracy, may or may not be contributing to such crisis tendencies.
Political Communication and Social Theory (Communication and Society)
by Aeron DavisPolitical Communication and Social Theory presents an advanced and challenging text for students and scholars of political communication and mass media in democracies. It draws together work from across political communication, media sociology and political sociology, and includes a mix of theoretical debate and current examples from several democratic media systems. Its wide ranging discussions both introduce and contest the traditional scholarship on a number of contemporary topics and issues. These include: comparative political and media systems theories of democracy, representation and the public sphere political party communication, marketing and elections the production of news media and public policy media sociology and journalist-source relations celebrity politics, popular culture and political leadership new media and online democracy national-global politics and international political communication foreign policy-making, war and media the crisis of public communication in established democracies. At the same time, Political Communication and Social Theory also offers a fascinating investigation of the causes of crisis in established political and media systems. In today’s democracies, trust in politicians, state institutions and mainstream media sources has dropped to new lows. The traditional business model that sustained journalism is failing and nations are struggling to respond to the existing global recession and impending environmental and resource crises. Drawing on interviews with over 100 experienced politicians, journalists and civil servants, Aeron Davis explores how the varied political actors and communicative processes, at the centre of UK democracy, may or may not be contributing to such crisis tendencies.
Political Communication in Postmodern Democracy: Challenging the Primacy of Politics
by Kees Brants and Katrin VoltmerThis edited collection examines the changing faces of political communication in contemporary democracy. Based on comparative investigations of recent trends in the Netherlands and Great Britain, the essays provide fresh insights and new empirical evidence into the public representation of media-centred politics.
Political Cyberformance: The Etheatre Project
by Christina PapagiannouliWritten from a practice-based perspective, this book focuses on the political character of 'cyberformance': the genre of digital performance that uses the Internet as a performance space. The Etheatre Project comprises a series of experimental cyberformances aiming to reconsider the characteristics of theatre in the Internet age.