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Perfect Sound Whatever: THE SUNDAY TIMES BESTSELLER
by James AcasterThe brand new memoir from James Acaster: cult comedian, bestselling author of Classic Scrapes, undercover cop, receiver of cabbages.PERFECT SOUND WHATEVER is a love letter to the healing power of music, and how one man's obsessive quest saw him defeat the bullshit of one year with the beauty of another. Because that one man is James Acaster, it also includes tales of befouling himself in a Los Angeles steakhouse, stealing a cookie from Clint Eastwood, and giving drunk, unsolicited pep talks to urinating strangers. January, 2017James Acaster wakes up heartbroken and alone in New York, his relationship over, a day of disastrous meetings leading him to wonder if comedy is really what he wants to be doing any more. A constant comfort in James's life has been music, but he's not listened to anything new for a very long time. Idly browsing 'best of the year' lists, it dawns on him that 2016 may have been a grim year for a lot of reasons, but that it seemed to be an iconic year for music. And so begins a life-changing musical odyssey, as James finds himself desperately seeking solace in the music of 2016, setting himself the task of only listening to music released that year, ending up with 500 albums in his collection. Looking back on this year-long obsession, parallels begin to grow between the music and James's own life: his relationship history, the highs and lows of human connection, residual Christian guilt, and mental health issues that have been bubbling under the surface for years. Some albums are life-changing masterpieces, others are 'Howdilly Doodilly' by Okilly Dokilly, a metalcore album devoted to The Simpsons' character Ned Flanders, but all of them play a part the year that helped James Acaster get his life back on track.
Perfect Wave: More Essays on Art and Democracy
by Dave HickeyWhen Dave Hickey was twelve, he rode the surfer’s dream: the perfect wave. And, like so many things in life we long for, it didn’t quite turn out----he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America’s foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey’s career, displaying his usual breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge—or to surprise us in doing so—Hickey powerfully relates his wincing disappointment in the later career of his early hero Susan Sontag, and shows us the appeal to our commonality that we’ve been missing in Norman Rockwell. With each essay, the doing is as important as what’s done; the pleasure of reading Dave Hickey lies nearly as much in spending time in his company as in being surprised to find yourself agreeing with his conclusions. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey’s own life—including the aforementioned slam-bang conclusion to his youthful surfing career—Perfect Wave is not a perfect book. But it’s a damn good one, and a welcome addition to the Hickey canon.
Perfect Wave: More Essays on Art and Democracy
by Dave HickeyWhen Dave Hickey was twelve, he rode the surfer’s dream: the perfect wave. And, like so many things in life we long for, it didn’t quite turn out----he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America’s foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey’s career, displaying his usual breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge—or to surprise us in doing so—Hickey powerfully relates his wincing disappointment in the later career of his early hero Susan Sontag, and shows us the appeal to our commonality that we’ve been missing in Norman Rockwell. With each essay, the doing is as important as what’s done; the pleasure of reading Dave Hickey lies nearly as much in spending time in his company as in being surprised to find yourself agreeing with his conclusions. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey’s own life—including the aforementioned slam-bang conclusion to his youthful surfing career—Perfect Wave is not a perfect book. But it’s a damn good one, and a welcome addition to the Hickey canon.
Perfect Wave: More Essays on Art and Democracy
by Dave HickeyWhen Dave Hickey was twelve, he rode the surfer’s dream: the perfect wave. And, like so many things in life we long for, it didn’t quite turn out----he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America’s foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey’s career, displaying his usual breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge—or to surprise us in doing so—Hickey powerfully relates his wincing disappointment in the later career of his early hero Susan Sontag, and shows us the appeal to our commonality that we’ve been missing in Norman Rockwell. With each essay, the doing is as important as what’s done; the pleasure of reading Dave Hickey lies nearly as much in spending time in his company as in being surprised to find yourself agreeing with his conclusions. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey’s own life—including the aforementioned slam-bang conclusion to his youthful surfing career—Perfect Wave is not a perfect book. But it’s a damn good one, and a welcome addition to the Hickey canon.
Perfect Wave: More Essays on Art and Democracy
by Dave HickeyWhen Dave Hickey was twelve, he rode the surfer’s dream: the perfect wave. And, like so many things in life we long for, it didn’t quite turn out----he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America’s foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey’s career, displaying his usual breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge—or to surprise us in doing so—Hickey powerfully relates his wincing disappointment in the later career of his early hero Susan Sontag, and shows us the appeal to our commonality that we’ve been missing in Norman Rockwell. With each essay, the doing is as important as what’s done; the pleasure of reading Dave Hickey lies nearly as much in spending time in his company as in being surprised to find yourself agreeing with his conclusions. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey’s own life—including the aforementioned slam-bang conclusion to his youthful surfing career—Perfect Wave is not a perfect book. But it’s a damn good one, and a welcome addition to the Hickey canon.
Perfect Wave: More Essays on Art and Democracy
by Dave HickeyWhen Dave Hickey was twelve, he rode the surfer’s dream: the perfect wave. And, like so many things in life we long for, it didn’t quite turn out----he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America’s foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey’s career, displaying his usual breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge—or to surprise us in doing so—Hickey powerfully relates his wincing disappointment in the later career of his early hero Susan Sontag, and shows us the appeal to our commonality that we’ve been missing in Norman Rockwell. With each essay, the doing is as important as what’s done; the pleasure of reading Dave Hickey lies nearly as much in spending time in his company as in being surprised to find yourself agreeing with his conclusions. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey’s own life—including the aforementioned slam-bang conclusion to his youthful surfing career—Perfect Wave is not a perfect book. But it’s a damn good one, and a welcome addition to the Hickey canon.
Perfect Wave: More Essays on Art and Democracy
by Dave HickeyWhen Dave Hickey was twelve, he rode the surfer’s dream: the perfect wave. And, like so many things in life we long for, it didn’t quite turn out----he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America’s foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey’s career, displaying his usual breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge—or to surprise us in doing so—Hickey powerfully relates his wincing disappointment in the later career of his early hero Susan Sontag, and shows us the appeal to our commonality that we’ve been missing in Norman Rockwell. With each essay, the doing is as important as what’s done; the pleasure of reading Dave Hickey lies nearly as much in spending time in his company as in being surprised to find yourself agreeing with his conclusions. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey’s own life—including the aforementioned slam-bang conclusion to his youthful surfing career—Perfect Wave is not a perfect book. But it’s a damn good one, and a welcome addition to the Hickey canon.
Perfect Wave: More Essays on Art and Democracy
by Dave HickeyA collection of essays by American art critic Dave Hickey, nicknamed “The Bad Boy of Art Criticism.” When Dave Hickey was twelve, he rode the surfer’s dream: the perfect wave. And, like so many things in life we long for, it didn’t quite turn out—he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which nearly killed him. Hickey went on to develop a career as one of America’s foremost critical iconoclasts, a trusted no-nonsense voice commenting on the worlds of art and culture. Perfect Wave brings together essays on a wide range of subjects from throughout Hickey’s career, displaying his breadth of interest and powerful insight into what makes art work, or not, and why we care. With Hickey as our guide, we travel to Disneyland and Vegas, London and Venice. We discover the genius of Karen Carpenter and Waylon Jennings, learn why Robert Mitchum matters more than Jimmy Stewart, and see how the stillness of Antonioni speaks to us today. Never slow to judge—or to surprise us in doing so—Hickey relates his wincing disappointment in the later career of his early hero Susan Sontag and shows us the appeal to our commonality that we’ve been missing in Norman Rockwell. Bookended by previously unpublished personal essays that offer a new glimpse into Hickey’s own life—including the aforementioned conclusion to his surfing career—Perfect Wave is a welcome addition to the Hickey canon.
Perfectly Imperfect Puppy: The ultimate life-changing programme for training a well-behaved, happy dog
by Graeme HallI've been training puppies for years and I am yet to come across one who behaved perfectly at all times. With this book I really wanted to be realistic about the expectations we should have when training a puppy and demystify the process with clear, simple advice, based on science and experience. In this stress-free guide you will learn how to: · Choose the right puppy for your lifestyle, including the benefits of a rescue dog · Introduce them to the family, other pets and children · Tackle separation anxiety · Train your puppy, while building understanding and trust · Socialise them, so they grow into a happy, well-adjusted dog · Prevent behavioural problems later in life I love working with puppies because there is so much potential to make a lasting difference to a dog's life and to their owner's. If you can get it right (or right-ish), you are paving the way for a lifetime of reliably good behaviour. Happy training! Graeme Hall
Perform or Else: From Discipline to Performance
by Jon McKenzie'Performance' has become one of the key terms for the new century. But what do we mean by 'performance'? In today's world it can refer to experimental art; productivity in the workplace; and the functionality of technological systems. Do these disparate fields bear any relation to each other?In Perform or Else Jon McKenzie asserts that there is a relationship cultural, organisational, and technological performance. In this theoretical tour de force McKenzie demonstrates that all three paradigms operate together to create powerful and contradictory pressures to 'perform...or else'. This is an urgent and important intervention in contemporary critical thinking. It will profoundly shape our understanding of twenty-first century structures of power and knowledge.
Perform or Else: From Discipline to Performance
by Jon McKenzie'Performance' has become one of the key terms for the new century. But what do we mean by 'performance'? In today's world it can refer to experimental art; productivity in the workplace; and the functionality of technological systems. Do these disparate fields bear any relation to each other?In Perform or Else Jon McKenzie asserts that there is a relationship cultural, organisational, and technological performance. In this theoretical tour de force McKenzie demonstrates that all three paradigms operate together to create powerful and contradictory pressures to 'perform...or else'. This is an urgent and important intervention in contemporary critical thinking. It will profoundly shape our understanding of twenty-first century structures of power and knowledge.
Performance (New Directions in Theatre)
by Julian Hilton...this superb book should be required reading for every drama and literature student and all trainee actors and directors.' Times Higher Educational Supplement
Performance: The Ethics and the Politics of Conservation and Care, Volume I (Routledge Advances in Theatre & Performance Studies)
by Hanna B. Hölling Jules Pelta Feldman Emilie MagninThis book focuses on performance and performance-based artworks as seenthrough the lens of conservation, which has long been overlooked in the largertheoretical debates about whether and how performance remains. Unraveling the complexities involved in the conservation of performance,Performance: The Ethics and the Politics of Conservation and Care (vol. 1)brings this new understanding to bear in examining performance as an object ofstudy, experience, acquisition, and care. In so doing, it presents both theoreticalframeworks and functional paradigms for thinking about—and enacting—theconservation of performance. Further, while the conservation of performance isundertheorized, performance is nevertheless increasingly entering the artmarket and the museum, meaning that there is an urgent need for discourse onhow to care for these works long-term. In recent years, a few pioneering conservators,curators, and scholars have begun to create frameworks for the longtermcare of performance. This volume presents, explicates, and contextualizestheir work so that a larger discourse can commence. It will thus serve the needsof conservation students and professors, for whom literature on this subject issorely needed. This interdisciplinary book thus implements a novel rethinking of performancethat will challenge and revitalize its conception in many fields, such as art history,theater, performance studies, heritage studies, and anthropology.
Performance: An electrifying memoir from the dark heart of London's Soho
by Ruth Ivo'Stunning . . . a love letter to the aliveness of London and its nightlife' SOPHIE MACKINTOSH'A wild night of a book' OCTAVIA BRIGHTAs 'Ruby', Ruth Ivo was a successful burlesque performer, living in blissful bohemian squalor on a decommissioned military boat and spending her evenings unfolding from a Fabergé egg in various London clubs. Her life changes when she is asked to become show director at 'The Club', a place as secretive as it is notorious. Before long, she's trawling Soho back streets for props and knocking back shots with movie stars and billionaires. But as her nights unravel in a maelstrom of glamour and chaos behind the scenes, she feels her grasp on reality slipping through her fingers, and her soul wrung out by decadence. Under pressure to produce shows each more shocking than the last, she watches the performers under her care contort themselves before baying crowds. When a devastating event leaves her unmoored, Ruby has to wonder if she's sold her soul to the devil . . . or become him. Performance is a visceral and exquisitely written portrait of a place that has come to embody the excesses of late capitalism; of tumbling willingly down the rabbit hole, only to lose yourself in the dark.______'Performance is theatrical, immersive and utterly heartbreaking. An astonishing debut' CHRISTIE WATSON'A story this addictive, it's hard not to consume it in one go' RHYANNON STYLES'I devoured this book in two days, all of its twisting corners and dark alleyways. I know Soho like the back of my hand and this brought that lost world back in vivid colours' JODIE HARSH
Performance (BFI Film Classics)
by Colin MacCabeDirected by Donald Cammell and Nicolas Roeg, and starring James Fox, Mick Jagger and Anita Pallenberg, Performance was filmed in 1968, but not released until 1970. When its studio backers saw the director's cut, they were so shocked by the film's sexual explicitness and formal radicalism that attempts were made to destroy the negative. In his study of the film, Colin MacCabe draws on extensive interviews with surviving participants to present the definitive history of the making of Performance, as well as a new interpretation of its consummate artistry.This edition includes an afterword reflecting on the film 50 years on, and the reasons for its continuing classic status. Performance's extraordinary power, suggests MacCabe, comes partly from its entrancing portrayal of London in the late 1960s, but primarily from its full scale assault on any notion of normality, not simply at the level of content but also of form. The remarkable ending, when the thriller and the psychodrama merge into one, means that there is no comfortable resolution to the film's meanings. Performance is one of those rare narrative film which takes us into the complexity of sound and image without the comforting guarantee of a safe exit.
Performance (BFI Film Classics)
by Colin MacCabeDirected by Donald Cammell and Nicolas Roeg, and starring James Fox, Mick Jagger and Anita Pallenberg, Performance was filmed in 1968, but not released until 1970. When its studio backers saw the director's cut, they were so shocked by the film's sexual explicitness and formal radicalism that attempts were made to destroy the negative. In his study of the film, Colin MacCabe draws on extensive interviews with surviving participants to present the definitive history of the making of Performance, as well as a new interpretation of its consummate artistry.This edition includes an afterword reflecting on the film 50 years on, and the reasons for its continuing classic status. Performance's extraordinary power, suggests MacCabe, comes partly from its entrancing portrayal of London in the late 1960s, but primarily from its full scale assault on any notion of normality, not simply at the level of content but also of form. The remarkable ending, when the thriller and the psychodrama merge into one, means that there is no comfortable resolution to the film's meanings. Performance is one of those rare narrative film which takes us into the complexity of sound and image without the comforting guarantee of a safe exit.
The Performance: A Novel
by Claire Thomas'A potent meditation on the intensity of women's lives'Charlotte Wood, author of The Weekend'Thomas writes these women with such wisdom and compassion, that by the end we are all transformed'Claire Fuller, author of Bitter Orange'An intimate, intensely brooding novel: at once claustrophobic and yet revelatory. Thomas gently questions the certainties of modern life that so many of us take for granted'Guinevere Glasfurd, author of The Year Without Summer 'Read it as soon as you possibly can'Emily Bitto, author of The Strays The false cold of the theatre makes it hard to imagine the heavy wind outside in the real world, the ash air pressing onto the city from the nearby hills where bushfires are taking hold.The house lights lower.The auditorium feels hopeful in the darkness.As bushfires rage outside the city, three women watch a performance of a Beckett play.Margot is a successful professor, preoccupied by her fraught relationship with her ailing husband. Ivy is a philanthropist with a troubled past, distracted by the snoring man beside her. Summer is a young theatre usher, anxious about the safety of her girlfriend in the fire zone.As the performance unfolds, so does each woman's story. By the time the curtain falls, they will all have a new understanding of the world beyond the stage.
Performance: The Ethics and the Politics of Conservation and Care, Volume I (Routledge Advances in Theatre & Performance Studies)
This book focuses on performance and performance-based artworks as seenthrough the lens of conservation, which has long been overlooked in the largertheoretical debates about whether and how performance remains. Unraveling the complexities involved in the conservation of performance,Performance: The Ethics and the Politics of Conservation and Care (vol. 1)brings this new understanding to bear in examining performance as an object ofstudy, experience, acquisition, and care. In so doing, it presents both theoreticalframeworks and functional paradigms for thinking about—and enacting—theconservation of performance. Further, while the conservation of performance isundertheorized, performance is nevertheless increasingly entering the artmarket and the museum, meaning that there is an urgent need for discourse onhow to care for these works long-term. In recent years, a few pioneering conservators,curators, and scholars have begun to create frameworks for the longtermcare of performance. This volume presents, explicates, and contextualizestheir work so that a larger discourse can commence. It will thus serve the needsof conservation students and professors, for whom literature on this subject issorely needed. This interdisciplinary book thus implements a novel rethinking of performancethat will challenge and revitalize its conception in many fields, such as art history,theater, performance studies, heritage studies, and anthropology.
Performance Activism: Precursors and Contemporary Pioneers (Palgrave Studies In Play, Performance, Learning, and Development)
by Dan FriedmanThis is the first book length study of performance activism. While Performance Studies recognizes the universality of human performance in daily life, what is specifically under investigation here is performance as an activity intentionally entered into as a means of engaging social issues and conflicts, that is, as an ensemble activity by which we re-construct/transform social reality. Performance Activism: Precursors and Contemporary Pioneers provides a global overview of the growing interface of performance with education, therapy, conflict resolution, civic engagement, community development and social justice activism. It combines an historical study of the processes by which, over the course of the 20th Century, performance has been loosened from the institutional constraints of the theatre with a mosaic-like overview of the diverse work/play of contemporary performance activists around the world. Performance Activism will be of interest to theatre and cultural historians, performance practitioners and researchers, psychologists and sociologists, educators and youth workers, community organizers and political activists.
Performance Affects: Applied Theatre and the End of Effect
by J. ThompsonPerformance Affects explores performance projects in disaster and war zones to argue that joy, beauty and celebration should be the inspiration for the politics of community-based or participatory performance practice, seeking to realign the field of Applied Theatre away from effects towards an affective role, connected to sensations of pleasure.
Performance Analysis: An Introductory Coursebook
by Colin Counsell Laurie WolfThis revolutionary introductory performance studies coursebook brings together classic texts in critical theory and shows how these texts can be used in the analysis of performance. The editors put their texts to work in examining such key topics as: * decoding the sign * the politics of performance * the politics of gender and sexual identity * performing ethnicity * the performing body * the space of performance * audience and spectatorship * the borders of performance. Each reading is clearly introduced, making often complex critical texts accessible at an introductory level and immediately applicavble to the field of performance. The ideas explored within these readings are further clarified through innovative, carefully tested exercises and activities.
Performance Analysis: An Introductory Coursebook
by Colin Counsell Laurie WolfThis revolutionary introductory performance studies coursebook brings together classic texts in critical theory and shows how these texts can be used in the analysis of performance. The editors put their texts to work in examining such key topics as: * decoding the sign * the politics of performance * the politics of gender and sexual identity * performing ethnicity * the performing body * the space of performance * audience and spectatorship * the borders of performance. Each reading is clearly introduced, making often complex critical texts accessible at an introductory level and immediately applicavble to the field of performance. The ideas explored within these readings are further clarified through innovative, carefully tested exercises and activities.
Performance and Civic Engagement
by Ananda Breed Tim PrentkiThis book explores 'civic engagement' as a politically active encounter between institutions, individuals and art practices that addresses the public sphere on a civic level across physical and virtual spaces. Taking a multidisciplinary approach, it tracks across the overlapping discourses of politics, cultural geography and performance, investigating how and why physical and digital spaces can be analysed and utilised to develop new art forms that challenge traditional notions of how performance is political and how politics are performative. Across three sections - Politicising Communities, Applying Digital Agency and Performing Landscapes and Identities - the ten chapters and three interviews cover a wide variety of international perspectives, all informed by innovative ways of addressing the current crisis of social fragmentation through performance. Providing access to many debates on the theory and practice of new media, this book is of significance to readers from a broad set of academic disciplines, including politics, sociology, geography, and performance studies.
Performance and Civic Engagement
by Ananda Breed Tim PrentkiThis book explores 'civic engagement' as a politically active encounter between institutions, individuals and art practices that addresses the public sphere on a civic level across physical and virtual spaces. Taking a multidisciplinary approach, it tracks across the overlapping discourses of politics, cultural geography and performance, investigating how and why physical and digital spaces can be analysed and utilised to develop new art forms that challenge traditional notions of how performance is political and how politics are performative. Across three sections - Politicising Communities, Applying Digital Agency and Performing Landscapes and Identities - the ten chapters and three interviews cover a wide variety of international perspectives, all informed by innovative ways of addressing the current crisis of social fragmentation through performance. Providing access to many debates on the theory and practice of new media, this book is of significance to readers from a broad set of academic disciplines, including politics, sociology, geography, and performance studies.