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Peeping Tom (Devil's Advocates)
by Kiri WaldenReviled on its release, Peeping Tom (1960) all-but ended the career of director Michael Powell, previously one of Britain's most revered filmmakers. The story of a murderous cameraman and his compulsion to record his killings, Powell's film stunned the same critics who had acclaimed him for the work he'd made with writer-producer Emeric Pressburger (The Life and Death of Colonel Blimp, 1943; A Matter of Life and Death, 1946), resulting in the film falling out of circulation almost as soon as it was released. It took the 1970s 'Movie Brat' generation to rehabilitate the director, and the film, which is now regarded as a masterpiece. In this Devil's Advocate, published to coincide with the film's 60th anniversary, Kiri Walden charts the origins, production and devastating critical reception of Peeping Tom, comparing it to the treatment meted out to its contemporary horror classic, Alfred Hitchcock's Psycho (1960).
Peering Behind the Curtain: Disability, Illness, and the Extraordinary Body in Contemporary Theatre (Studies in Modern Drama #18)
by Thomas Fahy Kimball KingFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Peering Behind the Curtain: Disability, Illness, and the Extraordinary Body in Contemporary Theatre (Studies in Modern Drama)
by Kimball King Tom FahyFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Peggy and Me
by Miranda HartFROM THE STAR of the award-winning BBC sitcom Miranda, comes Miranda Hart's hilarious account of life with her beloved dog Peggy, a gorgeous white bichon frise.'Hilariously funny and often moving memoir ... we loved every word *****' Heat'Open, honest ... her misadventures are hilariously described ... charming and funny' Daily Express* * * * * * * * * * * * * * * *Hello dear book browser and welcome to Peggy & Me, the story of my life since getting a beautiful Shih-Tzu Bichon Frise cross puppy (I call the breed a Shitty Frise - fun) in the form of Peggy.Some of you may be thinking: "a book about a dog, how totally brilliant, I need hear no more, I'm sold." In which case we should be best friends and go out to tea together, every day.Others of you may be thinking: "a book about a dog, how totally mad, she must have officially lost it." In which case I completely understand. For I once viewed dog owners with much suspicion. The way they obsessively talk about their dogs often using voices for them to reply; the way they have a light covering of dog hair all over their clothes and sofas; and worse, an alarming comfort and ease around excrement. But I now get why people become so mad about their hounds. It wasn't instant love I have to admit. Getting a puppy when I was at a low ebb in my life wasn't easy - there was a lot of challenging, what I call, dog administration (dog-min), and the humiliating first trip to the vet still haunts me. It's been a bumpy old road, but Peggy has been lovingly by my side through some life-changing moments and I wouldn't have coped without her. Most surprisingly she has taught me a huge amount - not how to get an old pie packet out of a bin and lick it (I could already do that), but real lessons about life and love and trust and friendship. Put aside any doggy reservations and come walkies with Peggy and me ...
Peggy to her Playwrights: The Letters of Margaret Ramsay, Play Agent
by Colin Chambers Peggy RamsayPeggy Ramsay (1908-1991) was the foremost play agent of her time. Her list of clients shows her to have been at the centre of British playwriting for several generations from the late 1950s on.To her remarkable array of clients, her letter writing was notorious, marked by searing candour, both a wondrous motivation and an unforgiving scrutiny to be feared.'Peggy judged by the most exalted standards and lashed her writers when they failed to meet them. Her force of personality made her well-nigh irresistible. The letters she wrote to her writers and to producers are extraordinary documents, filled with all these qualities, and indiscreet, blasphemous and saucy to boot.’ – Simon Callow
Peggy Webling and the Story behind Frankenstein: The Making of a Hollywood Monster
by Peggy Webling Dorian Gieseler Greenbaum Professor Bruce GraverThe 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'. Webling's play sought to humanize the creature, was the first stage adaptation to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today's perceptions of Frankenstein's monster. The original play script exists in several different versions, only two of which have ever been consulted by scholars; no version has ever been published. Nor have scholars had access to Webling's private papers and correspondence, preserved in a family archive, so that the evolution of Frankenstein from book to stage to screen has never been fully charted. In Peggy Webling and the Story behind Frankenstein, Dorian Gieseler Greenbaum (Webling's great grandniece) and Bruce Graver present the full texts of Webling's unpublished play for the first time. A vital critical edition, this book includes: - the 1927 British Library Frankenstein script used for the first production of the play in Preston, Lancashire - the 1928 Frankenstein script in the Library of Congress, used for productions in UK provincial theatres from autumn 1928 till 1930 - the 1930 Frankenstein Prompt Script for the London production and later provincial performances, held by the Westminster Archive, London - Webling's private correspondence including negotiations with theatre managers and Universal Pictures, family letters about the writing and production process, and selected contracts - Text of the chapter 'Frankenstein' from Webling's unpublished literary memoir, The Story of a Pen for additional context - Biography of Webling that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling's play to earlier stage and film adaptations - An exploration of playwright and screenwriter John L. Balderston's changes to Webling's play and Whale's borrowings from it in the 1931 film Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary 'missing link' in the novel's otherwise well-documented transmedia cultural history.
Peggy Webling and the Story behind Frankenstein: The Making of a Hollywood Monster
by Peggy Webling Dorian Gieseler Greenbaum Professor Bruce GraverThe 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'. Webling's play sought to humanize the creature, was the first stage adaptation to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today's perceptions of Frankenstein's monster. The original play script exists in several different versions, only two of which have ever been consulted by scholars; no version has ever been published. Nor have scholars had access to Webling's private papers and correspondence, preserved in a family archive, so that the evolution of Frankenstein from book to stage to screen has never been fully charted. In Peggy Webling and the Story behind Frankenstein, Dorian Gieseler Greenbaum (Webling's great grandniece) and Bruce Graver present the full texts of Webling's unpublished play for the first time. A vital critical edition, this book includes: - the 1927 British Library Frankenstein script used for the first production of the play in Preston, Lancashire - the 1928 Frankenstein script in the Library of Congress, used for productions in UK provincial theatres from autumn 1928 till 1930 - the 1930 Frankenstein Prompt Script for the London production and later provincial performances, held by the Westminster Archive, London - Webling's private correspondence including negotiations with theatre managers and Universal Pictures, family letters about the writing and production process, and selected contracts - Text of the chapter 'Frankenstein' from Webling's unpublished literary memoir, The Story of a Pen for additional context - Biography of Webling that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling's play to earlier stage and film adaptations - An exploration of playwright and screenwriter John L. Balderston's changes to Webling's play and Whale's borrowings from it in the 1931 film Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary 'missing link' in the novel's otherwise well-documented transmedia cultural history.
Penelope Cruz (Film Stars)
by Ann DaviesPart of a vanguard of Spanish talent claiming success at home and in Hollywood, Penélope Cruz is one of the best known European stars today. Focusing on Cruz's key films and their surrounding discourse, Ann Davies charts the development of Cruz's star persona both at home and abroad and the questions, difficulties and pleasures it inspires.
Penelope Cruz (Film Stars)
by Ann DaviesPart of a vanguard of Spanish talent claiming success at home and in Hollywood, Penélope Cruz is one of the best known European stars today. Focusing on Cruz's key films and their surrounding discourse, Ann Davies charts the development of Cruz's star persona both at home and abroad and the questions, difficulties and pleasures it inspires.
The Penguin Book Quiz: From The Very Hungry Caterpillar to Ulysses – The Perfect Gift!
by James WaltonThe perfect gift for ChristmasWhich Haruki Murakami novel shares its title with a Beatles song? In Roald Dahl's Charlie and the Chocolate Factory, what is Charlie's surname? What is heavy-drinking Rachel Watson known as in the title of a 21st-century bestseller? And what do you get if you add the number of Bennet sisters in Jane Austen's Pride and Prejudice to the number of Karamazov brothers in Fyodor Dostoevsky's The Brothers Karamazov?With four hundred questions covering books from literary classics to modern bestsellers, through iconic children's books and books you say that you've read but really you haven't, The Penguin Book Quiz is as appropriate for a making you look well-read at a party as it is for a book-loving family to tuck into after Christmas dinner: it's as enjoyable to read as it is to play.Featuring the work of everyone from Antony Beevor to Zadie Smith, books from The Very Hungry Caterpillar to Ulysses, and with movie, music, television and literary references abound, this entertaining quiz tickles the fancy (and the brains) of light and heavy readers alike.Answers:- Norwegian Wood- Bucket- The Girl on the Train- Eight (five sisters, three brothers)
Penguin Readers Level 2: Ballet Shoes (ELT Graded Reader)
by Noel StreatfeildPenguin Readers is an ELT graded reader series for learners of English as a foreign language. With carefully adapted text, new illustrations and language learning exercises, the print edition also includes instructions to access supporting material online.Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction, introducing language learners to bestselling authors and compelling content.The eight levels of Penguin Readers follow the Common European Framework of Reference for language learning (CEFR). Exercises at the back of each Reader help language learners to practise grammar, vocabulary, and key exam skills. Before, during and after-reading questions test readers' story comprehension and develop vocabulary.Ballet Shoes, a Level 2 Reader, is A1+ in the CEFR framework. Sentences contain a maximum of two clauses, introducing the future tenses will and going to, present continuous for future meaning, and comparatives and superlatives. It is well supported by illustrations, which appear on most pages.Sisters Pauline, Petrova and Posy Fossil do not have parents, but they have a very kind uncle. The sisters learn to dance, act and sing at a dancing school. But soon they have no money. What will happen to them?Visit the Penguin Readers websiteExclusively with the print edition, readers can unlock online resources including a digital book, audio edition, lesson plans and answer keys.
Peony Pavilion Onstage: Four Centuries in the Career of a Chinese Drama (Michigan Monographs In Chinese Studies #88)
by Catherine SwatekAfter its completion in 1598, The Peony Pavilion (Mudan ting) began a four-hundred-year course of transmission and dissemination in China and around the world. Within China, the play’s wide popularity propelled its appearance in numerous editions, adaptations, and libretti. Performances ranged from “pure singing” at private gatherings to full stagings in commercial theaters. As the crown jewel of Kun opera reportoire, Mudan ting has a richly documented history and lends itself to careful study. In the late twentieth century, however, classical Kun opera is on the verge of extinction in China, and creative talent is gravitating to centers outside China’s mainland. In 1998, the play was reintroduced to audiences in Europe and North America in various versions, adding new chapters to the story of the work. Peony Pavilion Onstage examines Tang Xianzu’s classic play from three distinct viewpoints: public-literati playwrights; professional performers of Kun opera; and quite recently, directors and audiences outside China. Catherine Swatek first examines two adaptations of the play by Tang's contemporaries, which point to the unconventionality of the original work. She goes on to explore how the play has been changed in later adaptations, up to its most recent productions by Peter Sellars and Chen Shi-Zheng in the United States and Europe. Peony Pavilion Onstage is essential reading for scholars and performers of this masterpiece and other great works of Chinese drama.
People at Work: The Rock Star (Ladybirds for Grown-Ups)
by Jason Hazeley Joel MorrisTHE PERFECT GIFT for the music lover.__________________________________'This is the rock star. His name is Bob Dylan.Bob is rehearsing with his band. It takes a long time.First the band have to learn all of Bob's famous songs.Then Bob has to think of worse tunes he can sing over all of them.'__________________________________'Coldplay's singer Chris Martin has spent weeks working with an important stylist. They have come up with an exciting look for the band's new tour.'These great clothes make me look really interesting,' thinks Chris as he sits down at the piano to practise another slow, sad song that gets slightly louder at the end.'__________________________________This delightful book is the latest in the series of Ladybird books which have been specially planned to help grown-ups with the world about them. The large clear script, the careful choice of words, the frequent repetition and the thoughtful matching of text with pictures all enable grown-ups to think they have taught themselves to cope. Featuring original Ladybird artwork alongside brilliantly funny, brand new text. 'Hilarious' StylistOther new titles for Autumn 2017:How it Works: The BrotherHow it Works: The SisterHow it Works: The Baby The Ladybird Book of the ExThe Ladybird Book of the NerdThe Ladybird Book of the New YouThe Ladybird Book of BallsThe Ladybird Book of the Big Night OutThe Ladybird Book of the Quiet Night InA Ladybird First Grown-Up Picture Book Previous titles in the Ladybirds for Grown Ups series: How it Works: The HusbandHow it Works: The WifeHow it Works: The MumHow it Works: The DadThe Ladybird Book of the Mid-Life CrisisThe Ladybird Book of the HangoverThe Ladybird Book of MindfulnessThe Ladybird Book of the ShedThe Ladybird Book of DatingThe Ladybird Book of the HipsterHow it Works: The StudentHow it Works: The CatHow it Works: The DogHow it Works: The Grandparent The Ladybird Book of Red TapeThe Ladybird Book of the People Next DoorThe Ladybird Book of the SickieThe Ladybird Book of the Zombie ApocalypseThe Ladybird Book of the Do-Gooder
A People Passing Rude
by Anthony CrossDescribed by the sixteenth-century English poet George Turbervile as "a people passing rude, to vices vile inclin'd", the Russians waited some three centuries before their subsequent cultural achievements--in music, art and particularly literature--achieved widespread recognition in Britain. The essays in this stimulating collection attest to the scope and variety of Russia's influence on British culture. They move from the early nineteenth century--when Byron sent his hero Don Juan to meet Catherine the Great, and an English critic sought to come to terms with the challenge of Pushkin--to a series of Russian-themed exhibitions at venues including the Crystal Palace and Earls Court. The collection looks at British encounters with Russian music, the absorption with Dostoevskii and Chekhov, and finishes by shedding light on Britain's engagement with Soviet film. Edited by Anthony Cross, one of the world's foremost authorities on Anglo-Russian relations, A People Passing Rude is essential reading for anyone with an interest in British and Russian cultures and their complex relationship.
People to Follow: A Gripping Social-Media Thriller
by Olivia WorleyTen influencers. Ten secrets. One dead body. A pacy, page-turning thriller perfect for fans of We Were Liars, The Inheritance Games and One Of Us Is Lying.'Agatha Christie meets TikTok . . . a wicked, juicy page-turner' - Alexa Donne, author of Brightly BurningThey're used to being followed. But not like this . . . Ten social media stars think they're about to join the cast of a hot new reality show. But the production crew never shows up, and the influencers find themselves stranded on a deserted Caribbean island with no contact with the outside world - except for messages from the mysterious 'Sponsor', who is threatening to expose their darkest secrets. When one of them winds up dead, things start to get more real than they bargained for . . .With the body count rising, the influencers must figure out who is trying to get them cancelled - like, literally - before their number one follower strikes again.
The People’s Dance: The Power and Politics of Guangchang Wu (Critical Studies in Dance Leadership and Inclusion)
by Rose Martin Ruohan ChenThis book presents an analysis of how the grassroots movement of Guangchang Wu or ‘square dance’ in China has become a national phenomenon. Through oral narratives offering rich descriptions of lived encounters, the experiences of those involved in leading, organizing, teaching and learning Guangchang Wu are revealed. Through these narratives, this book serves to understand the leadership practices occurring and how this dance practice is deeply rooted in the complexities of China’s rapid economic development, acceleration of urbanisation, and the desire for a healthier and more communal lifestyle.
Pepe le Moko (BFI Film Classics)
by Ginette VincendeauVincendeau's analysis places 'Pepe le Moko' in its aesthetic, generic and cultural contexts, ranging from Duvivier's brilliant camera-work, to Gabin's suits and the film's orientalist setting. In the BFI FILM CLASSICS series.
Pepe le Moko (BFI Film Classics)
by Ginette VincendeauVincendeau's analysis places 'Pepe le Moko' in its aesthetic, generic and cultural contexts, ranging from Duvivier's brilliant camera-work, to Gabin's suits and the film's orientalist setting. In the BFI FILM CLASSICS series.
Pepita (Andanzas Ser.)
by Vita Sackville-WestWITH AN INTRODUCTION BY JULIET NICOLSONVita Sackville-West was an extraordinary woman from a long line of extraordinary women – this book tells their stories. Her grandmother Pepita, daughter of an old-clothes pedlar, made her fortune as a dancer and had a scandalous affair with an English diplomat. Their illegitimate daughter Victoria, Vita's mother, spent her childhood hidden in a convent but went on to be the glamorous mistress of Knole, one of the grandest old houses in England. Vita brings her legendary wit, passion and eccentricity to this colourful family portrait.
Peppa Pig: Dream Big, Peppa! (Peppa Pig)
by Peppa PigPeppa and her friends are dreaming BIG and Peppa's dream is to be a star!Peppa is going to be in a film! She practises her part all day, but she is worried she'll get the words wrong. Will Peppa believe in herself and be ready for the film?Dream BIG Peppa, you can be anything you want to be!Also look out for: Peppa Pig: Peppa's Fire EnginePeppa Pig: Peppa's Holiday CruisePeppa Pig: George's Digger
Peppa Pig: Peppa Goes to Ireland (Peppa Pig)
by Peppa PigPeppa and George are going to Ireland for an Irish-dancing festival!But when the band forget their instruments, will Peppa and her family be able to save the day?This brand-new story features a glittery cover and is the perfect introduction to Ireland for little Peppa fans.
The Peppers and the International Magic Guys (The\peppers Ser.)
by Sian PattendenTake a peek behind the scenes at the wonderful world of THE PEPPERS… A show-stopping adventure starring an unbeatable double act – the Pepper twins, Monty & Esme.
Pepsi and the Pill: Motherhood, Politics and Film in Britain and France, 1958–1969
by Melissa Oliver-PowellThe 1960s was a decade of massive political and cultural change in Western Europe, as seismic shifts took place in in attitudes towards sexuality, gender, and motherhood in everyday life. Through case studies of British and French films, Pepsi and the Pill offers a fresh vision of a pivotal moment in European culture, exploring the many ways in which political activity and celebrated film movements mutually shaped each other in their views on gender, sexuality, and domesticity. As the specter of popular nationalism once again looms across Europe, this book offers a timely account of the legacy of crucial debates over issues including reproductive rights, migration, and reproductive nationalism at the intersection of political discourse, protest, and film.
Pepsi and the Pill: Motherhood, Politics and Film in Britain and France, 1958–1969
by Melissa Oliver-PowellThe 1960s was a decade of massive political and cultural change in Western Europe, as seismic shifts took place in in attitudes towards sexuality, gender, and motherhood in everyday life. Through case studies of British and French films, Pepsi and the Pill offers a fresh vision of a pivotal moment in European culture, exploring the many ways in which political activity and celebrated film movements mutually shaped each other in their views on gender, sexuality, and domesticity. As the specter of popular nationalism once again looms across Europe, this book offers a timely account of the legacy of crucial debates over issues including reproductive rights, migration, and reproductive nationalism at the intersection of political discourse, protest, and film.
Perceptual Organization: An Integrated Multisensory Approach
by Stephen HandelThis textbook goes beyond introductory sensory perception by incorporating supplementary electronic materials to demonstrate the parallels between both hearing and seeing. Each chapter intermixes seeing and hearing processes so that students can easily understand that perceptual organization is the same across different kinds of sensations and modalities. Figures illustrating visual organization are paired with sound files demonstrating the analogous auditory organization. While most books on sensation and/or perception treat the senses individually there is growing awareness of just how important multisensory integration is to understanding the connection between sensory perception and cognition.