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The Majority (Modern Plays)
by Rob DrummondIs morality just what the majority say? Is that all it is? If I don't vote, I'm not part of that discussion. Rob Drummond returns to the National with a new show about democracy. The Majority charts Rob's journey as he navigates the Scottish Independence Referendum, Brexit, Trump... and whatever today brings.So take your seat and push the button. Yes or No. Can you change the show with your votes? Every night will be different, depending on the majority.
Makers of Modern Theatre: An Introduction (PDF)
by Robert LeachWho were the giants of the twentieth-century stage, and exactly how did they influence modern theatre? Robert Leach's Makers of Modern Theatre is the first detailed introduction to the work of the key theatre-makers who shaped the drama of the last century: Konstantin Stanislavsky, Vsevolod Meyerhold, Bertolt Brecht and Antonin Artaud.
Makers of Modern Theatre: An Introduction
by Robert LeachWho were the giants of the twentieth-century stage, and exactly how did they influence modern theatre? Robert Leach's Makers of Modern Theatre is the first detailed introduction to the work of the key theatre-makers who shaped the drama of the last century: Konstantin Stanislavsky, Vsevolod Meyerhold, Bertolt Brecht and Antonin Artaud. Leach focuses on the major issues which relate to their dominance of theatre history: *What was significant in their life and times?*What is their main legacy?*What were their dramatic philosophies and practices?*How have their ideas been adapted since their deaths?*What are the current critical perspectives on their work? Never before has so much essential information on the making of twentieth-century theatre been compiled in one brilliantly concise, beautifully illustrated book. This is a genuinely insightful volume by one of the foremost theatre historians of our age.
Makers of Modern Theatre: An Introduction
by Robert LeachWho were the giants of the twentieth-century stage, and exactly how did they influence modern theatre? Robert Leach's Makers of Modern Theatre is the first detailed introduction to the work of the key theatre-makers who shaped the drama of the last century: Konstantin Stanislavsky, Vsevolod Meyerhold, Bertolt Brecht and Antonin Artaud. Leach focuses on the major issues which relate to their dominance of theatre history: *What was significant in their life and times?*What is their main legacy?*What were their dramatic philosophies and practices?*How have their ideas been adapted since their deaths?*What are the current critical perspectives on their work? Never before has so much essential information on the making of twentieth-century theatre been compiled in one brilliantly concise, beautifully illustrated book. This is a genuinely insightful volume by one of the foremost theatre historians of our age.
Making a Drama out of a Crisis: Improving classroom behaviour through drama techniques and exercises
by Tommy DonbavandIt's every teacher's worst nightmare: starting a new school year to discover a classroom full of little demons. No matter what you try, they simply will not behave.How can this situation be resolved? The answer is through a dedicated behaviour management programme that includes the pupils, and not simply a system of tips and tricks to get pupils to quieten down for an hour or two. And there is no better way to include all pupils - no matter what their skill level or abilities - than through drama. This book contains dozens of unique drama exercises and games that can be used right across the primary age range to calm tempers, stop restlessness and regain the attention of unruly pupils. Exercises and games include The Hamster's Underpants, which is designed to stop fidgeting instantly among primary school pupils, and The Bottle Ale Rascal, which puts an end to rudeness and bad language in the classroom once and for all. Focusing on everyday areas of classroom conduct such as fighting, jealousy, concentration, bad language and lapses of attention, this book is packed with tried and tested theatre based games and exercises. Teachers are able to use these with little or no preparation time. The outcome will help modify students' behaviour using exercises which readily fit with the new UK Primary Strategy.  The revised literacy strategy has a particular focus on speaking and listening and this resource offers sound advice about where to turn for help. Issues such as more serious behavioural issues, such as ADHD, are also tackled in depth. Whether they need to manage unruly pupils or just work more effectively with their class as a whole, the exercises presented here will give teachers plenty of scope to work drama into their lessons. If your students misbehave, don't make a mountain out of a molehill - make a drama out of a crisis!  Watch Tommy Donbavand talk about his book here.
Making a Laboratory: Dynamic Configurations with Transversal Video
by Ben SpatzMaking a Laboratory defines a new audiovisual embodied research method that short-circuits experimental practice and video recording to generate new kinds of data and documents. Overturning conventional hierarchies of knowledge, “Dynamic Configurations with Transversal Video” (DCTV) grounds both discursive and audiovisual knowledges within the space of embodied practice, synthesizing insights from historical epistemologist Hans-Jörg Rheinberger and philosopher of science Karen Barad to offer the first rigorous definition of laboratoriality outside a techno-scientific paradigm. In this concise book, nonbinary practitioner-researcher Ben Spatz situates the DCTV method in the context of artistic research and alongside emerging audiovisual methods in other fields, while highlighting its unique characteristics. Across six focused chapters, Making a Laboratory introduces DCTV as a queer feminist adaptation of Jerzy Grotowski’s “poor” theater laboratory and defines its core elements, drawing on a range of thinkers including Giorgio Agamben, Rebecca Schneider, and Hito Steyerl, in order to examine power, identity, and documentation in lab practice. Drawing from the ethical consent practices of the BDSM community, it lays the groundwork for a radical reinvention of audiovisuality from the perspective of embodiment — the audiovisual body.
Making a Performance: Devising Histories and Contemporary Practices
by Emma Govan Helen Nicholson Katie NormingtonMaking a Performance traces innovations in devised performance from early theatrical experiments in the twentieth-century to the radical performances of the twenty-first century. This introduction to the theory, history and practice of devised performance explores how performance-makers have built on the experimental aesthetic traditions of the past. It looks to companies as diverse as Australia's Legs on the Wall, Britain's Forced Entertainment and the USA-based Goat Island to show how contemporary practitioners challenge orthodoxies to develop new theatrical languages. Designed to be accessible to both scholars and practitioners, this study offers clear, practical examples of concepts and ideas that have shaped some of the most vibrant and experimental practices in contemporary performance.
Making a Performance: Devising Histories and Contemporary Practices
by Emma Govan Helen Nicholson Katie NormingtonMaking a Performance traces innovations in devised performance from early theatrical experiments in the twentieth-century to the radical performances of the twenty-first century. This introduction to the theory, history and practice of devised performance explores how performance-makers have built on the experimental aesthetic traditions of the past. It looks to companies as diverse as Australia's Legs on the Wall, Britain's Forced Entertainment and the USA-based Goat Island to show how contemporary practitioners challenge orthodoxies to develop new theatrical languages. Designed to be accessible to both scholars and practitioners, this study offers clear, practical examples of concepts and ideas that have shaped some of the most vibrant and experimental practices in contemporary performance.
Making an Entrance: Theory and Practice for Disabled and Non-Disabled Dancers
by Adam BenjaminMaking an Entrance is the first ever practical introduction to teaching dance with disabled and non disabled students. This clearly written, thought provoking and hugely enjoyable manual is essential reading whether you're just starting out or are already active in the field.Taking improvisation as his focus and as the starting point of choreographic exploration, Adam Benjamin asks what it has to offer as an art form and how it can be better used to meet the changing needs of dance education.In the theoretical section Benjamin explores the history of a disintegrated dance practice, placing it within the wider context of cultural and political movements. He questions what is meant today when we talk about 'inclusive' or 'integrated dance' and what we might expect of it.The book includes over 50 exercises and improvisations designed to stimulate and challenge students at all levels of dance. Benjamin also includes useful hints on the practicalities of setting up workshops covering issues as diverse a class size, the safety aspects of wheelchairs and the accessibility of dance spaces.
Making an Entrance: Theory and Practice for Disabled and Non-Disabled Dancers
by Adam BenjaminMaking an Entrance is the first ever practical introduction to teaching dance with disabled and non disabled students. This clearly written, thought provoking and hugely enjoyable manual is essential reading whether you're just starting out or are already active in the field.Taking improvisation as his focus and as the starting point of choreographic exploration, Adam Benjamin asks what it has to offer as an art form and how it can be better used to meet the changing needs of dance education.In the theoretical section Benjamin explores the history of a disintegrated dance practice, placing it within the wider context of cultural and political movements. He questions what is meant today when we talk about 'inclusive' or 'integrated dance' and what we might expect of it.The book includes over 50 exercises and improvisations designed to stimulate and challenge students at all levels of dance. Benjamin also includes useful hints on the practicalities of setting up workshops covering issues as diverse a class size, the safety aspects of wheelchairs and the accessibility of dance spaces.
Making an Exhibition of Myself: The Autobiography of Peter Hall
by Peter HallThe story of a railway worker’s son who became one of the most powerful, outspoken and charismatic figures in European theatre. Sir Peter Hall has been director of the Royal Shakespeare Company, artistic director of Glyndebourne, and director of Britain’s National Theatre from 1973 to 1988. He has directed over 150 productions of plays, operas and films, and now runs his own acclaimed theatre company
Making Another World Possible: 10 Creative Time Summits, 10 Global Issues, 100 Art Projects
by Corina L. Apostol Nato ThompsonMaking Another World Possible offers a broad look at an array of socially engaged cultural practices that have become increasingly visible in the past decade, across diverse fields such as visual art, performance, theater, activism, architecture, urban planning, pedagogy, and ecology. Part I of the book introduces the reader to the field of socially engaged art and cultural practice, spanning the past ten years of dynamism and development. Part II presents a visually striking summary of key events from 1945 to the present, offering an expansive view of socially engaged art throughout history, and Part III offers an overview of the current state of the field, elucidating some of the key issues facing practitioners and communities. Finally, Part IV identifies ten global issues and, in turn, documents 100 key artistic projects from around the world to illustrate the various critical, aesthetic and political modes in which artists, cultural workers, and communities are responding to these issues from their specific local contexts. This is a much needed and timely archive that broadens and deepens the conversation on socially engaged art and culture. It includes commissioned essays from noted critics, practitioners, and theorists in the field, as well as key examples that allow insights into methodologies, contextualize the conditions of sites, and broaden the range of what constitutes an engaged culture. Of interest to a wide range of readers, from practitioners and scholars of performance to curators and historians, Making Another World Possible offers both breadth and depth, spanning history and individual works, to offer a unique insight into the field of socially engaged art.
Making Another World Possible: 10 Creative Time Summits, 10 Global Issues, 100 Art Projects
by Corina L. Apostol Nato ThompsonMaking Another World Possible offers a broad look at an array of socially engaged cultural practices that have become increasingly visible in the past decade, across diverse fields such as visual art, performance, theater, activism, architecture, urban planning, pedagogy, and ecology. Part I of the book introduces the reader to the field of socially engaged art and cultural practice, spanning the past ten years of dynamism and development. Part II presents a visually striking summary of key events from 1945 to the present, offering an expansive view of socially engaged art throughout history, and Part III offers an overview of the current state of the field, elucidating some of the key issues facing practitioners and communities. Finally, Part IV identifies ten global issues and, in turn, documents 100 key artistic projects from around the world to illustrate the various critical, aesthetic and political modes in which artists, cultural workers, and communities are responding to these issues from their specific local contexts. This is a much needed and timely archive that broadens and deepens the conversation on socially engaged art and culture. It includes commissioned essays from noted critics, practitioners, and theorists in the field, as well as key examples that allow insights into methodologies, contextualize the conditions of sites, and broaden the range of what constitutes an engaged culture. Of interest to a wide range of readers, from practitioners and scholars of performance to curators and historians, Making Another World Possible offers both breadth and depth, spanning history and individual works, to offer a unique insight into the field of socially engaged art.
Making Broadway Dance
by Liza GennaroThrough in-depth analysis of musical theatre choreography and choreographers, Making Broadway Dance challenges long-held perceptions of Broadway dance as kitsch, disposable, a dance form created without artistic process. Setting out to demonstrate that musical theatre dance is not a monolith but rather multi-varied in terms of dance styles, aesthetics and methodologies, author Liza Gennaro provides insights into how Broadway dance is made. By examining choreography for musical theatre through the lens of dance studies, script analysis, movement research and dramaturgical inquiry, she treads in uncharted territory by offering a close examination of a dance form that has heretofore received only the most superficial interrogation. She also explores how musical theatre choreographers create within the parameters of librettos, enhance character development and build dance languages that inform and propel narrative. By considering influences from ballet, modern, postmodern, Jazz, social and global dance, she reveals a rich understanding of musical theatre dance. This book exposes the choreographic systems of some of Broadway's most influential dance-makers including George Balanchine, Agnes de Mille, Jerome Robbins, Katherine Dunham, Bob Fosse, Savion Glover, Sergio Trujillo, Steven Hoggett and Camille Brown, and is essential reading for theatre and dance scholars, students, practitioners, and Broadway fans.
Making Broadway Dance
by Liza GennaroThrough in-depth analysis of musical theatre choreography and choreographers, Making Broadway Dance challenges long-held perceptions of Broadway dance as kitsch, disposable, a dance form created without artistic process. Setting out to demonstrate that musical theatre dance is not a monolith but rather multi-varied in terms of dance styles, aesthetics and methodologies, author Liza Gennaro provides insights into how Broadway dance is made. By examining choreography for musical theatre through the lens of dance studies, script analysis, movement research and dramaturgical inquiry, she treads in uncharted territory by offering a close examination of a dance form that has heretofore received only the most superficial interrogation. She also explores how musical theatre choreographers create within the parameters of librettos, enhance character development and build dance languages that inform and propel narrative. By considering influences from ballet, modern, postmodern, Jazz, social and global dance, she reveals a rich understanding of musical theatre dance. This book exposes the choreographic systems of some of Broadway's most influential dance-makers including George Balanchine, Agnes de Mille, Jerome Robbins, Katherine Dunham, Bob Fosse, Savion Glover, Sergio Trujillo, Steven Hoggett and Camille Brown, and is essential reading for theatre and dance scholars, students, practitioners, and Broadway fans.
Making Connections: Total Body Integration Through Bartenieff Fundamentals
by Peggy HackneyHuman movement influences an individual's perceptions and ability to interact with the world. Through exercises, illustrations, and detailed anatomical drawings, this remarkable book guides the reader toward total body integration. An experimental approach to movement fundamentals involving the patterning of connections in the body according to principles of efficient movement, the process of total body integration encourages personal expression and full psychological involvement.
Making Connections: Total Body Integration Through Bartenieff Fundamentals
by Peggy HackneyHuman movement influences an individual's perceptions and ability to interact with the world. Through exercises, illustrations, and detailed anatomical drawings, this remarkable book guides the reader toward total body integration. An experimental approach to movement fundamentals involving the patterning of connections in the body according to principles of efficient movement, the process of total body integration encourages personal expression and full psychological involvement.
Making Connections: Total Body Integration Through Bartenieff Fundamentals
by Peggy HackneyThis book explores how we go about creating the connections within us that allow us to become fully embodied human beings in the world. It provides some very personal memories of Irmgard Bartenieff and the development of her approach to Fundamentals.
Making Connections: Total Body Integration Through Bartenieff Fundamentals
by Peggy HackneyThis book explores how we go about creating the connections within us that allow us to become fully embodied human beings in the world. It provides some very personal memories of Irmgard Bartenieff and the development of her approach to Fundamentals.
Making Contemporary Theatre: International Rehearsal Processes (PDF)
by Jen Harvie Andy LavenderMaking contemporary theatre reveals how some of the most significant international contemporary theatre is actually made. The book opens with an introductory chapter which contextualises recent trends in approaches to theatre-making. In the ensuing eleven chapters, eleven different writer-observers describe, contextualise and analyse the theatre-making practices of eleven different companies and directors, including Japan's Gekidan Kaitaisha and the Québécois director Robert Lepage. Each chapter is enriched with extensive illustrations as well as boxed-off 'asides', giving the reader different perspectives on the work. Chapters usually focus on a single production, such as Complicite's 2003-04 The Elephant Vanishes, allowing detailed investigations of complex practices to emerge. The book concludes with a brief manifesto for making contemporary theatre by the editors, plus a bibliography suggesting further reading. Making contemporary theatre is a rich resource for the theatre-making student and the theatre-goer alike, full of diverse examples of how the most exciting theatre is actually made.
Making Hip Hop Theatre: Beatbox and Elements
by Katie Beswick Conrad MurrayMaking Hip Hop Theatre is the essential, practical guide to making hip-hop theatre. It features detailed techniques and exercises that can guide creatives from workshops through to staging a performance. If you were inspired by Hamilton, Barber Shop Chronicles, Misty, Black Men Walking or Frankenstein: How to Make a Monster, this is the book for you. Covering vocal technique, use of equipment, mixing, looping, sampling, working with venues and dealing with creative challenges, this book is a bible for both new and experienced artists alike. Additionally, with links to online video material demonstrating and elaborating on the exercises included, it offers countless useful tools for teachers and facilitators of drama, music and other creative arts. Alongside this practical guidance is an overview of hip hop history, giving theoretical and historical context for the practice. From documentation of Conrad Murray's major productions, to commentary from leading practitioners including Lakeisha Lynch-Stevens, David Jubb, Emma Rice, Tobi Kyeremateng and Paula Varjack, readers are treated to a detailed insight into the background of hip hop theatre. Edited by scholar Katie Beswick and genre pioneer Conrad Murray, Making Hip Hop Theatre is a vital teaching tool and provides a much-needed account of a burgeoning aspect of contemporary theatre culture.
Making Hip Hop Theatre: Beatbox and Elements
by Katie Beswick Conrad MurrayMaking Hip Hop Theatre is the essential, practical guide to making hip-hop theatre. It features detailed techniques and exercises that can guide creatives from workshops through to staging a performance. If you were inspired by Hamilton, Barber Shop Chronicles, Misty, Black Men Walking or Frankenstein: How to Make a Monster, this is the book for you. Covering vocal technique, use of equipment, mixing, looping, sampling, working with venues and dealing with creative challenges, this book is a bible for both new and experienced artists alike. Additionally, with links to online video material demonstrating and elaborating on the exercises included, it offers countless useful tools for teachers and facilitators of drama, music and other creative arts. Alongside this practical guidance is an overview of hip hop history, giving theoretical and historical context for the practice. From documentation of Conrad Murray's major productions, to commentary from leading practitioners including Lakeisha Lynch-Stevens, David Jubb, Emma Rice, Tobi Kyeremateng and Paula Varjack, readers are treated to a detailed insight into the background of hip hop theatre. Edited by scholar Katie Beswick and genre pioneer Conrad Murray, Making Hip Hop Theatre is a vital teaching tool and provides a much-needed account of a burgeoning aspect of contemporary theatre culture.
Making History: Dancing At Lughnasa; Fathers And Sons; Making History; Wonderful Tennessee; Molly Sweeney (York Notes Advanced Ser.)
by Brian FrielThe central character of this play is Hugh O'Neill, Earl of Tyrone, who led an Irish and Spanish alliance against the armies of Elizabeth I in an attempt to drive the English out of Ireland. The action takes place before and after the Battle of Kinsale, at which the alliance was defeated: with O'Neill at home in Dungannon, as a fugitive in the mountains, and finally exiled in Rome. In his handling of this momentous episode Brian Friel has avoided the conventions of 'historical drama' to produce a play about history, the continuing process.
Making Mischief: Two Radical New Plays (Oberon Modern Playwrights)
by Tom Morton-Smith Matt Hartley Kirsty HousleyThe Earthworks by Tom Morton-Smith: ‘The universe doesn’t care if we know how it works.’ On the eve of the activation of the Large Hadron Collider, two strangers – a journalist and a scientist – share their experiences of loss and hope in a funny but deeply touching one-act play. Tom Morton-Smith’s Oppenheimer, created for the RSC in 2014, was a smash hit, transferring to the West End. Myth by Matt Hartley and Kirsty Housley From an original idea by Kirsty Housley ‘I can only see wrong choices. Things that will make everything worse.’ In one wine-fuelled evening, two couples debate their materialistic lifestyle. As their dinner party descends into chaos, their friendship and their lives are irreparably changed. A theatrical experiment into those things we don’t want to see or say. THE EARTHWORKS AND MYTH WERE PRODUCE D BY THE RSC AT THE OTHER PLACE AS PART OF THE MISCHIEF FES TIVAL IN MAY 2017.
Making Mischief: We Are Arrested; Day of the Living (Oberon Modern Playwrights)
by VariousWE ARE ARRESTED By Can Dündar Adapted by Pippa Hill and Sophie Ivatts When a journalist receives a flash-drive containing critical evidence of illegal government activity, he is duty-bound to publish the story. But with the nation destabilised and divided, a sinister power is eroding the rule of law, and he soon finds himself risking everything for his profession. We Are Arrested is the true story of a journalist’s commitment to expose the truth in the face of huge personal risks. This deeply moving play is a tribute to the bravery of journalists under threat around the globe. #WeAreArrested DAY OF THE LIVING Created by Darren Clark, Amy Draper and Juliet Gilkes Romero Ayotzinapa, Mexico, 2014. Forty-three students are forcefully disappeared. No one is brought to justice. An anarchic, musical tribute to life and the Mexican spirit with urgent, global issues at its heart. #NosFaltan43 #HastaEncontrarlos #AyotzinapaSomosTodos