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Fame Whore (Modern Plays)

If you click my face in the cornerYepThat's itThen the blue follow buttonTap itYou're done Welcome hunnyBecky wants to be famous. Becky deserves to be famous. Becky has to be famous.When drag artist Becky Biro is told they need a larger following to be considered for international TV hit The Drag Factor, Becky can smell success. She will do whatever it takes to get there, then reap the rewards of her inevitable stardom.From the writer of the multi-award winning Velvet comes an outrageous, fast-paced dark comedy, laced with irreverent humour and cabaret songs. Fame Whore holds a mirror up to the desperate human desire for relevance, and the lengths one may go to get there.This edition was published to coincide with the run at King's Head Theatre in London, in October 2022.

Family Business (Oberon Modern Plays)

Retired entrepreneur William invites his four grown-up children to visit his beautiful converted barn in the Welsh Borders to celebrate his birthday. They all join with William’s carer Solomon to toast another year, but each of them has their own business in mind...Warm, intelligent, witty and moving, Family Business is the world premiere production of Julian Mitchell’s new play, looking at the complex relationships that underpin family life.‘a very clever play, and a witty one as well…The succession of one-liners flows copiously’ 4 stars - What's On Stage ‘Julian Mitchell is part of a vanishing breed: the fastidious craftsman who knows how to explore ideas while generating suspense. It is clear that the play is, in part, a modern-day Lear… immensely watchable’ – The Guardian

Family Life in the Age of Shakespeare (The Age of Shakespeare)

From the star-crossed romance of Romeo and Juliet to Othello's misguided murder of Desdemona to the betrayal of King Lear by his daughters, family life is central to Shakespeare's dramas. This book helps students learn about family life in Shakespeare's England and in his plays. The book begins with an overview of the roots of Renaissance family life in the classical era and Middle Ages. This is followed by an extended consideration of family life in Elizabethan England. The book then explores how Shakespeare treats family life in his plays. Later chapters then examine how productions of his plays have treated scenes related to family life, and how scholars and critics have responded to family life in his works. The volume closes with a bibliography of print and electronic resources.The volume begins with a look at the classical and medieval background of family life in the Early Modern era. This is followed by a sustained discussion of family life in Shakespeare's world. The book then examines issues related to family life across a broad range of Shakespeare's works. Later chapters then examine how productions of the plays have treated scenes concerning family life, and how scholars and critics have commented on family life in Shakespeare's writings. The volume closes with a bibliography of print and electronic resources for student research. Students of literature will value this book for its illumination of critical scenes in Shakespeare's works, while students in social studies and history courses will appreciate its use of Shakespeare to explore daily life in the Elizabethan age.

The Family Reunion: With an introduction and notes by Nevill Coghill (Faber Paper-covered Editions Ser.)

Eliot's haunting verse play, set in a country house in the north of England, was performed at the Westminster Theatre in London in March 1939, six months before the outbreak of war.'What is wonderful is the marvellous opening out of consciousness, the flowering of meaning, which makes the play an account of a spiritual experience. There are passages of great poetic beauty, and statements which are the fruits of a lifetime devoted to poetry.' Listener

Family Tree (Modern Plays)

Winner of the 2021 Alfred Fagon AwardIt's a play, a performance, a ritual, about human farming, farming humans, soil and the soul, seeds and cells... nursing the nursery, curing creation, remedies and vaccinations against white supremacist racism; birthing revolution, raising redemption, finding yourself in the forest of futurity, the promise of immortality and the matter of Black lives.Henrietta Lacks is one of most remarkable people in medical history. Her cells were taken without her or her family's knowledge or permission. Meet Anarcha, Betsey, Lucy and three NHS nurses in the pandemic, each denied their place in history. Now is the time for their incredible legacy to undergo a transformation. To blossom and grow into something beautiful and new.Mojisola Adebayo's new Alfred Fagon award-winning play Family Tree is a beautifully poetic drama about race, health, the environment, and the incredible legacy of one of the most influential women of modern times. This edition was published to coincide with the Actors Touring Company co-production with the Belgrade Theatre, Coventry and Brixton House, in March 2023.

Family Tree (Modern Plays)

Winner of the 2021 Alfred Fagon AwardIt's a play, a performance, a ritual, about human farming, farming humans, soil and the soul, seeds and cells... nursing the nursery, curing creation, remedies and vaccinations against white supremacist racism; birthing revolution, raising redemption, finding yourself in the forest of futurity, the promise of immortality and the matter of Black lives.Henrietta Lacks is one of most remarkable people in medical history. Her cells were taken without her or her family's knowledge or permission. Meet Anarcha, Betsey, Lucy and three NHS nurses in the pandemic, each denied their place in history. Now is the time for their incredible legacy to undergo a transformation. To blossom and grow into something beautiful and new.Mojisola Adebayo's new Alfred Fagon award-winning play Family Tree is a beautifully poetic drama about race, health, the environment, and the incredible legacy of one of the most influential women of modern times. This edition was published to coincide with the Actors Touring Company co-production with the Belgrade Theatre, Coventry and Brixton House, in March 2023.

Familyman (Oberon Modern Plays)

Caesar Ramsay works hard for his family. But the news his son Nelson reveals sends Caesar’s seemingly ordinary life rapidly spinning out of his control! Fast, furious and very funny, Familyman asks some vital questions for twentieth-century parents, like: • How do you learn to be a dad when yours left before you were two? • How do you take on responsibility for a child before you’re legally responsible for yourself? • How do you teach your children respect in an age of liberal parenting? • How do you raise happy, confi dent and successful children without throttling them before they reach eighteen? Fresh, insightful and delivered with razor-sharp wit, Familyman confi rms what many of us know only too well – parenting is messy!

"Fanned and Winnowed Opinions": Shakespearean Essays Presented to Harold Jenkins (Routledge Library Editions: Study of Shakespeare)

Originally published in 1987, "Fanned and Winnowed Opinions" celebrates the scholarship of Professor Harold Jenkins, one of this century’s foremost editors and critics of Shakespeare. All of the essays address Shakespearean topics, and many of the sixteen focus on the years between 1595 and 1605, the period on which much of Professor Jenkin’s work centers: there are, appropriately, three essays on Hamlet. A variety of critical approaches is represented, including the Freudian and the feminist; some essays focus on one play, while others take a thematic approach. Comedies, histories, and tragedies all come under consideration. The contributors include many distinguished scholars, some of whom studied under Professor Jenkins or edited volumes of the Arden Shakespeare under his direction. All of the contributions were specifically written for the Festschrift and had not appeared in print before. In addition to the scholarly essays, the volume features an introduction with an appreciative review of Harold Jenkins’ career and a complete bibliography of his works.

"Fanned and Winnowed Opinions": Shakespearean Essays Presented to Harold Jenkins (Routledge Library Editions: Study of Shakespeare)

Originally published in 1987, "Fanned and Winnowed Opinions" celebrates the scholarship of Professor Harold Jenkins, one of this century’s foremost editors and critics of Shakespeare. All of the essays address Shakespearean topics, and many of the sixteen focus on the years between 1595 and 1605, the period on which much of Professor Jenkin’s work centers: there are, appropriately, three essays on Hamlet. A variety of critical approaches is represented, including the Freudian and the feminist; some essays focus on one play, while others take a thematic approach. Comedies, histories, and tragedies all come under consideration. The contributors include many distinguished scholars, some of whom studied under Professor Jenkins or edited volumes of the Arden Shakespeare under his direction. All of the contributions were specifically written for the Festschrift and had not appeared in print before. In addition to the scholarly essays, the volume features an introduction with an appreciative review of Harold Jenkins’ career and a complete bibliography of his works.

Fanny (Nhb Modern Plays Ser.)

Meet Fanny Mendelssohn. You'll probably know of her younger brother Felix, from nineteenth-century smash hits like 'The Wedding March'. He was such a huge star that Queen Victoria requested a private concert, during which she sang her favourite of his compositions, a song called 'Italien'. The only problem is, that particular piece was actually composed by Fanny, though it was published under her brother's name. When Fanny intercepts the letter inviting Felix to play for the queen, she decides to hide it away, don her brother's clothes, and take his place at the palace… Calum Finlay's play Fanny is a joyful and irreverent comedy celebrating music, family and - at last - the work of a composer overlooked because of her sex. It opened at the Watermill Theatre, Newbury, in 2024.

Fanny and the Servant Problem

A Fanny Full of Soap: The Story of a West End Musical

Leading lady and one-time telly star Eleanor Woodwarde's life is collapsing around her exquisitely turned ankles. As an alternative to suicide, she takes the lead in an overblown West End salsa musical. The producer's volatile incompetence is matched only by the length of his cigar. A rival actress is after the number one dressing room. And the director can't keep his hands to himself. Eleanor fears for her sanity, but at fifty quid a skull the show must go on..."If you want to know showbiz, read this and weep with laughter" - Joanna Lumley

Fanta Orange (Oberon Modern Plays)

Inspired by a real-life Amnesty International report, Fanta Orange is a colourful and unexpected tale that gets under the skin of modern Africa. Regina is a Kenyan house servant. Roger is her white farmer boss. The two share a curious bond. Enter Ronnie, a privileged young English girl whom Roger discovers holed up in the bush, studying the bizarre practice of dirt-eating among local tribes. Soon both women are pregnant and a saga unfolds which turns every racial and sexual preconception on its head.‘This is great theatre. Completely convincing... the tense plot slowly unfurling in a way that disturbs and satisfies in equal measure. The pace is fast and the handling of complex ideas is deft and impressive. Rich, enjoyable and powerful writing.’ What'sOnStage‘Woodcock's writing is daring, assured and often stingingly funny. Splendidly provocative stuff.’ Time Out

Fantastic Mr Fox: Plays for Children

Fun-to-perform play - perfect for schools - of Roald Dahl's immensely popular story for younger readers in which clever Mr Fox outwits the three nasty farmers: Boggis. Bunce and Bean. This also includes staging advice on props, lighting etc at the end of the book.

Far To Go: Thursday's Child And Far To Go

Margaret Thursday, the unforgettable heroine of Thursday’s Child stars in this classic children’s adventure from Noel Streatfeild, the beloved author of Ballet Shoes.

Farber Plays One: Molora; RAM: The Abduction of Sita into Darkness; Mies Julie (Oberon Modern Playwrights)

‘It is impossible to come away from RAM or Mies Julie without feeling that the world must change; Molora points the way. Yaël Farber’s theatre will leave no participant unmoved.’Ingrid Rowland, from her introduction Molora In this reworking of Aeschylus’ Oresteia, Klytemnestra and Elektra face one another in a dramatic confrontation. Attempts to come to terms with their violent past echo testimonies delivered in Apartheid’s wake throughout South Africa during the Truth and Reconciliation Commission. RAM: The Abduction of Sita into Darkness Farber’s potent revisioning of this age-old text is a raw and probing contemporary work which places the loss of the Feminine Divine, and thus our lack of spiritual and moral equilibrium, at its visceral core. This is a Ramayana for a new world. Mies Julie Transposed to a post-apartheid kitchen – a single night, both brutal and tender, unfolds between a black farm-labourer, the daughter of his master and the woman who has raised them both. The visceral struggles of contemporary South Africa are laid bare, as John and Mies Julie spiral in a deadly battle over power, sexuality, mothers and memory.

Farce (Transaction Series In Humor Ser.)

Farce has always been relegated to the lowest rung of the ladder of dramatic genres. Distinctions between farce and more literary comic forms remain clouded, even in the light of contemporary efforts to rehabilitate this type of comedy. Is farce really nothing more than slapstick-the "putting out of candles, kicking down of tables, falling over joynt-stools," as Thomas Shadwell characterized it in the seventeenth century? Or was his contemporary, Nahum Tate correct when he declared triumphantly that "there are no rules to be prescribed for that sort of wit, no patterns to copy; and 'tis altogether the creature of imagination"? Davis shows farce to be an essential component in both the comedic and tragic traditions. Farce sets out to explore the territory of what makes farce distinct as a comic genre. Its lowly origins date back to the classic Graeco-Roman theatre; but when formal drama was reborn by the process of elaboration of ritual within the mediaeval Church, the French term "farce" became synonymous with a recognizable style of comic performance. Taking a wide range of farces from the briefest and most basic of fair-ground mountebank performances to fully-fledged five-act structures from the late nineteenth century, the book reveals the patterns of comic plot and counter-plot that are common to all. The result is a novel classification of farce-plots, which serves to clarify the differences between farce and more literary comic forms and to show how quickly farce can shade into other styles of humor. The key is a careful balance between a revolt against order and propriety, and a kind of Realpolitik which ultimately restores the social conventions under attack. A complex array of devices in such things as framing, plot, characterization, timing and acting style maintain the delicate balance. Contemporary examples from the London stage bring the discussion u

Farce

Farce has always been relegated to the lowest rung of the ladder of dramatic genres. Distinctions between farce and more literary comic forms remain clouded, even in the light of contemporary efforts to rehabilitate this type of comedy. Is farce really nothing more than slapstick-the "putting out of candles, kicking down of tables, falling over joynt-stools," as Thomas Shadwell characterized it in the seventeenth century? Or was his contemporary, Nahum Tate correct when he declared triumphantly that "there are no rules to be prescribed for that sort of wit, no patterns to copy; and 'tis altogether the creature of imagination"? Davis shows farce to be an essential component in both the comedic and tragic traditions. Farce sets out to explore the territory of what makes farce distinct as a comic genre. Its lowly origins date back to the classic Graeco-Roman theatre; but when formal drama was reborn by the process of elaboration of ritual within the mediaeval Church, the French term "farce" became synonymous with a recognizable style of comic performance. Taking a wide range of farces from the briefest and most basic of fair-ground mountebank performances to fully-fledged five-act structures from the late nineteenth century, the book reveals the patterns of comic plot and counter-plot that are common to all. The result is a novel classification of farce-plots, which serves to clarify the differences between farce and more literary comic forms and to show how quickly farce can shade into other styles of humor. The key is a careful balance between a revolt against order and propriety, and a kind of Realpolitik which ultimately restores the social conventions under attack. A complex array of devices in such things as framing, plot, characterization, timing and acting style maintain the delicate balance. Contemporary examples from the London stage bring the discussion u

Farewell to the Theatre

Harley Granville Barker, the most influential theatre-maker of his time, finds himself adrift in America during the Great War. Estranged from the theatre, and with his spirit almost broken by an acrimonious divorce, he seeks refuge in the relative obscurity of a quiet, backwater, Williamstown, Massachusetts. He finds comfort in the congeniality of his fellow refugees and in the courtesy of strangers - and gradually begins to regain his faith in humanity and his belief in the central role of Theatre in the civilised community.

Farinelli and the King (Oberon Modern Plays)

HISTORY IS BEJEWELLED WITH MYSTERIES…Depressed and plagued by insomnia, King Philippe V of Spain lies awake in his chamber. The Queen, desperate to find a cure, hears of Farinelli – a castrato with a voice so divine it has the power to captivate all who hear it. Even Philippe is astonished when Farinelli sings, and begs him to stay. But will Farinelli, one of the greatest celebrities of his time, choose a life of solitude over fame and fortune in the opera-houses of Europe? And will his extraordinary talent prove to be a curse rather than a blessing?

The Farm (Oberon Modern Plays)

Nothing I do has changed. I'm doing what's always been done on this piece of land.'The farm is running at a loss, but Vic is determined to keep working. He'll do everything he can, work day and night, but he won't admit that his small farm has no future.As the rural crisis deepens the three generations of his family look for ways to save the farm. But tensions between the old and new worlds threaten to tear the family apart.

Fascinating Rhythms: Shakespeare, Theory, Culture, and the Legacy of Terence Hawkes

As one of the most adventurous literary and cultural critics of his generation, Terence Hawkes’ contributions to the study of Shakespeare and the development of literary and cultural theory have been immense. His work has been instrumental in effecting a radical shift in the study of Shakespeare and of literary studies. This collection of essays by some of his closest colleagues, friends, peers, and mentees begins with an introduction by John Drakakis, outlining the profound impact that Hawkes’ work had on various areas of literary studies. It also includes a poem by Christopher Norris, who worked with Hawkes for many years at the University of Cardiff, as well as work on translation, social class, the historicist and presentist exploration of Shakespearean texts, and teaching Shakespeare in prisons. The volume features essays by former students who have gone on to establish reputations in areas beyond the study of literature, and who have contributed ground-breaking volumes to the pioneering New Accents series. It concludes with Malcolm Evans’ innovative account of the migration of semiotics into the area of business. This book is a vibrant and informative read for anyone interested in Hawkes’ unique blend of literary and cultural theory, criticism, Shakespeare studies, and presentism.

Fascinating Rhythms: Shakespeare, Theory, Culture, and the Legacy of Terence Hawkes

As one of the most adventurous literary and cultural critics of his generation, Terence Hawkes’ contributions to the study of Shakespeare and the development of literary and cultural theory have been immense. His work has been instrumental in effecting a radical shift in the study of Shakespeare and of literary studies. This collection of essays by some of his closest colleagues, friends, peers, and mentees begins with an introduction by John Drakakis, outlining the profound impact that Hawkes’ work had on various areas of literary studies. It also includes a poem by Christopher Norris, who worked with Hawkes for many years at the University of Cardiff, as well as work on translation, social class, the historicist and presentist exploration of Shakespearean texts, and teaching Shakespeare in prisons. The volume features essays by former students who have gone on to establish reputations in areas beyond the study of literature, and who have contributed ground-breaking volumes to the pioneering New Accents series. It concludes with Malcolm Evans’ innovative account of the migration of semiotics into the area of business. This book is a vibrant and informative read for anyone interested in Hawkes’ unique blend of literary and cultural theory, criticism, Shakespeare studies, and presentism.

Fascism and Theatre: Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925-1945

Since the 1920s, an endless flow of studies has analyzed the political systems of fascism, theseizure of power, the nature of the regimes, the atrocities committed, and, finally, the wars waged against other countries. However, much less attention has been paid to the strategies of persuasion employed by the regimes to win over the masses for their cause. Among these, fascist propaganda has traditionally been seen as the key means of influencing public opinion. Only recently has the "fascination with Fascism" become a topic of enquiry that has also formed the guiding interest of this volume: it offers, for the first time, a comparative analysis of the forms and functions of theater in countries governed by fascist or para-fascist regimes. By examining a wide spectrum of theatrical manifestations in a number of States with a varying degree of fascistization, these studies establish some of the similarities and differences between the theatrical cultures of several cultures in the interwar period.

Faslane (Oberon Modern Plays)

With her family having worked in Faslane with Trident all her life, and with her friends protesting at the gates, Jenna endeavours to understand her relationship to Trident, the wider nuclear debate and activism. Drawing upon interviews with individuals at the front line of the nuclear debate, including activists and MOD personnel, Jenna navigates her own journey through the politics, the protests, the peace camps and freedom of information requests to find out answers to the questions we should all be asking about our nuclear deterrent.