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Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema (International Library of Cultural Studies #Vol. 5)

Eisenstein on the Audiovisual is winner of the Kraszna-Krausz Foundation's And/Or Award for the Best Moving Image Book of 2009. Chair of the judging panel Francine Stock commented: 'We had no hesitation in choosing the winner. Composer and filmmaker Robert Robertson achieves the near-impossible, shedding fresh light on Eisenstein without loading him with ideology. Like the work it describes, this book is symphonic; it draws together strong influences and forces around Eisenstein into a compelling and cogent narrative - at once enjoyable, provocative.'

Eisteddfod (Oberon Modern Plays)

‘We value truth in this family. Carpe Diem. Seize the day. We’re all just food for worms. So tell them you love them. Have fun, mount a donkey, whatever, just feel alive.’Charades is fun, right, with those people, yes, your family, the ones you try to get away from at Christmas. For the Pilgrims though it’s not simply a family affair, this is more than a game, this…. Is an Eisteddfod. This bawdy new play from acclaimed young playwright Luke Barnes is inspired by Suffolk folklore and explores the idea of family and identity, stories and how they are told.

Either

Love is just sex. And sex is just chance. And chance is just timing. And free will.Come onIt beats swiping right.When B spills coffee down A's shirt, an old spark is rekindled. But in a world of infinite possibilities, monogamy is tough. Straight, gay, casual, polyamorous, they find themselves irresistibly drawn both to the new and to each other. In a relationship of ever-changing boundaries, the couple question anything and everything as they attempt to navigate modern love.Funny, smart and sexy, Ruby Thomas' debut play probes contemporary ideas about sexuality, gender and the need to connect, before we die.

El muerto disimulado / Presumed Dead: Ângela de Azevedo (Aris & Phillips Hispanic Classics)

The Society for the Study of Early Modern Women and Gender awarded this work the Prize for the Best Translated Edition of a Work on Women and Gender, 2018.Valerie Hegstrom and Catherine Larson have created an annotated new edition and first-ever translation of Ângela de Azevedo’s vibrant comedy, El muerto disimulado / Presumed Dead, to promote the recuperation of early modern plays authored by women. The book contains a comprehensive introduction that describes Spanish theater in its Golden Age, what is known of the author’s life and times, contemporary stagings, and an extensive analysis of the text.Although the playwright penned her work in Spanish, the Portuguese Azevedo set the action in Lisbon, creating in the process an abundance of multicultural allusions that enrich the text’s baroque quality. The story unfolds as a cross between a jilted-lover scenario and a whodunit murder mystery. A woman laments her departed lover, a sister cross-dresses to avenge her murdered brother, a man duels with his cousin over lost honor, and before long, the dead man turns up as a ghost, or a bar maid, or a female peddler. Questions about identity abound in the witty El muerto disimulado / Presumed Dead. The transnational nature of this clever comedy complicates meanings, often producing bilingual wordplay that underscores the self-conscious, gender-bending, ludic character of the play and of theater in general. Azevedo highlights her ability to cross linguistic and geographic borders in the early modern period, as she simultaneously works within and offers a challenge to the dominant tradition of the Spanish Comedia.

The Elder Statesman

T. S. Eliot's last play, drafted originally in 1955 but not completed until three years later. Lord Claverton, an eminent former cabinet minister and banker, is helped to confront his past by the love of his daughter, his Antigone.The dialogue in The Elder Statesman, the love scenes in particular, contain some of Eliot's most tender and expressive writing for the theatre. The play was first performed at the Edinburgh Festival in 1958.

The Eldest Son

Eldorado (Oberon Modern Plays)

Anton’s got it made: dream house, artistic wife, baby on the way. And, as the smoke rises from another city saved by coalition bombs, there’s a fortune to be made rebuilding the wreckage. So what’s he doing forging his boss’s signature? And why has his wife crushed her hands under the piano lid? Painfully funny scenes of married bliss in meltdown and the insistent presence, on their screens and in their dreams, of the West's far-flung and half-forgotten wars – Eldorado asks what happens when the drive for success carries us past our coping point.

Eldridge Plays: Incomplete and Random Acts of Kindness, Market Boy, The Knot of the Heart, The Stock Da'Wa (Contemporary Dramatists)

This second collection of plays by David Eldridge showcases the development of one of the most impressive playwriting talents of recent years. His plays combine emotional impact with complexity, realistic characterisation with humour, and are among the most powerfully moving dramas of contemporary playwriting.Incomplete and Random Acts of Kindness moves between a dream story and real lives to tell an intricate, complex story of a young man dealing with the break up of his family and the legacy of race responsibility. Market Boy is a gloriously raucous rites-of-passage drama set in Romford Market in the 1980s. Bringing a market jungle to life with the decade's Thatcherite capitalist fervour, this spectacular, savage, and beautiful yarn is a tale looks at a boy's coming of age and loss of innocence.The Knot of the Heart has themes of love, family and addiction, and explores the creeping onset of self-destruction beneath a veneer of respectability. Full of David Eldridge's trademark lyricism within everyday family life and interaction, this is a play where emotions are high and relationships are sensitively written. The Stock Da'wa explodes the wafer thin bonhomie of a long-awaited reunion into a blackly funny maelstrom of pique and long repressed truth-telling - and with shocking consequences.Eldridge Plays 2 contains the definitive version of the four plays and an introduction by the author.

Electoral Guerrilla Theatre: Radical Ridicule and Social Movements

Praise for the First Edition: 'A major contribution to performance studies. If cynicism and political quietism have quelled your impulse to rage against this sorry state of affairs, Bogad demonstrates, with wit and verve, that it is possible to expose the sham and, through a variety of performative tactics, make a meaningful contribution to democracy.' Modern Drama 'A compelling and urgent read. Bogad’s passion for the topic reminds the reader of the exhilaration of live performance and the importance of engagement in democratic life.' Theatre Journal 'Delightfully written and wonderfully provocative ... Valuable reading for any scholar of social movements.' Mobilization 'As a guide to both theory and action, it is insightful, entertaining and indispensable.' Andrew Boyd, Wrangler-in-Chief, Beautiful Trouble 'Beautifully contextualized within social movement theory, this book enlivens the debate about performative interventions into power.'Jan Cohen-Cruz, Editor, Public, A Journal of Imagining America 'Electoral Guerrilla Theatre deals a refreshing wild card in the repertoire of resistance.' Baz Kershaw, Emeritus Professor, University of Warwick, and author of The Radical In Performance. In liberal democracies across the globe, where the right to vote is framed as both civil right and civic duty, disillusioned creative activists run for public office on satiric, ironic and iconoclastic platforms. With little intention of "winning" in the conventional sense, they use drag, camp and stand-up comedy to undermine the legitimacy of their opponents and sometimes the electoral system itself. This revised and updated edition of Electoral Guerrilla Theatre explores the phenomenon of the satirical election campaign, and questions the purpose of such public political performances. Drawing on extensive archival and ethnographic research, this is an entertaining and illuminating read that will be invaluable to students and scholars working across a variety of disciplines, including performance studies, the social sciences, cultural studies and politics. New case studies for this edition include: Reverend Billy’s run for Mayor of New York City in 2009; Stephen Colbert’s run for President in 2012; Candidates including Superbarrio, the Best Party, Antanas Mockus, and Einstein the Dog.

Electoral Guerrilla Theatre: Radical Ridicule and Social Movements

Praise for the First Edition: 'A major contribution to performance studies. If cynicism and political quietism have quelled your impulse to rage against this sorry state of affairs, Bogad demonstrates, with wit and verve, that it is possible to expose the sham and, through a variety of performative tactics, make a meaningful contribution to democracy.' Modern Drama 'A compelling and urgent read. Bogad’s passion for the topic reminds the reader of the exhilaration of live performance and the importance of engagement in democratic life.' Theatre Journal 'Delightfully written and wonderfully provocative ... Valuable reading for any scholar of social movements.' Mobilization 'As a guide to both theory and action, it is insightful, entertaining and indispensable.' Andrew Boyd, Wrangler-in-Chief, Beautiful Trouble 'Beautifully contextualized within social movement theory, this book enlivens the debate about performative interventions into power.'Jan Cohen-Cruz, Editor, Public, A Journal of Imagining America 'Electoral Guerrilla Theatre deals a refreshing wild card in the repertoire of resistance.' Baz Kershaw, Emeritus Professor, University of Warwick, and author of The Radical In Performance. In liberal democracies across the globe, where the right to vote is framed as both civil right and civic duty, disillusioned creative activists run for public office on satiric, ironic and iconoclastic platforms. With little intention of "winning" in the conventional sense, they use drag, camp and stand-up comedy to undermine the legitimacy of their opponents and sometimes the electoral system itself. This revised and updated edition of Electoral Guerrilla Theatre explores the phenomenon of the satirical election campaign, and questions the purpose of such public political performances. Drawing on extensive archival and ethnographic research, this is an entertaining and illuminating read that will be invaluable to students and scholars working across a variety of disciplines, including performance studies, the social sciences, cultural studies and politics. New case studies for this edition include: Reverend Billy’s run for Mayor of New York City in 2009; Stephen Colbert’s run for President in 2012; Candidates including Superbarrio, the Best Party, Antanas Mockus, and Einstein the Dog.

Electra: Graece Et Latine Recensuit Prosper Petronius (Dian Classical Texts Ser. #Vol. 5)

When a young Electra’s father is murdered by her mother, her world changes irrevocably. Ten years on, bound by grief and unwilling to forgive, Electra surrenders to an all-consuming desire for revenge that propels her towards a bloody and terrifying conclusion. This is a haunting new version by Nick Payne of Sophocles’ tragic masterpiece, Electra.‘Nick Payne’s urgent new version of Sophocles' Electra is another in a long line of boundary breaking offerings…. Payne [is] one of our brightest new playwrights… Electra-fying’ - The Evening Standard ‘Poised and punchy’ – The Arts Desk

Electra

Masterpiece of drama concerns the revenge Electra takes on her mother for the murder of her father. One of the best-known heroines of all drama and a towering figure of Greek tragedy.

Electra (Faber Plays Ser.)

Locked into a bloody cycle of murder and reprisal, Electra, haunted by her father's assassination, is consumed by grief and a thirst for vengeance. When her brother Orestes at last returns, she urges him to a savage and terrifying conclusion. Frank McGuinness's charged adaptation of Sophocles' powerful tragedy was first performed at the Chichester Festival Theatre in 1997 and was revived at the Old Vic, London, in 2014.

Electra (Greek Tragedy in New Translations)

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the play. Although it has been at times overshadowed by his more famous Oedipus Tyrannus and Antigone, Sophocles' Electra is remarkable for its extreme emotions and taut drama. Electra recounts the murders of Clytemnestra and Aegisthus by Clytemnestra's son Orestes, to avenge their murder of his father Agamemnon, commander of the Greeks at Troy, upon his return home. Sophocles' version is presented from the viewpoint of Electra, Orestes' sister, who laments her father, bears witness to her mother's crime, and for years endures her mother's scorn. Despite her overwhelming passion for just revenge, Electra admits that her own actions are shameful. When Orestes arrives at last, her mood shifts from grief to joy, as Orestes carries out the bloody vengeance. Sophocles presents this story as a savage though necessary act of vengeance, vividly depicting Electra's grief, anger, and exultation. This translation equals the original in ferocity of expression, and leaves intact the inarticulate cries of suffering and joy that fill the play.

Electra (Greek Tragedy in New Translations)

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the play. Although it has been at times overshadowed by his more famous Oedipus Tyrannus and Antigone, Sophocles' Electra is remarkable for its extreme emotions and taut drama. Electra recounts the murders of Clytemnestra and Aegisthus by Clytemnestra's son Orestes, to avenge their murder of his father Agamemnon, commander of the Greeks at Troy, upon his return home. Sophocles' version is presented from the viewpoint of Electra, Orestes' sister, who laments her father, bears witness to her mother's crime, and for years endures her mother's scorn. Despite her overwhelming passion for just revenge, Electra admits that her own actions are shameful. When Orestes arrives at last, her mood shifts from grief to joy, as Orestes carries out the bloody vengeance. Sophocles presents this story as a savage though necessary act of vengeance, vividly depicting Electra's grief, anger, and exultation. This translation equals the original in ferocity of expression, and leaves intact the inarticulate cries of suffering and joy that fill the play.

ELECTRA (Oberon Modern Plays)

DumbWise Theatre presents ELECTRA by Sophocles in a new version by John Ward.A Mother clings to power whilst her Daughter screams murder.An estranged Son is coming home.A bloody family saga sprawling decades is about to reach its conclusion.Everything is about to change.A Queen masterminds the murder of her Husband and takes the throne with her new lover. Her Daughter, Electra, grows up in the grip of a cruel regime, swearing revenge. Her Son Orestes, exiled as a boy and raised in the arms of the rebels, waits to embark on a holy mission to reclaim his country.Two decades later a twist of fate brings Brother and Sister together; united by hate but divided by faith. With the country on the brink of civil war, the most powerful family in the Kingdom are torn apart from the inside as their dark past once again becomes the present.The revolution will be televised, but are The Gods watching?DumbWise reinvent the murderous Greek myth of power and prophecy as a lyrical modern epic with a live punk-rock score.

Electra and Other Plays: Electra And Other Plays (Penguin Classics Series)

Sophocles’ innovative plays transformed Greek myths into dramas featuring complex human characters, through which he explored profound moral issues. Electra portrays the grief of a young woman for her father Agamemnon, who has been killed by her mother’s lover. Aeschylus and Euripides also dramatized this story, but the objectivity and humanity of Sophocles’ version provides a new perspective. Depicting the fall of a great hero, Ajax examines the enigma of power and weakness combined in one being, while the Women of Trachis portrays the tragic love and error of Heracles’ deserted wife Deianeira, and Philoctetes deals with the conflict between physical force and moral strength.

Electra and the Empty Urn: Metatheater and Role Playing in Sophocles

Metatheater, or "theater within theater," is a critical approach often used in studies of Shakespearian or modern drama. Breaking new ground in the study of ancient Greek tragedy, Mark Ringer applies the concept of metatheatricality to the work of Sophocles. His innovative analysis sheds light on Sophocles' technical ingenuity and reveals previously unrecognized facets of fifth-century performative irony. Ringer analyzes the layers of theatrical self-awareness in all sevenSophoclean tragedies, giving special attention to Electra, theplaywright's most metatheatrical work. He focuses on plays within plays,characters who appear to be in rivalry with their playwright in "scripting"their dramas, and the various roles that characters assume in their attempts to deceive other characters or even themselves. Ringer also examines instances of literal role playing, exploring the implications of the Greek convention of sharing multiple roles among only three actors.Sophocles has long been praised as one of the masters of dramaticirony. Awareness of Sophoclean metatheater, Ringer shows, deepens our appreciation of that irony and reveals the playwright's keen awareness of his art.Originally published in 1998.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Electricity for the Entertainment Electrician & Technician

The application of electricity for the theatre or a concert stage is not the same as for a residence or commercial building. Electricity for the Entertainment Electrician & Technician provides you with the fundamentals of theory of electricity as well as the latest guidelines and tips for how to stay safe, current and meet the needs of the entertainment industry. Written by an ETCP (Entertainment Technician Certification Program) trainer this reference supports practicing technicians and provides new technicians the assistance needed for a successful career in the entertainment industry. * The only reference on electricity for the entertainment industry professional!* Written by an ETCP (Entertainment Technician Certification Program) trainer and seasoned professional* Free additional practice problems and animations at www.electricityentertainmenttech.com

Electricity for the Entertainment Electrician & Technician

The application of electricity for the theatre or a concert stage is not the same as for a residence or commercial building. Electricity for the Entertainment Electrician & Technician provides you with the fundamentals of theory of electricity as well as the latest guidelines and tips for how to stay safe, current and meet the needs of the entertainment industry. Written by an ETCP (Entertainment Technician Certification Program) trainer this reference supports practicing technicians and provides new technicians the assistance needed for a successful career in the entertainment industry. * The only reference on electricity for the entertainment industry professional!* Written by an ETCP (Entertainment Technician Certification Program) trainer and seasoned professional* Free additional practice problems and animations at www.electricityentertainmenttech.com

Electricity for the Entertainment Electrician & Technician: A Practical Guide for Power Distribution in Live Event Production

Now in its third edition, Electricity for the Entertainment Electrician & Technician is a comprehensive, practical study guide for aspiring and working professionals in live event production.The book covers every aspect of power distribution from the fundamentals, like basic circuits, to 3-phase power, power calculations, grounding and bonding, electrical safety, portable power generators, and battery power. With ample photographs and illustrations, practice problems and solutions, and real-world examples from experience and first-hand accounts, it provides readers with the knowledge to safely design, set up, and monitor power distribution systems. The third edition expands on grounding and bonding, portable power generators, balanced and unbalanced 3-phase power calculations, battery power, and more. The last chapter walks readers through the process of prepping for a show, setting up a portable power distribution system, and monitoring every aspect of the system, including voltage, current, and heat using an infrared camera, explaining in detail best practices and the logic behind them.Covering topics that are listed in the content outline for the ETCP Entertainment Electrician Certification exam as well as the ETCP Portable Power Distribution Technician Certification exam, this reference supports practicing technicians and provides new technicians the assistance they need for a successful career in the entertainment industry.Additional resources, including conversion tables, voltage spreadsheets, articles from Lighting & Sound International, Lighting & Sound America, and Protocol, and animations and illustrations depicting electricity and electric power distribution developed for the author’s workshops, can be found on the companion website www.electrics.tech.

Electricity for the Entertainment Electrician & Technician: A Practical Guide for Power Distribution in Live Event Production

Now in its third edition, Electricity for the Entertainment Electrician & Technician is a comprehensive, practical study guide for aspiring and working professionals in live event production.The book covers every aspect of power distribution from the fundamentals, like basic circuits, to 3-phase power, power calculations, grounding and bonding, electrical safety, portable power generators, and battery power. With ample photographs and illustrations, practice problems and solutions, and real-world examples from experience and first-hand accounts, it provides readers with the knowledge to safely design, set up, and monitor power distribution systems. The third edition expands on grounding and bonding, portable power generators, balanced and unbalanced 3-phase power calculations, battery power, and more. The last chapter walks readers through the process of prepping for a show, setting up a portable power distribution system, and monitoring every aspect of the system, including voltage, current, and heat using an infrared camera, explaining in detail best practices and the logic behind them.Covering topics that are listed in the content outline for the ETCP Entertainment Electrician Certification exam as well as the ETCP Portable Power Distribution Technician Certification exam, this reference supports practicing technicians and provides new technicians the assistance they need for a successful career in the entertainment industry.Additional resources, including conversion tables, voltage spreadsheets, articles from Lighting & Sound International, Lighting & Sound America, and Protocol, and animations and illustrations depicting electricity and electric power distribution developed for the author’s workshops, can be found on the companion website www.electrics.tech.

Electronic Art

Computers are more and more becoming creative tools in music as well as in the visual arts and design. In the last few years, it has become clear that digital technology provides a platform for multimedia productions as well as a medium for new art forms. Computer Music and Computer Graphics & Animation have their own international forums. The need was felt, however, to bring together the diverse disciplines within art and technology in one international event - the First International Symposium on Electronic Art (FISEA). The Symposium attracted considerable interest and hundreds of papers and proposals were submitted, of which a selection were accepted. This book, also published as a supplement to the journal Leonardo, publishes 20 of these selected papers under the editorship of Wim van der Plas, Ton Hokken and Johan den Biggelaar. This richly illustrated issue on Electronic Art reflects the enormous international interest which FISEA generated and will further stimulate interest in applications of new technology in music, visual arts and design.

Elegy

What if every neuron in the human brain could be mapped and decoded? Every act of human behaviour catalogued and wholly understood? Elegy imagines a very-near future in which radical and unprecedented advances in medical science mean that it's possible to augment and extend life.Through the beautiful and moving story of three women who've made the choice between love and survival, Elegy explores a world in which the brain is no longer a mystery to us. But at what cost?Nick Payne's Elegy premiered at the Donmar Warehouse, London, in April 2016.

Elektra: A Play by Ezra Pound

This critical edition of Ezra Pound's Elektra marks the most significant appearance in twenty years of a "new" work by the controversial poet. Composed in the early months of 1949, while Pound was under indictment for treason and hospitalized by court order in Washington, D.C., this hitherto unpublished version of Sophocles' play documents a critical stage in the poet's writing career: with his subsequent rendition of Sophocles' Trachiniae and his ongoing translations from the Chinese classics, it signaled his return to sustained composition and his eventual decision to resume his life work, the Cantos. The success of Carey Perloff's Classic Stage Company debut of Pound's play in 1987 has already demonstrated the interest of the theatrical community in the work, and this presentation of the text, with critical apparatus, is a major event in Pound studies. The edition serves as a kind of practical workshop in translation, particularly in its exposition of Pound's discussions with his collaborator, Rudd Fleming. Richard Reid demonstrates in his introduction that Pound's choice of the Elektra was of crucial significance. In the play Sophocles confronts many of our most deeply held cultural assumptions: those concerning the family, the community, the claims of religion and justice, and language itself. As anyone familiar with the works of Pound will readily recognize, these issues are central in his own writings. The Elektra clarifies the formal, thematic, and psychological dilemmas seen in his work following the achievements recorded in the Pisan Cantos. This play and Pound's version of the Trachiniae can lead to a reassessment of his entire oeuvre in the context of this century's history. It will be essential reading for admirers of Pound's poetry, for students of the art of translation, and for directors and actors interested in performing the drama of ancient Athens on the modern stage.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.