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Tom Stoppard Plays 3: Separate Peace; Teeth; Another Moon Called Earth; Neutral Ground; Professional Foul; Squaring the Circle.
by Tom StoppardThis third collection of plays by Tom Stoppard contains his television plays, written between 1965 and 1984. They show that Stoppard's writing for the small screen is comparable to his more celebrated stage work, as the masterly Professional Foul demonstrates. In his introduction the author briefly describes how the individual pieces came to be written and the circumstances of their original production.
Tom Stoppard Plays 4: Dalliance; Undiscovered Country; Rough Crossing; On the Razzle; The Seagull
by Tom StoppardThis fourth volume of Tom Stoppard's work for the stage brings together five of his most celebrated translations and adaptations of plays by Arthur Schnitzler (Dalliance and Undiscovered Country), Ferenc Molnar (Rough Crossing), Johann Nestroy (On the Razzle) and Anton Chekhov (The Seagull).
Tom Stoppard Plays 5: The Real Thing; Night & Day; Hapgood; Indian Ink; Arcadia
by Tom StoppardThis fifth collection of Tom Stoppard's plays brings together five classic plays by one of the most celebrated dramatists writing in the English language.The collection includes The Real Thing, Night & Day, Hapgood, Indian Ink and Arcadia, about which the reviewer for the Daily Telegraph said 'I have never left a new play more convinced that I'd just witnessed a masterpiece'.
Tombs in Shakespearean Drama: Monumental Theater (Routledge Studies in Shakespeare)
by H. Austin WhitverTombs in Shakespearean Drama explores the rhetorical deployment of tombs and monuments on the early modern stage, demonstrating their historiographic power and mythmaking potential. By analyzing references to tombs in plays by Shakespeare and others in conjunction with extant monuments, this volume demonstrates how these references function in two overlapping ways in period drama: monuments act as repositories of information about the past, and they allow the living to construct and preserve fictive narratives. The stage exposes the flimsy materiality of paper, placing less value on the written word than period poetry. In this way, critics have perhaps oversold as universal Shakespeare’s poetic praise of stone. Tombs within plays act as a powerful historical and narrative medium, raising the stakes to provide the stage with the illusion of permanency. Playwrights use tombs to anchor the stage action, giving a sense of lasting importance to dramatic events and combatting the ephemeral nature of the playhouse. In drama, Shakespeare and others drew on the persona preserved on tombs; this volume widens our view of how these representations interacted in the commemorative economy of early modern England. Within the playhouse, it was the tomb, not the tome, that stood as a symbol of permanence.
Tombs in Shakespearean Drama: Monumental Theater (Routledge Studies in Shakespeare)
by H. Austin WhitverTombs in Shakespearean Drama explores the rhetorical deployment of tombs and monuments on the early modern stage, demonstrating their historiographic power and mythmaking potential. By analyzing references to tombs in plays by Shakespeare and others in conjunction with extant monuments, this volume demonstrates how these references function in two overlapping ways in period drama: monuments act as repositories of information about the past, and they allow the living to construct and preserve fictive narratives. The stage exposes the flimsy materiality of paper, placing less value on the written word than period poetry. In this way, critics have perhaps oversold as universal Shakespeare’s poetic praise of stone. Tombs within plays act as a powerful historical and narrative medium, raising the stakes to provide the stage with the illusion of permanency. Playwrights use tombs to anchor the stage action, giving a sense of lasting importance to dramatic events and combatting the ephemeral nature of the playhouse. In drama, Shakespeare and others drew on the persona preserved on tombs; this volume widens our view of how these representations interacted in the commemorative economy of early modern England. Within the playhouse, it was the tomb, not the tome, that stood as a symbol of permanence.
Tomorrow at Noon (Oberon Modern Plays)
by Morna Young Emma Harding Jenny Ayres‘She’s been coming here every Sunday for the past fifty years and he still hasn’t turned up.’ Morna Young’s Smite is inspired by Coward’s The Astonished Heart. It is a story of buried answers, blind hearts, and life after loss. Emma Harding’s The Thing Itself reacts to Coward’s Shadow Play. When the sun fails to come up one morning, Vic and Simone must face the dark. But what emerges from the shadows? Truth or illusion? Jenny Ayres’ Glimpse is inspired by Coward’s Still Life. It is the story of a woman whose history holds too much for her to leave behind. In a world that never stops, are we brave enough to wait? What might we glimpse if we miss the train?
Tom's Midnight Garden (PDF)
by Philippa PearceWhen Tom is sent to stay at his aunt and uncle's house for the summer, he resigns himself to endless weeks of boredom. As he lies awake in his bed he hears the grandfather clock downstairs strike . . . eleven . . . twelve . . . thirteen . . . Thirteen! Tom races down the stairs and out the back door, into a garden everyone told him wasn't there. In this enchanted thirteenth hour, the garden comes alive - but Tom is never sure whether the children he meets there are real or ghosts . . . This entrancing and magical story is one of the best-loved children's books ever written. 9780192717771 9780192717931 9780140308938 9780192792426 9780140340495 9780141319995
Ton de Leeuw (Netherlands Music Archive #Vol. 1.)
by John Lydon Jurrien SligterFirst Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Ton de Leeuw (Netherlands Music Archive)
by Jurrien SligterFirst Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Tonight At 8.30: We Were Dancing; The Astonished Heart; ‘Red Peppers’; Hands Across the Sea; Fumed Oak; Shadow Play; Ways and Means; Still Life; Family Album; Star Chamber (Modern Plays)
by Noël CowardWritten as a vehicle for Coward's own acting talents alongside his frequent stage partner Gertrude Lawrence, Tonight at 8:30 is Coward's ambitious series of ten one-act plays which saw him breathe new life into the one-act form. First performed in London in 1936, the plays perfectly showcase Coward's talents as a playwright, providing a sparkling, fast-paced and remarkably varied selection of theatrical gems. All ten plays are collected together into this volume that features both Coward's own preface and an introduction by Barry Day, editor of The Letters of Nöel Coward. Coward wrote of the first series of three plays with characteristic delight: 'They are all brilliantly written, exquisitely directed, and I am bewitching in all of them.' Gertrude Lawrence wrote to Coward in 1947, 'Dearest Noël, wherever I go . . . all I hear is "Please revive Tonight at 8.30!"''Tonight at 8.30 surprises as much as it delights as, in some of the plays, Coward takes us to a world far removed from that of the wealth and glamour of the debonair London socialites who dominated much of his earlier work. But The Master's polish and sparkle are never far away as music and song intertwine with the wit and insight of one of our greatest ever playwrights.' Chichester Festival Theatre, 2006.
Tonight At 8.30: We Were Dancing; The Astonished Heart; ‘Red Peppers’; Hands Across the Sea; Fumed Oak; Shadow Play; Ways and Means; Still Life; Family Album; Star Chamber (Modern Plays)
by Noël CowardWritten as a vehicle for Coward's own acting talents alongside his frequent stage partner Gertrude Lawrence, Tonight at 8:30 is Coward's ambitious series of ten one-act plays which saw him breathe new life into the one-act form. First performed in London in 1936, the plays perfectly showcase Coward's talents as a playwright, providing a sparkling, fast-paced and remarkably varied selection of theatrical gems. All ten plays are collected together into this volume that features both Coward's own preface and an introduction by Barry Day, editor of The Letters of Nöel Coward. Coward wrote of the first series of three plays with characteristic delight: 'They are all brilliantly written, exquisitely directed, and I am bewitching in all of them.' Gertrude Lawrence wrote to Coward in 1947, 'Dearest Noël, wherever I go . . . all I hear is "Please revive Tonight at 8.30!"''Tonight at 8.30 surprises as much as it delights as, in some of the plays, Coward takes us to a world far removed from that of the wealth and glamour of the debonair London socialites who dominated much of his earlier work. But The Master's polish and sparkle are never far away as music and song intertwine with the wit and insight of one of our greatest ever playwrights.' Chichester Festival Theatre, 2006.
Tonight With Donny Stixx (Modern Plays)
by Philip RidleyIt's at times like this I'm inspired by The Stupendous Santini. He toured the mid-West during the 1930s, entertaining farmers affected by the Dust Bowl. No one would have remembered him were in not for the fact that during his most famous trick – sword swallowing – he accidentally punctured a lung and died on the spot. He became a legend. Donny has committed an act that shocked everyone. Tabloids called him The Most Hated Boy Alive. But Donny doesn't want forgiveness. All Donny wants is . . . his own television show.Written by internationally acclaimed writer Philip Ridley, Tonight With Donny Stixx is the companion piece to Ridley's 2013 Fringe First-winner Dark Vanilla Jungle, and received its premiere at the Soho Theatre, London, on 27 July 2015 before premiering at the Edinburgh Festival Fringe.
Tonight With Donny Stixx (Modern Plays)
by Philip RidleyIt's at times like this I'm inspired by The Stupendous Santini. He toured the mid-West during the 1930s, entertaining farmers affected by the Dust Bowl. No one would have remembered him were in not for the fact that during his most famous trick – sword swallowing – he accidentally punctured a lung and died on the spot. He became a legend. Donny has committed an act that shocked everyone. Tabloids called him The Most Hated Boy Alive. But Donny doesn't want forgiveness. All Donny wants is . . . his own television show.Written by internationally acclaimed writer Philip Ridley, Tonight With Donny Stixx is the companion piece to Ridley's 2013 Fringe First-winner Dark Vanilla Jungle, and received its premiere at the Soho Theatre, London, on 27 July 2015 before premiering at the Edinburgh Festival Fringe.
The Tony Awards: A Celebration of Excellence in Theatre
by Eila Mell The American Theatre WingCommemorating over 75 years of Broadway greatness with never-before told stories, rare photos from the American Theatre Wings' archives, and interviews with major honorees like Lin-Manuel Miranda, Patti LuPone, and Hugh Jackman, The Tony Awards is the official, authorized guide to Broadway's biggest night.The Tony Awards: A Celebration of Excellence in Theatre pays tribute to the magic that happens when the curtain goes up and Broadway's best and brightest step onto center stage. Supported by the American Theatre Wing, the arts organization that founded the Tony Awards in 1947 and continues to produce the Tony Awards live telecast each year, author Eila Mell has interviewed a cavalcade of past and present Tony winners, including actors, producers, writers, costume designers, and many many others. Their voices fill the pages of this book with fascinating, behind-the-scenes stories about what it's like to win the theatre world's highest honor. Featuring a foreword by Audra McDonald and over 400 color and black-and-white photographs, The Tony Awards also spotlights more than 130 captivating interviews with a parade of industry insiders, including: Mel Brooks, Matthew Broderick, Carol Burnett, Kristin Chenoweth, Glenn Close, James Corden, Bryan Cranston, Neil Patrick Harris, Jennifer Holliday, Hugh Jackman, John Kander, Angela Lansbury, Judith Light, Hal Linden, Kenny Leon, Patti LuPone, Lin-Manuel Miranda, Brian Stokes Mitchell, Rita Moreno, Bernadette Peters, Chita Rivera, Martin Short, Tom Stoppard, Julie Taymor, Leslie Uggams, and Sir Andrew Lloyd Webber.
Tony Harrison Plays 1: The Mysteries
by Tony HarrisonThis first collection of Tony Harrison's poetry for the stage is made up of his masterly adaptations of the medieval cycle of The Mystery Plays.Includes The Nativity , The Passion and Doomsday , with an Introduction by Tony Harrison which places these Northern classics both in the context of the original cycle of plays and of Tony Harrison's own poetry.
Tony Harrison Plays 2: The Misanthrope; Phaedra Britannica; The Prince's Plays
by Tony HarrisonThis second collection of Tony Harrison's poetry for the stage contains his adaptations of Molière, Racine and Victor Hugo. Included are the plays The Misanthrope, Phaedra Britannica and The Prince's Plays.The volume contains introductions, written by Tony Harrison, to each of the plays.
Tony Harrison Plays 6: Hecuba; Fram; Iphigenia in Crimea
by Tony HarrisonTony Harrison's sixth collection includes a foreword by Lee Hall. The book contains Harrison's translation of Euripides's Hecuba, which inaugurated the modern amphitheatre of Delphi in 2005; the remarkable Fram, which opened at the National Theatre in 2008; and Iphigenia in Crimea, after Euripides, which premiered on BBC Radio 3 to mark Tony Harrison's eightieth birthday in 2016.'Tony is that incredibly rare beast: as great a playwright as he is a poet.' Lee Hall 'I am convinced that Tony Harrison is one of the truly great poets writing in English today.' Melvyn BraggHecuba 'Harrison's urgent translation never lets us forget the aching topicality of Euripides' study of the powerful and the powerless.' Guardian Fram'Harrison brings gloriously rich life to the stage, by turns funny and rending. His couplets are a feast for rhyme junkies.' Financial Times'As visually resplendent a piece of theatre as you will see all year. The words more than hold their own, however, expressing in rhymes to be relished that poetry might yet, if not lead us out of the darkness, at least make us feel ashamed we're still stuck in it.' Sunday Times Iphigenia in Crimea Set in Sebastapol, 1854, inthe midst of the Crimean war, a lieutenant decides to stage an all-male production of Euripides's tragedy. After initial raucous incredulity, the atmosphere changes as the men commit themselves to the drama until, as it draws to a close, ancient and modern worlds collide and warfare resumes in earnest.
Too Fast: Plays For Young People: Frank And Ferdinand; Gap; Cloud Busting; Those Legs; Shooting Truth; Bassett; Gargantua; Children Of Killers; The Beauty Manifesto; Too Fast (Play Anthologies Ser.)
by Douglas MaxwellTeachers' Notes by Anthony BanksSensation Nation is a vocal group founded and led by the unstoppable DD. Her grand plan is for the group to storm next year’s Britain’s Got Talent. But first they need a gig, and more importantly a heartbreaking backstory that will win them votes later on down the line. So she’s booked them in to sing at a funeral. And not just any funeral either. Sensation Nation is to sing at the funeral of Ali Monroe, an older girl from their school who was killed in a car crash.Too Fast is an ensemble comedy for young performers with a strong emotional heart and a huge theatrical reveal in the final scene. It was originally produced as part of National Theatre Connections 2011.
Top Girls (Modern Classics)
by Caryl ChurchillMarlene hosts a dinner party in a London restaurant to celebrate her promotion to managing director of 'Top Girls' employment agency. Her guests are five women from the past: Isabella Bird (1831- 1904) - the adventurous traveller; Lady Nijo (b1258) - the mediaeval courtesan who became a Buddhist nun and travelled on foot through Japan; Dull Gret, who as Dulle Griet in a Bruegel painting, led a crowd of women on a charge through hell; Pope Joan - the transvestite early female pope and last but not least Patient Griselda, an obedient wife out of Chaucer's Canterbury Tales. As the evening continues we are involved with the stories of all five women and the impending crisis in Marlene's own life. A classic of contemporary theatre, Churchill's play is seen as a landmark for a new generation of playwrights. It was premiered by the Royal Court in 1982."Top Girls has a combination of directness and complexity which keeps you both emotionally and intellectually alert. You can smell life, and at the same time feel locked in an argument with an agile and passionate mind." (John Peter, Sunday Times)
Top Girls (Modern Classics)
by Caryl ChurchillMarlene hosts a dinner party in a London restaurant to celebrate her promotion to managing director of 'Top Girls' employment agency. Her guests are five women from the past: Isabella Bird (1831- 1904) - the adventurous traveller; Lady Nijo (b1258) - the mediaeval courtesan who became a Buddhist nun and travelled on foot through Japan; Dull Gret, who as Dulle Griet in a Bruegel painting, led a crowd of women on a charge through hell; Pope Joan - the transvestite early female pope and last but not least Patient Griselda, an obedient wife out of Chaucer's Canterbury Tales. As the evening continues we are involved with the stories of all five women and the impending crisis in Marlene's own life. A classic of contemporary theatre, Churchill's play is seen as a landmark for a new generation of playwrights. It was premiered by the Royal Court in 1982."Top Girls has a combination of directness and complexity which keeps you both emotionally and intellectually alert. You can smell life, and at the same time feel locked in an argument with an agile and passionate mind." (John Peter, Sunday Times)
Top Girls (Student Editions)
by Caryl Churchill Sophie BushMarlene thinks the eighties are going to be stupendous. Her sister Joyce has her doubts. Her daughter Angie is just frightened. Since its premiere in 1982, Top Girls has become a seminal play of the modern theatre. Set during a period of British politics dominated by the presence of the newly elected Prime Minister Margaret Thatcher, Churchill's play prompts us to question our notions of women's success and solidarity. Its sharp look at the society and politics of the 1980s is combined with a timeless examination of women's choices and restrictions regarding career and family.This new Student Edition features an introduction by Sophie Bush, Senior Lecturer at Sheffield Hallam University, UK prepared with the contemporary student in mind. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains:· A chronology of the play and the playwright's life and work· an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created· a succinct overview of the creation processes followed and subsequent performance history of the piece· an analysis of, and commentary on, some of the major themes and specific issues addressed by the text· a bibliography of suggested primary and secondary materials for further study.
Top Girls (Student Editions)
by Caryl Churchill Sophie BushMarlene thinks the eighties are going to be stupendous. Her sister Joyce has her doubts. Her daughter Angie is just frightened. Since its premiere in 1982, Top Girls has become a seminal play of the modern theatre. Set during a period of British politics dominated by the presence of the newly elected Prime Minister Margaret Thatcher, Churchill's play prompts us to question our notions of women's success and solidarity. Its sharp look at the society and politics of the 1980s is combined with a timeless examination of women's choices and restrictions regarding career and family.This new Student Edition features an introduction by Sophie Bush, Senior Lecturer at Sheffield Hallam University, UK prepared with the contemporary student in mind. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains:· A chronology of the play and the playwright's life and work· an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created· a succinct overview of the creation processes followed and subsequent performance history of the piece· an analysis of, and commentary on, some of the major themes and specific issues addressed by the text· a bibliography of suggested primary and secondary materials for further study.
Topless Mum (Oberon Modern Plays)
by Ron HutchinsonThere's a photo and he says he's on it even though he isn't on it but he says he is and Barry took it and it's summat to do wi' me only it were Barry that took it, only he didn't, is that it?'Ron Hutchinson's powerful new satire on the media's manipulation of the images of war. When a soldier returns home after serving in Afghanistan he tempts a newspaper editor with personal photos that seem to expose outrageous acts of brutality. But when their authenticity is questioned, how far can the story be spun to stop the real truth leaking out...
Topografie des Laiendarsteller-Diskurses: Zur Konstruktion von Laiendarstellerinnen und Laiendarstellern im Kinospielfilm (Film, Fernsehen, Medienkultur)
by Anna Luise KissDie Besetzung von Laien im Kinospielfilm hat eine lange Geschichte und ist bis heute verbreitet. Anna Luise Kiss analysiert Laiendarstellerinnen und Laiendarsteller erstmals als diskursive Phänomene, die auf der Basis filmischer und paratextueller Informationen durch Rezipientinnen und Rezipienten hervorgebracht werden. Mittels einer Kombination von Film- und Paratextanalysen werden die Mechanismen, die zur diskursiven Herausbildung der Laien als Darsteller ihrer selbst, Performer und Naturtalente beitragen, anschaulich gemacht und im Sinne einer kartografischen Erkundung die Topografie des Laiendarsteller-Diskurses herausgearbeitet.
Torben Betts: A Listening Heaven; Mummies And Daddies; Clockwatching (Oberon Modern Plays Ser.)
by Torben BettsThree pitch-black comedies from an exciting new writer. A Listening Heaven, which focuses on one family’s painful inability to grieve for a dead son, was first produced in 1999 to critical acclaim at the Stephen Joseph Theatre in Scarborough, where Betts was the resident dramatist. Mummies and Daddies, developed at the RNT Studio, brutally yet hilariously lays bare the soullessness of consumerism. In Clockwatching, produced at both the SJT and the Orange Tree Theatre in 2001, a despotic man descends into helplessness when his servile wife falls seriously ill. With an introduction by Connal Orton.