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Timon of Athens

The real Timon of Athens lived there in the fifth century BCE, making him a contemporary of Socrates and Pericles. Shakespeare presents Timon as a figure who suffers such profound disillusionment that he becomes a misanthrope, or man-hater. This makes him a more interesting character than the caricature he had become to Shakespeare’s contemporaries, for whom “Timonist” was a slang term for an unsociable man. Shakespeare’s play includes the wealthy, magnificent, and extravagantly generous figure of Timon before his transformation. Timon expects that, having received as gifts all that he owned, his friends will be equally generous to him. Once his creditors clamor for repayment, Timon finds that his idealization of friendship is an illusion. He repudiates his friends, abandons Athens, and retreats to the woods. Yet his misanthropy arises from the destruction of an admirable illusion, from which his subsequent hatred can never be entirely disentangled. The authoritative edition of Timon of Athens from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further reading Essay by Coppélia Kahn The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

Tina's Idea of Fun (Modern Plays)

Just wanna be a better mother, that's all… some sort of a decent mother.Tina can't get through to her son. Stuck on the drink and tormented by her past, what will she do to get his attention? Paddy is a quiet man just looking for someone to talk to. He's a Republican, but he'll shake his fist at anything these days. When Queen Elizabeth II makes her first visit to Ireland, Tina's post-protest party brings out the worst in everyone. What lengths will people go to, to make a connection?Tina's Idea of Fun was first published to coincide with the world premiere on the Peacock stage of The Abbey Theatre, Dublin in April 2016.

Tina's Idea of Fun (Modern Plays)

Just wanna be a better mother, that's all… some sort of a decent mother.Tina can't get through to her son. Stuck on the drink and tormented by her past, what will she do to get his attention? Paddy is a quiet man just looking for someone to talk to. He's a Republican, but he'll shake his fist at anything these days. When Queen Elizabeth II makes her first visit to Ireland, Tina's post-protest party brings out the worst in everyone. What lengths will people go to, to make a connection?Tina's Idea of Fun was first published to coincide with the world premiere on the Peacock stage of The Abbey Theatre, Dublin in April 2016.

Tinker's Wedding

Tiny Dynamite (Oberon Modern Plays Ser.)

When memory takes hold, when chaos takes over and when the electricity between us becomes overwhelming. An impossible love story is given a second chance and three scorched characters are about to learn that lightning does strike twice.

Tipping the Velvet (Vmc Designer Collection #456)

It’s 1887 and Nancy Astley sits in the audience at her local music hall: she doesn’t know it yet, but the next act on the bill will change her life. Tonight is the night she’ll fall in love… with the thrill of the stage and with Kitty Butler, a girl who wears trousers. Giddy with desire and hungry for experience, Nancy follows Kitty to London where unimaginable adventures await.

Tips for Actors

"In the most important theatrical book of this or any other decade, moderate twitter sensation @tips4actors (unrestrained by a 40-character limit) gives you all the advice you need to take your acting to the next level. How to upstage your fellow cast members; what to wear on the first day of rehearsals; and a guide to the finest places to poo in London's West End – it’s all in here! Who else would come up with such transformative advice as... ‘Never read the script. Would your character read the script? No, of course not. For them the script doesn’t exist.’ or... ‘When having sex with a casting director, show off your acting by faking orgasm.’? The answer is no one. Because no other writer is BRAVE enough to tell actors the truth."

'Tis Pity She's A Whore: A critical guide (Continuum Renaissance Drama Guides)

John Ford's tragedy 'Tis Pity She's A Whore was first performed between 1629 and 1633 and since then its themes of incest, love versus duty and forbidden passion have made it a widely studied and performed, if controversial, play. This guide offers students an introduction to its critical and performance history, including TV and film adaptations. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research.

'Tis Pity She's A Whore: A critical guide (Continuum Renaissance Drama Guides)

John Ford's tragedy 'Tis Pity She's A Whore was first performed between 1629 and 1633 and since then its themes of incest, love versus duty and forbidden passion have made it a widely studied and performed, if controversial, play. This guide offers students an introduction to its critical and performance history, including TV and film adaptations. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research.

Title and Deed (Oberon Modern Plays)

Behold the newest nobody of the funniest century yet. He’s almost Christ-like, from a distance, in terms of height and weight. Listen closely or drift off uncontrollably, as he speaks to you directly about the notion of home, about the notion of the world. All of it delivered with the authority that is the special province of the unsure and the un-homed, which is a word he made up accidentally. The running time, if he doesn’t die or think of anything else, is roughly one hour. Title and Deed is a provocative new work by Pulitzer Prize finalist and Horton Foote Prize winner Will Eno, whom The New York Times called ‘a Samuel Beckett for the Jon Stewart generation.’‘A haunting and often fiercely funny meditation on life as a state of permanent exile... The marvel of Mr. Eno’s voice is how naturally it combines a carefully sculptured lyricism with sly, poker-faced humor. Everyday phrases and familiar platitudes -“Don’t ever change,” “Who knows” - are turned inside out or twisted into blunt, unexpected punch lines punctuating long rhapsodic passages that leave you happily word-drunk.’ – New York Times‘The piece proves to be an always fascinating and surprisingly moving 70 minutes of theater…What emerges from his humorous, sometimes stream-of-conscious patter is a heartfelt exploration of the transience of everything in this life, from words themselves to relationships to our very existence.’ - Theatermania

Titus Andronicus: Revised Edition (The Arden Shakespeare Third Series)

Titus Andronicus is one of Shakespeare's earliest and bloodiest tragedies and was hugely successful in his lifetime. Subsequent generations have struggled with its bold confrontation of violence but in the 20th and 21st centuries the play has chimed with audiences again, perhaps because of its simultaneously shocking and playful approach to violent revenge and bodily mutilation. Jonathan Bate's original Arden edition was first published in 1995 and has had a significant influence on how the play has been performed and studied in the past 20 years. This revised edition includes a new 10,000 word introductory essay in which Bate reassess his views on the play's co-authorship with George Peele in the light of contemporary textual scholarship and updates his lively account of the play's performance history, on the international stage and screen. With detailed on-page commentary notes this will continue to be the edition of choice for students, scholars and theatre-makers.

Titus Andronicus: Revised Edition (The Arden Shakespeare Third Series)

Titus Andronicus is one of Shakespeare's earliest and bloodiest tragedies and was hugely successful in his lifetime. Subsequent generations have struggled with its bold confrontation of violence but in the 20th and 21st centuries the play has chimed with audiences again, perhaps because of its simultaneously shocking and playful approach to violent revenge and bodily mutilation. Jonathan Bate's original Arden edition was first published in 1995 and has had a significant influence on how the play has been performed and studied in the past 20 years. This revised edition includes a new 10,000 word introductory essay in which Bate reassess his views on the play's co-authorship with George Peele in the light of contemporary textual scholarship and updates his lively account of the play's performance history, on the international stage and screen. With detailed on-page commentary notes this will continue to be the edition of choice for students, scholars and theatre-makers.

Titus Andronicus: With The Trve Tragedie Of Richard The Third .

An embittered Roman General returns from war, having captured the Queen of the Goths and her three sons. Sacrificing the eldest, in memory of his own sons killed in battle, he provokes the queen's unending hatred. And when she is made empress by the new emperor of Rome, she quickly begins to plot a murderous revenge of barely conceivable cruelty.

Titus Andronicus: Critical Essays (Shakespearean Criticism)

Originally published in 1995. In three parts – introduction, criticism and reviews – this volume examines the goriest of Shakespeare’s works. The editor’s exhaustive introduction runs through the pattern of changing scholarship and commentary, introducing the key interests in the play, from its authorship to its language, rhetoric and performance. Early commentaries focused on arguing about whether the play was truly Shakespeare’s. A selection of the most important of these are included here followed by later investigations looking at myriad topics and characters – revenge, violence, race, Aaron, women, tragedy and Tamora. The large section of reviews of stage performances, arranged chronologically, ranges from 1857 to 1990. Two final pieces interestingly survey stage history of Titus in Japan and in Germany.

Titus Andronicus: Critical Essays (Shakespearean Criticism)

Originally published in 1995. In three parts – introduction, criticism and reviews – this volume examines the goriest of Shakespeare’s works. The editor’s exhaustive introduction runs through the pattern of changing scholarship and commentary, introducing the key interests in the play, from its authorship to its language, rhetoric and performance. Early commentaries focused on arguing about whether the play was truly Shakespeare’s. A selection of the most important of these are included here followed by later investigations looking at myriad topics and characters – revenge, violence, race, Aaron, women, tragedy and Tamora. The large section of reviews of stage performances, arranged chronologically, ranges from 1857 to 1990. Two final pieces interestingly survey stage history of Titus in Japan and in Germany.

Titus Andronicus

The Roman general Titus is drawn into a violent cycle of revenge when he returns triumphantly to Rome with the Goth queen and her three sons as prisoners.

Titus Andronicus: The State of Play (Arden Shakespeare The State of Play)

Shakespeare's and Peele's Titus Andronicus has had a theatrical and a critical revival in the last fifteen years; the critical revival was perhaps prompted by Jonathan Bate's Arden edition of the play and its revision of the traditional critical account that it is an immature work and overly sensationalistic with its emphasis on non-essential violence. Recent debates and approaches have drawn closer attention to the play's classicism; re-defined its genre (for example the revised edition of the New Dramatic Sources will re-classify the play as one of Shakespeare's Roman plays); re-considered the nature of violent spectacle, family relations and kinship, political alliance, race and miscegenation. This study will explore how the revitalized critical responses to early modern and contemporary performance histories has had a significant impact upon the wider reception of this play.

Titus Andronicus: The State of Play (Arden Shakespeare The State of Play)

Shakespeare's and Peele's Titus Andronicus has had a theatrical and a critical revival in the last fifteen years; the critical revival was perhaps prompted by Jonathan Bate's Arden edition of the play and its revision of the traditional critical account that it is an immature work and overly sensationalistic with its emphasis on non-essential violence. Recent debates and approaches have drawn closer attention to the play's classicism; re-defined its genre (for example the revised edition of the New Dramatic Sources will re-classify the play as one of Shakespeare's Roman plays); re-considered the nature of violent spectacle, family relations and kinship, political alliance, race and miscegenation. This study will explore how the revitalized critical responses to early modern and contemporary performance histories has had a significant impact upon the wider reception of this play.

To Be a Playwright

First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

To Be a Playwright

First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

To Be or Not to Be (Shakespeare Now!)

Hamlet's "To be or not to be" soliloquy is quoted more often than any other passage in Shakespeare. It is arguably the most famous speech in the Western world - though few of us can remember much about it. This book carefully unpacks the individual words, phrases and sentences of Hamlet's soliloquy in order to reveal how and why it has achieved its remarkable hold on our culture. Hamlet's speech asks us to ask some of the most serious questions there are regarding knowledge and existence. In it, Shakespeare also expands the limits of the English language. Douglas Bruster therefore reads Hamlet's famous speech in "slow motion" to highlight its material, philosophical and cultural meaning and its resonance for generations of actors, playgoers and readers.

To Be or Not to Be (Shakespeare Now!)

Hamlet's "To be or not to be" soliloquy is quoted more often than any other passage in Shakespeare. It is arguably the most famous speech in the Western world - though few of us can remember much about it. This book carefully unpacks the individual words, phrases and sentences of Hamlet's soliloquy in order to reveal how and why it has achieved its remarkable hold on our culture. Hamlet's speech asks us to ask some of the most serious questions there are regarding knowledge and existence. In it, Shakespeare also expands the limits of the English language. Douglas Bruster therefore reads Hamlet's famous speech in "slow motion" to highlight its material, philosophical and cultural meaning and its resonance for generations of actors, playgoers and readers.

To Be Or Not To Be: And everything else you should know from Shakespeare

The works of William Shakespeare have been a permanent feature on school curricula for years, and almost everbody can boast even a basic knowledge of his life and craft. But, with thirty-eight plays, over 150 sonnets and numerous other poems, there's such a wealth of material it's no wonder we sometimes forget the finer details. To Be Or Not To Be is a fresh, new look at Shakespeare's work showing how and why it remains such an integral part of popular culture and the English language. From what drove Ophelia mad, to the real meaning behind the phrase 'Wherefore art thou, Romeo?', this book covers everything: from the characters, essential plotlines and the famous lines from a host of Shakespeare's greatest works, to illuminating information on the playwright himself. This is a true Shakespearian treasure trove that nobody should be without.

To Be or Not to Be: Shakespeare's Soliloquies

A unique collection of Shakespeare's soliloquies, each introduced by concise and informative editorial notes. This is an edition to complement the highly successful SHAKESPEARE'S SONNETS and is published in commemoration of Shakespeare's birthday. Aperfect book for Shakespeare lovers and enthusiasts.

To Be A Playwright (Routledge Revivals)

Originally published in 2005, To Be A Playwright is an insightful and detailed guide to the craft of playwriting. Part memoir and part how-to guide, this useful book outlines the tools and techniques necessary to the aspiring playwright. Comprised of a collection of memoirs and lectures which blend seamlessly to deliver a practical hands-on guide to playwriting, this book illuminates the elusive challenges confronting creators of dynamic expression and offers a roadmap to craft of playwrighting.