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Pronouncing Shakespeare's Words: A Guide From A To Zounds
by Dale CoyeFirst published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
The Proof Stage: How Theater Reveals the Human Truth of Mathematics
by Stephen AbbottHow playwrights from Alfred Jarry and Samuel Beckett to Tom Stoppard and Simon McBurney brought the power of abstract mathematics to the human stageThe discovery of alternate geometries, paradoxes of the infinite, incompleteness, and chaos theory revealed that, despite its reputation for certainty, mathematical truth is not immutable, perfect, or even perfectible. Beginning in the last century, a handful of adventurous playwrights took inspiration from the fractures of modern mathematics to expand their own artistic boundaries. Originating in the early avant-garde, mathematics-infused theater reached a popular apex in Tom Stoppard’s 1993 play Arcadia. In The Proof Stage, mathematician Stephen Abbott explores this unlikely collaboration of theater and mathematics. He probes the impact of mathematics on such influential writers as Alfred Jarry, Samuel Beckett, Bertolt Brecht, and Stoppard, and delves into the life and mathematics of Alan Turing as they are rendered onstage. The result is an unexpected story about the mutually illuminating relationship between proofs and plays—from Euclid and Euripides to Gödel and Godot.Theater is uniquely poised to discover the soulful, human truths embedded in the austere theorems of mathematics, but this is a difficult feat. It took Stoppard twenty-five years of experimenting with the creative possibilities of mathematics before he succeeded in making fractal geometry and chaos theory integral to Arcadia’s emotional arc. In addition to charting Stoppard’s journey, Abbott examines the post-Arcadia wave of ambitious works by Michael Frayn, David Auburn, Simon McBurney, Snoo Wilson, John Mighton, and others. Collectively, these gifted playwrights transform the great philosophical upheavals of mathematics into profound and sometimes poignant revelations about the human journey.
Prop Building for Beginners: Twenty Props for Stage and Screen
by Eric HartProp Building for Beginners outlines the basic concepts of prop building by featuring step-by-step instructions to create twenty of the most commonly featured items in theatrical and filmed productions. This book uses a combination of projects to expose readers to a wide range of materials and tools that they might find in a basic scenery or costume shop, serving both as a guide to building simple props and as a crash course in the variety of items a props person may have to build. The projects require a variety of tools, techniques, and materials so that a practitioner who completes all of them will have received a complete introduction to the basics of prop building. Assuming no previous knowledge of prop building, this is the perfect primer for students, hobbyists, or community theater enthusiasts looking to enter the prop shop. Prop Building for Beginners includes access to full-scale printable versions of the patterns featured in the book.
The Prop Building Guidebook: For Theatre, Film, and TV
by Eric HartExperienced prop maker Eric Hart walks readers through techniques used in historical and contemporary prop making and demonstrates how to apply them to a variety of materials. Hundreds of full-color photographs illustrate the tools and techniques used by professional prop makers throughout the entertainment industry. New features to the second edition include: Updated information on the latest tools and materials used in prop making Both metric and standard measuring units Step-by-step photos on common techniques such as upholstery, mold making, and faux finishing Expanded coverage of thermoplastics, foam, and water-based coatings
The Prop Building Guidebook: For Theatre, Film, and TV
by Eric HartExperienced prop maker Eric Hart walks readers through techniques used in historical and contemporary prop making and demonstrates how to apply them to a variety of materials. Hundreds of full-color photographs illustrate the tools and techniques used by professional prop makers throughout the entertainment industry. New features to the second edition include: Updated information on the latest tools and materials used in prop making Both metric and standard measuring units Step-by-step photos on common techniques such as upholstery, mold making, and faux finishing Expanded coverage of thermoplastics, foam, and water-based coatings
The Prop Building Guidebook: For Theatre, Film, and TV
by Eric HartNow in its third edition, The Prop Building Guidebook: For Theatre, Film, and TV walks readers through techniques used in historical and contemporary prop making and demonstrates how to apply them to a variety of materials. Experienced prop maker Eric Hart covers the tools and techniques used by professional prop makers throughout the entertainment industry. He outlines a construction process that gives readers the foundational knowledge to choose the best materials and methods for each prop and the background information to know the advantages of these choices. This new edition includes updated information and techniques throughout, including: Over a hundred new images and diagrams Updated terminology, products, and brands used internationally Expanded sections on 3D printing, vacuum forming, foam patterning, and more A new chapter on prop design New information on international safety standards, cleaning, and sanitation More recipes and step-by-step instruction for various finishes Illustrated by hundreds of full-color photographs, this is the most comprehensive guide to prop construction available for professional and student prop makers in theatre, film, and tv. For additional how-to videos, instructional documents, and supplemental information, visit www.propbuildingguidebook.com.
The Prop Building Guidebook: For Theatre, Film, and TV
by Eric HartNow in its third edition, The Prop Building Guidebook: For Theatre, Film, and TV walks readers through techniques used in historical and contemporary prop making and demonstrates how to apply them to a variety of materials. Experienced prop maker Eric Hart covers the tools and techniques used by professional prop makers throughout the entertainment industry. He outlines a construction process that gives readers the foundational knowledge to choose the best materials and methods for each prop and the background information to know the advantages of these choices. This new edition includes updated information and techniques throughout, including: Over a hundred new images and diagrams Updated terminology, products, and brands used internationally Expanded sections on 3D printing, vacuum forming, foam patterning, and more A new chapter on prop design New information on international safety standards, cleaning, and sanitation More recipes and step-by-step instruction for various finishes Illustrated by hundreds of full-color photographs, this is the most comprehensive guide to prop construction available for professional and student prop makers in theatre, film, and tv. For additional how-to videos, instructional documents, and supplemental information, visit www.propbuildingguidebook.com.
The Prop Effects Guidebook: Lights, Motion, Sound, and Magic
by Eric HartIn The Prop Building Guidebook, author Eric Hart demonstrated how to cut, glue, sculpt, and bend raw materials to build props. Now in The Prop Effects Guidebook, he shows us how to connect and assemble components and parts to make those props light up, explode, make noise, and bleed. It delves into the world of electricity, pneumatics, liquids, and mechanical effects to teach you how to make your props perform magic in front of a live audience. The book is complemented by a companion website featuring videos of how to create individual prop special effects: www.propeffectsguidebook.com.
The Prop Effects Guidebook: Lights, Motion, Sound, and Magic
by Eric HartIn The Prop Building Guidebook, author Eric Hart demonstrated how to cut, glue, sculpt, and bend raw materials to build props. Now in The Prop Effects Guidebook, he shows us how to connect and assemble components and parts to make those props light up, explode, make noise, and bleed. It delves into the world of electricity, pneumatics, liquids, and mechanical effects to teach you how to make your props perform magic in front of a live audience. The book is complemented by a companion website featuring videos of how to create individual prop special effects: www.propeffectsguidebook.com.
The Properties Director's Toolkit: Managing a Prop Shop for Theatre (The Focal Press Toolkit Series)
by Sandra Strawn Lisa SchlenkerThe Properties Director’s Toolkit is a concise guide to managing a prop shop and show build. Sandra Strawn and Lisa Schlenker skilfully explain and provide templates for organizing and managing a prop shop, from pre-production organization to production processes, budgeting and collaborations with other production areas. The Toolkit also explores how to plan, organize and maintain a prop shop for safe and efficient production work. This thoroughly revised second edition includes two additional chapters on the role of the Props Director and co-productions, along with expanding information in each chapter, including artisan responsibilities, union information, digital collaboration, prop shop organization and construction, and projections.
The Properties Director's Toolkit: Managing a Prop Shop for Theatre (The Focal Press Toolkit Series)
by Sandra Strawn Lisa SchlenkerThe Properties Director’s Toolkit is a concise guide to managing a prop shop and show build. Sandra Strawn and Lisa Schlenker skilfully explain and provide templates for organizing and managing a prop shop, from pre-production organization to production processes, budgeting and collaborations with other production areas. The Toolkit also explores how to plan, organize and maintain a prop shop for safe and efficient production work. This thoroughly revised second edition includes two additional chapters on the role of the Props Director and co-productions, along with expanding information in each chapter, including artisan responsibilities, union information, digital collaboration, prop shop organization and construction, and projections.
The Prophet (Oberon Modern Plays)
by Hassan AbdulrazzakIt’s January 28th 2011 and Egypt stands on the brink. For Layla and Hisham, a young couple living in downtown Cairo, a dictatorial and corrupt government is only one of their problems. As the world shifts, cataclysmically, around them, some long-hidden secrets threaten to emerge and tear them apart. Based on extensive interviews in Cairo with revolutionaries and soldiers, journalists and cab drivers, this new drama depicts both a revolution in progress and the society from which it sprang.
Props (Readings in Theatre Practice)
by Eleanor MargoliesProps are moving objects of attention: they can be part of theatre scenery, equal partners in performance, or autonomous things. This wide-ranging book brings together theoretical and practical viewpoints on objects in performance, covering actor training, scenography, materials, construction techniques and object theatre. Eleanor Margolies also explores the viewpoints of actors, directors, designers, prop makers and spectators to demonstrate the varied experiences practitioners have of using props.
Protest (Plays for Young People)
by Hannah LaveryHope is a superpower.Running is Alice's happy place – you might even say it's in her DNA. She's the best runner at her school but is struggling to prove her worth. Jade is slowly coming to realise that prejudices can be found everywhere, even in the most surprising places. Realising that her education is ill-equipped to encompass her own history and heritage, and taunted by bullies at school, she knows it's time to tell her own story. Meanwhile, litter is piling up in the local forest, and all over the world an environmental crisis is looming. Chloe is determined to make a change, starting with the town.Three girls prepare to stand up for what they believe in despite the injustices stacked against them in this new play exploring what it takes to make a difference, the power of friendship, and the importance of believing in your own voice.Co-commissioned by Fuel, Imaginate and Northern Stage. Developed and supported by the Scottish Government's Festivals Expo Fund and Imaginate's Accelerator programme. Protest is published in Methuen Drama's Plays for Young People series which offers suitable plays for young performers and audiences at schools, youth groups, and youth theatres.
Protest (Plays for Young People)
by Hannah LaveryHope is a superpower.Running is Alice's happy place – you might even say it's in her DNA. She's the best runner at her school but is struggling to prove her worth. Jade is slowly coming to realise that prejudices can be found everywhere, even in the most surprising places. Realising that her education is ill-equipped to encompass her own history and heritage, and taunted by bullies at school, she knows it's time to tell her own story. Meanwhile, litter is piling up in the local forest, and all over the world an environmental crisis is looming. Chloe is determined to make a change, starting with the town.Three girls prepare to stand up for what they believe in despite the injustices stacked against them in this new play exploring what it takes to make a difference, the power of friendship, and the importance of believing in your own voice.Co-commissioned by Fuel, Imaginate and Northern Stage. Developed and supported by the Scottish Government's Festivals Expo Fund and Imaginate's Accelerator programme. Protest is published in Methuen Drama's Plays for Young People series which offers suitable plays for young performers and audiences at schools, youth groups, and youth theatres.
Protest Song (Modern Plays)
by Tim PriceDanny sleeps rough on the steps of St Paul's Cathedral. Has done for years. Then one morning he wakes to see a canvas city being erected in front of him. And Danny finds himself swept up in the last occupation of London. Protest Song is a fictional play inspired by real events. Tim Price's funny and savage monologue explores the reality of the Occupy movement.Protest Song received its world premiere in the National Theatre's Shed Theatre on 16 December 2013.This edition features an introduction by the playwright, Tim Price.
Protest Song: For Once; Salt, Root And Roe; The Radicalisation Of Bradley Manning; I'm With The Band; Protest Song; Under The Sofa (Modern Plays)
by Tim PriceDanny sleeps rough on the steps of St Paul's Cathedral. Has done for years. Then one morning he wakes to see a canvas city being erected in front of him. And Danny finds himself swept up in the last occupation of London. Protest Song is a fictional play inspired by real events. Tim Price's funny and savage monologue explores the reality of the Occupy movement.Protest Song received its world premiere in the National Theatre's Shed Theatre on 16 December 2013.This edition features an introduction by the playwright, Tim Price.
Protestchöre: Zu einer neuen Ästhetik des Widerstands. Stuttgart 21, Arabischer Frühling und Occupy in theaterwissenschaftlicher Perspektive (Theater #112)
by Stefan DonathProtestformen haben sich im globalen Maßstab und über kulturelle wie politische Grenzen hinweg verändert. Die sozial- und politikwissenschaftliche Protestforschung verfolgt dies aufmerksam, wobei die ästhetischen Dimensionen oft unterbelichtet bleiben. Stefan Donath beschreibt am Beispiel einer der ältesten Ausdrucksformen des europäischen Theaters - dem Chor - den Wandel in den Darstellungsformen von Protest. Er zeigt: Im Rahmen von Stuttgart 21, des Arabischen Frühlings und der Occupy-Bewegung verweisen Protestchöre auf eine neue Ästhetik des Widerstands.
Proust's In Search of Lost Time: Philosophical Perspectives (OXFORD STUDIES IN PHIL AND LIT SERIES)
by Katherine ElkinsWith the story of a madeleine dipped in tea, Marcel Proust makes famous moments that transport one to an earlier time thought lost forever. His In Search of Lost Time announces a quest narrative with lost time as its goal. We follow the journey of a young man as he strives to become the writer he longs to be, and his journey entails discovering a sense of self in which past and present intertwine. The narrator is delayed in his goal by various digressions, including journeys into the worlds of the salons and of art. For this reason, the novel offers far more avenues for philosophical reflection than simply a meditation on time and identity. In Search of Lost Time includes reflections on love and jealousy, joy and suffering, the enchantments of art and the disillusionments of friendship. This volume brings together prominent philosophers and critics to illuminate these many themes. Eight essays treat a wide range of topics including fiction, biography, temporality, music, love, jealousy, weather, and consciousness. One of the longest and most complex novels ever written, In Search of Lost Time has fascinated philosophers for decades. The contributors in this volume build upon earlier approaches to offer new avenues and directions for philosophical thought.
The Providence of Neighboring Bodies (Oberon Modern Plays)
by Jean Ann DouglassAn absurdist dark comedy on friendship and isolation from up-and-coming American playwright Jean Ann Douglass.It’s an exciting day for Dora here in North Providence, Rhode Island. Today is the day Dora is going to make coffee, go outside, and make friends with Ronnie. Ronnie lives in the apartment next door, her balcony just adjacent to Dora’s, both overlooking the parking lot and the weird hill across the street.Ronnie isn’t sure how she wound up living in North Providence for all these years, but here they both are, where nothing exciting has really happened since the great beaver purge of the mid-20th century. That is, until Jane shows up at Ronnie’s door.A dark comedy about beavers, beer, and balconies.
A Provincial Life
by Peter GillBorn into a bourgeois family, Misail determines to find a way to lead an honest life free from privilege. To his father's disapproval and bewilderment, he renounces his heritage and becomes a workman before moving to the country to manage the estate of the girl that he marries. Over the course of a long summer, his burning sense of injustice and deep integrity exact a devastating forfeit. Peter Gill's A Provincial Life, based on a novella by Anton Chekhov, opened at the Sherman Cymru, Cardiff, in March 2012 in a production by National Theatre Wales.
Provocation in Popular Culture
by Bim MasonWhat role can provocation play in the process of renewal, both of individuals and of societies? Provocation in Popular Culture is an investigation into the practice of specific provocateurs and the wider nature of cultural provocation, examining, among others: Banksy Sacha Baron Cohen Leo Bassi Pussy Riot Philippe Petit Archaos. Drawing on Bim Mason’s own twenty-five year career as performer, teacher and creative director, this book explores the power negotiations involved in the relationship between provocateur and provoked, and the implications of maintaining a position on the ‘edge’. Using neuroscience as a bridge, it proposes a similarity between complexity theory and cultural theories of play and risk. Three inter-related analogies for the ‘edge’ on which these performers operate – the fulcrum, the blade and the border – reveal the shifts between structure and fluidity, and the ways in which these can combine in a single moment.
Provocation in Popular Culture
by Bim MasonWhat role can provocation play in the process of renewal, both of individuals and of societies? Provocation in Popular Culture is an investigation into the practice of specific provocateurs and the wider nature of cultural provocation, examining, among others: Banksy Sacha Baron Cohen Leo Bassi Pussy Riot Philippe Petit Archaos. Drawing on Bim Mason’s own twenty-five year career as performer, teacher and creative director, this book explores the power negotiations involved in the relationship between provocateur and provoked, and the implications of maintaining a position on the ‘edge’. Using neuroscience as a bridge, it proposes a similarity between complexity theory and cultural theories of play and risk. Three inter-related analogies for the ‘edge’ on which these performers operate – the fulcrum, the blade and the border – reveal the shifts between structure and fluidity, and the ways in which these can combine in a single moment.
Provocative Eloquence: Theater, Violence, and Antislavery Speech in the Antebellum United States
by Laura L MielkeIn the mid-19th century, rhetoric surrounding slavery was permeated by violence. Slavery’s defenders often used brute force to suppress opponents, and even those abolitionists dedicated to pacifism drew upon visions of widespread destruction. Provocative Eloquence recounts how the theater, long an arena for heightened eloquence and physical contest, proved terribly relevant in the lead up to the Civil War. As antislavery speech and open conflict intertwined, the nation became a stage. The book brings together notions of intertextuality and interperformativity to understand how the confluence of oratorical and theatrical practices in the antebellum period reflected the conflict over slavery and deeply influenced the language that barely contained that conflict. The book draws on a wide range of work in performance studies, theater history, black performance theory, oratorical studies, and literature and law to provide a new narrative of the interaction of oratorical, theatrical, and literary histories of the nineteenth-century U.S.
Psychoanalysis and Performance
by Patrick Campbell Adrian KearThe field of literary studies has long recognised the centrality of psychoanalysis as a method for looking at texts in a new way. But rarely has the relationship between psychoanalysis and performance been mapped out, either in terms of analysing the nature of performance itself, or in terms of making sense of specific performance-related activities. In this volume some of the most distinguished thinkers in the field make this exciting new connection and offer original perspectives on a wide variety of topics, including: · hypnotism and hysteria · ventriloquism and the body · dance and sublimation · the unconscious and the rehearsal process · melancholia and the uncanny · cloning and theatrical mimesis · censorship and activist performance · theatre and social memory. The arguments advanced here are based on the dual principle that psychoanalysis can provide a productive framework for understanding the work of performance, and that performance itself can help to investigate the problematic of identity.