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Preston Sturges: The Last Years Of Hollywood's First Writer-director
by Nick Smedley Tom SturgesFew directors of the 1930s and 40s were as distinctive and popular as Preston Sturges, whose whipsmart comedies have entertained audiences for decades. This book offers a new critical appreciation of Sturges’ whole oeuvre, incorporating a detailed study of the last ten years of his life from new primary sources.
Priapea: Poems for a Phallic God (Routledge Revivals)
by W. H. ParkerFirst published in 1988, Priapea is a collection of eighty Latin epigrams, English translated, that make up the corpus Priapeorum, which displays remarkable skill, artistry and wit. Their elegance of style contrasts strikingly with their indecent subject matter. The poems are mostly spoken by, or addressed to, the lewd god Priapus, famous for the size and tenseness of his erect membrum virile or phallus. A main theme is the threatened use of his formidable organ to assault obscenely any intruders that he may catch thieving, but requests and offsprings made to Priapus, and his comparison of himself with other deities, also figure prominently among the poems. This book will be of interest of literature, classical studies, and translation studies.
Priapea: Poems for a Phallic God (Routledge Revivals)
First published in 1988, Priapea is a collection of eighty Latin epigrams, English translated, that make up the corpus Priapeorum, which displays remarkable skill, artistry and wit. Their elegance of style contrasts strikingly with their indecent subject matter. The poems are mostly spoken by, or addressed to, the lewd god Priapus, famous for the size and tenseness of his erect membrum virile or phallus. A main theme is the threatened use of his formidable organ to assault obscenely any intruders that he may catch thieving, but requests and offsprings made to Priapus, and his comparison of himself with other deities, also figure prominently among the poems. This book will be of interest of literature, classical studies, and translation studies.
The Price: A Drama (Penguin Modern Classics)
by Arthur MillerVictor, a New York cop nearing retirement, moves among furniture in the disused attic of a house marked for demolition. Cabinets, desks, a damaged harp, an overstuffed armchair - the relics of a lost life of affluence he's finally come to sell. But when his brother Walter, who he hasn't spoken to in years, arrives, the talk stops being just about whether Victor's been offered a fair price for the furniture, and turns to the price that one and not the other of them paid when their father lost both his fortune and the will to go on ...
The Price (Student Editions)
by Arthur Miller"The Price is one of the most engrossing and entertaining plays that Miller has ever written." - The New Uork TimesWhen patriarch of the Franz family dies, his two sons return home to dispose of the furniture crammed in his attic: one is a successful surgeon, the other gave up everything to support their father following the Great Depression. As the pair sort through these abandoned belongings, frustrations, secrets and surprise guests are uncovered.With its touching and farcical presentation of American life beyond the Vietnam War and Great Depression, The Price is widely recognised as one of Miller's major works, earning him a Tony Award nomination in 1968.This Methuen Drama Student Edition is edited by Yuko Kurahashi, with commentary and notes that explore the play's production history (including excerpts from interviews with the director and designers of the 2017 Arena Stage production) as well as the dramatic, thematic and academic debates that surround it.
The Price: The Misfits; After The Fall; Incident At Vichy; The Price; Creation Of The World; Playing For Time (Student Editions)
by Arthur Miller"The Price is one of the most engrossing and entertaining plays that Miller has ever written." - The New Uork TimesWhen patriarch of the Franz family dies, his two sons return home to dispose of the furniture crammed in his attic: one is a successful surgeon, the other gave up everything to support their father following the Great Depression. As the pair sort through these abandoned belongings, frustrations, secrets and surprise guests are uncovered.With its touching and farcical presentation of American life beyond the Vietnam War and Great Depression, The Price is widely recognised as one of Miller's major works, earning him a Tony Award nomination in 1968.This Methuen Drama Student Edition is edited by Yuko Kurahashi, with commentary and notes that explore the play's production history (including excerpts from interviews with the director and designers of the 2017 Arena Stage production) as well as the dramatic, thematic and academic debates that surround it.
Prick Up Your Ears (Oberon Modern Plays)
by Simon BentA new play by Simon Bent. Inspired by John Lahr's biography and the diaries of Joe Orton. 1962. Kenneth Halliwell and Joe Orton - RADA graduates, aspiring playwrights, and sometime lovers - plot their rightful place at the centre of London’s literary scene. But after a short interlude at Her Majesty’s pleasure, Joe is about to become the greatest, and most notorious comic playwright since Oscar Wilde, whilst Ken stays indoors re-decorating, reduced to sharing Joe’s success with their neighbour, Mrs Corden, over tea and a slice of battenburg.Prick Up Your Ears - a darkly funny and moving play imagines what really happened when, after years of creative collaboration, the door slammed shut and Kenneth was home alone. It tells the sensational story behind the domestic life of Joe Orton and Kenneth Halliwell, holed up in a tiny flat in Islington, trading well-trodden insults and hilarious put-downs like any old married couple.Prick Up Your Ears opened at the Comedy Theatre, London in September 2009, with a cast including Little Britain’s Matt Lucas and Chris New.
The Pride (Nhb Modern Plays Ser.)
by Alexi Kaye CampbellThe powerful debut play from Alexi Kaye Campbell, winner of an Olivier Award, the Critics' Circle Award for Most Promising Playwright, and the John Whiting Award for Best New Play. Alternating between 1958 and 2008, The Pride examines changing attitudes to sexuality, looking at intimacy, identity and the courage it takes to be who you really are. The 1958 Philip is in love with Oliver, but married to Sylvia. The 2008 Oliver is addicted to sex with strangers. Sylvia loves them both. The Pride was first performed at the Royal Court Theatre, London, in the Jerwood Theatre Upstairs in November 2008. This edition of the play was published alongside its revival at the Trafalgar Studios in the West End in 2013. 'Marvellous, sad and blisteringly funny… a brave and rewarding drama that speaks to us all' - Guardian 'Ingenious and imaginative' - Evening Standard 'A remarkable debut from a daring dramatist' - Telegraph 'Stylish, zippy and surprisingly funny… a probing, troubled and often brilliant play' - Time Out
The Pride of Parnell Street
by Sebastian BarrySee, love between a man and a woman, it's - private. It happens where you never do see it. In rooms.Italy 1 - Ireland 0...The score that marked Ireland's demoralizing exit from Italia '90 took its toll. No more so than for Janet and Joe Brady of Parnell Street who lost far more than the match that night. Some years on, Joe and Janet reveal the intimacies of their love and the rupture of their marriage, through interconnecting monologues that also evoke their life-long love affair with Dublin city itself. Sebastian Barry's explores with vivid tenderness the devastating effects of public and private acts of violence. This is an intimate, heroic tale of ordinary and extraordinary life on the streets of Dublin. Fishamble's world premiere of The Pride of Parnell Street opened at the Tricycle Theatre, London, and as part of the Dublin Theatre Festival at the Tivoli Theatre, Dublin, in September 2007.
Priestley: Plays One (Oberon Modern Playwrights)
by J. B. PriestleyIncludes the plays Laburnum Grove, When We Are Married and Mr Kettle and Mrs MoonWith an introduction by Tom Priestley and a foreword by Roy Hattersley.These three domestic comedies display J B Priestley's talent for the ordinary situation turned sharply on its head. In Laburnum Grove George Radfern's friends and relations want a share of his wealth - until they find out where it's come from. When We Are Married features three high-minded couples who gather to celebrate their silver wedding anniversaries, only to discover they were never properly married at all.And in Mr Kettle and Mrs Moon an unassuming bank manager turns rebel when a voice tells him to pack in his position and stay at home.In these mischievous depictions of respectability gone awry, the proud and the prejudiced battle against emerging truths and potential scandal. J B Priestley proves himself a skilled craftsman and presents his characters with rich humour, warmth and humanity.
Priestley: Plays Two (Oberon Modern Playwrights)
by J. B. PriestleyIncludes the plays They Came to a City, Summer Day's Dream and The Glass CageWith an introduction by Tom Priestley.All three dramas in this second volume of J B Priestley's plays investigate the question of an individual's responsibility towards his or her family and community. In They Came to a City, written at the height of the Second World War, a mixed bag of Britons mysteriously find themselves outside a strange city. What kind of 'New Jerusalem' is this, and will it suit everybody?Summer Day's Dream, first performed in 1949, is set in the future - 1975. In a Britain bombed back into pre-industrial past, three representatives of the new world order disturb the tranquil lives of three generations of an English family. The themes of hypocrisy and redemption are brought to the fore in The Glass Cage, when three black sheep of a respectable Toronto clan are grudgingly welcomed back into the family home.
Priestley Plays Four: The Thirty-first Of June; Jenny Villiers (Oberon Modern Playwrights)
by J. B. PriestleyTwo little known Priestley plays, which, while they are quite different, have important features in common. The 31st of June is a comedy set partly in an advertising agency and partly in a medieval castle; Jenny Villiers is a serious play set backstage in an old provincial theatre. But both exploit elements of Time. In the 31st of June scenes switch between modern times and the middle ages, while characters move between both. There are kings, company bosses, princesses, fashion models, dwarves and two rival magicians. causing confusion and romance. Jenny Villiers examines life in the Theatre. The doubts of the present are confronted by players from the past, and a jaded playwright recovers his faith in the Theatre. Both plays were performed on the stage, but later rewritten and published as novels.
Primetime: Young Writers Festival and Peckham Young Playwrights Project (Oberon Modern Plays)
by Various AuthorsPack your bags and hold on tight and you’re whisked away on a whirlwind of adventure. And get ready to meet a host of captivating characters, including a talking sausage roll, a troop of cocktail-loving monkeys and a long-nosed hippo called Gary, who will win you over with their charm whether you’re 8 or 80. The Primetime plays were developed during the Young Writers Festival and Peckham Young Playwrights project in 2012, with the help of Royal Court playwrights Nick Payne and Rachel De-lahay. The plays were performed in the Jerwood Theatre Downstairs in 2013, as part of a programme called Kids Court, where children took over the theatre. A selection of the plays were then performed for the Royal Court’s Primetime Schools Tour in London primary schools in 2014.
The Prince (Modern Plays)
by Abigail ThornAll the world's a stage.Have you ever been trapped in a bad relationship, playing a role that doesn't suit you? Jen and Sam are also trapped … in a multiverse of Shakepeare's complete works.On their quest to discover the doorway back to reality they notice something unusual about Henry 'Hotspur' Percy. Now Jen and Sam must decide; do they risk losing their way home to help someone who might be like them – someone who does not yet know who she truly is?The Prince is a sharp new play that weaves through Henry IV Part One and other of the Bard's works, providing fun for the audience whether they be Shakespeare scholars or verse virgins. With sword fighting, lesbianism, and disappointed parents, this thrilling new work was written by Abigail Thorn,celebrated creator of Philosophy Tube.This edition was published to coincide with the world premiere at London's Southwark Playhouse, in September 2022.
The Prince (Modern Plays)
by Abigail ThornAll the world's a stage.Have you ever been trapped in a bad relationship, playing a role that doesn't suit you? Jen and Sam are also trapped … in a multiverse of Shakepeare's complete works.On their quest to discover the doorway back to reality they notice something unusual about Henry 'Hotspur' Percy. Now Jen and Sam must decide; do they risk losing their way home to help someone who might be like them – someone who does not yet know who she truly is?The Prince is a sharp new play that weaves through Henry IV Part One and other of the Bard's works, providing fun for the audience whether they be Shakespeare scholars or verse virgins. With sword fighting, lesbianism, and disappointed parents, this thrilling new work was written by Abigail Thorn,celebrated creator of Philosophy Tube.This edition was published to coincide with the world premiere at London's Southwark Playhouse, in September 2022.
The Prince and the Pauper (Modern Plays)
by Jemma KennedyYou are a Prince, not a pauper. And before too long the whole of England will be in your hands...Jemma Kennedy's stage adaptation of The Prince and the Pauper is a dynamic and fast-paced adaptation of Mark Twain's 1881 classic novel of confused identities. Set in a gritty, vibrant Tudor London, the poverty-stricken Tom Canty has a chance meeting with the young heir to the throne, Prince Edward, and – by pure coincidence – they find they look almost identical.The Prince and the Pauper tells the story of what happens when one person is mistaken for the other and what happens to them in the long-term: Tom Canty is forced into the world of the court and power, while Edward is cast down into a world of poverty and thieves, from which he must fight his way back to the court.First produced at the Unicorn Theatre, the UK's leading theatre for young audiences aged 2 – 21 from the 25th November 2012 to the 13 January 2013.
The Prince and the Pauper (Modern Plays)
by Jemma KennedyYou are a Prince, not a pauper. And before too long the whole of England will be in your hands...Jemma Kennedy's stage adaptation of The Prince and the Pauper is a dynamic and fast-paced adaptation of Mark Twain's 1881 classic novel of confused identities. Set in a gritty, vibrant Tudor London, the poverty-stricken Tom Canty has a chance meeting with the young heir to the throne, Prince Edward, and – by pure coincidence – they find they look almost identical.The Prince and the Pauper tells the story of what happens when one person is mistaken for the other and what happens to them in the long-term: Tom Canty is forced into the world of the court and power, while Edward is cast down into a world of poverty and thieves, from which he must fight his way back to the court.First produced at the Unicorn Theatre, the UK's leading theatre for young audiences aged 2 – 21 from the 25th November 2012 to the 13 January 2013.
Prince of Homburg (Oberon Modern Plays)
by Dennis KellyHeroic commander of the Prussian cavalry, the Prince of Homburg dreams of victory, glory and fame. But reckless disobedience during a crucial military operation leads the Prince into his greatest battle yet. The creative team behind the Donmar’s critically acclaimed production of Life Is A Dream present Von Kleist’s poetic masterpiece, which is considered to be one of the most haunting and beautiful plays of the nineteenth century, exploring honour, courage, ambition and love. Adapted for stage by acclaimed British writer Dennis Kelly, this is an exciting new adaptation of a classic of European literature.
The Prince of Homburg (Absolute Classics Ser.)
by Heinrich Von Kleist Neil BartlettTell me, please - is this a dream?'The night before he leads his troops into battle, the prince of Homburg strips off his uniform and goes sleepwalking. Moonstruck, his mind races with a young man's fantasies - love, ambition and victory. But when the morning comes, a single reckless act of disobediance sets in motion a chain of events that leads inexorable to the one thing he never dreamt would happen; his own death.Heinrich von Kleist is one of the most enigmatic figures in theatre history. Driven to suicide at the age of 34, he left behind him seven extraordinary plays. Unperformed during his own lifetime, The Prince of Homburg is now regarded as von Kleist's masterpiece and is one of the most mysterious and beautiful plays of the nineteenth century.Neil Bartlett's production opened at the RSC Stratford in January 2002, and transferred to the Lyric Theatre.
Principles of Dramaturgy (Focus on Dramaturgy)
by Robert ScanlanIn Principles of Dramaturgy, Robert Scanlan explains the invariant principles behind the construction of stage and performance events of any style or modality. This book contains all that is essential for training a professional stage director and/or dramaturg, including the "plot-bead" technique for analyzing play scripts developed by Scanlan. It details all the steps for the full implementation of "Production Dramaturgy" as it is practiced in professional theatres, and treats form and action as foundational cornerstones of all performance, rather than "story" elements – a frequent and debilitating misprision in theatre practice. Scanlan’s unique approach offers practical training that is supported by detailed diagrams and contextualized instructions, making this the missing text for classes in dramaturgy. Serving stage directors, dramaturgs, actors, designers, and playwrights, Principles of Dramaturgy is a comprehensive guide that puts the training of capable practitioners above all else.
Principles of Dramaturgy (Focus on Dramaturgy)
by Robert ScanlanIn Principles of Dramaturgy, Robert Scanlan explains the invariant principles behind the construction of stage and performance events of any style or modality. This book contains all that is essential for training a professional stage director and/or dramaturg, including the "plot-bead" technique for analyzing play scripts developed by Scanlan. It details all the steps for the full implementation of "Production Dramaturgy" as it is practiced in professional theatres, and treats form and action as foundational cornerstones of all performance, rather than "story" elements – a frequent and debilitating misprision in theatre practice. Scanlan’s unique approach offers practical training that is supported by detailed diagrams and contextualized instructions, making this the missing text for classes in dramaturgy. Serving stage directors, dramaturgs, actors, designers, and playwrights, Principles of Dramaturgy is a comprehensive guide that puts the training of capable practitioners above all else.
The Priory
by Michael WynneA few friends. People we like. No craziness. The days of a big blow out are over.Kate is delighted when she finds a house in the country to escape to for New Year's Eve. Gathering together a select group of her closest friends, she is keen to start the coming year afresh. But successful, stressed-out thirtysomethings in search of a good time can make for one very fearsome party . . . and some surprising resolutions.Michael Wynne's The Priory premiered at the Royal Court Theatre, London, in November 2009.
Prism and Ken (Modern Plays)
by Terry JohnsonThese two plays - by acclaimed playwright Terry Johnson - tell the inspiring, endearing and sometimes alarming stories of an Oscar-winning cinematographer and an aspiring playwright who receives a chance phone call.In Prism we see Legendary cinematic master Jack Cardiff retire to the sleepy village in Buckinghamshire. His days of hard work - and play – on some of the most famous sets in the world are now long behind him, as are his secret liaisons with some of the most famous women in the world... Surrounded by memorabilia from a lifetime of 'painting with light', the writing of an autobiography should be an easy matter - were it not that Jack would now rather live in the past than remember it.Ken, set in 1978, sees an aspiring young playwright wrestle with a play for the Royal Court. The phone rings. The man on the other end is called Ken and he's about to teach our hero the pleasures and perils of serendipity…These plays were published to coincide with a 2017 production of Prism at the Hampstead Theatre, London, by Hampstead Theatre/AKO Foundation initiative and with funding from NEXT DECADE.
Prism and Ken (Modern Plays)
by Terry JohnsonThese two plays - by acclaimed playwright Terry Johnson - tell the inspiring, endearing and sometimes alarming stories of an Oscar-winning cinematographer and an aspiring playwright who receives a chance phone call.In Prism we see Legendary cinematic master Jack Cardiff retire to the sleepy village in Buckinghamshire. His days of hard work - and play – on some of the most famous sets in the world are now long behind him, as are his secret liaisons with some of the most famous women in the world... Surrounded by memorabilia from a lifetime of 'painting with light', the writing of an autobiography should be an easy matter - were it not that Jack would now rather live in the past than remember it.Ken, set in 1978, sees an aspiring young playwright wrestle with a play for the Royal Court. The phone rings. The man on the other end is called Ken and he's about to teach our hero the pleasures and perils of serendipity…These plays were published to coincide with a 2017 production of Prism at the Hampstead Theatre, London, by Hampstead Theatre/AKO Foundation initiative and with funding from NEXT DECADE.
Prismatic Performances: Queer South Africa and the Fragmentation of the Rainbow Nation (Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance)
by April Sizemore-BarberAt his 1994 inauguration, South African president Nelson Mandela announced the “Rainbow Nation, at peace with itself and the world.” This national rainbow notably extended beyond the bounds of racial coexistence and reconciliation to include “sexual orientation” as a protected category in the Bill of Rights. Yet despite the promise of equality and dignity, the new government’s alliance with neoliberal interests and the devastation of the AIDS epidemic left South Africa an increasingly unequal society. Prismatic Performances focuses on the queer embodiments that both reveal and animate the gaps between South Africa’s self-image and its lived realities. It argues that performance has become a key location where contradictions inherent to South Africa’s post-apartheid identity are negotiated. The book spans 30 years of cultural production and numerous social locations and includes: a team of black lesbian soccer players who reveal and redefine the gendered and sexed limitations of racialized “Africanness;” white gay performers who use drag and gender subversion to work through questions of racial and societal transformation; black artists across the arts who have developed aesthetics that place on display their audiences’ complicity in the problem of sexual violence; and a primarily heterosexual panAfrican online soap opera fandom community who, by combining new virtual spaces with old melodramatic tropes allow for extended deliberation and new paradigms through which African same-sex relationships are acceptable. Prismatic Performances contends that when explicitly queer bodies emerge onto public stages, audiences are made intimately aware of their own bodies’ identifications and desires. As the sheen of the New South Africa began to fade, these performances revealed the inadequacy and, indeed, the violence, of the Rainbow Nation as an aspirational metaphor. Simultaneously they created space for imagining new radical configurations of belonging.