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Wuthering Heights: Illustrations By Marjolein Bastin (Modern Plays)

I am Heathcliff! Whatever our souls are made of, his and mine are the same.The Yorkshire moors tell an epic story of love, revenge and redemption. Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights.He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed.Shot through with music, dance, passion and hope, Emma Rice transforms Emily Brontë's masterpiece into a powerful and uniquely theatrical experience. This edition was published to coincide with the world premiere at Bristol Old Vic in October 2021.

Wuthering Heights: Illustrations By Marjolein Bastin (Modern Plays)

I am Heathcliff! Whatever our souls are made of, his and mine are the same.The Yorkshire moors tell an epic story of love, revenge and redemption. Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights.He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed.Shot through with music, dance, passion and hope, Emma Rice transforms Emily Brontë's masterpiece into a powerful and uniquely theatrical experience. This edition was published to coincide with the world premiere at Bristol Old Vic in October 2021.

Wuthering Heights (Modern Plays)

I am Heathcliff! Whatever our souls are made of, his and mine are the same.The Yorkshire moors tell an epic story of love, revenge and redemption.Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights.He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed.Shot through with music, dance, passion and hope, Emma Rice transforms Emily Brontë's masterpiece into a powerful and uniquely theatrical experience.This edition was published to coincide with the world premiere at Bristol Old Vic in October 2021.

Wuthering Heights (Modern Plays)

I am Heathcliff! Whatever our souls are made of, his and mine are the same.The Yorkshire moors tell an epic story of love, revenge and redemption.Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights.He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed.Shot through with music, dance, passion and hope, Emma Rice transforms Emily Brontë's masterpiece into a powerful and uniquely theatrical experience.This edition was published to coincide with the world premiere at Bristol Old Vic in October 2021.

Wuthering Heights (Modern Plays)

We don't in general take to strangers here… unless they take to us first.Channelling Emily Brontë's piercing wit and fierce emotion, Inspector Sands bring their characteristic humour, passion and pathos to the infamous love story of Catherine and Heathcliff. Wuthering Heights contains violence, peril, social awkwardness, exhilarating music, high winds and mud.Wuthering Heights was developed with the support of Bristol Old Vic Ferment, UCL Culture, The Royal Central School of Speech and Drama and Jacksons Lane, and was co-produced by China Plate, Inspector Sands, Royal & Derngate, Northampton, and Oxford Playhouse. This edition was published to coincide with the world premiere and UK tour in May 2023.

Wuthering Heights (Modern Plays)

We don't in general take to strangers here… unless they take to us first.Channelling Emily Brontë's piercing wit and fierce emotion, Inspector Sands bring their characteristic humour, passion and pathos to the infamous love story of Catherine and Heathcliff. Wuthering Heights contains violence, peril, social awkwardness, exhilarating music, high winds and mud.Wuthering Heights was developed with the support of Bristol Old Vic Ferment, UCL Culture, The Royal Central School of Speech and Drama and Jacksons Lane, and was co-produced by China Plate, Inspector Sands, Royal & Derngate, Northampton, and Oxford Playhouse. This edition was published to coincide with the world premiere and UK tour in May 2023.

Wyndham Lewis: Collected Poems and Plays

At the beginning of his career Wyndham Lewis (1882-1957) wrote vigorous poetry, and plays which in their form and vehement characterisation resemble the later work of Samuel Beckett. This volume includes major works: One-Way Song , and Enemy of the Stars in its two very different versions, as well as other writings that can now be seen as central to the formation of Lewis's work. The plays and poems crackle with ferocious energy, concentrated and brilliant, as Lewis creates a literary equivalent to the visual revolutions of Cubism and Vorticism. He explores how an artist should think and write in an oppressive world, the relationship between imagination and action. This edition, with Alan Munton's annotations, is a definitive text based on Lewis's own final corrections. An introduction by C.H. Sisson places these radical works in the context of Lewis's other writings.

Wyndham Lewis: Collected Poems and Plays

At the beginning of his career Wyndham Lewis (1882-1957) wrote vigorous poetry, and plays which in their form and vehement characterisation resemble the later work of Samuel Beckett. This volume includes major works: One-Way Song , and Enemy of the Stars in its two very different versions, as well as other writings that can now be seen as central to the formation of Lewis's work. The plays and poems crackle with ferocious energy, concentrated and brilliant, as Lewis creates a literary equivalent to the visual revolutions of Cubism and Vorticism. He explores how an artist should think and write in an oppressive world, the relationship between imagination and action. This edition, with Alan Munton's annotations, is a definitive text based on Lewis's own final corrections. An introduction by C.H. Sisson places these radical works in the context of Lewis's other writings.

Wyndham Lewis: An Anthology of His Prose (Routledge Library Editions: Wyndham Lewis #3)

Originally published in 1969, this project had Wyndham Lewis’ personal approval and is a comprehensive anthology of his prose writings, especially those which are difficult to access. There are extracts from some of Wyndham Lewis’ remarkable books such as Paleface, The Art of Being Ruled and Men Without Art. Lesser known works such as Filibusters in Barbary, The Diabolical Principle and The Dithyrambic Spectator, Blasting and Bombardiering, and Rude Assignment, are freely drawn upon and there is a section devoted to writings on the USA, a country which Lewis knew well.

Wyndham Lewis: An Anthology of His Prose (Routledge Library Editions: Wyndham Lewis #3)

Originally published in 1969, this project had Wyndham Lewis’ personal approval and is a comprehensive anthology of his prose writings, especially those which are difficult to access. There are extracts from some of Wyndham Lewis’ remarkable books such as Paleface, The Art of Being Ruled and Men Without Art. Lesser known works such as Filibusters in Barbary, The Diabolical Principle and The Dithyrambic Spectator, Blasting and Bombardiering, and Rude Assignment, are freely drawn upon and there is a section devoted to writings on the USA, a country which Lewis knew well.

Wyndham Lewis's Cultural Criticism and the Infrastructures of Patronage

Wyndham Lewis was both a serious proponent and forthright critic of modernism. His assault upon his contemporaries foreshadowed the twenty-first century scholarly interest in the networks, professions, and coteries – rather than the myths and heroics – of modernism. Lewis, after a long period of neglect, now sits increasingly at the heart of a revised field of modernist studies.This book explores Lewis’s cultural criticism as a valuable body of writing which posed questions that have yet to be answered about subsidy and the function of the artist, about professionalism and ethics, about who should pay for the arts, and what the artist’s obligations should be in return. It is the first book-length study of this body of critical writing, through which Lewis articulated the central and most lasting of his critical preoccupations: the question of how the work of the artist is to be valued, and the artist to be paid, in a professionalised society. This book makes an important contribution to the long overdue reassessment of a complex, contrarian figure, spanning the disciplines of literature and the visual arts, who asked pressing questions about the role and status of the artist, and ultimately about the value (economic, civic, political) of the work of art.

Wyoming Revisited: Rephotographing the Scenes of Joseph E. Stimson

In Wyoming Revisited, Michael A. Amundson uses the power of rephotography to show how landscapes across the state have endured over the last century. Three sets of photographs—the original black-and-white photographs taken by famed Wyoming photographer Joseph E. Stimson more than a century ago, repeat black-and-white images taken by Amundson in the 1980s, and a third view in color taken by the author in 2007–2008—are accompanied by captions explaining the history and importance of each site as well as information on the process of repeat photographic fieldwork. The 117 locations feature street views of Wyoming towns and cities, as well as views from the state's famous natural landmarks like Yellowstone National Park, Grand Teton National Park, Devil's Tower National Monument, Hot Springs State Park, and Big Horn and Shoshone National Forests. In addition, Amundson provides six in-depth essays that explore the life of Joseph E. Stimson, the rephotographic process and how it has evolved, and how repeat photography can be used to understand history, landscape, historic preservation, and globalization. Wyoming Revisited highlights the historic evolution of the American West over the past century and showcases the significant changes that have occurred over the past twenty-five years. This book will appeal to photographers, historians of the American West, and anyone interested in Wyoming's history or landscape. The publication of this book is supported in part by the Wyoming Cultural Trust Fund.

X: Writings ’79–’82 (pdf)

X (Modern Plays)

It's a tax write-off. This is where they send the new, the under-qualified, the old. And most of all the British. Mars is full of blonde Americans. It's like they're building the master race out there.Billions of miles from home, the lone research base on Pluto has lost contact with Earth. Unable to leave or send for help, the skeleton crew sit waiting.Waiting.Waiting long enough for time to start eating away at them.To lose all sense of it.To start seeing things in the dark outside.Alistair McDowall's play X premiered at the Royal Court on 30 March 2016 in the Jerwood Theatre Downstairs.

X (Modern Classics)

“McDowall masterfully plants ideas that grow until they explode into extraordinary shapes. Filthy humour breaks down into a cracked algorithm of letters and loss … a play that will gnaw away at you. It's sci-fi – and theatre – at its best.” The StageBillions of miles from home, the lone research base on Pluto has lost contact with Earth. Unable to leave or send for help, the skeleton crew sit waiting.Waiting.Waiting long enough for time to start eating away at them.To lose all sense of it.To start seeing things in the dark outside.X premiered at the Royal Court Theatre, London, in 2016. This new Modern Classics edition features an introduction by Dr Cristina Delgado-García.

X (Modern Classics)

“McDowall masterfully plants ideas that grow until they explode into extraordinary shapes. Filthy humour breaks down into a cracked algorithm of letters and loss … a play that will gnaw away at you. It's sci-fi – and theatre – at its best.” The StageBillions of miles from home, the lone research base on Pluto has lost contact with Earth. Unable to leave or send for help, the skeleton crew sit waiting.Waiting.Waiting long enough for time to start eating away at them.To lose all sense of it.To start seeing things in the dark outside.X premiered at the Royal Court Theatre, London, in 2016. This new Modern Classics edition features an introduction by Dr Cristina Delgado-García.

X Films: True Confessions of a Radical Filmmaker

British Cinema's oldest enfant terrible'. So remarked Philip French of Alex Cox, a description its recipient fully approves of. Alex Cox is the genuine article - a radical, international, independent filmmaker, who is also a good writer, insightful commentator on contemporary cinema and an expert critic of the power of Hollywood who grew up with a passion for the pictures. This book has as its centre the filmmaking autobiography of a fine director, the journey through all his major films and how they were made, including his new film, now in production. Cox takes us to varied locations, including the US, Mexico, and Nicaragua, where he made 'Walker' with the cooperation of the Sandinista government. His book is full of fresh ideas and rare insights into many films of different genres and the people he has worked with, including such greats as Dennis Potter and Harry Dean Stanton.As well as being the confessions of a radical filmmaker, 'X Films' is also the most readable working manual yet for the independent filmmaker. Enfant terrible he may be, but Alex Cox is also ahead of the game and is a pioneer and promoter of new forms of filmmaking for the cultural revolutionaries of the 21st century - visual, visceral but interactive, with multiple narrative possibilities.

The X List: The National Society of Film Critics' Guide to the Movies That Turn Us On

National Society of Film Critics dares to go where few mainstream critics have gone before-to the heart of what gets the colored lights going, as they say in A Streetcar Named Desire. Here is their take on the films that quicken their (and our) pulses-an enterprise both risky and risque, an entertaining overview of the most arousing films Hollywood has every produced. But make no mistake about it: This isn't a collection of esoteric "critic's choice" movies. The films reflect individual taste, rubbing against the grain of popular wisdom. And, because of the personal nature of the erotic forces at play, these essays will reveal more about the individual critics than perhaps they have revealed thus far to their readers. The Society is a world-renowned, marquee-name organization embracing some of America's most distinguished critics, more than forty writers who have followings nationally as well as devoted local constituencies in such major cities as New York, Chicago, Los Angeles, Boston, Philadelphia, Atlanta, and Minneapolis.Yes, The X List will have something for every lover of film-and for every lover.

X-Radiography of Textiles, Dress and Related Objects

X-radiography of textile objects reveals hidden features as well as unexpected components and materials. This non-destructive technique throws light on construction, manufacturing techniques, use, wear, repair, patterns of decay and dating. X-radiography improves artefact documentation and interpretation as well as guiding conservation approaches by enhancing understanding.This book explores techniques for X-raying textiles. It describes approaches to image interpretation and explains how, through digitisation and digital image manipulation, maximum information can be realised. Case studies include archaeological, ecclesiastical and ethnographic textiles, items of dress and accessories, upholstery, quilts, embroideries, dolls and toys. Museum professionals will find this stimulating book an essential guide for developing their own practice or commissioning textile X-radiographs.

X-Radiography of Textiles, Dress and Related Objects

X-radiography of textile objects reveals hidden features as well as unexpected components and materials. This non-destructive technique throws light on construction, manufacturing techniques, use, wear, repair, patterns of decay and dating. X-radiography improves artefact documentation and interpretation as well as guiding conservation approaches by enhancing understanding.This book explores techniques for X-raying textiles. It describes approaches to image interpretation and explains how, through digitisation and digital image manipulation, maximum information can be realised. Case studies include archaeological, ecclesiastical and ethnographic textiles, items of dress and accessories, upholstery, quilts, embroideries, dolls and toys. Museum professionals will find this stimulating book an essential guide for developing their own practice or commissioning textile X-radiographs.

X-Ray Computed Tomography in Biomedical Engineering

Computed Tomography gives a detailed overview of various aspects of computed tomography. It discusses X-ray CT tomography from a historical point of view, the design and physical operating principles of computed tomography apparatus, the algorithms of image reconstruction and the quality assessment criteria of tomography scanners. Algorithms of image reconstruction from projections, a crucial problem in medical imaging, are considered in depth. The author gives descriptions of the reconstruction methods related to tomography scanners with a parallel X-ray beam, trough solutions with fan-shaped beam and successive modifications of spiral scanners. Computed Tomography contains a dedicated chapter for those readers who are interested in computer simulations based on studies of reconstruction algorithms. The information included in this chapter will enable readers to create a simulation environment in which virtual tomography projections can be obtained in all basic projection systems. This monograph is a valuable study on computed tomography that will be of interest to advanced students and researchers in the fields of biomedical engineering, medical electronics, computer science and medicine.

X-ray Imaging of the Soil Porous Architecture

The advent of X-ray Computed Tomography (CT) as a tool for the soil sciences almost 40 years ago has revolutionised the field. Soil is the fragile, thin layer of material that exists above earth’s geological substrates upon which so much of life on earth depends. However a major limitation to our understanding of how soils behave and function is due to its complex, opaque structure that hinders our ability to assess its porous architecture without disturbance. X-ray imagery has facilitated the ability to truly observe soil as it exists in three dimensions and across contrasting spatial and temporal scales in the field in an undisturbed fashion. This book gives a comprehensive overview of the “state of the art” in a variety of application areas where this type of imaging is used, including soil water physics and hydrology, agronomic management of soils, and soil-plant-microbe interactions. It provides the necessary details for entry level readers in the crucial areas of sample preparation, scanner optimisation and image processing and analysis. Drawing on experts across the globe, from both academia and industry, the book covers the necessary “dos and don’ts”, but also offers insights into the future of both technology and science. The wider application of the book is provided by dedicated chapters on how the data from such imagery can be incorporated into models and how the technology can be interfaced with other relevant technical applications. The book ends with a future outlook from the four editors, each of whom has over 20 years of experience in the application of X-ray CT to soil science.

X und Motif: Einführung in die Programmierung des Motif-Toolkits und des X-Window-Systems

X3D: Extensible 3D Graphics for Web Authors (The Morgan Kaufmann Series in Computer Graphics)

In the early days of the Web a need was recognized for a language to display 3D objects through a browser. An HTML-like language, VRML, was proposed in 1994 and became the standard for describing interactive 3D objects and worlds on the Web. 3D Web courses were started, several best-selling books were published, and VRML continues to be used today. However VRML, because it was based on HTML, is a stodgy language that is not easy to incorporate with other applications and has been difficult to add features to. Meanwhile, applications for interactive 3D graphics have been exploding in areas such as medicine, science, industry, and entertainment. There is a strong need for a set of modern Web-based technologies, applied within a standard extensible framework, to enable a new generation of modeling & simulation applications to emerge, develop, and interoperate. X3D is the next generation open standard for 3D on the web. It is the result of several years of development by the Web 3D Consortium's X3D Task Group. Instead of a large monolithic specification (like VRML), which requires full adoption for compliance, X3D is a component-based architecture that can support applications ranging from a simple non-interactive animation to the latest streaming or rendering applications. X3D replaces VRML, but also provides compatibility with existing VRML content and browsers. Don Brutzman organized the first symposium on VRML and is playing a similar role with X3D; he is a founding member of the consortium. Len Daly is a professional member of the consortium and both Len and Don have been involved with the development of the standard from the start.The first book on the new way to present interactive 3D content over the Web, written by two of the designers of the standardPlentiful illustrations and screen shots in the full color textCompanion website with extensive content, including the X3D specification, sample code and applications, content creation tools, and demos of compatible Web browsers

Xala (BFI Film Classics)

Xala (1974) by the pioneering Senegalese director Ousmane Sembene, was acclaimed on its release for its scorching critique of postcolonial African society, and it cemented Sembene's status as a wholly new kind of politically engaged, pan-African, auteur film-maker. Centring on the story of businessman El Hadji and the impotence that afflicts him on his marriage to a young third wife, Xala vividly captures the cultural and political upheaval of 1970s Senegal, while suggesting the radical potential of dissent, solidarity and collective action, embodied by El Hadji's student daughter Rama and the group of urban 'undesirables' who act as a kind of raw chorus to the affairs of the neocolonial elite. James S. Williams's lucid study traces Xala's difficult production history and analyses its daring combination of political and domestic drama, oral narrative, social realism, symbolism, satire, documentary, mysticism and Marxist analysis. Yet from its dazzling extended opening sequence of revolution as performance to its suspended climax of redemption through ritualised spitting, Xala presents a series of conceptual and formal challenges that resist a simple reading of the film as allegory. Highlighting often overlooked elements of Sembene's intricate, experimental film-making, including provocative shifts in mood and poetic, even subversively erotic, moments, Williams reveals Xala as a visionary work of both African cinema and Third Cinema that extended the parameters of postcolonial film practice and still resounds today with its searing inventive power.