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Representing Talent: Hollywood Agents and the Making of Movies
by Violaine RousselAudiences love the glitz and glamour of Hollywood, but beyond the red carpet and behind the velvet curtain exists a legion of individuals who make showbiz work: agents. Whether literary, talent, or indie film, agents are behind the scenes brokering power, handling mediation, and doing the deal-making that keeps Hollywood spinning. In Representing Talent, Violaine Roussel explores the little-known but decisive work of agents, turning the spotlight on how they help produce popular culture. The book takes readers behind the scenes to observe the day-to-day activities of agents, revealing their influence on artistic careers and the prospects of Hollywood’s forthcoming projects. Agents are crucial to understanding how creative and economic power are intertwined in Hollywood today. They play a key role in the process by which artistic worth and economic value are evaluated and attributed to people and projects. Roussel’s fieldwork examines what “having relationships” really means for agents, and how they perform the relationship work that’s at the heart of their professional existence and success. Representing Talent helps us to understand the players behind the definition of entertainment itself, as well as behind its current transformations.
Representing Talent: Hollywood Agents and the Making of Movies
by Violaine RousselAudiences love the glitz and glamour of Hollywood, but beyond the red carpet and behind the velvet curtain exists a legion of individuals who make showbiz work: agents. Whether literary, talent, or indie film, agents are behind the scenes brokering power, handling mediation, and doing the deal-making that keeps Hollywood spinning. In Representing Talent, Violaine Roussel explores the little-known but decisive work of agents, turning the spotlight on how they help produce popular culture. The book takes readers behind the scenes to observe the day-to-day activities of agents, revealing their influence on artistic careers and the prospects of Hollywood’s forthcoming projects. Agents are crucial to understanding how creative and economic power are intertwined in Hollywood today. They play a key role in the process by which artistic worth and economic value are evaluated and attributed to people and projects. Roussel’s fieldwork examines what “having relationships” really means for agents, and how they perform the relationship work that’s at the heart of their professional existence and success. Representing Talent helps us to understand the players behind the definition of entertainment itself, as well as behind its current transformations.
Representing Social Precarity in German Literature and Film (New Directions in German Studies)
by Sophie Duvernoy, Karsten Olson, and Ulrich PlassUsing Germany as a national case study, this volume examines the historical genesis of precarity, its evolution from 19th-century industrial modernity to the present, and its reflections and reconfigurations in artistic production, in particular with relation to work, gender, and sexuality.“Precarity is everywhere now,” sociologist Pierre Bourdieu declared almost thirty years ago. Not only declining middle-class standards of living, but also debt, drug addiction, housing and food insecurity, depression, and “deaths of despair” are now being recognized as symptoms of the downward pull of social precarity. Although these and similar ills have been attributed to neoliberal policies of deregulation, privatization, and willful neglect of the common good, precarization has accompanied the booms and busts of industrial modernity from its beginnings. Representing Social Precarity in German Literature and Film explores how German and Austrian literature, film, and social history have engaged with social precarity, from the period of Romanticism and early industrialization to the present. The chapters in this volume deal with precarity as both an objective phenomenon reflected in literary and filmic representations and as a subjective phenomenon that gives these representations their particular shape. Representing Social Precarity in German Literature and Film opens new critical perspectives on diverse forms of lived precarity and their creative manifestations by reflecting on the history of capitalist modernity from the vantage points of weakness, vulnerability, marginality, impoverishment, and otherness.
Representing Social Precarity in German Literature and Film (New Directions in German Studies)
Using Germany as a national case study, this volume examines the historical genesis of precarity, its evolution from 19th-century industrial modernity to the present, and its reflections and reconfigurations in artistic production, in particular with relation to work, gender, and sexuality.“Precarity is everywhere now,” sociologist Pierre Bourdieu declared almost thirty years ago. Not only declining middle-class standards of living, but also debt, drug addiction, housing and food insecurity, depression, and “deaths of despair” are now being recognized as symptoms of the downward pull of social precarity. Although these and similar ills have been attributed to neoliberal policies of deregulation, privatization, and willful neglect of the common good, precarization has accompanied the booms and busts of industrial modernity from its beginnings. Representing Social Precarity in German Literature and Film explores how German and Austrian literature, film, and social history have engaged with social precarity, from the period of Romanticism and early industrialization to the present. The chapters in this volume deal with precarity as both an objective phenomenon reflected in literary and filmic representations and as a subjective phenomenon that gives these representations their particular shape. Representing Social Precarity in German Literature and Film opens new critical perspectives on diverse forms of lived precarity and their creative manifestations by reflecting on the history of capitalist modernity from the vantage points of weakness, vulnerability, marginality, impoverishment, and otherness.
Representing Scotland in Literature, Popular Culture and Iconography: The Masks of the Modern Nation
by A. RiachThis fascinating new study is about cultural change and continuities. At the core of the book are discrete literary studies of Scotland and Shakespeare, Walter Scott, R.L. Stevenson, Arthur Conan Doyle, the modern Scottish Renaissance of the 1920s and more recent cultural and literary phenomena. The central theme of literature and popular 'representation' recontextualises literary analysis in a broader, multi-faceted picture involving all the arts and the changing sense of what 'the popular' might be in a modern nation. New technologies alter forms of cultural production and the book charts a way through these forms, from oral poetry and song to the novel, and includes studies of paintings, classical music, socialist drama, TV, film and comic books. The international context for mass media cultural production is examined as the story of the intrinsic curiosity of the imagination and the intensely local aspect of Scotland's cultural self-representation unfolds.
Representing Religion in World Cinema: Filmmaking, Mythmaking, Culture Making (Religion/Culture/Critique)
by S. PlateReligious traditions have provided a seemingly endless supply of subject matter for film, from the Ten Commandments to the Mahabharata . At the same time, film production has engendered new religious practices and has altered existing ones, from the cult following of The Rocky Horror Picture Show to the 2001 Australian census in which 70,000 people indicated their religion to be 'Jedi Knight'. Representing Religion in World Cinema begins with these mutual transformations as the contributors query the two-way interrelations between film and religion across cinemas of the world. Cross-cultural and interdisciplinary by nature, this collection by an international group of scholars draws on work from religious studies, film studies, and anthropology, as well as theoretical impulses in performance, gender, ethnicity, colonialism, and postcolonialism.
Representing Rape in Medieval and Early Modern Literature (The New Middle Ages)
by C. Rose E. RobertsonIn thirteen studies of representations of rape in Medieval and Early Modern literature by such authors as Chaucer, Shakespeare and Spenser, this volume argues that some form of sexual violence against women serves as a foundation of Western culture. The volume has two purposes: first, to explore the resistance these pervasive representations generate and have generated for readers - especially for the female reader- and second, to explore what these representations tell us about social formations governing the relationships between men and women. More particularly, Rose and Robertson are interested in how representations of rape manifest a given culture's understanding of the female subject in society.
Representing Place and Territorial Identities in Europe: Discourses, Images, and Practices (GeoJournal Library #127)
by Tiziana Banini Oana-Ramona IlovanThis book provides insight into the topic of place and territorial identity, which involves both the dimension of collective belonging and the politics of territorial planning and enhancement. It considers the social, economic and political effects of territorial identity representations among others in terms of mystification, spatial fetishism, and the creation of place and territorial stereotypes. A mixed methodology is employed to research case studies at diverse territorial scales which are relevant to the impact of a variety of factors on place/territorial identity processes such as migration, political and economic changes, natural disasters, land use changes, etc. Visual imagery, constructing visual discourses and living within visual cultures are placed in the foreground and refer to among others the changes and challenges introduced by the Internet and social networks in place/territory representations and self-representations; identity politics and its impact on place/territorial identity representations; discourses in shaping representations and self-representations of territorial/place-based identities related to collective memory, cultural heritage, invented tradition, imagined communities and other key notions.
Representing Multiculturalism in Comics and Graphic Novels (Routledge Research in Cultural and Media Studies)
by Carolene Ayaka Ian HagueMulticulturalism, and its representation, has long presented challenges for the medium of comics. This book presents a wide ranging survey of the ways in which comics have dealt with the diversity of creators and characters and the (lack of) visibility for characters who don’t conform to particular cultural stereotypes. Contributors engage with ethnicity and other cultural forms from Israel, Romania, North America, South Africa, Germany, Spain, U.S. Latino and Canada and consider the ways in which comics are able to represent multiculturalism through a focus on the formal elements of the medium. Discussion themes include education, countercultures, monstrosity, the quotidian, the notion of the ‘other," anthropomorphism, and colonialism. Taking a truly international perspective, the book brings into dialogue a broad range of comics traditions.
Representing Multiculturalism in Comics and Graphic Novels (Routledge Research in Cultural and Media Studies)
Multiculturalism, and its representation, has long presented challenges for the medium of comics. This book presents a wide ranging survey of the ways in which comics have dealt with the diversity of creators and characters and the (lack of) visibility for characters who don’t conform to particular cultural stereotypes. Contributors engage with ethnicity and other cultural forms from Israel, Romania, North America, South Africa, Germany, Spain, U.S. Latino and Canada and consider the ways in which comics are able to represent multiculturalism through a focus on the formal elements of the medium. Discussion themes include education, countercultures, monstrosity, the quotidian, the notion of the ‘other," anthropomorphism, and colonialism. Taking a truly international perspective, the book brings into dialogue a broad range of comics traditions.
Representing Medieval Genders and Sexualities in Europe: Construction, Transformation, and Subversion, 600–1530
by Elizabeth L Alison MoreTranscending both academic disciplines and traditional categories of analysis, this collection illustrates the ways genders and sexualities could be constructed, subverted and transformed. Focusing on areas such as literature, hagiography, history, and art history, from the Anglo-Saxon period to the early sixteenth century, the contributors examine the ways men and women lived, negotiated, and challenged prevailing conceptions of gender and sexual identity. In particular, their papers explore textual constructions and transformations of religious and secular masculinities and femininities; visual subversions of gender roles; gender and the exercise of power; and the role sexuality plays in the creation of gender identity. The methodologies which are used in this volume are relevant both to specialists of the Middle Ages and early modern periods, and to scholars working more broadly in fields that draw on contemporary gender studies.
Representing Medieval Genders and Sexualities in Europe: Construction, Transformation, and Subversion, 600–1530
by Elizabeth L'Estrange Alison MoreTranscending both academic disciplines and traditional categories of analysis, this collection illustrates the ways genders and sexualities could be constructed, subverted and transformed. Focusing on areas such as literature, hagiography, history, and art history, from the Anglo-Saxon period to the early sixteenth century, the contributors examine the ways men and women lived, negotiated, and challenged prevailing conceptions of gender and sexual identity. In particular, their papers explore textual constructions and transformations of religious and secular masculinities and femininities; visual subversions of gender roles; gender and the exercise of power; and the role sexuality plays in the creation of gender identity. The methodologies which are used in this volume are relevant both to specialists of the Middle Ages and early modern periods, and to scholars working more broadly in fields that draw on contemporary gender studies.
Representing Masculinity: Male Citizenship In Modern Western Culture (PDF) (Studies In European Culture And History Ser.)
by Stefan Dudink Karen Hagemann Anna ClarkThis book explores the role of masculinity in shaping citizenship in the western world. Can the universal ideal of citizenship be redeemed or is it mired in exclusionary notions of masculinity, race and class? The book traces the ideal of citizenship and its myriad of exclusions from the French revolution to the Twentieth century.
Representing Lives: Women and Auto/biography
by A. Donnell P. PolkeyRepresenting Lives: Women and Auto/biography is an eclectic and comprehensive collection of essays, exploring contemporary issues and debates concerning women's auto-biographical representations from a range of disciplinary perspectives. With authoritative contributions from a number of prominent figures in the field of women's auto/biography, as well as innovative new voices, this volume offers a broad and contemporary lens on the issues and debates relevant to the act of representing women's lives. Drawing on a variety of theoretical frameworks and discussing theatre, literature, popular culture and women in history, these essays help to map out some of the new intellectual spaces inhabited by feminist scholarship in the 1990s.
Representing Italy Through Food
by Peter Naccarato Zachary Nowak Elgin K. EckertItaly has long been romanticized as an idyllic place. Italian food and foodways play an important part in this romanticization – from bountiful bowls of fresh pasta to bottles of Tuscan wine. While such images oversimplify the complex reality of modern Italy, they are central to how Italy is imagined by Italians and non-Italians alike. Representing Italy through Food is the first book to examine how these perceptions are constructed, sustained, promoted, and challenged. Recognizing the power of representations to construct reality, the book explores how Italian food and foodways are represented across the media – from literature to film and television, from cookbooks to social media, and from marketing campaigns to advertisements. Bringing together established scholars such as Massimo Montanari and Ken Albala with emerging scholars in the field, the thirteen chapters offer new perspectives on Italian food and culture. Featuring both local and global perspectives – which examine Italian food in the United States, Australia and Israel – the book reveals the power of representations across historical, geographic, socio-economic, and cultural boundaries and asks if there is anything that makes Italy unique. An important contribution to our understanding of the enduring power of Italy, Italian culture and Italian food – both in Italy and beyond. Essential reading for students and scholars in food studies, Italian studies, media studies, and cultural studies.
Representing Irish Religious Histories: Historiography, Ideology and Practice
by Jacqueline Hill Mary Ann LyonsThis collection begins on the premise that, until recently, religion has been particularly influential in Ireland in forming a sense of identity, and in creating certain versions of reality. History has also been a key component in that process, and the historical evolution of Christianity has been appropriated by the main religious denominations – Catholic, Church of Ireland, and Presbyterian – with a view to reinforcing their own identities. This book explores the ways in which this occurred; the writing of religious history, and some of the manifestations of that process, forms key parts of the collection. Also included are chapters discussing current and recent attempts to examine the legacy of collective religious memory - notably in Northern Ireland - based on projects designed to encourage reflection about the religious past among both adults and school-children. Readers will find this collection particularly timely in view of the current ‘decade of commemorations’.
Representing Irish Religious Histories: Historiography, Ideology and Practice
by Jacqueline Hill Mary Ann LyonsThis collection begins on the premise that, until recently, religion has been particularly influential in Ireland in forming a sense of identity, and in creating certain versions of reality. History has also been a key component in that process, and the historical evolution of Christianity has been appropriated by the main religious denominations – Catholic, Church of Ireland, and Presbyterian – with a view to reinforcing their own identities. This book explores the ways in which this occurred; the writing of religious history, and some of the manifestations of that process, forms key parts of the collection. Also included are chapters discussing current and recent attempts to examine the legacy of collective religious memory - notably in Northern Ireland - based on projects designed to encourage reflection about the religious past among both adults and school-children. Readers will find this collection particularly timely in view of the current ‘decade of commemorations’.
Representing Iran in East Germany: Ideology and the Media in the German Democratic Republic
by Edgar KlüsenerEconomic and political relations with Iran were a primary concern for the German Democratic Republic leadership and dominated the GDR's press. This is the first book to analyse the representation of Iran in the media, from the GDR's formation in 1949 until 1989, the last complete year before its demise. Covering key events, such as the overthrow of the Mossadegh government in 1953, the White Revolution, the Islamic Revolution of 1979, and the Iran-Iraq war, the author reveals that only in periods where the two countries enjoyed less amicable or poor relations, was the press free to critically report events in Iran and openly support the cause of the country's communist party, the Tudeh. The book explores the use of the press as a tool for ideological education and propaganda. It also examines how the state's official Marxist-Leninist ideology, the GDR's international competition with West Germany, and cultural prejudices and stereotypes impacted reporting so powerfully.
Representing Iran in East Germany: Ideology and the Media in the German Democratic Republic
by Edgar KlüsenerEconomic and political relations with Iran were a primary concern for the German Democratic Republic leadership and dominated the GDR's press. This is the first book to analyse the representation of Iran in the media, from the GDR's formation in 1949 until 1989, the last complete year before its demise. Covering key events, such as the overthrow of the Mossadegh government in 1953, the White Revolution, the Islamic Revolution of 1979, and the Iran-Iraq war, the author reveals that only in periods where the two countries enjoyed less amicable or poor relations, was the press free to critically report events in Iran and openly support the cause of the country's communist party, the Tudeh. The book explores the use of the press as a tool for ideological education and propaganda. It also examines how the state's official Marxist-Leninist ideology, the GDR's international competition with West Germany, and cultural prejudices and stereotypes impacted reporting so powerfully.
Representing India: Ethnic Diversity and the Governance of Public Institutions (Ethnicity, Inequality and Public Sector Governance)
by N. JayalThis is a study of how ethnic diversity is represented in public institutions in India, and how politics manages ethnic inequalities. New data on representational patterns in parliament cover the diversity of caste, tribe and religion. Material disadvantage is central to ethnic and cultural inequality as social and economic inequalities overlap.
Representing History, Class, and Gender in Spain and Latin America: Children and Adolescents in Film
by Carolina Rocha Georgia SeminetThis anthology explores the role of children and teenagers in Latin American and Spanish Film as protagonists, victims and witnesses of societies polarized by and still grappling with the consequences of political divisions.
Representing God: Christian Legal Activism in Contemporary England
by Méadhbh McIvorHow evangelical activism in England contributes to the secularizing forces it seeks to challengeOver the past two decades, a growing number of Christians in England have gone to court to enforce their right to religious liberty. Funded by conservative lobby groups and influenced by the legal strategies of their American peers, these claimants—registrars who conscientiously object to performing the marriages of same-sex couples, say, or employees asking for exceptions to uniform policies that forbid visible crucifixes—highlight the uneasy truce between law and religion in a country that maintains an established Church but is wary of public displays of religious conviction.Representing God charts the changing place of public Christianity in England through the rise of Christian political activism and litigation. Based on two years of fieldwork split between a conservative Christian lobby group and a conservative evangelical church, Méadhbh McIvor explores the ideas and contested reception of this ostensibly American-inspired legal rhetoric. She argues that legal challenges aimed at protecting “Christian values” ultimately jeopardize those values, as moralities woven into the fabric of English national life are filtered from their quotidian context and rebranded as the niche interests of a cultural minority. By framing certain moral practices as specifically Christian, these activists present their religious convictions as something increasingly set apart from broader English culture, thereby hastening the secularization they seek to counter.Representing God offers a unique look at how Christian politico-legal activism in England simultaneously responds to and constitutes the religious life of a nation.
Representing God: Christian Legal Activism in Contemporary England
by Méadhbh McIvorHow evangelical activism in England contributes to the secularizing forces it seeks to challengeOver the past two decades, a growing number of Christians in England have gone to court to enforce their right to religious liberty. Funded by conservative lobby groups and influenced by the legal strategies of their American peers, these claimants—registrars who conscientiously object to performing the marriages of same-sex couples, say, or employees asking for exceptions to uniform policies that forbid visible crucifixes—highlight the uneasy truce between law and religion in a country that maintains an established Church but is wary of public displays of religious conviction.Representing God charts the changing place of public Christianity in England through the rise of Christian political activism and litigation. Based on two years of fieldwork split between a conservative Christian lobby group and a conservative evangelical church, Méadhbh McIvor explores the ideas and contested reception of this ostensibly American-inspired legal rhetoric. She argues that legal challenges aimed at protecting “Christian values” ultimately jeopardize those values, as moralities woven into the fabric of English national life are filtered from their quotidian context and rebranded as the niche interests of a cultural minority. By framing certain moral practices as specifically Christian, these activists present their religious convictions as something increasingly set apart from broader English culture, thereby hastening the secularization they seek to counter.Representing God offers a unique look at how Christian politico-legal activism in England simultaneously responds to and constitutes the religious life of a nation.
Representing Gender-Based Violence: Global Perspectives
by Caroline Williamson Sinalo Nicoletta MandoliniThis book focuses on the politics, ethics and stereotypical pitfalls of representational practices surrounding Gender-Based Violence (GBV) from a global perspective. The originality of the volume is linked to its cross-disciplinary perspective as the topic of representing GBV is analyzed across the domains of philosophy/epistemology, fiction and the arts (including literature, film, television series and music) and non-fictional representations in the media (including broadcast media, online/print journalism, transmedia activism). The volume identifies contemporary representational practices and the theoretical and critical responses, examining various aspects of popular culture from around the world. In doing so, the editors put feminism in conversation with global trends to identify its cultural frontline. The volume will appeal to scholars working on gender and violence from diverse fields.
Representing Disability In An Ableist World: Essays On Mass Media
by Beth A. HallerNonfiction. Disability Studies. Media Studies. Towson University journalism professor Beth A. Haller's 20 years of research into disability and mass media inform this one-of-a-kind collection on advertising, news, entertainment television, film and Internet new media. Ideal for disability studies students and researchers as well as disability activists.