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The Poems of St. John of the Cross: Spiritual Canticle, Poems
by St. John of the CrossSan Juan de la Cruz, the great sixteenth-century Spanish mystic, is regarded by many as Spain's finest poet. Passionate, ecstatic, and spiritual, his poems are a blend of exquisite lyricism and profound mystical thought. In The Poems of St. John of the Cross John Frederick Nims presents his superlative translation of the complete poems, re-creating the religious fervor of St. John's art. This dual-language edition makes available the original Spanish from the Codex of Sanlúcon de Barrameda with facing English translations. The work concludes with two essays—a critique of the poetry and a short piece on the Spanish text that appears alongside the translation—as well as brief notes on the individual poems.
The Poem of my Cid (Aris & Phillips Hispanic Classics)
by J. HodgkinsonOne of the most powerful and sustained works in all medieval literature, without which no series could be considered complete. The Poem of My Cid deals with the exploits of the medieval Castilian warrior, beginning with the sorrow of his departure into exile and focusing on his determination to regain the favour of his king. The poem is rich in incident and around the strength of the epic hero is developed the theme of the relationship between the individual and seigneurial society. The tribulations of his life and the drama of his battles against both Moors and Christians are presented with unusual directness and force. The translation preserves the tone of the original and reflects the vitality of its style while following the facing text closely. The full notes and the introduction cover problems of interpretation, style and background. Spanish text with facing-page translation, introduction and commentary.
the new black (Wesleyan Poetry Series)
by Evie ShockleyWinner of the Hurston/Wright Legacy Award (2012)Smart, grounded, and lyrical, Evie Shockley’s the new black integrates powerful ideas about "blackness," past and present, through the medium of beautifully crafted verse. the new black sees our racial past inevitably shaping our contemporary moment, but struggles to remember and reckon with the impact of generational shifts: what seemed impossible to people not many years ago—for example, the election of an African American president—will have always been a part of the world of children born in the new millennium. All of the poems here, whether sonnet, mesostic, or deconstructed blues, exhibit a formal flair. They speak to the changes we have experienced as a society in the last few decades—changes that often challenge our past strategies for resisting racism and, for African Americans, ways of relating to one another. The poems embrace a formal ambiguity that echoes the uncertainty these shifts produce, while reveling in language play that enables readers to "laugh to keep from crying." They move through nostalgia, even as they insist on being alive to the present and point longingly towards possible futures. Check for the online reader’s companion at http://http://thenewblack.site.wesleyan.edu.
the body country
by Susie Anderson'I keep looking at the stars to see the universe, but the joke is I am the universe.' the body country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. A meditation of wandering and wondering on Country, inviting the reader to understand the complexities and changing forms of self and love.A Wergaia and Wemba Wemba woman, Susie Anderson captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice. To notice the shape of a mouth as it says goodbye; the colour of the sky as you fall in love; the way a steering wheel is turned carelessly after many wines; the crunch of dry ground after drought; the smell of fire on the wind; the movement of ants before rain; the power a word, a dress, a piece of art can give to run towards something new. These are poems that take us across rural and urban settings; from the personal to the universal, from looking inward to mapping the land and always bringing us back to the Country that connects us all.'Anderson pays attention to the moments that slip through the cracks and hands them straight to you in a way that can momentarily stun' Harper's Bazaar'The Body Country is an evocative exploration of a world that too often marginalises and the power of a land that can offer connection. Susie captures profound meaning in moments often lost in the busyness of a day, encouraging us all to stop and allow ourselves the space to notice' Wimmera Mail Times
That Swing: Poems, 2008;€“2016 (Johns Hopkins: Poetry and Fiction)
by X. J. KennedyIn this, his ninth book of poetry, lyric master X. J. Kennedy regales his readers with engaging rhythm fittingly signaled by the book;€™s title, which echoes Duke Ellington;€™s jazz classic "It Don;€™t Mean a Thing (If It Ain;€™t Got That Swing)." Kennedy;€™s poems, infused with verve and surprise, are by turns irresistibly funny and sharply insightful about life in America.Some poems are personal recollections of childhood and growing up, as in "My Mother Consigns to the Flames My Trove of Comic Books." "Thomas Hardy;€™s Obsequies" tells the bizarre true account of the literary giant;€™s burial. Other poems portray memorable characters, from Jane Austen ("Jane Austen Drives to Alton in Her Donkey Trap") to a giant land tortoise ("Lonesome George") to a slow-witted man hired to cook for a nudist colony ("Pudge Wescott"). Kennedy is a storyteller of the first order, relating tales of travel to far-reaching places, from the Gal;¡pagos Islands and Tiananmen Square to the hectic back streets of Bamako, Mali. This wise and clever book is rounded out with adept translations of work by Charles Baudelaire, St;©phane Mallarm;©, Arthur Rimbaud, and others.
That Swing: Poems, 2008;€“2016 (Johns Hopkins: Poetry and Fiction)
by X. J. KennedyIn this, his ninth book of poetry, lyric master X. J. Kennedy regales his readers with engaging rhythm fittingly signaled by the book;€™s title, which echoes Duke Ellington;€™s jazz classic "It Don;€™t Mean a Thing (If It Ain;€™t Got That Swing)." Kennedy;€™s poems, infused with verve and surprise, are by turns irresistibly funny and sharply insightful about life in America.Some poems are personal recollections of childhood and growing up, as in "My Mother Consigns to the Flames My Trove of Comic Books." "Thomas Hardy;€™s Obsequies" tells the bizarre true account of the literary giant;€™s burial. Other poems portray memorable characters, from Jane Austen ("Jane Austen Drives to Alton in Her Donkey Trap") to a giant land tortoise ("Lonesome George") to a slow-witted man hired to cook for a nudist colony ("Pudge Wescott"). Kennedy is a storyteller of the first order, relating tales of travel to far-reaching places, from the Gal;¡pagos Islands and Tiananmen Square to the hectic back streets of Bamako, Mali. This wise and clever book is rounded out with adept translations of work by Charles Baudelaire, St;©phane Mallarm;©, Arthur Rimbaud, and others.
That Self-Forgetful Perfectly Useless Concentration
by Alan ShapiroMore than a gathering of essays, That Self-Forgetful Perfectly Useless Concentration is part memoir, part literary criticism, and an artful fusion of the two. It is an intimate portrait of a life in poetry that only Alan Shapiro could have written. In this book, Shapiro brings his characteristic warmth, humor, and many years as both poet and teacher to bear on questions surrounding two preoccupations: the role of conventions—of literary and social norms—in how we fashion our identities on and off the page, and how suffering both requires and resists self-expression. He sketches affectionate portraits of his early teachers, revisits the deaths of his brother and sister, and examines poems that have helped him navigate troubled times. Integrating storytelling and literary analysis so seamlessly that art and life become extensions of each other, Shapiro embodies in his lively prose the very qualities he celebrates in the poems he loves. Brimming with wit and insight, this is a book for poets, students and scholars of poetry, teachers of literature, and everyone who cares about the literary arts and how they illuminate our personal and public lives.
That Self-Forgetful Perfectly Useless Concentration
by Alan ShapiroMore than a gathering of essays, That Self-Forgetful Perfectly Useless Concentration is part memoir, part literary criticism, and an artful fusion of the two. It is an intimate portrait of a life in poetry that only Alan Shapiro could have written. In this book, Shapiro brings his characteristic warmth, humor, and many years as both poet and teacher to bear on questions surrounding two preoccupations: the role of conventions—of literary and social norms—in how we fashion our identities on and off the page, and how suffering both requires and resists self-expression. He sketches affectionate portraits of his early teachers, revisits the deaths of his brother and sister, and examines poems that have helped him navigate troubled times. Integrating storytelling and literary analysis so seamlessly that art and life become extensions of each other, Shapiro embodies in his lively prose the very qualities he celebrates in the poems he loves. Brimming with wit and insight, this is a book for poets, students and scholars of poetry, teachers of literature, and everyone who cares about the literary arts and how they illuminate our personal and public lives.
That Self-Forgetful Perfectly Useless Concentration
by Alan ShapiroMore than a gathering of essays, That Self-Forgetful Perfectly Useless Concentration is part memoir, part literary criticism, and an artful fusion of the two. It is an intimate portrait of a life in poetry that only Alan Shapiro could have written. In this book, Shapiro brings his characteristic warmth, humor, and many years as both poet and teacher to bear on questions surrounding two preoccupations: the role of conventions—of literary and social norms—in how we fashion our identities on and off the page, and how suffering both requires and resists self-expression. He sketches affectionate portraits of his early teachers, revisits the deaths of his brother and sister, and examines poems that have helped him navigate troubled times. Integrating storytelling and literary analysis so seamlessly that art and life become extensions of each other, Shapiro embodies in his lively prose the very qualities he celebrates in the poems he loves. Brimming with wit and insight, this is a book for poets, students and scholars of poetry, teachers of literature, and everyone who cares about the literary arts and how they illuminate our personal and public lives.
That Self-Forgetful Perfectly Useless Concentration
by Alan ShapiroMore than a gathering of essays, That Self-Forgetful Perfectly Useless Concentration is part memoir, part literary criticism, and an artful fusion of the two. It is an intimate portrait of a life in poetry that only Alan Shapiro could have written. In this book, Shapiro brings his characteristic warmth, humor, and many years as both poet and teacher to bear on questions surrounding two preoccupations: the role of conventions—of literary and social norms—in how we fashion our identities on and off the page, and how suffering both requires and resists self-expression. He sketches affectionate portraits of his early teachers, revisits the deaths of his brother and sister, and examines poems that have helped him navigate troubled times. Integrating storytelling and literary analysis so seamlessly that art and life become extensions of each other, Shapiro embodies in his lively prose the very qualities he celebrates in the poems he loves. Brimming with wit and insight, this is a book for poets, students and scholars of poetry, teachers of literature, and everyone who cares about the literary arts and how they illuminate our personal and public lives.
That Self-Forgetful Perfectly Useless Concentration
by Alan ShapiroMore than a gathering of essays, That Self-Forgetful Perfectly Useless Concentration is part memoir, part literary criticism, and an artful fusion of the two. It is an intimate portrait of a life in poetry that only Alan Shapiro could have written. In this book, Shapiro brings his characteristic warmth, humor, and many years as both poet and teacher to bear on questions surrounding two preoccupations: the role of conventions—of literary and social norms—in how we fashion our identities on and off the page, and how suffering both requires and resists self-expression. He sketches affectionate portraits of his early teachers, revisits the deaths of his brother and sister, and examines poems that have helped him navigate troubled times. Integrating storytelling and literary analysis so seamlessly that art and life become extensions of each other, Shapiro embodies in his lively prose the very qualities he celebrates in the poems he loves. Brimming with wit and insight, this is a book for poets, students and scholars of poetry, teachers of literature, and everyone who cares about the literary arts and how they illuminate our personal and public lives.
That Self-Forgetful Perfectly Useless Concentration
by Alan ShapiroMore than a gathering of essays, That Self-Forgetful Perfectly Useless Concentration is part memoir, part literary criticism, and an artful fusion of the two. It is an intimate portrait of a life in poetry that only Alan Shapiro could have written. In this book, Shapiro brings his characteristic warmth, humor, and many years as both poet and teacher to bear on questions surrounding two preoccupations: the role of conventions—of literary and social norms—in how we fashion our identities on and off the page, and how suffering both requires and resists self-expression. He sketches affectionate portraits of his early teachers, revisits the deaths of his brother and sister, and examines poems that have helped him navigate troubled times. Integrating storytelling and literary analysis so seamlessly that art and life become extensions of each other, Shapiro embodies in his lively prose the very qualities he celebrates in the poems he loves. Brimming with wit and insight, this is a book for poets, students and scholars of poetry, teachers of literature, and everyone who cares about the literary arts and how they illuminate our personal and public lives.
That Kind of Happy (Phoenix Poets)
by Maggie DietzOctober Aubade If I slept too long, forgive me. A north wind quickened the window frames so the room pitched like a moving train and the pillow’s whiff of hickory and shaving soap conjured your body beside me. So I slept in the berth as the train chuffed on, unburdened by waking’s cold water, ignorant of pain, estrangement, hunger and the crucial fuel the boiler burned to keep the minutes’ pistons churning while I slept. Forgive me. That Kind of Happy, the long-awaited second collection by award-winning poet Maggie Dietz, explores the sharp, profound tension between a disquieted inner life and quotidian experience. Central to the book are poems that take up two major life events: becoming a mother and losing a father within a short stretch of time. Here, at the intersection of joy and grief, of persistence and attrition, Dietz wrestles with the questions posed by such conflicting experiences, revealing a mind suspicious of quick fixes and dissatisfied with easy answers. The result is a book as anguished as it is distinguished.
That Kind of Happy (Phoenix Poets)
by Maggie DietzOctober Aubade If I slept too long, forgive me. A north wind quickened the window frames so the room pitched like a moving train and the pillow’s whiff of hickory and shaving soap conjured your body beside me. So I slept in the berth as the train chuffed on, unburdened by waking’s cold water, ignorant of pain, estrangement, hunger and the crucial fuel the boiler burned to keep the minutes’ pistons churning while I slept. Forgive me. That Kind of Happy, the long-awaited second collection by award-winning poet Maggie Dietz, explores the sharp, profound tension between a disquieted inner life and quotidian experience. Central to the book are poems that take up two major life events: becoming a mother and losing a father within a short stretch of time. Here, at the intersection of joy and grief, of persistence and attrition, Dietz wrestles with the questions posed by such conflicting experiences, revealing a mind suspicious of quick fixes and dissatisfied with easy answers. The result is a book as anguished as it is distinguished.
That Kind of Happy (Phoenix Poets)
by Maggie DietzOctober Aubade If I slept too long, forgive me. A north wind quickened the window frames so the room pitched like a moving train and the pillow’s whiff of hickory and shaving soap conjured your body beside me. So I slept in the berth as the train chuffed on, unburdened by waking’s cold water, ignorant of pain, estrangement, hunger and the crucial fuel the boiler burned to keep the minutes’ pistons churning while I slept. Forgive me. That Kind of Happy, the long-awaited second collection by award-winning poet Maggie Dietz, explores the sharp, profound tension between a disquieted inner life and quotidian experience. Central to the book are poems that take up two major life events: becoming a mother and losing a father within a short stretch of time. Here, at the intersection of joy and grief, of persistence and attrition, Dietz wrestles with the questions posed by such conflicting experiences, revealing a mind suspicious of quick fixes and dissatisfied with easy answers. The result is a book as anguished as it is distinguished.
That Kind of Happy (Phoenix Poets)
by Maggie DietzOctober Aubade If I slept too long, forgive me. A north wind quickened the window frames so the room pitched like a moving train and the pillow’s whiff of hickory and shaving soap conjured your body beside me. So I slept in the berth as the train chuffed on, unburdened by waking’s cold water, ignorant of pain, estrangement, hunger and the crucial fuel the boiler burned to keep the minutes’ pistons churning while I slept. Forgive me. That Kind of Happy, the long-awaited second collection by award-winning poet Maggie Dietz, explores the sharp, profound tension between a disquieted inner life and quotidian experience. Central to the book are poems that take up two major life events: becoming a mother and losing a father within a short stretch of time. Here, at the intersection of joy and grief, of persistence and attrition, Dietz wrestles with the questions posed by such conflicting experiences, revealing a mind suspicious of quick fixes and dissatisfied with easy answers. The result is a book as anguished as it is distinguished.
That Damned Fence: The Literature of the Japanese American Prison Camps
by Heather HathawayUntil the late twentieth century, relatively few Americans knew that the United States government forcibly detained nearly 120,000 Japanese Americans during World War II. At war's end, the nation, including many of those who were confined to the ten Relocation Centers--which President Roosevelt initially referred to as "concentration camps"--wished to wipe this national tragedy from memory. That Damned Fence, titled after a poem written by a Japanese American held at the Minidoka camp in Idaho, draws on the creative work of the internees themselves to cast new light on this historical injustice. While in captivity, detainees produced moving poetry and fiction, compelling investigative journalism, and lasting work of arts to make sense of their hardships and to leave a record of their emotional and psychological suffering. Heather Hathaway explores the experiences of inmates in five camps--Topaz in Utah; Granada/Amache in Colorado; Rohwer and Jerome in Arkansas; and Tule Lake in northern California--each with their own literary magazines, such as TREK, All Aboard, Pulse, The Pen, Magnet, and The Tulean Dispatch. Conditions in the camps varied dramatically, as did their environments, ranging from sweltering swamplands and sun-blasted desert to frigid mountain terrain. So too did the inhabitants of each camp, with some dominated by farmers from California's Central Valley and others filled with professionals from the San Francisco Bay area. This disparity extended to the attitudes of camp administrators; some deemed the plan a mistake from the outset while others believed their captives to be a significant threat to national security. That Damned Fence reveals the anger and humor, and the deep despair and steadfast resilience with which Japanese Americans faced their wartime incarceration. By emphasizing the inner lives of the unjustly accused and the myriad ways in which they portrayed their captivity, Heather Hathaway gives voice to Americans imprisoned by their own country for their country of origin or appearance.
That Damned Fence: The Literature of the Japanese American Prison Camps
by Heather HathawayUntil the late twentieth century, relatively few Americans knew that the United States government forcibly detained nearly 120,000 Japanese Americans during World War II. At war's end, the nation, including many of those who were confined to the ten Relocation Centers--which President Roosevelt initially referred to as "concentration camps"--wished to wipe this national tragedy from memory. That Damned Fence, titled after a poem written by a Japanese American held at the Minidoka camp in Idaho, draws on the creative work of the internees themselves to cast new light on this historical injustice. While in captivity, detainees produced moving poetry and fiction, compelling investigative journalism, and lasting work of arts to make sense of their hardships and to leave a record of their emotional and psychological suffering. Heather Hathaway explores the experiences of inmates in five camps--Topaz in Utah; Granada/Amache in Colorado; Rohwer and Jerome in Arkansas; and Tule Lake in northern California--each with their own literary magazines, such as TREK, All Aboard, Pulse, The Pen, Magnet, and The Tulean Dispatch. Conditions in the camps varied dramatically, as did their environments, ranging from sweltering swamplands and sun-blasted desert to frigid mountain terrain. So too did the inhabitants of each camp, with some dominated by farmers from California's Central Valley and others filled with professionals from the San Francisco Bay area. This disparity extended to the attitudes of camp administrators; some deemed the plan a mistake from the outset while others believed their captives to be a significant threat to national security. That Damned Fence reveals the anger and humor, and the deep despair and steadfast resilience with which Japanese Americans faced their wartime incarceration. By emphasizing the inner lives of the unjustly accused and the myriad ways in which they portrayed their captivity, Heather Hathaway gives voice to Americans imprisoned by their own country for their country of origin or appearance.
That Awkward Age
by Roger McGoughRoger McGough's eagerly-awaited new collection is a powerful testament to the miraculous in the everyday. Here he builds us his world: one of chance encounters and embarrassing moments, of big questions and small wonders. 'At that awkward age now between birth and death,' he addresses Alzheimers and wrestles with mortality. He resolves (and fails) to live every day as if it were his last, joins the Foreign Legion, jives in Macca's trousers, shares the pain of Mr Sappho and Lord Godiva and plans a prison break.With his inimitable warmth, wit and wordplay, Roger McGough affirms his position as the pre-eminent poet of the magic moment - the happy collision of life, language and the imagination.
Thanniir Desam of Vairamuthu-Part II
by Kavignar VairamuthuThe second part of the two parts book is a modern poetry (Pudhu Kavidhai) about adventures of Sea in a poetic novel format.
Thanniir Desam of Vairamuthu-Part I
by Kavignar VairamuthuThe first of two parts book is a modern poetry (Pudhu Kavidhai) about adventures of Sea in a poetic novel format.
Thackeray in Time: History, Memory, and Modernity (The Nineteenth Century Series)
by Richard Salmon Alice CrossleyAn intense fascination with the experience of time has long been recognised as a distinctive feature of the writing of William Makepeace Thackeray (1811–1863). This collection of essays, however, represents the first sustained critical examination of Thackeray's 'time consciousness' in all its varied manifestations. Encompassing the full chronological span of the author's career and a wide range of literary forms and genres in which he worked, Thackeray in Time repositions Thackeray's temporal and historical self-consciousness in relation to the broader socio-cultural contexts of Victorian modernity. The first part of the collection focusses on some of the characteristic temporal modes of professional authorship and print culture in the mid-nineteenth century, including periodical journalism and the Christmas book market. Secondly, the volume offers fresh approaches to Thackeray's acknowledged status as a major exponent of historical fiction, reconsidering questions of historiography and the representation of place in such novels as Vanity Fair and Henry Esmond. The final part of the collection develops the central Thackerayan theme of memory within four very different but complementary contexts. Thackeray's absorption by memories of childhood in later life leads on to his own subsequent memorialisation by familial descendants and to the potential of digital technology for preserving and enhancing Thackeray's print archive in the future, and finally to the critical legacy perpetuated by generations of literary scholars since his death.
Thackeray in Time: History, Memory, and Modernity (The Nineteenth Century Series)
by Richard Salmon Alice CrossleyAn intense fascination with the experience of time has long been recognised as a distinctive feature of the writing of William Makepeace Thackeray (1811–1863). This collection of essays, however, represents the first sustained critical examination of Thackeray's 'time consciousness' in all its varied manifestations. Encompassing the full chronological span of the author's career and a wide range of literary forms and genres in which he worked, Thackeray in Time repositions Thackeray's temporal and historical self-consciousness in relation to the broader socio-cultural contexts of Victorian modernity. The first part of the collection focusses on some of the characteristic temporal modes of professional authorship and print culture in the mid-nineteenth century, including periodical journalism and the Christmas book market. Secondly, the volume offers fresh approaches to Thackeray's acknowledged status as a major exponent of historical fiction, reconsidering questions of historiography and the representation of place in such novels as Vanity Fair and Henry Esmond. The final part of the collection develops the central Thackerayan theme of memory within four very different but complementary contexts. Thackeray's absorption by memories of childhood in later life leads on to his own subsequent memorialisation by familial descendants and to the potential of digital technology for preserving and enhancing Thackeray's print archive in the future, and finally to the critical legacy perpetuated by generations of literary scholars since his death.
Text World Theory and Keats' Poetry: The Cognitive Poetics of Desire, Dreams and Nightmares (Advances in Stylistics)
by Marcello GiovanelliText World Theory and Keats' Poetry applies advances in cognitive poetics and text world theory to four poems by the nineteenth century poet John Keats. It takes the existing text world theory as a starting point and draws on stylistics, literary theory, cognitive linguistics, cognitive psychology and dream theories to explore reading poems in the light of their emphasis on states of desire, dreaming and nightmares. It accounts for the representation of these states and the ways in which they are likely to be processed, monitored and understood. Text World Theory and Keats' Poetry advances both the current field of cognitive stylistics but also analyses Keats in a way that offers new insights into his poetry. It is of interest to stylisticians and those in literary studies.
Text World Theory and Keats' Poetry: The Cognitive Poetics of Desire, Dreams and Nightmares (Advances in Stylistics)
by Marcello GiovanelliText World Theory and Keats' Poetry applies advances in cognitive poetics and text world theory to four poems by the nineteenth century poet John Keats. It takes the existing text world theory as a starting point and draws on stylistics, literary theory, cognitive linguistics, cognitive psychology and dream theories to explore reading poems in the light of their emphasis on states of desire, dreaming and nightmares. It accounts for the representation of these states and the ways in which they are likely to be processed, monitored and understood. Text World Theory and Keats' Poetry advances both the current field of cognitive stylistics but also analyses Keats in a way that offers new insights into his poetry. It is of interest to stylisticians and those in literary studies.