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Classic Chinese Poems of Mourning and Texts of Lament: An Anthology
by Victor H. Mair and Zhenjun ZhangBathed with the blood and tears of countless poets and authors and naturally expressing the most heartfelt emotions of ancient peoples, poems of mourning and texts of lament stand out in classical Chinese literature as brilliant and unique. Composed and celebrated over 3000 years, they are central to the Chinese literary tradition but have been largely unknown to English readers. Including over 100 major pieces by leading literary figures from 800 BCE – 1800, this is the first English anthology of classic Chinese poems of mourning and texts of sacrificial offering. With annotated translations by leading scholars and reading guides accompanying each piece, this book reveals a powerful literary heritage to students and serious readers of Chinese literature, history and civilization.
Classic Chinese Poems of Mourning and Texts of Lament: An Anthology
Bathed with the blood and tears of countless poets and authors and naturally expressing the most heartfelt emotions of ancient peoples, poems of mourning and texts of lament stand out in classical Chinese literature as brilliant and unique. Composed and celebrated over 3000 years, they are central to the Chinese literary tradition but have been largely unknown to English readers. Including over 100 major pieces by leading literary figures from 800 BCE – 1800, this is the first English anthology of classic Chinese poems of mourning and texts of sacrificial offering. With annotated translations by leading scholars and reading guides accompanying each piece, this book reveals a powerful literary heritage to students and serious readers of Chinese literature, history and civilization.
Death Styles
by Joyelle McSweeney'McSweeney is one of our most dynamic poets' Nick Ropatrazone, The Millions'I've never read anything by Joyelle McSweeney that wasn't totally exciting' Dennis CooperOne of LitHub's Most Anticipated Books for 2024In this follow-up to her award-winning collection, Toxicon and Arachne, Joyelle McSweeney proposes a link between style and survival, even in the gravest of circumstances. Setting herself the task of writing a poem a day and accepting a single icon as her starting point, however unlikely - River Phoenix, Mary Magdalene, a backyard skunk - McSweeney follows each inspiration to the point of exhaustion and makes it through each difficult day. In frank, mesmeric lyrics, Death Styles navigates the opposing forces of survival and grief, finding a way to press against death's interface, to step the wrong way out of the grave.
The Principle of Rapid Peering
by Sylvia LegrisSelf-seeding windis a wind of ever-replenishing breath.-from 'The Walk, or The Principle of Rapid Peering'The title of Sylvia Legris' melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behaviour of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of 'rapid peering'. Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalist's notebook in verse. Here is 'where nature converges with words,' as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance.Features drawings by the poet.
With Love, Grief and Fury
by Salena GoddenWith Love, Grief and Fury contains love poems, for people and the planet; grief poems brimming with compassion, sharing tears and mourning what was and contemplating what could be; and poems of fire and fury that will kick some ass, tell the truth and inspire change and hope. Over thirty years after she first stormed the UK poetry scene, the trailblazing and award-winning writer Salena Godden has produced her most audacious and definitive collection to date. Like a big sister’s arm around your shoulder, With Love, Grief and Fury is important and nourishing for the soul.
Routledge Handbook of Medicine and Poetry
The Routledge Handbook of Medicine and Poetry draws on an international selection of authors to ask what the cultures of poetry and medicine may gain from reciprocal critical engagement. The volume celebrates interdisciplinary inquiry, critique, and creative expansion with an emphasis upon amplifying provocative and marginalized voices.This carefully curated collection offers both historical context and future thinking from clinicians, poets, artists, humanities scholars, social scientists, and bio-scientists who collectively inquire into the nature of relationships between medicine and poetry. Importantly, these can be both productive and unproductive. How, for example, do poet-doctors reconcile the outwardly antithetical approaches of bio-scientific medicine and poetry in their daily work, where typically the former draws on technical language and associated thinking and the latter on metaphors? How does non-narrative lyrical poetry engage with narrative-based medicine? How do poets writing about medicine identify as patients? Central to the volume is the critical investigation of the consequences of varieties of medical pedagogy for clinical practice.Presenting a vision of how poetic thinking might form a medical ontology this thought-provoking book affords an essential resource for scholars and practitioners from across medicine, health and social care, medical education, the medical and health humanities, and literary studies.
Routledge Handbook of Medicine and Poetry
by Alan Bleakley Shane NeilsonThe Routledge Handbook of Medicine and Poetry draws on an international selection of authors to ask what the cultures of poetry and medicine may gain from reciprocal critical engagement. The volume celebrates interdisciplinary inquiry, critique, and creative expansion with an emphasis upon amplifying provocative and marginalized voices.This carefully curated collection offers both historical context and future thinking from clinicians, poets, artists, humanities scholars, social scientists, and bio-scientists who collectively inquire into the nature of relationships between medicine and poetry. Importantly, these can be both productive and unproductive. How, for example, do poet-doctors reconcile the outwardly antithetical approaches of bio-scientific medicine and poetry in their daily work, where typically the former draws on technical language and associated thinking and the latter on metaphors? How does non-narrative lyrical poetry engage with narrative-based medicine? How do poets writing about medicine identify as patients? Central to the volume is the critical investigation of the consequences of varieties of medical pedagogy for clinical practice.Presenting a vision of how poetic thinking might form a medical ontology this thought-provoking book affords an essential resource for scholars and practitioners from across medicine, health and social care, medical education, the medical and health humanities, and literary studies.
Philosophers' Poets (Routledge Revivals)
by David WoodFirst published in 1990, Philosophers’ Poets is a collection of case studies of philosophers’ readings of poets and other distinctive writers. There are those, for example, who find in literary examples ways of exploring the concrete significance of philosophical assertions or distinctions. Others find in poetic discourse linguistic resources simply not available to philosophy, yet of vital importance to it. This is particularly true of philosophers of the limit, such as Heidegger, Derrida, Levinas and Adorno, for whom the very possibility of philosophy was in question. Despite the diversity of subjects covered, the collection maintains an integrity and identity. Above all, it shows how contemporary Continental philosophy raises the issue of philosophy and literature anew in a way that is appealing and challenging.
Philosophers' Poets (Routledge Revivals)
First published in 1990, Philosophers’ Poets is a collection of case studies of philosophers’ readings of poets and other distinctive writers. There are those, for example, who find in literary examples ways of exploring the concrete significance of philosophical assertions or distinctions. Others find in poetic discourse linguistic resources simply not available to philosophy, yet of vital importance to it. This is particularly true of philosophers of the limit, such as Heidegger, Derrida, Levinas and Adorno, for whom the very possibility of philosophy was in question. Despite the diversity of subjects covered, the collection maintains an integrity and identity. Above all, it shows how contemporary Continental philosophy raises the issue of philosophy and literature anew in a way that is appealing and challenging.
Love Songs of Chandidas: The Rebel Poet-Priest of Bengal (Routledge Revivals)
by Deben BhattacharyaFirst published in 1967, Love Songs of Chandidās provides an informative introduction which makes vividly clear the importance of Chandidās to the Indian peasant masses. As the author tells us, the traveller through the Birbhum area of Bengal hears Chandidās everywhere, in the villages, in the fields, on the roads. Night after night, the people gather in the temple courtyards or on the village greens to listen to professional ‘Kirtan’ singers sing his songs of the divine love of Radha and Krishna. The influence of Chandidās on contemporary Bengali literature is equally important, his songs having enriched the work of great poets such as Rabindranath Tagore, Govindadas, and many others. The author also discusses the interesting topic of the Sahaja (‘spontaneity’) movement in Indian faith and literature, as manifested in the songs of Chandidās, and the worship of love-making, divine and human, as an important aspect of this faith. This book will be of interest to students of literature, music, history, cultural studies and South Asian studies.
Love Songs of Chandidas: The Rebel Poet-Priest of Bengal (Routledge Revivals)
First published in 1967, Love Songs of Chandidās provides an informative introduction which makes vividly clear the importance of Chandidās to the Indian peasant masses. As the author tells us, the traveller through the Birbhum area of Bengal hears Chandidās everywhere, in the villages, in the fields, on the roads. Night after night, the people gather in the temple courtyards or on the village greens to listen to professional ‘Kirtan’ singers sing his songs of the divine love of Radha and Krishna. The influence of Chandidās on contemporary Bengali literature is equally important, his songs having enriched the work of great poets such as Rabindranath Tagore, Govindadas, and many others. The author also discusses the interesting topic of the Sahaja (‘spontaneity’) movement in Indian faith and literature, as manifested in the songs of Chandidās, and the worship of love-making, divine and human, as an important aspect of this faith. This book will be of interest to students of literature, music, history, cultural studies and South Asian studies.
The Poetry and Essays of Uri Zvi Grinberg: Politics and Zionism (ISSN)
by Tamar Wolf-MonzonThis book focuses on the complex network of relationships between the poet Uri Zvi Grinberg and the Labor Movement in Mandate Palestine from 1923 to 1937.Making use of letters found in the Uri Zvi Grinberg Archive at the National Library of Israel (NLI), the author reconstructs the characteristics of Grinberg’s pioneer readership, attesting to their special relationship with his poetry. In the 1920s, it is argued, they considered Grinberg’s poetry an authentic expression of their complex spiritual world and especially of the reality of their lives. On his side, Grinberg accepted the pioneering ethos as the ideological basis of his works, becoming an outstanding poet of the Labor Movement. The chapters of this book track the various phases of Grinberg’s life and poetry, from his emigration to Palestine through to the 1930s, when he joined the Revisionist Movement and became increasingly ostracized from the Labor Movement. The story of Grinberg’s relations with the pioneers was emotionally charged—a mixture of enchantment and rejection, spiritual closeness and repulsion. Ultimately, this book analyzes the intensity of this connection and its many contradictory layers.This book will interest researchers in a range of fields, including Hebrew poetry and reception theory, as well as anyone interested in Israeli studies and the history of the Labor Movement in Palestine.
The Poetry and Essays of Uri Zvi Grinberg: Politics and Zionism (ISSN)
by Tamar Wolf-MonzonThis book focuses on the complex network of relationships between the poet Uri Zvi Grinberg and the Labor Movement in Mandate Palestine from 1923 to 1937.Making use of letters found in the Uri Zvi Grinberg Archive at the National Library of Israel (NLI), the author reconstructs the characteristics of Grinberg’s pioneer readership, attesting to their special relationship with his poetry. In the 1920s, it is argued, they considered Grinberg’s poetry an authentic expression of their complex spiritual world and especially of the reality of their lives. On his side, Grinberg accepted the pioneering ethos as the ideological basis of his works, becoming an outstanding poet of the Labor Movement. The chapters of this book track the various phases of Grinberg’s life and poetry, from his emigration to Palestine through to the 1930s, when he joined the Revisionist Movement and became increasingly ostracized from the Labor Movement. The story of Grinberg’s relations with the pioneers was emotionally charged—a mixture of enchantment and rejection, spiritual closeness and repulsion. Ultimately, this book analyzes the intensity of this connection and its many contradictory layers.This book will interest researchers in a range of fields, including Hebrew poetry and reception theory, as well as anyone interested in Israeli studies and the history of the Labor Movement in Palestine.
Poems for Travellers (Macmillan Collector's Library #227)
by Gaby MorganPoems for Travellers transports the reader to lands far and near in the company of some of our greatest poets such as Walt Whitman, John Keats and Christina Rossetti.Part of the Macmillan Collectors Library series, featuring expert introductions for your favourite classics.As internationally acclaimed author Paul Theroux writes in his introduction, ‘Here is a collection of travel poetry composed by real travellers, weekending tourists, feverish fantasists, bluffers, dreamers, brave adventurers and resolute stay-at-homes. It succeeds in what poetry does best – inspires and consoles, reminds us of who we are, where we’ve been, and where we might want to go next.’
Poems on Nature (Macmillan Collector's Library #229)
by Gaby MorganThe poems in Poems on Nature are divided into spring, summer, autumn and winter to reflect in verse the changes of the seasons and the passing of time.Part of the Macmillan Collectors Library series, featuring expert introductions for your favourite classics. This edition features an introduction by Helen Macdonald, author of the international bestseller, H is for Hawk.Since poetry began, there have been poems about nature; it’s a complex subject which has inspired some of the most beautiful poetry ever written. Poets from Andrew Marvell to W. B. Yeats to Emily Brontë have sought to describe the natural environment and our relationship with it. There is also a rich tradition of songs and rhymes, such as ’Scarborough Fair’, that hark back to a rural way of life which may now be lost, but is brought back to life in the lyrical verses included in this collection.
Rangikura
by Tayi TibbleMaori mythology and endless summers: the sparkling second collection from a daring new poetic voiceI am made in the image of my mother ...I am made in the image of / my mountain / my river / my whenuaIn Rangikura, plastic tiaras melt into boiling rivers, and family memories blur with ancestral mythologies. Satanic stepbrothers play jenga while the deity Mahuika burns - and the temperature is rising. Here, anger and loss, history and pop culture are spun into verses woven with vernacular and Te Reo Maori. At the collection's centre, our protagonist whirls through a love/hate story for the internet age, facing the sting of unanswered texts and unmet expectations with wit, sensibility and devastating glamour.Rangikura is the captivating second collection from award-winning poet Tayi Tibble. From feminism to colonialism, skuxes to daddies, wild swimming to schoolboy hakas, these poems at once mark the end of the world and the dawn of a new day. Poignant, hilarious and liberatory, Rangikura reminds us that the personal is sometimes political, the political is always personal, and poetry can be revolutionary.
Track Record: THE REVOLUTIONARY MEMOIR FROM THE UK'S MOST CREATIVE VOICE
by George the PoetThe ground-breaking memoir by acclaimed rapper and podcast host, George the PoetBorn to Ugandan parents on the St Raphael's Estate in Neasden, north-west London, George has always been an ambitious storyteller. Influenced by his hometown, George started MCing , and eventually found his voice in poetry and with it an avenue for change.Track Record: Me, Music, and the War on Blackness sheds light on George's upbringing and artistic career. He looks back at his education, his time at university, and his beginnings as a musician. We are given an insight into the forces that have shaped him and the stories he chooses to tell. As with George's other work, Track Record goes beyond the traditional memoir and takes the reader on a journey throughout history. George dives deep into the complexities of the economy and interrogates the legacy of colonialism. He reflects on music and its power as a political force - how it can be a catalyst for social power and economic change. By weaving a story that is both personal and political, George delivers an incredibly powerful and unique perspective on the world around us. Honest, thought-provoking and lyrical, Track Record is a fascinating insight by an inimitable storyteller.
May Day: the new collection from one of Britain's best-loved poets
by Jackie KayMay Day is the long-awaited new poetry collection from one of our best-loved poets and former Makar of Scotland, Jackie Kay.These poems cast an eye over several decades of political activism, from the international solidarity of the Glasgow of Kay’s childhood, accompanying her parents’ Socialist campaigns, through the feminist, LGBT+ and anti-racist movements of the 80s and 90s, up to the present day when a global pandemic intersects with the urgency of Black Lives Matter.Kay brings to life a cast of influential figures, delving beneath the surfaces of received narratives: the Jamaican model Fanny Eaton, muse of the Pre-Raphaelite Brotherhood in England; Paul Robeson, Angela Davis and the poet Audre Lorde; and a ‘what-if’ poem concerning Rabbie Burns and a road-not-taken towards the West Indian slave trade. Woven through the collection is a suite of lyric poems concerning the recent losses of Kay’s parents: poems of grief and profound change that are infused with the light of love and celebration.
All the Flowers Kneeling
by Paul TranA NEW YORKER BOOK OF THE YEAR 'Gorgeous ... intense ... shimmering ... [an] unforgettable collection' Observer'Beautiful, sensuous and plural ... a vital and visceral collection. Breathtaking' Joelle Taylor, author of C+nto & Othered Poems'Brave ... this striking collection ... articulates the unspeakable from various angles ... often nightmarish and dark, there are moments of shimmering release ... an auspicious debut' Seán Hewitt, Irish Times'[A] powerful debut ... marshals narrative lyrics and stark beauty' The New York Times Book Review'Vivid ... searingly honest, beautifully told depictions of survival and self-love' Publishers Weekly'A testament to queer self-love ... a monument to [what] persists' them.us'A true masterwork ... an exquisitely crafted labyrinth of a book' Electric LiteratureThis is a book about survival.This is a book about love.Visceral and astonishing, Paul Tran's debut poetry collection, All the Flowers Kneeling, charts the rebuilding of a self in the wake of extremity. How, it asks, can we reimagine what we have been given in order to make something new: an identity, a family, a life, a dream?These rich, resonant poems of desire, freedom, control and rebirth reach back into the past - the tale of Scheherazade, US imperial violence, a shattering history of personal abuse - to show how it both scars and transforms. Innovative poetic forms mirror the nonlinear experiences of trauma survivors, while ambitious sequences probe our systems of knowledge-making and the power of storytelling as survival.At once virtuosic and vulnerable, confessional and profoundly defiant, All the Flowers Kneeling revels in rediscovering and reconfiguring the self, and ultimately becomes an essential testament to the human capacities for resilience, endurance and love.
Theatre Responds to Social Trauma: Chasing the Demons (Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance)
by Ellen W. KaplanThis book is a collection of chapters by playwrights, directors, devisers, scholars, and educators whose praxis involves representing, theorizing, and performing social trauma.Chapters explore how psychic catastrophes and ruptures are often embedded in social systems of oppression and forged in zones of conflict within and across national borders. Through multiple lenses and diverse approaches, the authors examine the connections between collective trauma, social identity, and personal struggle. We look at the generational transmission of trauma, socially induced pathologies, and societal re-inscriptions of trauma, from mass incarceration to war-induced psychoses, from gendered violence through racist practices. Collective trauma may shape, protect, and preserve group identity, promoting a sense of cohesion and meaning, even as it shakes individuals through pain. Engaging with communities under significant stress through artistic practice offers a path towards reconstructing the meaning(s) of social trauma, making sense of the past, understanding the present, and re-visioning the future.The chapters combine theoretical and practical work, exploring the conceptual foundations and the artists’ processes as they interrogate the intersections of personal grief and communal mourning, through drama, poetry, and embodied performance.
Theatre Responds to Social Trauma: Chasing the Demons (Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance)
This book is a collection of chapters by playwrights, directors, devisers, scholars, and educators whose praxis involves representing, theorizing, and performing social trauma.Chapters explore how psychic catastrophes and ruptures are often embedded in social systems of oppression and forged in zones of conflict within and across national borders. Through multiple lenses and diverse approaches, the authors examine the connections between collective trauma, social identity, and personal struggle. We look at the generational transmission of trauma, socially induced pathologies, and societal re-inscriptions of trauma, from mass incarceration to war-induced psychoses, from gendered violence through racist practices. Collective trauma may shape, protect, and preserve group identity, promoting a sense of cohesion and meaning, even as it shakes individuals through pain. Engaging with communities under significant stress through artistic practice offers a path towards reconstructing the meaning(s) of social trauma, making sense of the past, understanding the present, and re-visioning the future.The chapters combine theoretical and practical work, exploring the conceptual foundations and the artists’ processes as they interrogate the intersections of personal grief and communal mourning, through drama, poetry, and embodied performance.
QuickFire, Slow Burning (Pavilion Poetry)
by Janette AyachiJanette Ayachi’s second collection moves away from the personal and delves into the universal with poems often taking flight from the page to parachute into performance. Her hypnotic voice lifts from a keen observing stance to one that probes the chemical reactions in nature, and especially in the body. Fire is seen as an element; as something environmental, a natural disaster. But Ayachi also plays with fire as a fuel in relationships; a heat felt and subject to synergy within the cells and flesh, a cardiac pulse, a love that comes quickly and burns slowly, constantly rekindling hope for change, peace and renewal. There is a mystic undertow that exposes the materials, the lore of bones and anatomy, pilgrimages and prayers, superstitions and super galaxies that she explores with language. Lost landscapes and lost loves merge as she confronts loneliness at the same time as showing us new bloom is on the horizon - that nature will always will us another spark.
Lapwing (Pavilion Poetry)
by Hannah CopleyPoetry Book Society Recommendation Summer 2024 Migrating across voices and blurring the divide between bird and human, self and other, Hannah Copley’s Lapwing explores restlessness, love, and ecological and personal grief in a vivid and incantatory sequence of poems. A lyrical biography of a bird and a fragmented study of a flawed and mutable creature bearing its name, Copley’s second collection takes inspiration from John Gower’s brid falseste of alle and its many literary guises. At the heart of the book are the shifting figures of Lapwing and Peet, two creatures whose overlapping narratives echo the double note of the bird’s cry. In Lapwing, known by countless names, migratory, and slowly disappearing beneath addiction, Copley examines a life in a slow tumble, as we are transported into a world shaped by real and imagined predators. Running alongside Lapwing is the searching voice of Peet, a daughter left to understand her father’s vanishing while trying to make a life in a habitat no longer fit for survival. Bold, exacting, and deeply personal, Copley’s poems call out from empty nests, drained wetlands, and ploughed fields to create a soundscape of endangerment and wonder. *Lapwing *asks that we consider how, like the bird itself, we must all dissemble to survive.
Feeling All the Kills (Pavilion Poetry)
by Helen CalcuttFeeling All the Kills is a dazzling new collection that breaks the poet’s silence on what it means to experience and live in the wake of a violent assault and rape. Calcutt weaves stunning musicality with raw, unhindered storytelling, as the poems both collectively, and in their individual power, explore the distinctly connected, yet fractured selves of ‘sexual being’, ‘mother’ and ‘abused person’. Through the poems’ breathtaking and vital vocabulary Calcutt brings the physical, emotional, and sexual nuances of life to the foreground, with strength, subtlety and beauty, and courageously harnesses a sense of ownership over such a lasting trauma. At the heart of this collection is a personal desire to navigate a way back to a sensual, whole-feeling self, to shamelessly ‘feel all’ -- with authenticity and power.
Lapwing (Pavilion Poetry)
by Hannah CopleyPoetry Book Society Recommendation Summer 2024 Migrating across voices and blurring the divide between bird and human, self and other, Hannah Copley’s Lapwing explores restlessness, love, and ecological and personal grief in a vivid and incantatory sequence of poems. A lyrical biography of a bird and a fragmented study of a flawed and mutable creature bearing its name, Copley’s second collection takes inspiration from John Gower’s brid falseste of alle and its many literary guises. At the heart of the book are the shifting figures of Lapwing and Peet, two creatures whose overlapping narratives echo the double note of the bird’s cry. In Lapwing, known by countless names, migratory, and slowly disappearing beneath addiction, Copley examines a life in a slow tumble, as we are transported into a world shaped by real and imagined predators. Running alongside Lapwing is the searching voice of Peet, a daughter left to understand her father’s vanishing while trying to make a life in a habitat no longer fit for survival. Bold, exacting, and deeply personal, Copley’s poems call out from empty nests, drained wetlands, and ploughed fields to create a soundscape of endangerment and wonder. *Lapwing *asks that we consider how, like the bird itself, we must all dissemble to survive.