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The Pre-Raphaelites and Their Circle
by Edited by Cecil Y. LangThis useful volume presents the major works of the five leading Pre-Raphaelite poets. Foremost in the collection, and included in their entirety are D. G. Rossetti's The House of Life, C. G. Rossetti's "Monna Innominata," William Morris's "Defence of Guenevere," Swinburne's Atalanta in Calydon, and Meredith's "Modern Love." Complementing these major poems is a fine, generous selection of the poets' shorter pieces that are typical of their work as a whole. For this second edition, Cecil Lang has substituted two early Swinburne poems, "The Leper" and "Anactoria," for Fitzgerald's The Rubáiyát of Omar Khayyám. These poems, which the editor describes as "shocking," show a new aspect of Swinburne not discussed previously. Lang's Introduction describes briefly the founding of the Pre-Raphaelite Brotherhood, discusses each of the Pre-Raphaelite poets, both individually and in relation to the others, and grapples with the questions of definition of Pre-Raphaelitism and the similarities between its painting and poetry. The book is appropriately illustrated with thirty-two works by D. G. Rossetti, John Ruskin, William H. Hunt, and other Pre-Raphaelite artists. This is the only anthology available that provides a representative selection of the work of these important poets. It will be indispensable to students of Victorian poetry and appreciated by readers interested in the Pre-Raphaelites.
The Pre-Raphaelites and Their Circle
by Edited by Cecil Y. LangThis useful volume presents the major works of the five leading Pre-Raphaelite poets. Foremost in the collection, and included in their entirety are D. G. Rossetti's The House of Life, C. G. Rossetti's "Monna Innominata," William Morris's "Defence of Guenevere," Swinburne's Atalanta in Calydon, and Meredith's "Modern Love." Complementing these major poems is a fine, generous selection of the poets' shorter pieces that are typical of their work as a whole. For this second edition, Cecil Lang has substituted two early Swinburne poems, "The Leper" and "Anactoria," for Fitzgerald's The Rubáiyát of Omar Khayyám. These poems, which the editor describes as "shocking," show a new aspect of Swinburne not discussed previously. Lang's Introduction describes briefly the founding of the Pre-Raphaelite Brotherhood, discusses each of the Pre-Raphaelite poets, both individually and in relation to the others, and grapples with the questions of definition of Pre-Raphaelitism and the similarities between its painting and poetry. The book is appropriately illustrated with thirty-two works by D. G. Rossetti, John Ruskin, William H. Hunt, and other Pre-Raphaelite artists. This is the only anthology available that provides a representative selection of the work of these important poets. It will be indispensable to students of Victorian poetry and appreciated by readers interested in the Pre-Raphaelites.
The Pre-Raphaelites and Their Circle
by Cecil Y. LangThis useful volume presents the major works of the five leading Pre-Raphaelite poets. Foremost in the collection, and included in their entirety are D. G. Rossetti's The House of Life, C. G. Rossetti's "Monna Innominata," William Morris's "Defence of Guenevere," Swinburne's Atalanta in Calydon, and Meredith's "Modern Love." Complementing these major poems is a fine, generous selection of the poets' shorter pieces that are typical of their work as a whole. For this second edition, Cecil Lang has substituted two early Swinburne poems, "The Leper" and "Anactoria," for Fitzgerald's The Rubáiyát of Omar Khayyám. These poems, which the editor describes as "shocking," show a new aspect of Swinburne not discussed previously. Lang's Introduction describes briefly the founding of the Pre-Raphaelite Brotherhood, discusses each of the Pre-Raphaelite poets, both individually and in relation to the others, and grapples with the questions of definition of Pre-Raphaelitism and the similarities between its painting and poetry. The book is appropriately illustrated with thirty-two works by D. G. Rossetti, John Ruskin, William H. Hunt, and other Pre-Raphaelite artists. This is the only anthology available that provides a representative selection of the work of these important poets. It will be indispensable to students of Victorian poetry and appreciated by readers interested in the Pre-Raphaelites.
The Pre-Raphaelites and Their Circle
by Cecil Y. LangThis useful volume presents the major works of the five leading Pre-Raphaelite poets. Foremost in the collection, and included in their entirety are D. G. Rossetti's The House of Life, C. G. Rossetti's "Monna Innominata," William Morris's "Defence of Guenevere," Swinburne's Atalanta in Calydon, and Meredith's "Modern Love." Complementing these major poems is a fine, generous selection of the poets' shorter pieces that are typical of their work as a whole. For this second edition, Cecil Lang has substituted two early Swinburne poems, "The Leper" and "Anactoria," for Fitzgerald's The Rubáiyát of Omar Khayyám. These poems, which the editor describes as "shocking," show a new aspect of Swinburne not discussed previously. Lang's Introduction describes briefly the founding of the Pre-Raphaelite Brotherhood, discusses each of the Pre-Raphaelite poets, both individually and in relation to the others, and grapples with the questions of definition of Pre-Raphaelitism and the similarities between its painting and poetry. The book is appropriately illustrated with thirty-two works by D. G. Rossetti, John Ruskin, William H. Hunt, and other Pre-Raphaelite artists. This is the only anthology available that provides a representative selection of the work of these important poets. It will be indispensable to students of Victorian poetry and appreciated by readers interested in the Pre-Raphaelites.
The Pre-Raphaelites: From Rossetti to Ruskin
by Dinah RoeThe Pre-Raphaelite Movement began in 1848, and experienced its heyday in the 1860s and 1870s. Influenced by the then little-known Keats and Blake, as well as Wordsworth, Shelley and Coleridge, Pre-Raphaelite poetry 'etherialized sensation' (in the words of Antony Harrison), and popularized the notion ofl'art pour l'art - art for art's sake. Where Victorian realist novels explored the grit and grime of the Industrial Revolution, Pre-Raphaelite poems concentrated on more abstract themes of romantic love, artistic inspiration and sexuality. Later they attracted Aesthetes and Decadents like Oscar Wilde, Aubrey Beardsley and Ernest Dowson, not to mention Gerard Manley Hopkins and W.B. Yeats.
Praise in Which I Live and Move and Have my Being
by Paul DurcanPaul Durcan's twenty-second collection finds Monsieur le Poète on the road in Paris, New York City, Chicago, Brisbane, and Achill Island, meditating upon the sanctuary of home and what it means to feel truly at home. Regarded by many as the great poet of contemporary Ireland, Durcan is on top form here as he contemplates the fall of the Celtic Tiger, while railing against bankers and 'bonus boys'. There are poems of love lost and won, and poems in memory of friends and relatives who have passed on, but there is also joy to be found in the birth of a grandson, and there is praise, too, for the modest heroism of truckers, air traffic controllers and nurses, those 'slim, sturdy, buxom nourishers' of fallen mankind. If for Sartre 'hell is other people', for Durcan 'heaven is other people, especially women'.
Pragmatism and Poetic Agency: The Persistence of Humanism (Routledge Research in American Literature and Culture)
by Ulf SchulenbergPragmatism is a humanist philosophy. In spite of the much-debated renaissance of pragmatism, however, a detailed discussion of the relationship between pragmatism and humanism is still a desideratum. It is difficult to understand the complexity of pragmatism without considering the significance of humanism. At least since the 1970s, humanism, mostly in its liberal version, has been vehemently attacked and criticized. In pragmatism, however, a particular understanding of humanism has persisted. Bringing literary studies, philosophy, and intellectual history together and establishing a transatlantic theoretical dialogue, Pragmatism and Poetic Agency endeavors to elucidate this persistence of humanism. Schulenberg continues the thought-provoking argument he developed in his previous two monographs by advancing the idea that one can only grasp the unique contemporary significance of pragmatism when one realizes how pragmatism, humanism, anti-authoritarianism, and postmetaphysics are interlinked. If one appreciates the implications and consequences of this link, then one is in a position to see pragmatism’s antifoundationalist and antirepresentationalist story of progress and emancipation as continuing the project of the Enlightenment.
Pragmatism and Poetic Agency: The Persistence of Humanism (Routledge Research in American Literature and Culture)
by Ulf SchulenbergPragmatism is a humanist philosophy. In spite of the much-debated renaissance of pragmatism, however, a detailed discussion of the relationship between pragmatism and humanism is still a desideratum. It is difficult to understand the complexity of pragmatism without considering the significance of humanism. At least since the 1970s, humanism, mostly in its liberal version, has been vehemently attacked and criticized. In pragmatism, however, a particular understanding of humanism has persisted. Bringing literary studies, philosophy, and intellectual history together and establishing a transatlantic theoretical dialogue, Pragmatism and Poetic Agency endeavors to elucidate this persistence of humanism. Schulenberg continues the thought-provoking argument he developed in his previous two monographs by advancing the idea that one can only grasp the unique contemporary significance of pragmatism when one realizes how pragmatism, humanism, anti-authoritarianism, and postmetaphysics are interlinked. If one appreciates the implications and consequences of this link, then one is in a position to see pragmatism’s antifoundationalist and antirepresentationalist story of progress and emancipation as continuing the project of the Enlightenment.
The Pragmatics of Revision: George Moore’s Acts of Rewriting
by Siobhan ChapmanThis book presents the first full-length study of the stylistically experimental and influential novelist George Moore’s (1852-1933) repeated acts of rewriting. Moore extensively and repeatedly revised and re-issued many of his major works, sometimes years or even decades after they were initially published. This monograph provides new insights into how this process shaped and determined his work, and by extension into the creative significance of literary rewriting more generally. It also offers the first sustained application of linguistic pragmatics, the study of meaning in interaction, to the work of a single author, opening up questions about how analytical paradigms developed in pragmatics can explain how rewriting can affect the interactive relationship between a literary text and its readers. The book will be of interest to students and researchers in the areas of pragmatics, stylistics, literary history, English literature and Irish literature.
Practicing Literary Theory in the Middle Ages: Ethics and the Mixed Form in Chaucer, Gower, Usk, and Hoccleve
by Eleanor JohnsonLiterary scholars often avoid the category of the aesthetic in discussions of ethics, believing that purely aesthetic judgments can vitiate analyses of a literary work’s sociopolitical heft and meaning. In Practicing Literary Theory in the Middle Ages, Eleanor Johnson reveals that aesthetics—the formal aspects of literary language that make it sense-perceptible—are indeed inextricable from ethics in the writing of medieval literature. Johnson brings a keen formalist eye to bear on the prosimetric form: the mixing of prose with lyrical poetry. This form descends from the writings of the sixth-century Christian philosopher Boethius—specifically his famous prison text, Consolation of Philosophy—to the late medieval English tradition. Johnson argues that Boethius’s text had a broad influence not simply on the thematic and philosophical content of subsequent literary writing, but also on the specific aesthetic construction of several vernacular traditions. She demonstrates the underlying prosimetric structures in a variety of Middle English texts—including Chaucer’s Troilus and Criseyde and portions of the Canterbury Tales, Thomas Usk’s Testament of Love, John Gower’s Confessio amantis, and Thomas Hoccleve’s autobiographical poetry—and asks how particular formal choices work, how they resonate with medieval literary-theoretical ideas, and how particular poems and prose works mediate the tricky business of modeling ethical transformation for a readership.
Practicing Literary Theory in the Middle Ages: Ethics and the Mixed Form in Chaucer, Gower, Usk, and Hoccleve
by Eleanor JohnsonLiterary scholars often avoid the category of the aesthetic in discussions of ethics, believing that purely aesthetic judgments can vitiate analyses of a literary work’s sociopolitical heft and meaning. In Practicing Literary Theory in the Middle Ages, Eleanor Johnson reveals that aesthetics—the formal aspects of literary language that make it sense-perceptible—are indeed inextricable from ethics in the writing of medieval literature. Johnson brings a keen formalist eye to bear on the prosimetric form: the mixing of prose with lyrical poetry. This form descends from the writings of the sixth-century Christian philosopher Boethius—specifically his famous prison text, Consolation of Philosophy—to the late medieval English tradition. Johnson argues that Boethius’s text had a broad influence not simply on the thematic and philosophical content of subsequent literary writing, but also on the specific aesthetic construction of several vernacular traditions. She demonstrates the underlying prosimetric structures in a variety of Middle English texts—including Chaucer’s Troilus and Criseyde and portions of the Canterbury Tales, Thomas Usk’s Testament of Love, John Gower’s Confessio amantis, and Thomas Hoccleve’s autobiographical poetry—and asks how particular formal choices work, how they resonate with medieval literary-theoretical ideas, and how particular poems and prose works mediate the tricky business of modeling ethical transformation for a readership.
Practicing Literary Theory in the Middle Ages: Ethics and the Mixed Form in Chaucer, Gower, Usk, and Hoccleve
by Eleanor JohnsonLiterary scholars often avoid the category of the aesthetic in discussions of ethics, believing that purely aesthetic judgments can vitiate analyses of a literary work’s sociopolitical heft and meaning. In Practicing Literary Theory in the Middle Ages, Eleanor Johnson reveals that aesthetics—the formal aspects of literary language that make it sense-perceptible—are indeed inextricable from ethics in the writing of medieval literature. Johnson brings a keen formalist eye to bear on the prosimetric form: the mixing of prose with lyrical poetry. This form descends from the writings of the sixth-century Christian philosopher Boethius—specifically his famous prison text, Consolation of Philosophy—to the late medieval English tradition. Johnson argues that Boethius’s text had a broad influence not simply on the thematic and philosophical content of subsequent literary writing, but also on the specific aesthetic construction of several vernacular traditions. She demonstrates the underlying prosimetric structures in a variety of Middle English texts—including Chaucer’s Troilus and Criseyde and portions of the Canterbury Tales, Thomas Usk’s Testament of Love, John Gower’s Confessio amantis, and Thomas Hoccleve’s autobiographical poetry—and asks how particular formal choices work, how they resonate with medieval literary-theoretical ideas, and how particular poems and prose works mediate the tricky business of modeling ethical transformation for a readership.
poyums
by Len PennieTHE INSTANT SUNDAY TIMES, THE TIMES, SUNDAY POST AND iPAPER BESTSELLER And I have done more than just simply get by So much more than escape or survive Through the galvanisation of love, time and patience I’ll take hold of my story and thrive. After life that was seldom what life ought to be Through laughter and love I’ll be whole This story is mine from the cover to spine And the narrative I will control Whether she’s writing letters to her younger self, advocating for women’s rights or adapting fairy tales to process an abusive relationship, Len’s voice is bold, unashamedly frank and unmistakably hers. The poems in this collection, both funny and fiercely feminist, announce a formidable new talent. Moving deftly between English and Scots, poyums is as approachable as it is affecting.
The Power to Change Geography
by Diana O'HehirWriting about poetry Diana Ó Hehir says, "I think of poetry as harnessed energy—as a marvelous way of taking the chaotic emotion, the turbulent perception, and recreating them as images that are specific, definite, directed. Miraculously, when this process works, it's one of expansion rather than diminution; the fortunate poet can reach out beyond the walls of separate personality into a general air that everyone breathes. I think of my own poetry as intense, imagistic, surreal, and personal, and try to write about perceptions which have pushed me toward change or renewal." For the last six years Diana Ó Hehir has been writing poetry and has had poems published in Antaeus, Kayak, Poetry Northwest, and Southern Poetry Review.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Power Politics: Poems (A List)
by Margaret AtwoodA groundbreaking meditation on sexual politics, love, and human tenacity from the world-renowned pioneer of feminist writing and prophetic author of The Handmaid’s Tale, Margaret Atwood.When it first appeared in 1971, Margaret Atwood’s Power Politics startled readers with its vital dance of woman and man. It still startles today, and is just as iconoclastic as ever. These poems occupy all at once the intimate, the political, and the mythic. Here Atwood makes us realize that we may think our own personal dichotomies are unique, but really they are multiple, universal. Clear, direct, wry, and unrelenting — Atwood’s poetic powers are honed to perfection in this seminal work from her early career.
Power and Self-Consciousness in the Poetry of Shelley (Studies In Romanticism Ser.)
by Andrew J Welburn Thomas Heinzen
Power and Conflict Poetry Anthology: AQA GCSE 9-1 English Literature (PDF) (Collins Snap Revision)
by Collins GcseExam Board: AQA Level: GCSE Subject: English Language First Teaching: September 2015; First Exams: June 2017 Revise tricky topics in a snap Need extra help with the Power & Conflict Poetry Anthology ahead of the exam? Revise and review your understanding of the poems, themes, context, poetic voice and structure with this handy A5, exam-focused guide. - The poems: a detailed analysis of all fifteen 'Power and Conflict' poems, with ‘Key quotations’, ‘Additional context’, ‘Sample analysis’ and ‘Quick tests’. - Comparison: how to come up with ideas and structure a comparison of two poems - Exam preparation section: includes 'tips and assessment objectives', Grade 5 and Grade 7 annotated answers and exam-style practice questions.
Pound's "Cavalcanti": An Edition of the Translation, Notes, and Essays
by David AndersonThis book makes available the entire range of Ezra Pounds studies and translations of the technically complex philosophical poems of the thirteenth-century Florentine Guido Cavalcanti, Dante's first friend" and artistic rival.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Pound in Multiple Perspective: A Collection of Critical Essays
by Andrew GibsonThe book consists of seven essays exploring the relationship between Pound and Browning, Yeats, Ford, Lewis, Joyce, Eliot and American epic tradition. Each essay reconsiders and reassesses one aspect of the poet, his work and his literary connections in the light of fresh insight and new research.
Pound, Frost, Moore, and Poetic Precision: Science in Modernist American Poetry
by Barry AhearnPound, Frost, Moore and Poetic Precision: Science in American Modernist Poetry examines three major poets in light of the demand that poetry aspire to scientific precision. The critical insistence that poetry be precise affected every one of these poets, and looking at how they responded to this insistence offers a new perspective on their achievements and, by extension, twentieth-century poetry in general. Ezra Pound sought to associate poetry with the precision of modern science, technology and mathematics as a way to eliminate or reduce error. Robert Frost, however, welcomed imprecision as a fundamental aspect of existence that the poet could use. Marianne Moore appreciated the value of both precision and imprecision, especially with respect to her religious perspective on human and natural phenomena. By analyzing these particular poets’ reaction to the value placed on precision, Barry Ahearn explores how that emphasis influenced the broader culture, literary culture and twentieth-century Modernist American poetry.
Pound and Pasolini: Poetics of Crisis (Palgrave Studies in Modern European Literature)
by Sean MarkIn October 1967, Pier Paolo Pasolini travelled to Venice to interview Ezra Pound for broadcast on national television. One a lifelong Marxist, the other a former propagandist for the Fascist regime, their encounter was billed as a clash of opposites. But what do these poets share? And what can they tell us about the poetics and politics of the twentieth century? This book reads one by way of the other, aligning their engagement with different temporalities and traditions, polities and geographies, languages and forms, evoked as utopian alternatives to the cultural and political crises of capitalist modernity. Part literary history, part comparative study, it offers a new and provocative perspective on these poets and the critical debates around them – in particular, on Pound’s Italian years and Pasolini’s use of Pound in his work. Their connection helps to understand the implications and legacies of their work today.
Poukahangatus
by Tayi Tibble'Moving and hopeful ... will stay with me for a long time' Daisy Buchanan'A fearless, young new voice' Carol Ann Duffy'One of the most exciting debuts I've read in ages' Kaveh Akbar'One of the most startling and original poets of her generation' Joy HarjoThe voice of Tayi Tibble is one of most exciting in poetry today. In Poukahangatus (pronounced 'Pocahontas'), her debut volume, Tibble challenges a dazzling array of mythologies - Greek, Maori, feminist, kiwi - peeling them apart and respinning them in modern terms. Her poems move from rhythmic discussions of the Kardashians, sugar daddies and Twilight to exquisite renderings of precise emotions and the natural world alike. Tibble is also a master narrator of teenage womanhood, its exhilarating highs and devastating lows; her high-camp aesthetics chart the overflowing beauty, irony and ruination of her surroundings.Poem by poem, Tibble carves out a bold new way of engaging history without merely telling it, of straddling modernity and ancestry, desire and exploitation. These are warm, provocative and profoundly original poems, written from a world in which the effects of colonization, land, work and gender are intimately and insidiously connected. Along the way, Tibble scrutinizes perception and asks how she as a Maori woman fits into trends, stereotypes and popular culture. With language that is at once colourful, passionate and laugh-out-loud funny, Poukahangatus announces the presence of a surpassingly daring new poet.
Postsecular Poetics: Negotiating the Sacred and Secular in Contemporary African Fiction (Routledge Research in Postcolonial Literatures)
by Rebekah CumpstyThis book is the first full-length study of the postsecular in African literatures. Religion, secularism, and the intricate negotiations between the two, codified in recent criticism as postsecularism, are fundamental conditions of globalized modernity. These concerns have been addressed in social science disciplines, but they have largely been neglected in postcolonial and literary studies. To remedy this oversight, this monograph draws together four areas of study: it brings debates in religious and postsecular studies to bear on African literatures and postcolonial studies. The focus of this interdisciplinary study is to understand how postsecular negotiations manifest in postcolonial African settings and how they are represented and registered in fiction. Through this focus, this book reveals how African and African-diasporic authors radically disrupt the epistemological and ontological modalities of globalized literary production, often characterized as secular, and imagine alternatives which incorporate the sacred into a postsecular world.
Postsecular Poetics: Negotiating the Sacred and Secular in Contemporary African Fiction (Routledge Research in Postcolonial Literatures)
by Rebekah CumpstyThis book is the first full-length study of the postsecular in African literatures. Religion, secularism, and the intricate negotiations between the two, codified in recent criticism as postsecularism, are fundamental conditions of globalized modernity. These concerns have been addressed in social science disciplines, but they have largely been neglected in postcolonial and literary studies. To remedy this oversight, this monograph draws together four areas of study: it brings debates in religious and postsecular studies to bear on African literatures and postcolonial studies. The focus of this interdisciplinary study is to understand how postsecular negotiations manifest in postcolonial African settings and how they are represented and registered in fiction. Through this focus, this book reveals how African and African-diasporic authors radically disrupt the epistemological and ontological modalities of globalized literary production, often characterized as secular, and imagine alternatives which incorporate the sacred into a postsecular world.