- Table View
- List View
Shakespeare for Every Night of the Year
by Colin SalterImmerse yourself in the sublime words of the Bard with this sumptuous anthology of Shakespeare, with one entry for every night of the year. Chosen especially by a Shakespeare fanatic to reflect the changing seasons and daily events, the entries in this glorious book include: Romeo and Juliet on Valentine's Day. A Midsummer Night's Dream in Midsummer. The witches of Macbeth around their cauldron on Halloween. Also featured is one of Shakespeare's only two mentions of football for the anniversary of the first FA cup final. Beautifully illustrated with favourite scenes from Shakespeare's best-loved plays, this magnificent volume is a fun introduction to the well-known work and lesser known plays and poetry and is designed to be accessible to both adults and curious children. Keep this book by your bedside and luxuriate in the rich language of the greatest writer the world has ever known, for entertainment, relaxation and timeless wisdom every night of the year.
Shakespeare for Every Day of the Year
by Allie EsiriFrom Allie Esiri, editor of the bestselling A Poem for Every Day of the Year and A Poem for Every Night of the Year, comes this beautiful gift anthology of Shakespeare's works.William Shakespeare wrote at least 37 plays, 154 sonnets and a handful of longer poems and you can discover them all here. Each page of this unique collection contains an extract, which might be a famous poem, quote or scene, matched to the date. Allie Esiri's introductions give her readers a new window into the work, time and life of the greatest writer in the English language. Shakespeare for Every Day of the Year is perfect for reading or sharing and brings you Shakespeare’s best-known and best-loved classics alongside lesser known extracts. Esiri’s entertaining and insightful thoughts on each entry will fill your year with wonder, laughter, wisdom and wit.
The Shakespeare First Folios: A Descriptive Catalogue
by Eric Rasmussen, et al.This catalogue of the Shakespeare First Folio (1623) is the result of two decades of research during which 232 surviving copies of this immeasurably important book were located a remarkable 72 more than were recorded in the previous census over a century ago and examined in situ, creating an essential reference work.
Shakespeare, Film Studies, and the Visual Cultures of Modernity
by A. GuneratneThis book is the first in-depth cultural history of cinema's polyvalent and often contradictory appropriations of Shakespearean drama and performance traditions. The author argues that these adapatations have helped shape multiple aspects of film, from cinematic style to genre and narrative construction.
Shakespeare, Film, Fin de Siecle
by Mark Thornton Burnett Ramona WrayThe essays in this volume read the Shakespeare films of the 1990s as key instruments with which western culture confronts the anxieties attendant upon the transition from one century to another. Such films as Hamlet, Love's Labour's Lost, Othello, Shakespeare in Love and William Shakespeare's Romeo and Juliet , the contributors maintain, engage with some of the most pressing concerns of the present, apocalyptic condition - familial crisis, social estrangement, urban blight, cultural hybridity, literary authority, the impact of technology and the end of history. The volume includes an exclusive interview with Kenneth Branagh.
The Shakespeare Effect: A History of Twentieth-Century Performance
by R. ShaughnessyThis lively and provocative study offers a radical reappraisal of a century of Shakespearean theatre. Topics addressed include modernist Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare himself as a dramatic fiction and theatrical icon.
Shakespeare, Dissent and the Cold War (Palgrave Shakespeare Studies)
by Alfred ThomasShakespeare, Dissent and the Cold War is the first book to read Shakespeare's drama through the lens of Cold War politics. The book uses the Cold War experience of dissenting artists in theatre and film to highlight the coded religio-political subtexts in Hamlet, King Lear, Macbeth and The Winter's Tale.
Shakespeare, Cinema and Desire: Adaptation and Other Futures of Shakespeare's Language
by S. RyleShakespeare, Cinema and Desire explores the desires and the futures of Shakespeare's language and cinematographic adaptations of Shakespeare. Tracing ways that film offers us a rich new understanding of Shakespeare, it highlights issues such as media technology, mourning, loss, the voice, narrative territories and flows, sexuality and gender.
Shakespeare and War
by R. King P. FranssenA lively collection of essays from scholars from across Europe, North America and Australia. The book ranges from Shakespeare's use of manuals on war written for the sixteenth-century English public by an English mercenary, to reflections on the ways in which Shakespeare has been represented in Nazi Germany, wartime Denmark, or cold war Romania.
Shakespeare and the Urgency of Now: Criticism and Theory in the 21st Century (Palgrave Shakespeare Studies)
by Cary DiPietro and Hugh GradyThese essays address the intersections between Shakespeare, history and the present using a variety of new and established methodological approaches, from phenomenology and ecocriticism to the new economics and aesthetics.
Shakespeare and the Truth of Love: The Mystery of 'The Phoenix and Turtle' (Palgrave Shakespeare Studies)
by J. BednarzA comprehensive study of Shakespeare's forgotten masterpiece The Phoenix and Turtle . Bednarz confronts the question of why one of the greatest poems in the English language is customarily ignored or misconstrued by Shakespeare biographers, literary historians, and critics.
Shakespeare and the Shrew: Performing the Defiant Female Voice (Palgrave Shakespeare Studies)
by A. KamaralliAn investigation of the many ways that Shakespeare uses the defiant voice of the shrew. Kamaralli explores how modern performance practice negotiates the possibilities for staging these characters who refuse to conform to standards of acceptable behaviour for women, but are among Shakespeare's bravest, wisest and most vivid creations.
Shakespeare and the Question of Culture: Early Modern Literature and the Cultural Turn (Early Modern Cultural Studies 1500–1700)
by D. BrusterThe last two decades have witnessed a profound change in the way we receive the literary texts of early modern England. One could call this a move from 'text' to 'culture'. Put briefly, earlier critics tended to focus on literary texts, strictly conceived: plays, poems, prose fictions, essays. Since the mid-1980s, however, it has been just as likely for critics to speak of the 'culture' of early modern England, even when they do so in conjunction with analysis of literary texts. This 'cultural turn' has clearly enriched the way in which we read the texts of early modern England, but the interdisciplinary practices involved have frequently led critics to make claims about materials - and about the 'culture' these materials appear to embody - that exceed those materials' representativeness. Shakespeare and the Question of Culture addresses the central issue of 'culture' in early modern studies through both literary history and disciplinary critique. Douglas Bruster argues that the 'culture' literary critiques investigate through the works of Shakespeare and other writers is largely a literary culture, and he examines what this necessary limitation of the scope of 'cultural studies' means for the discipline of early modern studies.
Shakespeare and the Performance of Girlhood (Palgrave Shakespeare Studies)
by D. WilliamsThis is the first scholarly study devoted to Shakespeare's girl characters and conceptions of girlhood. It charts the development of Shakespeare's treatment of the girl as a dramatic and literary figure, and explores the impact of Shakespeare's girl characters on the history of early modern girls as performers, patrons, and authors.
Shakespeare and the Nature of Women
by Juliet DusinberreShakespeare and the Nature of Women was the first full-length feminist analysis of the plays of Shakespeare and his contemporaries, ushering in a new era in research and criticism. Its arguments for the feminism both of the drama and the early modern period caused instant controversy, which still engrosses scholars. Dusinberre argues that Puritan teaching on sexuality and spiritual equality raises questions about women which feed into the drama, where the role of women in relation to authority structures is constantly renegotiated. Using a critical language which predates Foucault and other major theorists, Shakespeare and the Nature of Women argues that Renaissance drama highlights ways in which the feminine and the masculine are socially constructed. The presence of the boy actor on stage created an awareness of gender as performance, now crucial to contemporary feminist thought. Shakespeare and the Nature of Women claimed for women a right to speak about the literary text from their own place in history and culture. The author's Preface to the second edition traces contemporary developments in feminist scholarship, which still wrestles with the book's main thesis: Renaissance feminism, feminist Shakespeare.
Shakespeare and the Modern Dramatist (Contemporary Interpretations of Shakespeare)
by Michael ScottTheatre has never been afraid to adapt, rewrite and contemporize Shakespeare's drama since theatre by definition is a living medium involving a corporate creativity. Shakespeare himself rewrote or adapted old plays and stories and since writing his dramas have experienced many transformations. Recent dramatists following this age-old tradition have rewritten some of Shakespeare's plays for the contemporary stage or modelled their drama on formulations used by him. Michael Scott examines a selection of such plays written in the last forty years. Some, such as Samuel Beckett's Waiting for Godot or Tom Stoppard's Rosencrantz & Guildenstern are Dead have become famed. Others such as Ionesco's Macbett are less well known but are no less signficant. Edward Bond's Lear, Arnold Wesker's The Merchant and Charles Marowitz's Collages represent an attempt by some modern dramatists to challenge a particular ideology which appears to have appropriated Shakespeare to itself. The book concludes with an examination of some recent trends in Shakespearean production, particularly by the Royal Shakespeare Company.
Shakespeare and the Materiality of Performance
by E. LinWinner of the MRDS 2013 David Bevington Award for Best New Book in Early Drama Studies! Drawing on a wide variety of primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped dramatic narratives and the presentational dynamics of onstage action.
Shakespeare and the Institution of Theatre: ‘The Best in this Kind’ (Palgrave Shakespeare Studies)
by E. SheenThis innovative book offers an interdisciplinary analysis of Shakespearean theatre, presented in a series of imaginative readings of plays from every period of the playwright's career, from Two Gentlemen of Verona and The Taming of the Shrew to King Lear and The Tempest , mapping a new approach to ideas of the theatre as an institution.
Shakespeare and the French Borders of English
by Michael SaengerThis study emerges from an interdisciplinary conversation about the theory of translation and the role of foreign language in fiction and society. By analyzing Shakespeare's treatment of France, Saenger interrogates the cognitive borders of England - a border that was more dependent on languages and ideas than it was on governments and shorelines.
Shakespeare and the Ethics of Appropriation (Reproducing Shakespeare)
by Alexa Huang Elizabeth RivlinMaking an important new contribution to rapidly expanding fields of study surrounding the adaptation and appropriation of Shakespeare, Shakespeare and the Ethics of Appropriation is the first book to address the intersection of ethics, aesthetics, authority, and authenticity.
Shakespeare and the English Renaissance Sonnet: Verses of Feigning Love
by P. InnesThis book is an analysis of the sonnet in the English Renaissance. It especially traces the relations between Shakespeare's sonnets and the ways in which other writers use the form. It looks at how the poetry fits into the historical situation at the time, with regard to images of the family and of women. Its exploration of these issues is informed by much recent work in critical theory, which it tries to make as accessible as possible.
Shakespeare and the Embodied Heroine: Staging Female Characters in the Late Plays and Early Adaptations (Palgrave Shakespeare Studies)
by L. LeighShakespeare and the Embodied Heroine is a bold new investigation of Shakespeare's female characters using the late plays and the early adaptations written and staged during the seventeenth and eighteenth century.