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Having It Both Ways: Hybrid Theories and Modern Metaethics (Oxford Moral Theory)

A recent trend in metaethics has been to reject the apparent choice between pure cognitivism, where moral (and other normative) judgments are understood as representational or belief-like states, and pure non-cognitivism, where they are understood as non-representational or desire-like states. Rather, philosophers have adopted views which seek in some way to combine the strengths of each side while avoiding the standard problems for each. Some such views claim that moral judgments are complexes of belief-like and desire-like components. Other views claim that normative language serves both to ascribe properties and to express desire-like attitudes. This collection of twelve new essays examines the prospects for such 'hybrid views' of normative thought and language. The papers, which focus mainly on moral thought and talk, provide a guide to this debate while also pushing it forward along numerous fronts.

Having in Mind: The Philosophy of Keith Donnellan

Keith Donnellan of UCLA is one of the founding fathers of contemporary philosophy of language, along with David Kaplan and Saul Kripke. Donnellan was and is an extremely creative thinker whose insights reached into metaphysics, action theory, the history of philosophy, and of course the philosophy of mind and language. This volume collects the best critical essays on Donnellan's forty-year body of work. The pieces by such noted philosophers as Tyler Burge, David Kaplan, and John Perry, discuss Donnellan's various insights particularly offering new readings of his views on language and mind.

Having and Being Had

An incisive collection from award-winning author Eula Biss, Having and Being Had is a personal reckoning with the intricacies of money, class and capitalism.'A major achievement . . . this expansive and intimate accumulation asks the questions that touch all our lives.' CLAUDIA RANKINE'An endlessly absorbing examination of class, our collusion in capitalism and economic inequality. Biss' signature voice is central, pivoting around Woolf, Baldwin and Didion, while proving herself to an extraordinary essayist of their ilk.'SINÉAD GLEESON 'My adult life can be divided into two distinct parts,' Eula Biss writes, 'the time before I owned a washing machine and the time after.' Having just purchased her first home, she now embarks on a roguish and risky self-audit of the value system she has bought into. The result is a radical interrogation of work, leisure and capitalism. Described by the New York Times as a writer who 'advances from all sides, like a chess player', Biss brings her approach to the lived experience of capitalism. Playfully ranging from IKEA to Beyoncé to Pokémon, across bars and laundromats and universities, she asks, of both herself and her class, 'In what have we invested?''Having and Being Had offers us a probing tour of capitalism and class that sidesteps posturing and jargon in favor of clarity, humility, and incitement.' Maggie Nelson'In this witty, genre-bending book, Eula Biss smashes the taboo against talking about money with exhilarating results . . . [and] disarming honesty and grace.' Jenny Offill'Eula Biss's prescient new book gave me new language for things I didn't know I felt . . . A brilliant, lacerating re-examination of our relationship to what we own and why, and who in turn might own us.' Alexander Chee'No contemporary writer I know explores and confronts her own societal responsibilities better than Eula Biss.' Aleksandar Hemon 'A meditation on race, consumerism and the American caste system. And a wry, vivd assessment of our spiritual moment. It is no accident that Having and Being Had reads like the poems money would write if money wrote poems.' Jeet Thayil

Haven or Hell?: Asylum Policies and Refugees in Europe (Migration, Minorities and Citizenship)

This book brings together in a systematic manner three discrete areas of interest pertaining to refugees. Asylum is explored through studies on the evolution of legal instruments in Europe, the harmonisation process of European policies, and the broader spectrum of factors underpinning decisions on asylum. Reception and settlement of refugees are analysed through a comparative study of national programmes in France and Britain and in addition a survey of local authority policies. A typology for refugees is developed and tested by a comparison between Chilean and Vietnamese associations in France and Britain.

Havelock Ellis: A Biography (Routledge Revivals)

First published in 1979, Havelock Ellis is a biography of the philosopher of sex. Havelock Ellis trained first as a doctor but soon broke out of conventional medicine to shock Victorian England with his encyclopaedic seven-volume work, Studies in the Psychology of Sex. One of the last representatives of the days when man could attempt to embrace a universal view, he wrote more than fifty books covering such diverse subjects as medicine, eugenics, love, literature, criminal law, and above all, sex. These were strewn with findings on many major problems which still trouble us today and some of his solutions remain highly contemporary. His influence permeated many areas of social thinking, and his works played a considerable part in changing attitudes towards homosexuality, the relation between the sexes and sexual patterns of behaviour. The present biography re-assesses the main themes of Ellis’ work and throws new light on many aspects of his life from a wide variety of published and unpublished sources. It also provides a new account of his relationship with Freud from unpublished sources and an evaluation of their inter-related work. This book will be of interest to students of philosophy and psychology.

Havelock Ellis: A Biography (Routledge Revivals)

First published in 1979, Havelock Ellis is a biography of the philosopher of sex. Havelock Ellis trained first as a doctor but soon broke out of conventional medicine to shock Victorian England with his encyclopaedic seven-volume work, Studies in the Psychology of Sex. One of the last representatives of the days when man could attempt to embrace a universal view, he wrote more than fifty books covering such diverse subjects as medicine, eugenics, love, literature, criminal law, and above all, sex. These were strewn with findings on many major problems which still trouble us today and some of his solutions remain highly contemporary. His influence permeated many areas of social thinking, and his works played a considerable part in changing attitudes towards homosexuality, the relation between the sexes and sexual patterns of behaviour. The present biography re-assesses the main themes of Ellis’ work and throws new light on many aspects of his life from a wide variety of published and unpublished sources. It also provides a new account of his relationship with Freud from unpublished sources and an evaluation of their inter-related work. This book will be of interest to students of philosophy and psychology.

Have You Read George’s Podcast?

'There's something special about it: the storytelling is unique, so exciting, so kinetic. Even though it's in your ears, you feel like you're walking along with George.' -- Candice Carty-Williams'Have You Read George's Podcast? is a collection of the scripts of 28 of his podcasts. Even on the page, they are evidently brilliant, creating a shifting, shimmering world that remains anchored in the big questions of history, empire and identity that form the tec tonic plates of George's imagination.' -- Sunday Times '[George's podcast] blows through the medium's newly established boundaries, offering an experience as innovative as it is undefinable.' -- New Yorker'A genre-defying piece of audio that pushes the limits of what a podcast can be.' -- New York Times'There can't be many people out there who don't think George the Poet is a bit of a genius.' -- Charlie Phillips, Guardian***For fans of the critically-acclaimed, award-winning podcast Have You Heard George's Podcast?, a stunning collection of the scripts of the podcast, plus bonus material from George the Poet.There's nothing quite like Have You Heard George's Podcast?. Listeners and critics have struggled to fit it into just one neat category, jumping as it does between autobiography, fiction and social commentary, often in a single episode - and virtually all of it performed in spellbinding rhyming verse. And now the complete scripts of Chapters One, Two and Three are available to enjoy, along with new writing by George. This collection allows fans to read (and re-read) his words, and with new extra insights and commentary on each episode and Chapter. In the book, just as in the podcast, George The Poet delivers an incredibly powerful and unique perspective on politics, modern society, history and current affairs through the art of storytelling, speculative fiction and spoken word. The book also offers a deeply personal summation of George's observations, experiences and vision for the future. Whilst his narrative takes us all around the world, the ultimate ambition is to empower the next generation, starting with his community.

Have We All Gone Mad? Why groupthink is rising and how to stop it: Why groupthink is rising and how to stop it

“With refreshingly clear-sighted analysis, Jerome Booth spells out how political, financial and social groupthink has damaged Britain – and, crucially, how we can tackle it. Highly recommended.” – Liam Halligan, Daily Telegraph “Most of the worst political decisions of recent years were made when all the mainstream politicians thought the same thing and no one challenged them. Jerome Booth wisely analyses why this situation happens so often and what can be done about it. Every politician and every decision-maker should read this book.” – Lord Frost, former Cabinet Office minister “It is a long time since I read a book with which I agreed so comprehensively.” – Lord Lilley, former Secretary of State *** We like to think of ourselves as rational, but human beings are fundamentally irrational creatures – and nowhere is that more apparent than in the fug of groupthink we see around us, from the boardroom to social media. Of the various forms of collective irrationality, groupthink is particularly dangerous. It involves adherence to a faulty consensus, often has a binary moral dimension (one is seen as either virtuous or evil) and is sustained through fear to challenge. Counter-intuitively, the most intelligent and erudite amongst us are particularly susceptible, and when groupthink takes hold, vigorous efforts are made to shut down debate and to bully and punish transgressors. As a result, toleration, liberalism, history, reason and science are under threat. Mass groupthink amongst both the elite and the masses affects millions of people. It has led to financial mismanagement leading up to the 2008 crisis and beyond; poor decision-making at the onset of Covid-19; exaggerated, unchallenged claims which have motivated nonsensical policies; and distortions in academia and journalism. In this remarkable and prescient book, Dr Jerome Booth investigates why some of us have abandoned reason in favour of trite memes, intolerance and hatred. Have we all gone mad? Or can we identify the patterns and causes of what is happening and try to stop it?

Hauptstadt Berlin: Von der Hauptstadtsuche zur Hauptstadtfindung

Berlin ist seit der Wiedervereinigung Hauptstadt des vereinten Deutschlands, die alten Zentren Ost und West wachsen immer mehr zusammen. Das Buch beleuchtet die politische Geschichte Berlins als Hauptstadt Deutschlands, die Entscheidung über die Verlagerung des Regierungssitzes nach der Wende 1989-90 und analysiert die besondere Architektur zentraler Bauten und die Lage Berlins in der Mitte Europas.Der InhaltHauptstadtfunktionen in Geschichte und Gegenwart • DDR-Hauptstadt Berlin • Hauptstadtsuche zwischen Bonn und Berlin • Die Hauptstadtverlagerung und das Berlin-Bonn-Gesetz von 1994 • Länderfusion Berlin-Brandenburg? • Die „Mitte der Mitte“: Die Gestaltung des Regierungszentrums • Die stadtsoziologischen Folgen des Hauptstadtumzugs • Kulturstadt und Kulturarchitektur in BerlinDer AutorProf. (em.), Dr. Dr. h.c. Klaus von Beyme ist Politikwissenschaftler an der Universität Heidelberg und Ehrenprofessor der Lomonossow-Universität in Moskau.

Hauntology: GHOSTS OF FUTURES PAST

Ghosts and spectres, the eerie and the occult. Why is contemporary culture so preoccupied by the supernatural, so captivated by the revenants of an earlier age, so haunted? The concept of Hauntology has evolved since first emerging in the 1990s, and has now entered the cultural mainstream as a shorthand for our new-found obsession with the recent past. But where does this term come from and what exactly does it mean?This book seeks to answer these questions by examining the history of our fascination with the uncanny from the golden age of the Victorian ghost story to the present day. From Dickens to Derrida, MR James to Mark Fisher; from the rise of Spiritualism to the folk horror revival, Hauntology traces our continuing engagement with these esoteric ideas. Moving between the literary and the theoretical, the visual and the political, Hauntology explores our nostalgia for the cultural artefacts of a past from which we seem unable to break free.Praise for Merlin Coverley'This little book [Psychogeography] does exactly what an introduction should; it examines, explains, and whets the appetite' - Telegraph'This succinct book is a definite first port ofcall for anyone interested in this most esotericof theories. A portmanteau of information,a pin-pointing of psychogeography's literaryimpact and standing, and a stimulating read' - 3:AM Magazine

Hauntological Dramaturgy: Affects, Archives, Ethics (Routledge Advances in Theatre & Performance Studies)

This book is about some of the ways we remember the dead through performance. It examines the dramaturgical techniques and strategies that enable artists to respond to the imperative: ‘Remember Me’ – the command King Hamlet’s ghost gives to his son in Shakespeare’s famous tragedy, Hamlet. The book develops the concept of hauntological dramaturgy by engaging with a series of performances that commemorate, celebrate, investigate, and sometimes seek justice for the dead. It draws on three interrelated discourses on haunting: Derrida’s hauntology with its ethical exhortation to be with ghosts and listen to the ghosts; Abraham and Torok’s psychoanalytic account of the role spectres play in the transmission of intergenerational trauma; and, finally, Mark Fisher and Simon Reynolds’ development of Derrida’s ideas within the field of popular culture. Taken together, these writers, in different ways, suggest strategies for reading and creating performances concerned with questions of commemoration. Case studies focus on a set of known and unknown figures, including Ian Charleson, Spalding Gray and David Bowie. This study will be of great interest to students, scholars and practitioners working within theatre and performance studies as well as philosophy and cultural studies.

Hauntological Dramaturgy: Affects, Archives, Ethics (Routledge Advances in Theatre & Performance Studies)

This book is about some of the ways we remember the dead through performance. It examines the dramaturgical techniques and strategies that enable artists to respond to the imperative: ‘Remember Me’ – the command King Hamlet’s ghost gives to his son in Shakespeare’s famous tragedy, Hamlet. The book develops the concept of hauntological dramaturgy by engaging with a series of performances that commemorate, celebrate, investigate, and sometimes seek justice for the dead. It draws on three interrelated discourses on haunting: Derrida’s hauntology with its ethical exhortation to be with ghosts and listen to the ghosts; Abraham and Torok’s psychoanalytic account of the role spectres play in the transmission of intergenerational trauma; and, finally, Mark Fisher and Simon Reynolds’ development of Derrida’s ideas within the field of popular culture. Taken together, these writers, in different ways, suggest strategies for reading and creating performances concerned with questions of commemoration. Case studies focus on a set of known and unknown figures, including Ian Charleson, Spalding Gray and David Bowie. This study will be of great interest to students, scholars and practitioners working within theatre and performance studies as well as philosophy and cultural studies.

Haunted Subjects: Deconstruction, Psychoanalysis and the Return of the Dead

Why do the dead return? Do they remain part of the world of the living? This book examines these questions as they emerge in areas as diverse as film, Holocaust testimony, and the works of Jacques Derrida, Nicolas Abraham and Maria Torok. The book suggests it may be as difficult for the living to get rid of the dead as it is to live without them.

Haunted Soundtracks: Audiovisual Cultures of Memory, Landscape, and Sound (New Approaches to Sound, Music, and Media)

The turn of the millennium has heralded an outgrowth of culture that demonstrates an awareness of the ephemeral nature of history and the complexity underpinning the relationship between location and the past. This has been especially apparent in the shifting relationship between landscape, memory and sound in film, television and other media. The result is growing interest in soundtracks, as part of audiovisual culture, as well as an interest in the spectral aspects of culture more generally. This collection of essays focuses on audiovisual forms that foreground landscape, sound and memory. The scope of inquiry emphasises the ghostly qualities of a certain body of soundtracks, extending beyond merely the idea of 'scary films' or 'haunted houses.' Rather, the notion of sonic haunting is tied to ideas of trauma, anxiety or nostalgia associated with spatial and temporal dislocation in contemporary society. Touchstones for the approach are the concepts of psychogeography and hauntology, pervasive and established critical strategies that are interrogated and refined in relation to the reification of the spectral within the soundtracks under consideration here.

Haunted Soundtracks: Audiovisual Cultures of Memory, Landscape, and Sound (New Approaches to Sound, Music, and Media)

The turn of the millennium has heralded an outgrowth of culture that demonstrates an awareness of the ephemeral nature of history and the complexity underpinning the relationship between location and the past. This has been especially apparent in the shifting relationship between landscape, memory and sound in film, television and other media. The result is growing interest in soundtracks, as part of audiovisual culture, as well as an interest in the spectral aspects of culture more generally. This collection of essays focuses on audiovisual forms that foreground landscape, sound and memory. The scope of inquiry emphasises the ghostly qualities of a certain body of soundtracks, extending beyond merely the idea of 'scary films' or 'haunted houses.' Rather, the notion of sonic haunting is tied to ideas of trauma, anxiety or nostalgia associated with spatial and temporal dislocation in contemporary society. Touchstones for the approach are the concepts of psychogeography and hauntology, pervasive and established critical strategies that are interrogated and refined in relation to the reification of the spectral within the soundtracks under consideration here.

Haunted Data: Affect, Transmedia, Weird Science

Haunted Data explores the concepts that are at work in our complex relationships with data. Our engagement with data – big or small – is never as simplistic or straightforward as might first appear. Indeed, Blackman argues that our relationship with data is haunted with errors, dead ends, ghostly figures, and misunderstandings that challenge core assumptions about the nature of thought, consciousness, mind, cognition, affect, communication, control and rationality, both human and non-human.Using contemporary controversies from 'weird science' including the field of priming and its uncanny relations to animal telepathy, as well as artificial intelligences and their curious relation to psychic research ('clairvoyant computers'), Blackman shows how some of the current crises in science in these areas reveal more than scientists are willing or even able to acknowledge. In addition to proposing a new theory of how we might engage with data, Haunted Data also provides a nuanced survey of the historical context to contemporary debates, going back to the 19th Century origins of modern computation and science to explain the ubiquity and oddness of our data relations. Drawing from radical philosophies of science, feminist science studies, queer theory, cultural studies, and the field of affect studies, the book develops a manifesto for how artists, philosophers and scientists might engage creatively and critically with science within the context of digital communication.

Haunted Data: Affect, Transmedia, Weird Science

Haunted Data explores the concepts that are at work in our complex relationships with data. Our engagement with data – big or small – is never as simplistic or straightforward as might first appear. Indeed, Blackman argues that our relationship with data is haunted with errors, dead ends, ghostly figures, and misunderstandings that challenge core assumptions about the nature of thought, consciousness, mind, cognition, affect, communication, control and rationality, both human and non-human.Using contemporary controversies from 'weird science' including the field of priming and its uncanny relations to animal telepathy, as well as artificial intelligences and their curious relation to psychic research ('clairvoyant computers'), Blackman shows how some of the current crises in science in these areas reveal more than scientists are willing or even able to acknowledge. In addition to proposing a new theory of how we might engage with data, Haunted Data also provides a nuanced survey of the historical context to contemporary debates, going back to the 19th Century origins of modern computation and science to explain the ubiquity and oddness of our data relations. Drawing from radical philosophies of science, feminist science studies, queer theory, cultural studies, and the field of affect studies, the book develops a manifesto for how artists, philosophers and scientists might engage creatively and critically with science within the context of digital communication.

Hatta Shuzo and Pure Anarchism in Interwar Japan

The Hatred of Music (The Margellos World Republic of Letters)

Throughout Pascal Quignard’s distinguished literary career, music has been a recurring obsession. As a musician he organized the International Festival of Baroque Opera and Theatre at Versailles in the early 1990s, and thus was instrumental in the rediscovery of much forgotten classical music. Yet in 1994 he abruptly renounced all musical activities. The Hatred of Music is Quignard’s masterful exploration of the power of music and what history reveals about the dangers it poses. From prehistoric chants to challenging contemporary compositions, Quignard reflects on music of all kinds and eras. He draws on vast cultural knowledge—the Bible, Greek mythology, early modern history, modern philosophy, the Holocaust, and more—to develop ten accessible treatises on music. In each of these small masterpieces the author exposes music’s potential to manipulate, to mesmerize, to domesticate. Especially disturbing is his scrutiny of the role music played in the concentration camps of Nazi Germany. Quignard’s provocative book takes on particular relevance today, as we find ourselves surrounded by music as never before in history.

The Hatred of Literature

For 2,500 years literature has been condemned in the name of authority, truth, morality and society. But in making explicit what a society expects from literature, anti-literary discourse paradoxically asserts the validity of what it wishes to deny. The threat to literature’s continued existence, William Marx writes, is not hatred but indifference.

The Hatred of Literature

For 2,500 years literature has been condemned in the name of authority, truth, morality and society. But in making explicit what a society expects from literature, anti-literary discourse paradoxically asserts the validity of what it wishes to deny. The threat to literature’s continued existence, William Marx writes, is not hatred but indifference.

Hatred: Understanding Our Most Dangerous Emotion

Hatred is often considered the opposite of love, but in many ways is much more complicated. It also may be considered one of the dominant emotions of our time, as individuals, groups, and even nations express or enact hatred to varying degrees. What is hatred? Where does it come from and what does it reveal about the hater? And is hatred always a bad thing? Brogaard makes a deep dive into the moral psychology of one of our most complex, and vivid emotions. She explores how hatred arises between people and among groups. She also shows how hate, like anger, can sometimes be appropriate and fitting. Other other questions she addresses are, how does hate differ from anger, disgust, fear, and other related emotions? Is fear an essential part of hatred? How does hatred affect what happens inside the brain? How did hate evolve in human history? Is hatred ever morally justified? Can you hate and love at the same time? Can one hate oneself? How do implicit biases trigger hatred of groups? This accessible, timely, and novel look at an underexplored emotion will employ examples from current events as well as art and literature and popular culture.

Hatred: Understanding Our Most Dangerous Emotion

Hatred is often considered the opposite of love, but in many ways is much more complicated. It also may be considered one of the dominant emotions of our time, as individuals, groups, and even nations express or enact hatred to varying degrees. What is hatred? Where does it come from and what does it reveal about the hater? And is hatred always a bad thing? Brogaard makes a deep dive into the moral psychology of one of our most complex, and vivid emotions. She explores how hatred arises between people and among groups. She also shows how hate, like anger, can sometimes be appropriate and fitting. Other other questions she addresses are, how does hate differ from anger, disgust, fear, and other related emotions? Is fear an essential part of hatred? How does hatred affect what happens inside the brain? How did hate evolve in human history? Is hatred ever morally justified? Can you hate and love at the same time? Can one hate oneself? How do implicit biases trigger hatred of groups? This accessible, timely, and novel look at an underexplored emotion will employ examples from current events as well as art and literature and popular culture.

The Hatoyama Dynasty: Japanese Political Leadership Through the Generations

This is a multi-generational political history of the Hatoyamas, a family that has participated at the highest levels of Japan's parliamentary government from its inception in the late 1800s. The Hatoyama family is one of the most prominent political families in modern Japanese government. It has produced six members of the Diet, Japan's parliament, many of whom have served as cabinet members and party leaders. Due to the family's political legacy, they have often been likened to the Kennedy family in American politics (though they have been spared the tragedy and scandal visited upon the Kennedys). Despite the significance of the Hatoyamas to modern Japanese politics, this is the first comprehensive study available in English. In tracing the rising political fortunes of this family, it is also possible to study the role of hereditary politicians in Japan, the growth and evolution of Japanese political parties, and, perhaps most importantly, the way political leadership functions in Japan, a society known more for consensus-building than strong leaders.

Hating God: The Untold Story of Misotheism

While atheists such as Richard Dawkins have now become public figures, there is another and perhaps darker strain of religious rebellion that has remained out of sight--people who hate God. In this revealing book, Bernard Schweizer looks at men and women who do not question God's existence, but deny that He is merciful, competent, or good. Sifting through a wide range of literary and historical works, Schweizer finds that people hate God for a variety of reasons. Some are motivated by social injustice, human suffering, or natural catastrophes that God does not prevent. Some blame God for their personal tragedies. Schweizer concludes that, despite their blasphemous thoughts, these people tend to be creative and moral individuals, and include such literary lights as Friedrich Nietzsche, Mark Twain, Zora Neale Hurston, Rebecca West, Elie Wiesel, and Philip Pullman. Schweizer shows that literature is a fertile ground for God haters. Many authors, who dare not voice their negative attitude to God openly, turn to fiction to give vent to it. Indeed, Schweizer provides many new and startling readings of literary masterpieces, highlighting the undercurrent of hatred for God. Moreover, by probing the deeper mainsprings that cause sensible, rational, and moral beings to turn against God, Schweizer offers answers to some of the most vexing questions that beset human relationships with the divine.