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Visualizing Loss in Latin America: Biopolitics, Waste, and the Urban Environment (Literatures, Cultures, and the Environment)
by Gisela HeffesVisualizing Loss in Latin America engages with a varied corpus of textual, visual, and cultural material with specific intersections with the natural world, arguing that Latin American literary and cultural production goes beyond ecocriticism as a theoretical framework of analysis. Gisela Heffes poses the following crucial question: How do we construct a conceptual theoretical apparatus to address issues of value, meaning, tradition, perspective, and language, that contributes substantially to environmental thinking, and that is part and parcel of Latin America? The book draws attention to ecological inequality and establishes a biopolitical, ethics-based reading of Latin American art, film, and literature that operates at the intersection of the built environment and urban settings. Heffes suggests that the aesthetic praxis that emerges in/from Latin America is permeated with a rhetoric of waste—a significant trait that overwhelmingly defines it.
Visualizing Jewish Narrative: Jewish Comics and Graphic Novels
by Derek Parker RoyalExamining a wide range of comics and graphic novels – including works by creators such as Will Eisner, Leela Corman, Neil Gaiman, Art Spiegelman, Sarah Glidden and Joe Sacco – this book explores how comics writers and artists have tackled major issues of Jewish identity and culture. With chapters written by leading and emerging scholars in contemporary comic book studies, Visualizing Jewish Narrative highlights the ways in which Jewish comics have handled such topics as: ·Biography, autobiography, and Jewish identity ·Gender and sexuality ·Genre – from superheroes to comedy ·The Holocaust ·The Israel-Palestine conflict ·Sources in the Hebrew Bible and Jewish myth Visualizing Jewish Narrative also includes a foreword by Danny Fingeroth, former editor of the Spider-Man line and author of Superman on the Couch and Disguised as Clark Kent..
Visualizing Jewish Narrative: Jewish Comics and Graphic Novels
by Derek Parker RoyalExamining a wide range of comics and graphic novels – including works by creators such as Will Eisner, Leela Corman, Neil Gaiman, Art Spiegelman, Sarah Glidden and Joe Sacco – this book explores how comics writers and artists have tackled major issues of Jewish identity and culture. With chapters written by leading and emerging scholars in contemporary comic book studies, Visualizing Jewish Narrative highlights the ways in which Jewish comics have handled such topics as: ·Biography, autobiography, and Jewish identity ·Gender and sexuality ·Genre – from superheroes to comedy ·The Holocaust ·The Israel-Palestine conflict ·Sources in the Hebrew Bible and Jewish myth Visualizing Jewish Narrative also includes a foreword by Danny Fingeroth, former editor of the Spider-Man line and author of Superman on the Couch and Disguised as Clark Kent..
Visuality in the Theatre: The Locus of Looking (Performance Interventions)
by M. BleekerThis book presents an exploration of the under-explored terrain of visuality, demonstrating the use of new theoretical insights into vision for the analysis of theatre and performance and simultaneously shows theatre and performance to be an excellent 'theoretical object' for exploring the cultural, historical and embodied character of visuality.
Visuality and Identity in Post-millennial Indian Graphic Narratives (Palgrave Studies in Comics and Graphic Novels)
by E. Dawson VarugheseThis book investigates the intersection of Indian society, the encoding of post-millennial modernity and ‘ways of seeing’ through the medium of Indian graphic narratives. If seeing in Indian cultures is a mode of knowing then what might we decode and know from the Indian graphic narratives examined here? The book posits that the ‘seeing’ of post-millennial Indian graphic narratives revolves around a visuality of the inauspicious, complemented by narratives of the same. Examining both form and content across nine Indian, post-millennial graphic narratives, this book will appeal to those working in South Asian visual studies, cultural studies and comics-graphic novel studies more broadly.
Visualität, Form und Mythos in Peter Handkes Prosa
by Jürgen WolfPeter Handkes Arbeiten haben von Beginn an in ihrer Abfolge und Entwicklung einen außerordentlichen prozeßhaften Charakter. Jedoch erscheint mit der Erzählung "Die Abwesenheit" aus dem Jahre 1987 ein Kreis geschlossen: Das Verhältnis des Protagonisten zu den Dingen und zur Welt hat sich gänzlich beruhigt und ist zumindest hinsichtlich der dinglichen Erscheinungen frei von Reibungen.
Visual Representations of the Arctic: Imagining Shimmering Worlds in Culture, Literature and Politics (Routledge Interdisciplinary Perspectives on Literature)
by Markku Lehtimäki Arja Rosenholm Vlad StrukovPrivileging the visual as the main method of communication and meaning-making, this book responds critically to the worldwide discussion about the Arctic and the North, addressing the interrelated issues of climate change, ethics and geopolitics. A multi-disciplinary, multi-modal exploration of the Arctic, it supplies an original conceptualization of the Arctic as a visual world encompassing an array of representations, imaginings, and constructions. By examining a broad range of visual forms, media and forms such as art, film, graphic novels, maps, media, and photography, the book advances current debates about visual culture. The book enriches contemporary theories of the visual taking the Arctic as a spatial entity and also as a mode of exploring contemporary and historical visual practices, including imaginary constructions of the North. Original contributions include case studies from all the countries along the Arctic shore, with Russian material occupying a large section due to the country’s impact on the region
Visual Representations of the Arctic: Imagining Shimmering Worlds in Culture, Literature and Politics (Routledge Interdisciplinary Perspectives on Literature)
by Markku Lehtimäki Arja Rosenholm Vlad StrukovPrivileging the visual as the main method of communication and meaning-making, this book responds critically to the worldwide discussion about the Arctic and the North, addressing the interrelated issues of climate change, ethics and geopolitics. A multi-disciplinary, multi-modal exploration of the Arctic, it supplies an original conceptualization of the Arctic as a visual world encompassing an array of representations, imaginings, and constructions. By examining a broad range of visual forms, media and forms such as art, film, graphic novels, maps, media, and photography, the book advances current debates about visual culture. The book enriches contemporary theories of the visual taking the Arctic as a spatial entity and also as a mode of exploring contemporary and historical visual practices, including imaginary constructions of the North. Original contributions include case studies from all the countries along the Arctic shore, with Russian material occupying a large section due to the country’s impact on the region
Visual Power and Fame in René d'Anjou, Geoffrey Chaucer, and the Black Prince (The New Middle Ages)
by S. GertzReading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d Anjou (1409-1480), Geoffrey Chaucer s House of Fame (ca. 1375-1380), and Edward the Black Prince (1330-1376) explore fame s visual power. While very different in approach, all three individuals reject the classical suggestion that fame is bestowed and understand that particularly in positions of leadership, it is necessary to communicate effectively with audiences in order to secure fame. This sweeping study sheds light on fame s intoxicating but deceptively simple promise of elite glory.
The Visual Life of Romantic Theater, 1780-1830
by Diane Piccitto Terry F. RobinsonThe Visual Life of Romantic Theater examines the dynamism and vibrancy of stage spectacle and its impact in an era of momentous social upheaval and aesthetic change. Situating theatrical production as key to understanding visuality ca. 1780-1830, this book places the stage front and center in Romantic scholarship by re-envisioning traditional approaches to artistic and social creation in the period. How, it asks, did dramaturgy and stagecraft influence aesthetic and sociopolitical concerns? How does a focus on visuality expand our understanding of the historical experience of theatergoing? In what ways did stage performance converge with visual culture beyond the theater? How did extratheatrical genres engage with theatrical sight and spectacle? Finally, how does a focus on dramatic vision change the way we conceive of Romanticism itself? The volume’s essays by emerging and established scholars provide exciting and suggestive answers to these questions, along with a more capacious conception of Romantic theater as a locus of visual culture that reached well beyond playhouse walls.
Visual Journeys Through Wordless Narratives: An International Inquiry With Immigrant Children and The Arrival
by Evelyn Arizpe Teresa Colomer Carmen Martínez-RoldánWinner of the Literacy Research Association's 2015 Edward B. Fry Book AwardImmigration is an ongoing, global phenomenon and schools and teachers in host countries must continually find new ways of working with the increasing numbers of immigrant pupils, including refugees and asylum seekers. Language and literacy are crucial for inclusion in a new context but these must be developed in spaces where these children feel safe to explore themes that resonate with their experiences; to express their understanding and to engage in intercultural exchange. Visual Journeys Through Wordless Narratives presents the exploration of response strategies to Shaun Tan's The Arrival. The inquiry was carried out in educational settings, with children from many different parts of the world, in four host countries: the UK, Spain, Italy and the USA. The findings reveal the benefits of using wordless narratives such as picturebooks and graphic novels together with visual strategies to support immigrant children's literary understandings and visual literacy. They also reveal the wealth of experiences the children bring with them which have the potential to transform educational practices.
Visual Journeys Through Wordless Narratives: An International Inquiry With Immigrant Children and The Arrival
by Evelyn Arizpe Teresa Colomer Carmen Martínez-RoldánWinner of the Literacy Research Association's 2015 Edward B. Fry Book AwardImmigration is an ongoing, global phenomenon and schools and teachers in host countries must continually find new ways of working with the increasing numbers of immigrant pupils, including refugees and asylum seekers. Language and literacy are crucial for inclusion in a new context but these must be developed in spaces where these children feel safe to explore themes that resonate with their experiences; to express their understanding and to engage in intercultural exchange. Visual Journeys Through Wordless Narratives presents the exploration of response strategies to Shaun Tan's The Arrival. The inquiry was carried out in educational settings, with children from many different parts of the world, in four host countries: the UK, Spain, Italy and the USA. The findings reveal the benefits of using wordless narratives such as picturebooks and graphic novels together with visual strategies to support immigrant children's literary understandings and visual literacy. They also reveal the wealth of experiences the children bring with them which have the potential to transform educational practices.
Visual Devices in Contemporary Prose Fiction: Gaps, Gestures, Images
by Simon BartonThis book acknowledges that the reader of a novel looks at and sees the page before they begin to read any text placed upon it. Thus, any disruptions to how a traditional page 'should look' can have a large impact on the reading process. The book critically engages with the visual appearance of graphically innovative contemporary prose fiction.
Visual Culture in Freud's Vienna: Science, Eros, and the Psychoanalytic Imagination (Psychoanalytic Horizons)
by Professor Emerit Mary BergsteinVisual Culture in Freud's Vienna shows how photography and film in turn-of-the-century Vienna (the birthplace of psychoanalysis) not only reflected modernist ideas already in force, but helped to bring into being what might be referred to as a “psychoanalytic imagination.”Mary Bergstein demonstrates that visual images not only illustrated, but also engendered ways of seeing social, psychological, and scientific ideas during a formative time in the creation and development of psychoanalysis and the modern age. Indeed, she argues that visual culture initiated significant aspects of psychoanalytic thought.Visual Culture in Freud's Vienna examines a variety of visual materials and texts, ranging from scientific illustrations to popular "low culture" and even forms of erotica, including film. Attention is also given to women's dresses and shoes in a social context and as they are represented in photography and circulated as fetish objects.Bergstein maintains a commitment to women's history and feminist inquiry throughout, particularly in her final chapter, which is devoted to the representations of women in the erotic photography and film. Visual Culture in Freud's Vienna is well illustrated with images drawn from the sources discussed and makes a significant contribution to our understanding of modernism and psychoanalysis.
Visual Culture and the German Middle Ages (The New Middle Ages)
by K. StarkeyThis multi-disciplinary collection of essays draws on various theoretical approaches to explore the highly visual nature of the Middle Ages and expose new facets of old texts and artefacts. The term 'visual culture' has been used in recent years to refer to modern media theory, film, modern art and other contemporary representational forms and functions. But this emphasis on visuality is not only a modern phenomenon. Discourses on visual processes pervade the works of medieval secular poets, theologians, and scholastics alike. The Middle Ages was a highly visual society in which images, objects, and performance played a dominant communicative and representational role in both secular and religious areas of society. The essays in this volume, which present various perspectives on medieval visual culture, provide a critical historical basis for the study of visuality and visual processes.
The Visual Arts, Pictorialism, and the Novel: James, Lawrence, and Woolf
by Marianna TorgovnickMarianna Torgovnick maintains that it is worthwhile to think about novels in terms of the visual arts--in part because major novelists like James, Lawrence, and Woolf did so, and did so fruitfully, as they were influenced by their perceptions of artistic movements.Originally published in 1985.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Visual and Linguistic Representations of Places of Origin: An Interdisciplinary Analysis (Perspectives in Pragmatics, Philosophy & Psychology #16)
by Maria Pia Pozzato Alessandra Bonazzi Enzo D'Armenio Paola Donatiello Emanuele Frixa Giulia Mazzeo Federico Montanari Margherita Murgiano Giulia NardelliThis book is about the representations - both visual and linguistic - which people give of their own places of origin. It examines the drawings of interviewees who were asked to draw their own place of origin on a white A3 sheet, using pencil or colour, according to their choice. If they were born in a place they did not remember because they moved in when they were very small, they could draw the place they did remember as the scenario of their early childhood. The drawings are examined from three different perspectives: semiotics, cognitive psychology and geography. The semiotic instruments are used to describe how each person reconstructs a complex image of his/her childhood place, and how they translate their own memories from one language to another, e.g. from drawing to verbal story, trying to approach what they want to express in the best possible way. The cognitive-psychological point of view helps clarify the emotional world of the interviewees and their motivations during the process of reconstruction and expression of their childhood experiences. The geographical conceptualizations concern a cultural level and provide insight into the cartographic models that inspire the maps people drew. One of the main findings was the influence from cultural codes as demonstrated in the fact that most of the US students interviewed drew their maps showing considerable cartographic expertise in comparison to their European counterparts.
Vislak the Slithering Serpent: Series 14 Book 2 (Beast Quest #80)
by Adam BladeTom's Quest to find the ingredients for a potion to save the Cursed Dragon continues. Next, he must face Vislak - a terrifying Beast which traps his victims with sticky venom!Don't miss the other titles in Series 14 - The Cursed Dragon:- Raffkor the Stampeding Brute- Tikron the Jungle Master- Falra the Snow Phoenix
Visitors, Vanishings and Va-Va-Va Voom (PDF)
by Karen MccombieAlly and her mates are most chuffed when a bunch of French boys turn up at Palace Gates school because of a French exchange. Only Jen seems a bit distracted, but Ally doesn't have time to get to the bottom of it before it's too late - Jen's pulled a vanishing act!
Visitors to Verona: Lovers, Gentlemen and Adventurers
by Caroline WebbEven before the advent of mass tourism, Verona was a popular destination for travellers, including those undertaking the popular 'Grand Tour' across Europe. In this book, Caroline Webb compares the experiences of travellers from the era of Shakespeare to the years following the incorporation of the Veneto into the new kingdom of Italy in 1866. She considers their reasons for visiting Verona as well as their experiences and expectations once they arrived. The majority of English visitors between 1670 and 1760 were young members of the aristocracy, accompanied by tutors, who arrived on their way to or from Rome, as part of a 'Grand Tour' intended to 'finish' their classical education. With the Industrial Revolution in the second half of the eighteenth century, and the resultant increasing wealth of the upper middle classes, the number of visitors to Verona increased although this tourism was derailed once Napoleon invaded Italy in the late 1790s. After 1815 and the allied victory at Waterloo there was a new flood of visitors, previously deprived of the opportunity of continental travel during the Napoleonic wars.As the nineteenth century progressed, especially with the arrival of the railway, an increasing number of visitors appeared from across Europe and even from across the Atlantic, keen to explore the fabled city of Shakespeare's Romeo and Juliet. In comparing a myriad of varied accounts, this book provides an unrivalled perspective on the history of one of Italy's most seductive cities.
Visitors to the Crescent
by Mary HockingWhen an antique shop in Holland Park is burgled, the seemingly quiet life of its proprietors, Edward Saneck and George Vickers, is suddenly in the spotlight. Why are the police so interested in a run-of-the-mill burglary, and what does it have to do with a hit and run which happened down the road?Upstairs in the flat above the shop, the residents are also hiding secrets. Jessica Holt, a shy children's book writer is having an affair with Saneck, a man with a devastating and shadowy past. Lodger Paddy is a troublemaker, mixed up with some unpleasant characters, including the violent and controlling Vickers. Superintendent Harper and Inspector MacLeish have their work cut out unravelling the complex web woven by these residents. Each has their own reason for mistrusting the police but as Vickers becomes ever more dangerous, the truth of life at Cedar Crescent must come crashing down around them.A tense psychological thriller packed with intrigue and espionage, with characters that will keep you guessing.
The Visitors Book: And other ghost stories
by Sophie Hannah‘Tension, thy name is Sophie Hannah’ Independent ‘Sophie Hannah just gets better and better. Her plots are brilliantly cunning and entirely unpredictable.’ The Guardian 'Intelligent, classy and with a wonderfully gothic imagination' The Times In this small but perfectly formed collection of supernatural short stories, bestselling author, Sophie Hannah, takes the comforting scenes of everyday life and imbues them with a frisson of fear. Why is a young woman so unnerved by the presence of a visitors book in her boyfriend’s inner-city home? And whose spidery handwriting is it that fills the pages? Who is the strangely courteous boy still lingering at a child’s tenth birthday party when all the parents have gathered their children and left? And why does the presence of a perfectly ordinary woman in a post office queue leave another customer pallid and quaking with fear?
The Visitors
by Sally BeaumanIt's Death on the Nile meets Downton Abbey, as the action moves between Highclere Castle and Egypt's Valley of the Kings . . . A gripping story touching on friendship, scholarship, love and family' Daily MailBased on a true story of discovery, The Visitors is New York Times bestselling author Sally Beauman's brilliant recreation of the hunt for Tutankhamun's tomb in Egypt's Valley of the Kings - a dazzling blend of fact and fiction that brings to life a lost world of exploration, adventure, and danger, and the audacious men willing to sacrifice everything to find a lost treasure.Sent abroad to Egypt in 1922 to recover from the typhoid that killed her mother, eleven-year-old Lucy is caught up in the intrigue and excitement that surrounds the obsessive hunt for Tutankhamun's tomb. As she struggles to comprehend an adult world in which those closest to her are often cold and unpredictable, Lucy longs for a friend she can love. When she meets Frances, the daughter of an American archaeologist, her life is transformed. As the two girls spy on the grown-ups and try to understand the truth behind their evasions, a lifelong bond is formed.Haunted by the ghosts of her past, the mistakes she made and the secrets she kept, Lucy disinters her past, trying to make sense of what happened all those years ago in Cairo and the Valley of the Kings. And for the first time in her life, she comes to terms with what happened after Egypt, when Frances needed Lucy most.
Visitors (Vintage Contemporaries Ser.)
by Anita Brookner'Fiction taught her all she knew of life, taught her to interpret the lives of others.'Dorothea May has had a reclusive life, particularly since the death of her husband Henry some fifteen years ago. Genteel, faint-hearted and solitary, her closest relatives are Henry's cousin, the imperious Kitty, and her husband Austin. When Kitty's granddaughter comes to London to marry, Dorothea is bullied into providing a room for Steve, the best man, thus plunging her into a world of youth that she finds both puzzling and transforming.
The Visitors
by Jessi Jezewska StevensOn the eve of the Occupy Wall Street protests, C is flat broke. Once a renowned textile artist, she’s now the sole proprietor of an arts supply store in Lower Manhattan. Divorced, alone, at loose ends, C is stuck with a struggling business, an empty apartment, a stack of bills, a new erotic interest in her oldest girlfriend, and a persistent hallucination in the form of a rogue garden gnome with a pointed interest in systems collapse . . .C needs to take stock, needs to put her medical debt and her sex life in order, but how to make concrete plans with this little visitor haunting her apartment, sporting a three-piece suit and delivering impromptu lectures as to the vulnerability of the national grid? More, what's all this computer code doing in the novel of her life? And could the answers to all of C's questions lie with an eco-hacktivist cabal threatening to end modern life as we know it?Replaying recent history through a distorting glass – as though William Gibson had penned The Big Short – The Visitors is a mordantly funny tour through a world where not only civic infrastructure but human minds can be hacked; where mythical creatures talk like Don DeLillo; where sex is little more than a blip in our metadata. It peers into How We Got Here and asks What We Do Next, exploring the limits of art and love in a culture of increasing economic and technological impotence.