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Up from the Depths: Herman Melville, Lewis Mumford, and Rediscovery in Dark Times

A double portrait of two of America’s most influential writers that reveals the surprising connections between them—and their uncanny relevance to our age of crisisUp from the Depths tells the interconnected stories of two of the most important writers in American history—the novelist and poet Herman Melville (1819–1891) and one of his earliest biographers, the literary critic and historian Lewis Mumford (1895–1990). Deftly cutting back and forth between the writers, Aaron Sachs reveals the surprising resonances between their lives, work, and troubled times—and their uncanny relevance in our own age of crisis.The author of Moby-Dick was largely forgotten for several decades after his death, but Mumford helped spearhead Melville’s revival in the aftermath of World War I and the 1918–1919 flu pandemic, when American culture needed a forebear with a suitably dark vision. As Mumford’s career took off and he wrote books responding to the machine age, urban decay, world war, and environmental degradation, it was looking back to Melville’s confrontation with crises such as industrialization, slavery, and the Civil War that helped Mumford to see his own era clearly. Mumford remained obsessed with Melville, ultimately helping to canonize him as America’s greatest tragedian. But largely forgotten today is one of Mumford’s key insights—that Melville’s darkness was balanced by an inspiring determination to endure.Amid today’s foreboding over global warming, racism, technology, pandemics, and other crises, Melville and Mumford remind us that we’ve been in this struggle for a long time. To rediscover these writers today is to rediscover how history can offer hope in dark times.

Up from the Depths: Herman Melville, Lewis Mumford, and Rediscovery in Dark Times

A double portrait of two of America’s most influential writers that reveals the surprising connections between them—and their uncanny relevance to our age of crisisUp from the Depths tells the interconnected stories of two of the most important writers in American history—the novelist and poet Herman Melville (1819–1891) and one of his earliest biographers, the literary critic and historian Lewis Mumford (1895–1990). Deftly cutting back and forth between the writers, Aaron Sachs reveals the surprising resonances between their lives, work, and troubled times—and their uncanny relevance in our own age of crisis.The author of Moby-Dick was largely forgotten for several decades after his death, but Mumford helped spearhead Melville’s revival in the aftermath of World War I and the 1918–1919 flu pandemic, when American culture needed a forebear with a suitably dark vision. As Mumford’s career took off and he wrote books responding to the machine age, urban decay, world war, and environmental degradation, it was looking back to Melville’s confrontation with crises such as industrialization, slavery, and the Civil War that helped Mumford to see his own era clearly. Mumford remained obsessed with Melville, ultimately helping to canonize him as America’s greatest tragedian. But largely forgotten today is one of Mumford’s key insights—that Melville’s darkness was balanced by an inspiring determination to endure.Amid today’s foreboding over global warming, racism, technology, pandemics, and other crises, Melville and Mumford remind us that we’ve been in this struggle for a long time. To rediscover these writers today is to rediscover how history can offer hope in dark times.

Unzuverlässiges Erzählen: Studien zur deutschsprachigen Nachkriegsliteratur (Abhandlungen zur Literaturwissenschaft)

Die einzelnen Studien dieser Open Access-Monographie (zu Werken u.a. von A. Andersch, Th. Bernhard, H. Böll, M. Frisch, G. Grass, H. Risse, A. Schmidt, O.F. Walter und G. Wohmann) geben in der Summe einen Überblick über die Variabilität, mit der das Verfahren narrativer Unzuverlässigkeit in der deutschsprachigen Literatur der Nachkriegszeit von 1945 bis 1969 realisiert wurde. Auf diese Weise werden nicht nur die verfahrenstechnischen Möglichkeiten in systematischer Hinsicht ausgeleuchtet, sondern auch die narrativen Abdrücke vermessen, mit denen das Verfahren diese literaturgeschichtliche Phase geprägt hat. Zur Verdeutlichung des literaturhistorischen Zusammenhangs schließt die Untersuchung einzelne Werke von Autoren der älteren Generation (Th. Mann, H. Broch, R. Neumann und A. Seghers) ein und endet mit einem Ausblick auf das unzuverlässige Erzählen in der DDR-Literatur.

Unzufriedenheitskommunikation: Zur Ordnung sozialer Un-Ordnung

Unwritten Poetry: Song, Performance, and Media in Early Modern England

Vocal music was at the heart of English Renaissance poetry and drama. Virtuosic actor-singers redefined the theatrical culture of William Shakespeare and his peers. Composers including William Byrd and Henry Lawes shaped the transmission of Renaissance lyric verse. Poets from Philip Sidney to John Milton were fascinated by the disorienting influx of musical performance into their works. Musical performance was a driving force behind the period's theatrical and poetic movements, yet its importance to literary history has long been ignored or effaced. This book reveals the impact of vocalists and composers upon the poetic culture of early modern England by studying the media through which—and by whom—its songs were made. In a literary field that was never confined to writing, media were not limited to material texts. Scott Trudell argues that the media of Renaissance poetry can be conceived as any node of transmission from singer's larynx to actor's body. Through his study of song, Trudell outlines a new approach to Renaissance poetry and drama that is grounded not simply in performance history or book history but in a more synthetic media history.

Unwritten Poetry: Song, Performance, and Media in Early Modern England

Vocal music was at the heart of English Renaissance poetry and drama. Virtuosic actor-singers redefined the theatrical culture of William Shakespeare and his peers. Composers including William Byrd and Henry Lawes shaped the transmission of Renaissance lyric verse. Poets from Philip Sidney to John Milton were fascinated by the disorienting influx of musical performance into their works. Musical performance was a driving force behind the period's theatrical and poetic movements, yet its importance to literary history has long been ignored or effaced. This book reveals the impact of vocalists and composers upon the poetic culture of early modern England by studying the media through which—and by whom—its songs were made. In a literary field that was never confined to writing, media were not limited to material texts. Scott Trudell argues that the media of Renaissance poetry can be conceived as any node of transmission from singer's larynx to actor's body. Through his study of song, Trudell outlines a new approach to Renaissance poetry and drama that is grounded not simply in performance history or book history but in a more synthetic media history.

Unwilling Executioner: Crime Fiction and the State

What gives crime fiction its distinctive shape and form? What makes it such a compelling vehicle of social and political critique? Unwilling Executioner argues that the answer lies in the emerging genre's complex and intimate relationship with the bureaucratic state and modern capitalism, and the contradictions that ensue once the state assumes control of the criminal justice system. This study offers a dramatic new interpretation of the genre's emergence and evolution over a three hundred year period and as a genuinely transnational phenomenon. From its roots in the tales of criminality circulated widely in Paris and London in the early eighteenth century, this book examines the extraordinary richness, diversity and complexity of the genre's subsequent thematizations of crime and policing—moving from France and Britain and from continental Europe and the United States to other parts of the globe. In doing so it offers new ways of reading established crime novelists like Gaboriau, Doyle, Hammett, and Simenon, beyond their national contexts and an impulse to characterize their work as either straightforwardly 'radical' or 'conservative'. It also argues for the centrality of writers like Defoe, Gay, Godwin, Vidocq, Morrison, and more recently Manchette, Himes, and Sjöwall and Wahlöö to a project where crime and policing are rooted, and shown to be rooted, in the social and economic conditions of their time. These are all deeply political writers even if their novels exhibit no interest in directly promoting political causes or parties. The result is an agile, layered, and far-reaching account of the crime story's ambivalent relationship to the justice system and its move to complicate our understanding of what crime is and how society is policed and for whose benefit.

Unwell Writing Centers: Searching for Wellness in Neoliberal Educational Institutions and Beyond

Unwell Writing Centers focuses on the inroads the wellness industry has made into higher education. Following graduate and undergraduate writing tutors during a particularly stressful period (2016–2019), Genie Nicole Giaimo examines how top-down and bottom-up wellness interventions are received and taken up by workers. Engaging sociocultural research on how workers react to and experience workplace conflict, Giaimo demonstrates the kinds of interventions welcomed by workers as well as those that fall flat, including the “easy” fixes to workplace issues that institutions provide in lieu of meaningful and community-based support. The book is broken into sections based on journeying: searching for wellness, finding wellness, and imagining a “well” future that includes a sustainable model of writing center work. Each chapter begins with a personal narrative about wellness issues in writing centers, including the author’s experiences in and responses to local emergencies. She shares findings from a longitudinal assessment study on non-institutional interventions in writing centers and provides resources for administrators to create more ethical "well" writing centers. The book also includes an appendix of training documents, emergency planning documents, and several wellness-specific interventions developed from anti-racist, anti-neoliberal, and organizational theories. Establishing the need for a field-specific response to the austerity-minded eruption of wellness-focused interventions in higher education, Unwell Writing Centers is a critical text for graduate students and new directors that can easily be applied in workplaces in and outside of higher education.

UnVergessene Geschichten – PR- und Organisationskommunikationsforschung autobiographisch

Die deutschsprachige PR- und Organisationsforschung gehört heute zu jenen kommunikationswissenschaftlichen Forschungsfeldern, die sich längst etabliert und zu einer festen Größe in den meisten kommunikationswissenschaftlichen Instituten geworden sind. Eine solche Etablierung, Professionalisierung und Institutionalisierung ist wesentlich auch von Personen getragen – und von Gründerpersönlichkeiten, die ein Feld mit ihren Arbeiten geprägt haben. Die erste Generation der PR- und Organisationskommunikationsforscherinnen und -forscher im deutschsprachigen Raum ist entweder bereits emeritiert oder steht kurz davor. Sie steht im Mittelpunkt dieses Bandes: Wie sind sie selbst zur PR- und Organisationskommunikationsforschung gekommen? Welche Weichenstellungen, Menschen oder auch glückliche Zufälle leiteten ihren Weg? Was hat ihre eigene Arbeit wesentlich geprägt? Wie bewerten sie die Phasen ihres fachlichen Wirkens rückblickend? Der Band beleuchtet die Entstehung und Entwicklung der deutschsprachigen PR- und Organisationskommunikationsforschung aus autobiographischen Perspektiven: essayistisch, persönlich und höchst lesenswert.

UnVergessene Diskurse: 20 Jahre PR- und Organisationskommunikationsforschung

Die 20-jährige Geschichte der Fachgruppe PR/Organisationskommunikation der Deutschen Gesellschaft für Publizistik- und Kommunikationswissenschaft (DGPuK) ist ein Spiegel der deutschsprachigen PR- und Organisationskommunikationsforschung. Neben weitgehend vergessenen Diskursen wie zur Dialogkommunikation gibt es Themen, die das Fach seit 20 Jahren unverändert beschäftigen. In dem Band wird gezeigt, wie sich die Zugangsweisen und die Relevanz von vergessenen wie unvergessenen Diskursen in den vergangenen 20 Jahren verändert haben. Er leistet damit einen Beitrag zur Geschichtsschreibung des Forschungsfeldes. Vor allem werden aber Konsequenzen und immer noch bestehende Forschungsdesiderate für künftige Forschungsarbeit aufgezeigt.

The Unvanquished

Originally published in 1942, The Unvanquished is the story of the Continental Army and George Washington in the desperate early months when the American Revolution faced defeat and disintegration. The book begins with the retreat across Manhattan's East River that saved the Continental Army after the Battle of Long Island. It ends with Washington's recrossing of the Delaware in the daring 1776 Christmas Eve raid on the Hessian camp at Trenton.

The Unvanquished

Originally published in 1942, The Unvanquished is the story of the Continental Army and George Washington in the desperate early months when the American Revolution faced defeat and disintegration. The book begins with the retreat across Manhattan's East River that saved the Continental Army after the Battle of Long Island. It ends with Washington's recrossing of the Delaware in the daring 1776 Christmas Eve raid on the Hessian camp at Trenton.

Unusual Suspects: Pitt's Reign of Alarm and the Lost Generation of the 1790s

Robespierre's Reign of Terror spawned an evil little twin in William Pitt the Younger's Reign of Alarm, 1792-1798. Terror begat Alarm. Many lives and careers were ruined in Britain as a result of the alarmist regime Pitt set up to suppress domestic dissent while waging his disastrous wars against republican France. Liberal young writers and intellectuals whose enthusiasm for the American and French revolutions raised hopes for Parliamentary reform at home saw their prospects blasted. Over a hundred trials for treason or sedition (more than ever before or since in British history) were staged against 'the usual suspects' - that is, political activists. But other, informal, vigilante means were used against the 'unusual suspects' of this book: jobs lost, contracts abrogated, engagements broken off, fellowships terminated, inheritances denied, and so on and on. As in the McCarthy era in 1950s America, blacklisting and rumor-mongering did as much damage as legal repression. Dozens of 'almost famous' writers saw their promising careers nipped in the bud: people like Helen Maria Williams, James Montgomery, William Frend, Gilbert Wakefield, John Thelwall, Joseph Priestley, Dr. Thomas Beddoes, Francis Wrangham and many others. Unusual Suspects tells the stories of some representative figures from this largely 'lost' generation, restoring their voices to nationalistic historical accounts that have drowned them in triumphal celebrations of the rise of English Romanticism and England's ultimate victory over Napoleon. Their stories are compared with similar experiences of the first Romantic generation: Coleridge, Wordsworth, Southey, Lamb, Burns, and Blake. Wordsworth famously said of this decade, 'bliss was it in that dawn to be alive, but to be young was very heaven!' These young people did not find it so-and neither, when we look more closely, did Wordsworth.

Unusual Suspects: Pitt's Reign of Alarm and the Lost Generation of the 1790s

Robespierre's Reign of Terror spawned an evil little twin in William Pitt the Younger's Reign of Alarm, 1792-1798. Terror begat Alarm. Many lives and careers were ruined in Britain as a result of the alarmist regime Pitt set up to suppress domestic dissent while waging his disastrous wars against republican France. Liberal young writers and intellectuals whose enthusiasm for the American and French revolutions raised hopes for Parliamentary reform at home saw their prospects blasted. Over a hundred trials for treason or sedition (more than ever before or since in British history) were staged against 'the usual suspects' - that is, political activists. But other, informal, vigilante means were used against the 'unusual suspects' of this book: jobs lost, contracts abrogated, engagements broken off, fellowships terminated, inheritances denied, and so on and on. As in the McCarthy era in 1950s America, blacklisting and rumor-mongering did as much damage as legal repression. Dozens of 'almost famous' writers saw their promising careers nipped in the bud: people like Helen Maria Williams, James Montgomery, William Frend, Gilbert Wakefield, John Thelwall, Joseph Priestley, Dr. Thomas Beddoes, Francis Wrangham and many others. Unusual Suspects tells the stories of some representative figures from this largely 'lost' generation, restoring their voices to nationalistic historical accounts that have drowned them in triumphal celebrations of the rise of English Romanticism and England's ultimate victory over Napoleon. Their stories are compared with similar experiences of the first Romantic generation: Coleridge, Wordsworth, Southey, Lamb, Burns, and Blake. Wordsworth famously said of this decade, 'bliss was it in that dawn to be alive, but to be young was very heaven!' These young people did not find it so-and neither, when we look more closely, did Wordsworth.

Untying Things Together: Philosophy, Literature, and a Life in Theory

Untying Things Together helps to clarify the stakes of the last fifty years of literary and cultural theory by proposing the idea of a sexuality of theory. In 1905, Freud published his Three Essays on the Theory of Sexuality, the book that established the core psychoanalytic thesis that sexuality is central to formations of the unconscious. With this book, Eric L. Santner inverts Freud’s title to take up the sexuality of theory—or, more exactly, the modes of enjoyment to be found in the kinds of critical thinking that, since the 1960s, have laid claim to that ancient word, “theory.” Santner unfolds his argument by tracking his own relationship with this tradition and the ways his intellectual and spiritual development has been informed by it. Untying Things Together is both an intellectual history of major theoretical paradigms and a call for their reexamination and renewal. Revisiting many of the topics he has addressed in previous work, Santner proposes a new way of conceptualizing the eros of thinking, attuned to how our minds and bodies individually and collectively incorporate or “encyst” on a void at the heart of things. Rather than proposing a “return to theory,” Santner’s book simply employs theory as a way of further “(un)tying together” the resources of philosophy, art and literature, theology, psychoanalysis, political thought, and more.

Untying Things Together: Philosophy, Literature, and a Life in Theory

Untying Things Together helps to clarify the stakes of the last fifty years of literary and cultural theory by proposing the idea of a sexuality of theory. In 1905, Freud published his Three Essays on the Theory of Sexuality, the book that established the core psychoanalytic thesis that sexuality is central to formations of the unconscious. With this book, Eric L. Santner inverts Freud’s title to take up the sexuality of theory—or, more exactly, the modes of enjoyment to be found in the kinds of critical thinking that, since the 1960s, have laid claim to that ancient word, “theory.” Santner unfolds his argument by tracking his own relationship with this tradition and the ways his intellectual and spiritual development has been informed by it. Untying Things Together is both an intellectual history of major theoretical paradigms and a call for their reexamination and renewal. Revisiting many of the topics he has addressed in previous work, Santner proposes a new way of conceptualizing the eros of thinking, attuned to how our minds and bodies individually and collectively incorporate or “encyst” on a void at the heart of things. Rather than proposing a “return to theory,” Santner’s book simply employs theory as a way of further “(un)tying together” the resources of philosophy, art and literature, theology, psychoanalysis, political thought, and more.

Untying the Knot: On Riddles and Other Enigmatic Modes

This book collects eighteen previously unpublished essays on the riddle--a genre of discourse found in virtually every human culture. Hasan-Rokem and Shulman have drawn these essays from a variety of cultural perspectives and disciplines; linguists, anthropologists, folklorists, and religion and literature scholars consider riddling practices in Hebrew, Finnish, Indian languages, Chinese, and classical Greek. The authors seek to understand the peculiar expressive power of the riddle, and the cultural logic of its particular uses; they scrutinize the riddle's logical structure and linguistic strategies, as well as its affinity to neighboring genres such as enigmas, puzzles, oracular prophecy, proverbs, and dreams. In this way, they begin to answer how riddles relate to the conceptual structures of a particular culture, and how they come to represent a culture's cosmology or cognitive map of the world. More importantly, these essays reveal the human need for symbolic ordering--riddles being one such form of cultural ritual.

Untwisting the Serpent: Modernism in Music, Literature, and Other Arts

From its dissonant musics to its surrealist spectacles (the urinal is a violin!), Modernist art often seems to give more frustration than pleasure to its audience. In Untwisting the Serpent, Daniel Albright shows that this perception arises partly because we usually consider each art form in isolation, even though many of the most important artistic experiments of the Modernists were collaborations involving several media—Igor Stravinsky's The Rite of Spring is a ballet, Gertrude Stein's Four Saints in Three Acts is an opera, and Pablo Picasso turned his cubist paintings into costumes for Parade. Focusing on collaborations with a musical component, Albright views these works as either figures of dissonance that try to retain the distinctness of their various media (e.g. Guillaume Apollinaire's Les Mamelles de Tirésias) or figures of consonance that try to lose themselves in some total effect (e.g. Arnold Schoenberg's Erwartung). In so doing he offers a fresh picture of Modernism, and provides a compelling model for the analysis of all artistic collaborations. Untwisting the Serpent is the recipient of the 2001 Susanne M. Glasscock Humanities Book Prize for Interdisciplinary Scholarship of the Center for Humanities Research at Texas A&M University.

Untutored Lines: The Making of the English Epyllion (Edinburgh Critical Studies in Renaissance Culture)

Provides a new understanding of the epyllion as a genre exploiting the subversive potential of various educational thresholds, such as the transition from grammar to rhetoric.

Untranslatability Goes Global (Routledge Advances in Translation and Interpreting Studies)

This collection brings together contributions from translation theorists, linguists, and literary scholars to promote interdisciplinary dialogue about untranslatability and its implications within the context of globalization. The chapters depart from the pragmatics of translation practice and move on to consider the role of the translator’s voice and the translator as author in specific literary works. The volume as a whole seeks to study and at times dramatize the interplay between translation as a creative practice and its place within the dynamic between local and global examining case studies across a wide variety of literary genres and traditions across regions. By highlighting the complex interface between translation practice and theory, translator and author, and local and global, this book will be of particular interest to graduate students and scholars in translation studies and literary studies.

Untranslatability Goes Global (Routledge Advances in Translation and Interpreting Studies)

This collection brings together contributions from translation theorists, linguists, and literary scholars to promote interdisciplinary dialogue about untranslatability and its implications within the context of globalization. The chapters depart from the pragmatics of translation practice and move on to consider the role of the translator’s voice and the translator as author in specific literary works. The volume as a whole seeks to study and at times dramatize the interplay between translation as a creative practice and its place within the dynamic between local and global examining case studies across a wide variety of literary genres and traditions across regions. By highlighting the complex interface between translation practice and theory, translator and author, and local and global, this book will be of particular interest to graduate students and scholars in translation studies and literary studies.

Untranslatability: Interdisciplinary Perspectives (Routledge Advances in Translation and Interpreting Studies)

This volume is the first of its kind to explore the notion of untranslatability from a wide variety of interdisciplinary perspectives and its implications within the broader context of translation studies. Featuring contributions from both leading authorities and emerging scholars in the field, the book looks to go beyond traditional comparisons of target texts and their sources to more rigorously investigate the myriad ways in which the term untranslatability is both conceptualized and applied. The first half of the volume focuses on untranslatability as a theoretical or philosophical construct, both to ground and extend the term’s conceptual remit, while the second half is composed of case studies in which the term is applied and contextualized in a diverse set of literary text types and genres, including poetry, philosophical works, song lyrics, memoir, and scripture. A final chapter examines untranslatability in the real world and the challenges it brings in practical contexts. Extending the conversation in this burgeoning contemporary debate, this volume is key reading for graduate students and researchers in translation studies, comparative literature, gender studies, and philosophy of language. The editors are grateful to the University of East Anglia Faculty of Arts and Humanities, who supported the book with a publication grant.

Untranslatability: Interdisciplinary Perspectives (Routledge Advances in Translation and Interpreting Studies)

This volume is the first of its kind to explore the notion of untranslatability from a wide variety of interdisciplinary perspectives and its implications within the broader context of translation studies. Featuring contributions from both leading authorities and emerging scholars in the field, the book looks to go beyond traditional comparisons of target texts and their sources to more rigorously investigate the myriad ways in which the term untranslatability is both conceptualized and applied. The first half of the volume focuses on untranslatability as a theoretical or philosophical construct, both to ground and extend the term’s conceptual remit, while the second half is composed of case studies in which the term is applied and contextualized in a diverse set of literary text types and genres, including poetry, philosophical works, song lyrics, memoir, and scripture. A final chapter examines untranslatability in the real world and the challenges it brings in practical contexts. Extending the conversation in this burgeoning contemporary debate, this volume is key reading for graduate students and researchers in translation studies, comparative literature, gender studies, and philosophy of language. The editors are grateful to the University of East Anglia Faculty of Arts and Humanities, who supported the book with a publication grant.

The Untold Story of the Talking Book

Histories of the book often move straight from the codex to the digital screen. Left out is nearly 150 years of audio recordings. Matthew Rubery uncovers this story, from Edison to today’s billion-dollar audiobook industry, and breaks from convention by treating audiobooks as a distinctive art form that has profoundly influenced the way we read.

The Untold Story of the Talking Book

Histories of the book often move straight from the codex to the digital screen. Left out is nearly 150 years of audio recordings. Matthew Rubery uncovers this story, from Edison to today’s billion-dollar audiobook industry, and breaks from convention by treating audiobooks as a distinctive art form that has profoundly influenced the way we read.