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Postwar British Literature and Postcolonial Studies (Postcolonial Literary Studies)
by Graham MacPheeExplores a wide range of writers through the lens of postcolonial theory, focusing on themes of imperialism and decolonisation, globalisation and national identity.
Postwar Academic Fiction: Satire, Ethics, Community
by K. WomackAs a literary genre, academic fiction has emerged in recent years as one of the most popular modes for satirizing the cultural conflicts and sociological nuances inherent in campus life. Drawing upon recent insights in ethical criticism and moral philosophy, Postwar Academic Fiction: Satire, Ethics, Community offers new readings of fictional and nonfictional works by such figures as Kingsley Amis, Vladimir Nabokov, Joyce Carol Oates, David Lodge, David Mamet, Ishmael Reed, Sandra M. Gilbert and Susan Gubar and Jane Smiley.
Posttraumatic Stress Disorder, Trauma, and History in Metal Gear Solid V
by Amy M. GreenThis book explores the video game Metal Gear Solid V’s exploration of trauma and posttraumatic stress disorder (PTSD) through a careful analysis of its thematic elements and characters. It also considers the game’s complex take on post-9/11 history. Metal Gear Solid V consists of two interrelated titles, Ground Zeroes and The Phantom Pain. Ground Zeroes is examined as a post-9/11 narrative exploring America’s use of Guantanamo Bay and the extraordinary rendition program as tools in the War on Terror. The Phantom Pain is examined as a work exploring post-9/11 in trauma, especially in returning soldiers. The characters appearing in both games are given substantial consideration and analysis as embodiments of different forms of PTSD and trauma. This book appeals especially to those interested in video game study, to those who are enthusiasts of video games, and those interested in post-9/11 narratives.
Poststrukturalistische Literaturtheorie (Sammlung Metzler)
by Johanna BossinadeDieser Band informiert über Geschichte, Theorie und Methodik der poststrukturalistischen Literaturtheorie und stellt ihre grundlegenden Begriffe dar. Die Autorin diskutiert die zentralen Themen wie etwa Kritik des Zeichenkonzepts Saussures (Lacan, Kristeva und Derrida), Text als Symptom , Intertextualität, Metapher und Allegorie (Paul de Man), Symboltheorie und Erzählung (Lévi-Strauss), Subjekt Autobiographie und Autorschaft (Foucault) und beschreibt unterschiedliche Lektürekonzepte (Lektüre des Unbewussten, Dekonstruktion).
Poststructuralist Discourse Analysis: Subjectivity in Enunciative Pragmatics (Postdisciplinary Studies in Discourse)
by J. AngermullerThis book presents developments of discourse analysis in France and applies its tools to key texts from five theorists of structuralism: Lacan, Althusser, Foucault, Derrida and Sollers. It pays special attention to enunciative pragmatics as a poststructuralist approach which analyzes the discursive construction of subjectivity.
Poststructuralism: A Very Short Introduction (Very Short Introductions)
by Catherine BelseyVery Short Introductions: Brilliant, Sharp, Inspiring Poststructuralism challenges traditional ways of thinking about human beings and our relation to the world. Language, meaning, and culture are all reappraised, and with them assumptions about what it's possible for us to know. More interested in posing sharply focused questions than in reassuring with certainties, its theorists tend to clarify the options, while leaving them open to debate. At once sceptical towards inherited authority and positive about future possibilities, poststructuralism asks above all that we reflect on its findings. In this Very Short Introduction, Catherine Belsey traces the key arguments that have led poststructuralists to challenge traditional theories of language and culture. In this new edition, such well-known figures as Barthes, Foucault, and Derrida are joined by less famous theorists, and examples are drawn from both high art and popular culture. Shakespeare features alongside advertising and Christmas cards, as well as Lewis Carroll, Marcel Duchamp, Toni Morrison, and the tantalizing lithographs of M. C. Escher. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Poststructuralism: A Very Short Introduction (Very Short Introductions)
by Catherine BelseyVery Short Introductions: Brilliant, Sharp, Inspiring Poststructuralism challenges traditional ways of thinking about human beings and our relation to the world. Language, meaning, and culture are all reappraised, and with them assumptions about what it's possible for us to know. More interested in posing sharply focused questions than in reassuring with certainties, its theorists tend to clarify the options, while leaving them open to debate. At once sceptical towards inherited authority and positive about future possibilities, poststructuralism asks above all that we reflect on its findings. In this Very Short Introduction, Catherine Belsey traces the key arguments that have led poststructuralists to challenge traditional theories of language and culture. In this new edition, such well-known figures as Barthes, Foucault, and Derrida are joined by less famous theorists, and examples are drawn from both high art and popular culture. Shakespeare features alongside advertising and Christmas cards, as well as Lewis Carroll, Marcel Duchamp, Toni Morrison, and the tantalizing lithographs of M. C. Escher. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Postsecular Poetics: Negotiating the Sacred and Secular in Contemporary African Fiction (Routledge Research in Postcolonial Literatures)
by Rebekah CumpstyThis book is the first full-length study of the postsecular in African literatures. Religion, secularism, and the intricate negotiations between the two, codified in recent criticism as postsecularism, are fundamental conditions of globalized modernity. These concerns have been addressed in social science disciplines, but they have largely been neglected in postcolonial and literary studies. To remedy this oversight, this monograph draws together four areas of study: it brings debates in religious and postsecular studies to bear on African literatures and postcolonial studies. The focus of this interdisciplinary study is to understand how postsecular negotiations manifest in postcolonial African settings and how they are represented and registered in fiction. Through this focus, this book reveals how African and African-diasporic authors radically disrupt the epistemological and ontological modalities of globalized literary production, often characterized as secular, and imagine alternatives which incorporate the sacred into a postsecular world.
Postsecular Poetics: Negotiating the Sacred and Secular in Contemporary African Fiction (Routledge Research in Postcolonial Literatures)
by Rebekah CumpstyThis book is the first full-length study of the postsecular in African literatures. Religion, secularism, and the intricate negotiations between the two, codified in recent criticism as postsecularism, are fundamental conditions of globalized modernity. These concerns have been addressed in social science disciplines, but they have largely been neglected in postcolonial and literary studies. To remedy this oversight, this monograph draws together four areas of study: it brings debates in religious and postsecular studies to bear on African literatures and postcolonial studies. The focus of this interdisciplinary study is to understand how postsecular negotiations manifest in postcolonial African settings and how they are represented and registered in fiction. Through this focus, this book reveals how African and African-diasporic authors radically disrupt the epistemological and ontological modalities of globalized literary production, often characterized as secular, and imagine alternatives which incorporate the sacred into a postsecular world.
Postprint: Books And Becoming Computational (pdf) (Wellek Library Lectures)
by N. Katherine HaylesSince Gutenberg’s time, every aspect of print has gradually changed. But the advent of computational media has exponentially increased the pace, transforming how books are composed, designed, edited, typeset, distributed, sold, and read. N. Katherine Hayles traces the emergence of what she identifies as the postprint condition, exploring how the interweaving of print and digital technologies has changed not only books but also language, authorship, and what it means to be human. Hayles considers the ways in which print has been enmeshed in literate societies and how these are changing as some of the cognitive tasks once performed exclusively by humans are now carried out by computational media. Interpretations and meaning-making practices circulate through transindividual collectivities created by interconnections between humans and computational media, which Hayles calls cognitive assemblages. Her theoretical framework conceptualizes innovations in print technology as redistributions of cognitive capabilities between humans and machines. Humanity is becoming computational, just as computational systems are edging toward processes once thought of as distinctively human. Books in all their diversity are also in the process of becoming computational, representing a crucial site of ongoing cognitive transformations. Hayles details the consequences for the humanities through interviews with scholars and university press professionals and considers the cultural implications in readings of two novels, The Silent History and The Word Exchange, that explore the postprint condition. Spanning fields including book studies, cultural theory, and media archeology, Postprint is a strikingly original consideration of the role of computational media in the ongoing evolution of humanity.
Postpositivist International Relations Theory: A Globalist Restructuring
by Amartya MukhopadhyayThis book discusses postpositivist theories foregrounding postpositivism against the reigning realist and positivist-pluralist orthodoxies. The book explicates seven theories, not as disparate endeavours, but as developments linked by a common thread that seeks to enunciate globalist emancipatory goals for the theoretical field and the world that these theories seek to change. It focuses on the following themes: feminism, environmentalism or green theory, the English school, critical theory, constructivism, postmodernism and postcolonialism. Additionally, a separate chapter on globalization shows that while mainstream (neo)realist international relations theories respond hostilely to globalization and liberal-pluralist theories react benignly to it, postpositivist theories positively welcome it. The book offers a competent meta-theoretical gridwork, showing on which side of the opposing disciplinary positions in the fourth debate each of the seven theories are located. It is a comprehensive guide to the postpositivist restructuring of the discipline of international relations. This book will be of interest to researchers and students of political science, international relations, history, humanities and literature.
Postpositivist International Relations Theory: A Globalist Restructuring
by Amartya MukhopadhyayThis book discusses postpositivist theories foregrounding postpositivism against the reigning realist and positivist-pluralist orthodoxies. The book explicates seven theories, not as disparate endeavours, but as developments linked by a common thread that seeks to enunciate globalist emancipatory goals for the theoretical field and the world that these theories seek to change. It focuses on the following themes: feminism, environmentalism or green theory, the English school, critical theory, constructivism, postmodernism and postcolonialism. Additionally, a separate chapter on globalization shows that while mainstream (neo)realist international relations theories respond hostilely to globalization and liberal-pluralist theories react benignly to it, postpositivist theories positively welcome it. The book offers a competent meta-theoretical gridwork, showing on which side of the opposing disciplinary positions in the fourth debate each of the seven theories are located. It is a comprehensive guide to the postpositivist restructuring of the discipline of international relations. This book will be of interest to researchers and students of political science, international relations, history, humanities and literature.
Postnarrativist Philosophy of Historiography
by J. KuukkanenNarrativism has made important contributions to the theory and philosophy of historiography but it is now time to move beyond it to postnarrativism. Kuukkanen shows how it is possible to reject the absolutist truth-functional evaluation of interpretations in historiography and yet accept that historiography can be evaluated by rational standards.
Postmonolingual Transnational Chinese Education (Palgrave Studies in Teaching and Learning Chinese)
by Yu Han Xiaoyan JiThis book examines Transnational Chinese Language Education (TCLE) in the Australian context. Taking a post-monolingual perspective, the authors examine Chinese teachers’ monolingual and multilingual practices and mindsets in their educational practices. They find that a Chinese-centric monolingual mindset dominates the Chinese teachers, while a multilingual mindset permeates in their classroom teaching, creating an unconscious tension between the two perspectives. The book proposes that it is the responsibility of teacher educators to train future Chinese teachers with an awareness of this issue, as well as suitable strategies to overcome it and be efficient language teachers. This book will be of interest to applied linguists, pre-service and in-service language teachers, as well as students and scholars of Teaching Chinese to Speakers of Other Languages (TCSOL).
Postmodernity, Ethics and the Novel: From Leavis to Levinas
by Andrew GibsonIn Postmodernity, Ethics and the Novel Andrew Gibson sets out to demonstrate that postmodern theory has actually made possible an ethical discourse around fiction. Each chapter elaborates and discusses a particular aspect of Levinas' thought and raises questions for that thought and its bearing on the novel. It also contains detailed analyses of particular texts. Part of the book's originality is its concentration on a range of modernist and postmodern novels which have seldom if ever served as the basis for a larger ethical theory of fiction. Postmodernity, Ethics and the Novel discusses among others the writings of Joseph Conrad, Henry James, Jane Austen, Samuel Beckett, Marcel Proust and Salman Rushdie.
Postmodernity, Ethics and the Novel: From Leavis to Levinas
by Andrew GibsonIn Postmodernity, Ethics and the Novel Andrew Gibson sets out to demonstrate that postmodern theory has actually made possible an ethical discourse around fiction. Each chapter elaborates and discusses a particular aspect of Levinas' thought and raises questions for that thought and its bearing on the novel. It also contains detailed analyses of particular texts. Part of the book's originality is its concentration on a range of modernist and postmodern novels which have seldom if ever served as the basis for a larger ethical theory of fiction. Postmodernity, Ethics and the Novel discusses among others the writings of Joseph Conrad, Henry James, Jane Austen, Samuel Beckett, Marcel Proust and Salman Rushdie.
Postmodernist Fiction
by Brian McHaleIn this trenchant and lively study Brian McHale undertakes to construct a version of postmodernist fiction which encompasses forms as wide-ranging as North American metafiction, Latin American magic realism, the French New New Novel, concrete prose and science fiction. Considering a variety of theoretical approaches including those of Ingarden, Eco, Dolezel, Pavel, and Hrushovski, McHale shows that the common denominator is postmodernist fiction's ability to thrust its own ontological status into the foreground and to raise questions about the world (or worlds) in which we live. Exploiting various theoretical approaches to literary ontology - those of Ingarden, Eco, Dolezel, Pavel, Hrushovski and others - and ranging widely over contemporary world literature, McHale assembles a comprehensive repertoire of postmodernist fiction's strategies of world-making and -unmaking.
Postmodernist Fiction
by Brian McHaleIn this trenchant and lively study Brian McHale undertakes to construct a version of postmodernist fiction which encompasses forms as wide-ranging as North American metafiction, Latin American magic realism, the French New New Novel, concrete prose and science fiction. Considering a variety of theoretical approaches including those of Ingarden, Eco, Dolezel, Pavel, and Hrushovski, McHale shows that the common denominator is postmodernist fiction's ability to thrust its own ontological status into the foreground and to raise questions about the world (or worlds) in which we live. Exploiting various theoretical approaches to literary ontology - those of Ingarden, Eco, Dolezel, Pavel, Hrushovski and others - and ranging widely over contemporary world literature, McHale assembles a comprehensive repertoire of postmodernist fiction's strategies of world-making and -unmaking.
Postmodernism’s Role in Latin American Literature: The Life and Work of Augusto Roa Bastos
by H. Weldt-BassonAugusto Roa Bastos (1917-2005), winner of the prestigious Cervantes prize, is one of the most important Latin American writers of the twentieth century. This commemorative collection consists of articles by nine scholars reflecting upon the postmodern nature of the Paraguayan author s literary production and his place in world literature. The volume includes articles on the author s screenplays, his masterpiece, the dictator novel I The Supreme, his short stories, feminist approaches to Roa Bastos s novels, reflections on the writer s Guarani poetry, and a study of the complex, intertextual relationships between his novel El fiscal and his other texts.
Postmodernism, Literature and the Future of Theology (Studies in Literature and Religion)
by D. JasperThese essays are written by scholars from widely differing disciplines and traditions. Theologians, philosophers, literary critics and historians of ideas approach the question of how the judaeo-Christian tradition of theological reflection has suffered from and will negotiate the emergence of postmodern theory and practice in literature and criticism. Chapters deal with specific texts from Euripides to contemporary fiction, and with the traditions of cultural theory from Nietszche to Benjamin, to Derrida and what David Klemm identifies as the tragedy of present theology.
Postmodernism in Pieces: Materializing the Social in U.S. Fiction
by Matthew MullinsPostmodernism in Pieces performs a postmortem on what is perhaps the most contested paradigm in literary studies. In the wake of a critical consensus proclaiming its death, Matthew Mullins breaks postmodernism down into its most fundamental orthodoxies and reassembles it piece by piece in light of recent theoretical developments in Actor-Network-Theory, object-oriented philosophy, new materialism, and posthumanism. In the last two decades postmodernism has collapsed under the weight of the very phenomena it set out to deconstruct: language, whiteness, masculinity, class, the academy. Recasting these categories as social constructs has done little to alleviate their material effects. Through detailed analyses of everyday objects in novels by Leslie Marmon Silko, Toni Morrison, Jonathan Lethem, John Barth, David Foster Wallace, Don DeLillo, and Julia Alvarez, Mullins argues that what makes fiction postmodern is its refusal to accept "social" explanations for problems facing a given culture, and its tendency instead to examine everyday things and people as constituent pieces of larger networks. The result is a new story of postmodernism, one that reimagines postmodernism as a starting point for a new mode of literary history rather than a finish line for modernity.
Postmodernism in Pieces: Materializing the Social in U.S. Fiction
by Matthew MullinsPostmodernism in Pieces performs a postmortem on what is perhaps the most contested paradigm in literary studies. In the wake of a critical consensus proclaiming its death, Matthew Mullins breaks postmodernism down into its most fundamental orthodoxies and reassembles it piece by piece in light of recent theoretical developments in Actor-Network-Theory, object-oriented philosophy, new materialism, and posthumanism. In the last two decades postmodernism has collapsed under the weight of the very phenomena it set out to deconstruct: language, whiteness, masculinity, class, the academy. Recasting these categories as social constructs has done little to alleviate their material effects. Through detailed analyses of everyday objects in novels by Leslie Marmon Silko, Toni Morrison, Jonathan Lethem, John Barth, David Foster Wallace, Don DeLillo, and Julia Alvarez, Mullins argues that what makes fiction postmodern is its refusal to accept "social" explanations for problems facing a given culture, and its tendency instead to examine everyday things and people as constituent pieces of larger networks. The result is a new story of postmodernism, one that reimagines postmodernism as a starting point for a new mode of literary history rather than a finish line for modernity.
Postmodernism in History: Fear or Freedom?
by Beverley SouthgateThis original and thought-provoking study looks at the context of postmodernist thought in general cultural terms as well as in relation to history. Postmodernism in History traces philosophical precursors of postmodernism and identifies the roots of current concerns. Beverley Southgate describes the core constituents of postmodernism and provides a lucid and profound analysis of the current state of the debate. His main concern is to counter 'pomophobia' and to assert a positive future for historical study in a postmodern world.Postmodernism in History is a valuable guide to some of the most complex questions in historical theory for students and teachers alike.
Postmodernism in History: Fear or Freedom?
by Beverley SouthgateThis original and thought-provoking study looks at the context of postmodernist thought in general cultural terms as well as in relation to history. Postmodernism in History traces philosophical precursors of postmodernism and identifies the roots of current concerns. Beverley Southgate describes the core constituents of postmodernism and provides a lucid and profound analysis of the current state of the debate. His main concern is to counter 'pomophobia' and to assert a positive future for historical study in a postmodern world.Postmodernism in History is a valuable guide to some of the most complex questions in historical theory for students and teachers alike.
Postmodernism and its Others: The Fiction of Ishmael Reed, Kathy Acker, and Don DeLillo (Literary Criticism and Cultural Theory)
by Jeffrey EbbesonThe book analyzes Ishmael Reed [Mumbo Jumbo], Kathy Acker [The Adult Life of Toulouse Lautrec by Henri Toulouse Lautrec], and Don Delillo [White Noise], three authors whom critics cite as quintessentially postmodern. For these critics such works possess formal narrative and/or content qualities at odds with modernism. In particular, according to influential thinkers like Fredric Jameson, postmodern works possess narrative form and/or content which eschews reality, and embody a fundamental paradigm shift from the politically committed ideology of modernity and modernism to the politically relativistic ideology of postmodernity and postmodernism. The book contends that while the above authors do possess numerous so-called postmodern qualities, their critical forms and/or contents remain ethically and politically grounded. As most postmodern theory rejects such grounding, its discovery in these prototypical postmodern novels suggests problems with the postmodern category itself.