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Women's Body Types- Apple (large print)
by RnibThis is an image of a standing woman facing towards you with her arms by her sides. She is on the right of the page wearing a white bra and pants. On the top left of the page is the image of a green apple seen from the side with its stalk at the top. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. The woman's shape echoes that of the apple to her left. She has wide shoulders and a largish bust with narrow hips and undefined waist “ wide at the top and narrow at the bottom.
Strapless and empire line dresses (large print)
by RnibThere are two images of women's clothing on this page: a strapless dress on the left and an empire line dress on the right. The dresses are seen from the front. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. The strapless dress is mostly worn as evening wear. It has no arms or shoulders and is supported by careful fitting and stiffening material in the bodice covering the breasts. This dress is fitted over the hips and thighs then flares out and falls in folds to below the knee. Two lines going vertically down the chest and stomach represent darts that help the close fit of the garment. The empire line dress has two wide shoulder straps and a fitted bodice ending just below the bust. Down from this is a loosely fitting gathered skirt that skims the body and falls to below the knee. This design is considered flattering for pear-shaped or pregnant women.
Strapless and empire line dresses (UEB uncontracted)
by RnibThere are two images of women's clothing on this page: a strapless dress on the left and an empire line dress on the right. The dresses are seen from the front. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. The strapless dress is mostly worn as evening wear. It has no arms or shoulders and is supported by careful fitting and stiffening material in the bodice covering the breasts. This dress is fitted over the hips and thighs then flares out and falls in folds to below the knee. Two lines going vertically down the chest and stomach represent darts that help the close fit of the garment. The empire line dress has two wide shoulder straps and a fitted bodice ending just below the bust. Down from this is a loosely fitting gathered skirt that skims the body and falls to below the knee. This design is considered flattering for pear-shaped or pregnant women.
Strapless and empire line dresses (UEB contracted)
by RnibThere are two images of women's clothing on this page: a strapless dress on the left and an empire line dress on the right. The dresses are seen from the front. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. The strapless dress is mostly worn as evening wear. It has no arms or shoulders and is supported by careful fitting and stiffening material in the bodice covering the breasts. This dress is fitted over the hips and thighs then flares out and falls in folds to below the knee. Two lines going vertically down the chest and stomach represent darts that help the close fit of the garment. The empire line dress has two wide shoulder straps and a fitted bodice ending just below the bust. Down from this is a loosely fitting gathered skirt that skims the body and falls to below the knee. This design is considered flattering for pear-shaped or pregnant women.
Stone therapy diagram (UEB uncontracted)
by RnibThis is a diagram, labelled in Large Print, showing the sizes and shapes of the stones used for therapy and where on the body they are placed. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. The stones may be heated to a moderate temperature or used cold.
Stone therapy diagram (large print)
by RnibThis is a diagram, labelled in Large Print, showing the sizes and shapes of the stones used for therapy and where on the body they are placed. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. The stones may be heated to a moderate temperature or used cold.
Stone Therapy- Chakras (tactile)
by RnibThis is a seven-page document showing the shapes of the stones use for therapy, where they are placed on the body and the symbols associated with the chakras. There are locator dots shown, which will be at the top left of each page when the image is the correct way up. Chakra seven- Muladhara Associated colour - red. Represents thought, universal identity, oriented to self-knowledge. The crown chakra that relates to consciousness as pure awareness. It is our connection to the greater world beyond, to a timeless, space less place of all-knowing. When developed, this chakra brings us knowledge, wisdom, understanding, spiritual connection, and bliss. Chakra six- Swadhistana Associated colour - orange. Represents light, archetypal identity, oriented to self-reflection The brow chakra or third eye centre. It is related to the act of seeing, both physically and intuitively. When healthy it allows us to see clearly, in effect letting us "see the big picture". Chakra five- Manipura Associated colour - yellow. Represents sound, creative identity, oriented to self-expression The throat chakra thus related to communication and creativity. Here we experience the world symbolically through vibration, such as the vibration of sound representing language. Chakra four- Anahata Associated colour - green. Represents air, social identity, oriented to self-acceptance The heart chakra and is the middle chakra in a system of seven. It is related to love and is the integrator of opposites in the psyche: mind and body, male and female, persona and shadow, ego and unity. A healthy fourth chakra allows us to love deeply, feel compassion, and have a deep sense of peace and centeredness. Chakra three -Vishuddha Associated colour - blue. Represents fire, ego identity, oriented to self-definition This chakra is known as the power chakra, located in the solar plexus. It rules our personal power, will, and autonomy, as well as our metabolism. When healthy, this chakra brings us energy, effectiveness, spontaneity, and non-dominating power. Chakra two- Ajna Associated colour - indigo. Represents water, emotional identity, oriented to self-gratification The second chakra, located in the abdomen, lower back, and sexual organs, is related to the element water, and to emotions and sexuality. It connects us to others through feeling, desire, sensation, and movement. Ideally this chakra brings us fluidity and grace, depth of feeling, sexual fulfilment, and the ability to accept change. Chakra one- Sahasara Associated colour - violet. Represents earth, physical identity, oriented to self-preservation Located at the base of the spine, this chakra forms our foundation. It represents the element earth, and is therefore related to our survival instincts, and to our sense of grounding and connection to our bodies and the physical plane. Ideally this chakra brings us health, prosperity, security, and dynamic presence.
Reflexology: The soles of the feet “ top of right foot (tactile)
by RnibThis is a two-page document. On page two there is an image of the sole of the top of a right foot. It shows the areas on the foot that relate to organs in "zones" of the body. On page one there is a key to the numbers used on the diagram. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up.
Reflexology: the soles of the feet “ top left foot (tactile)
by RnibThis is a two-page document. On page two there is an image of the sole of the bottom of a right foot. It shows the areas on the foot that relate to organs in "zones" of the body. On page one there is a key to the numbers used on the diagram. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up.
Reflexology: the soles of the feet “ middle of right foot (tactile)
by RnibThis is a two-page document. On page two there is an image of the sole of the middle of a right foot. It shows the areas on the foot that relate to organs in "zones" of the body. On page one there is a key to the numbers used on the diagram. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up.
Reflexology: the soles of the feet “ middle of left foot (tactile)
by RnibThis is a two-page document. On page two there is an image of the sole of the middle of a left foot. It shows the areas on the foot that relate to organs in "zones" of the body. On page one there is a key to the numbers used on the diagram. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up.
Reflexology: the soles of the feet “ bottom of right foot (tactile)
by RnibThis is a two-page document. On page two there is an image of the sole of the bottom of a right foot. It shows the areas on the foot that relate to organs in "zones" of the body. On page one there is a key to the numbers used on the diagram. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up.
Reflexology: the soles of the feet “ bottom of left foot (tactile)
by RnibThis is a two-page document. On page two there is an image of the sole of the bottom of a left foot. It shows the areas on the foot that relate to organs in "zones" of the body. On page one there is a key to the numbers used on the diagram. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up.
Reflexology: the soles of the feet “ big toe of right foot (tactile)
by RnibThis is a two-page document. On page two there is an image of the sole of the big toe of a right foot. It shows the areas on the toe that relate to organs in "zones" of the body. On page one there is a key to the numbers used on the diagram. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up.
Reflexology: the soles of the feet “ big toe of left foot (tactile)
by RnibThis is a two-page document. On page two there is an image of the sole of the big toe of a left foot. It shows the areas on the toe that relate to organs in "zones" of the body. On page one there is a key to the numbers used on the diagram. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up.
Palazzo and skinny trousers (UEB uncontracted)
by RnibThere are two images of women's clothing on this page: a pair of palazzo pants on the left of the page and a pair of skinny trousers on the right. They are seen from the front. The trousers' waistbands are at the top of the images and their hems at the bottom. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. The palazzo pants are tightly fitted at the waist and then flare out from the hips to the ankles. They are very wide: as much as 75 centimetres in circumference at the bottom of the legs. They are often made from light flowing fabrics such as silk jersey and worn as an alternative to an evening dress. The skinny trousers are almost skin-tight from the waist to the bottom of the legs. They have two slanted side pockets and a zip fly. They are often made with fabric having a small percentage of Elastaneac or similar fibre to give it ˜stretch'.
Palazzo and skinny trousers (UEB contracted)
by RnibThere are two images of women's clothing on this page: a pair of palazzo pants on the left of the page and a pair of skinny trousers on the right. They are seen from the front. The trousers' waistbands are at the top of the images and their hems at the bottom. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. The palazzo pants are tightly fitted at the waist and then flare out from the hips to the ankles. They are very wide: as much as 75 centimetres in circumference at the bottom of the legs. They are often made from light flowing fabrics such as silk jersey and worn as an alternative to an evening dress. The skinny trousers are almost skin-tight from the waist to the bottom of the legs. They have two slanted side pockets and a zip fly. They are often made with fabric having a small percentage of Elastaneac or similar fibre to give it ˜stretch'.
Palazzo and skinny trousers (large print)
by RnibThere are two images of women's clothing on this page: a pair of palazzo pants on the left of the page and a pair of skinny trousers on the right. They are seen from the front. The trousers' waistbands are at the top of the images and their hems at the bottom. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. The palazzo pants are tightly fitted at the waist and then flare out from the hips to the ankles. They are very wide: as much as 75 centimetres in circumference at the bottom of the legs. They are often made from light flowing fabrics such as silk jersey and worn as an alternative to an evening dress. The skinny trousers are almost skin-tight from the waist to the bottom of the legs. They have two slanted side pockets and a zip fly. They are often made with fabric having a small percentage of Elastaneac or similar fibre to give it ˜stretch'.
Mini and Pleated skirts (UEB uncontracted)
by RnibThere are two images of women's clothing on this page: a mini skirt on the left and a pleated skirt on the right. They are seen from the front. Both skirts have their waistbands at the top and their hems at the bottom of the images. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. The purple mini skirt is fitted over the hips and comes down to mid-thigh length or shorter. The first mini skirt designs were created by Briton Mary Quant in the 1960s. The pleated skirt fits over the hips and flares out slightly towards the bottom. It has a series of pleats starting about two thirds of the way down the skirt, which can open up to allow freedom of movement. A pleat is a type of fold, which is pressed and sewn into place. The pleats used in this design are called box pleats.
Mini and Pleated skirts (large print)
by RnibThere are two images of women's clothing on this page: a mini skirt on the left and a pleated skirt on the right. They are seen from the front. Both skirts have their waistbands at the top and their hems at the bottom of the images. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. The purple mini skirt is fitted over the hips and comes down to mid-thigh length or shorter. The first mini skirt designs were created by Briton Mary Quant in the 1960s. The pleated skirt fits over the hips and flares out slightly towards the bottom. It has a series of pleats starting about two thirds of the way down the skirt, which can open up to allow freedom of movement. A pleat is a type of fold, which is pressed and sewn into place. The pleats used in this design are called box pleats.
Mini and Pleated skirts (UEB contracted)
by RnibThere are two images of women's clothing on this page: a mini skirt on the left and a pleated skirt on the right. They are seen from the front. Both skirts have their waistbands at the top and their hems at the bottom of the images. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. The purple mini skirt is fitted over the hips and comes down to mid-thigh length or shorter. The first mini skirt designs were created by Briton Mary Quant in the 1960s. The pleated skirt fits over the hips and flares out slightly towards the bottom. It has a series of pleats starting about two thirds of the way down the skirt, which can open up to allow freedom of movement. A pleat is a type of fold, which is pressed and sewn into place. The pleats used in this design are called box pleats.
Mandarin and peplum jackets (UEB uncontracted)
by RnibThere are two images of women's clothing on this page: a mandarin style jacket on the left of the page and a peplum jacket on the right. Both jackets are seen from the front with their collars at the top of the images and their arms to either side. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. The mandarin jacket has a rounded neck with a stand-up collar. It fastens up to the neck at the front with four toggles attached to silk cords. It has full length sleeves and is cut square at the bottom. The peplum jacket has a notched lapel with a seam going down from each shoulder to the waistline. It is fastened by two buttons and has decorative buttons on the cuffs of the long sleeves. The jacket flares out from the waist at the bottom like a skirt; this is the peplum, a recently popular style.
Mandarin and peplum jackets (UEB contracted)
by RnibThere are two images of women's clothing on this page: a mandarin style jacket on the left of the page and a peplum jacket on the right. Both jackets are seen from the front with their collars at the top of the images and their arms to either side. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. The mandarin jacket has a rounded neck with a stand-up collar. It fastens up to the neck at the front with four toggles attached to silk cords. It has full length sleeves and is cut square at the bottom. The peplum jacket has a notched lapel with a seam going down from each shoulder to the waistline. It is fastened by two buttons and has decorative buttons on the cuffs of the long sleeves. The jacket flares out from the waist at the bottom like a skirt; this is the peplum, a recently popular style.
Mandarin and peplum jackets (large print)
by RnibThere are two images of women's clothing on this page: a mandarin style jacket on the left of the page and a peplum jacket on the right. Both jackets are seen from the front with their collars at the top of the images and their arms to either side. There is a locator dot shown, which will be at the top left of the page when the image is the correct way up. The mandarin jacket has a rounded neck with a stand-up collar. It fastens up to the neck at the front with four toggles attached to silk cords. It has full length sleeves and is cut square at the bottom. The peplum jacket has a notched lapel with a seam going down from each shoulder to the waistline. It is fastened by two buttons and has decorative buttons on the cuffs of the long sleeves. The jacket flares out from the waist at the bottom like a skirt; this is the peplum, a recently popular style.