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Audition Speeches for Young Actors 16+ (Audition Speeches)
by Jean MarlowFinding good, interesting audition pieces is a demanding and difficult process. This revised edition contains over 40 speeches and includes a wide selection of pieces taken from plays written or produced recently, such as Nathan the Wise, All the Ordinary Angels, The Woman Before (first performed at the Royal Court in 2005), Oleanna, (David Mamet), Pygmalion and New Boy. There are speeches for a variety of accents and ages, taken from both classical and modern plays, to suit all audition requirements. There is also an introductory section containing advice from directors and casting directors on how to audition successfully, advice on attending drama schools and how to audition successfully.
Audition Speeches for Young Actors 16+ (Audition Speeches)
by Jean MarlowFinding good, interesting audition pieces is a demanding and difficult process. This revised edition contains over 40 speeches and includes a wide selection of pieces taken from plays written or produced recently, such as Nathan the Wise, All the Ordinary Angels, The Woman Before (first performed at the Royal Court in 2005), Oleanna, (David Mamet), Pygmalion and New Boy. There are speeches for a variety of accents and ages, taken from both classical and modern plays, to suit all audition requirements. There is also an introductory section containing advice from directors and casting directors on how to audition successfully, advice on attending drama schools and how to audition successfully.
Audition Speeches for 6-16 Year Olds: 50+ audition pieces for actors and actresses (Audition Speeches)
by Jean MarlowIntended for students and children taking part in speech and drama competitions and exams, this book contains a range of audition speeches. It includes female, male and unisex speeches selected from both plays and children's books. Where relevant the author has indicated how a speech could be shortened for younger children. There is also an introductory section with contributions from Alan Ayckbourn, Carol Schroder (teacher and examiner for the London Academy of Music and Dramatic Art), Richard Carpenter (TV writer) and Ed Wilson (Director of the National Youth Theatre) and senior casting directors for the RSC, TV and film. This edition has been freshly revised to include 10 new speeches from well known recent productions as well as children's books including Harry Potter.'A superb compilation' Amateur Stage
Audition Speeches for 6-16 Year Olds: 50+ audition pieces for actors and actresses (Audition Speeches)
by Jean MarlowIntended for students and children taking part in speech and drama competitions and exams, this book contains a range of audition speeches. It includes female, male and unisex speeches selected from both plays and children's books. Where relevant the author has indicated how a speech could be shortened for younger children. There is also an introductory section with contributions from Alan Ayckbourn, Carol Schroder (teacher and examiner for the London Academy of Music and Dramatic Art), Richard Carpenter (TV writer) and Ed Wilson (Director of the National Youth Theatre) and senior casting directors for the RSC, TV and film. This edition has been freshly revised to include 10 new speeches from well known recent productions as well as children's books including Harry Potter.'A superb compilation' Amateur Stage
Audition Speeches for Women (Audition Speeches)
by Jean MarlowThis revised edition contains several new speeches, many of which are taken from plays written and produced during the last five years. There are speeches for a variety of accents and ages to suit all audition requirements. An introductory section contains invaluable comments from directors, casting directors, actors and teachers. Among those contributing are Sir Peter Hall, National Theatre Director and founder of the Royal Shakespeare Company; Robert Palmer, voice teacher at the Royal Academy of Dramatic Art; casting director Doreen Jones; Tim Reynolds, Principal of the Academy Drama School; stage and film dialect coach Penny Dyer; and Barry Grantham, director and exponent of Commedia dell'Arte.
An Actor's Tricks (Performance Books)
by Lorna Marshall Yoshi OidaA founding member of Peter Brook's international theatre company, Yoshi Oida infuses his acting and directing with the artistry of the Oriental traditions and a mastery of Western forms. In this disarmingly accessible study of the art of acting he shares his unique experience and range of expertise. An Actor's Tricks offers a meticulous scrutiny of the actor's preparation for performance and comes with a foreword by Peter Brook.Drawing on an unrivalled wealth and range of expertise in the fields of acting, directing and training, Yoshi Oida and Lorna Marshall provide an authoritative and fascinating study of the art of the actor.In scrutinising the process of performance from the twin perspectives of the actor and director, An Actor's Tricks is filled with hints, insights and stories from productions with Peter Brook and from around the world. Beginning with the daily preparation to train the body, it moves to the process of rehearsal for a performance right up to the moment when the actor steps onstage. An appendix of practical exercises is included for the actor to follow. The books combines principles and techniques from both Western and Eastern disciplines of acting to provide a masterful study essential for every actor and director.
An Actor's Tricks (Performance Books)
by Lorna Marshall Yoshi OidaA founding member of Peter Brook's international theatre company, Yoshi Oida infuses his acting and directing with the artistry of the Oriental traditions and a mastery of Western forms. In this disarmingly accessible study of the art of acting he shares his unique experience and range of expertise. An Actor's Tricks offers a meticulous scrutiny of the actor's preparation for performance and comes with a foreword by Peter Brook.Drawing on an unrivalled wealth and range of expertise in the fields of acting, directing and training, Yoshi Oida and Lorna Marshall provide an authoritative and fascinating study of the art of the actor.In scrutinising the process of performance from the twin perspectives of the actor and director, An Actor's Tricks is filled with hints, insights and stories from productions with Peter Brook and from around the world. Beginning with the daily preparation to train the body, it moves to the process of rehearsal for a performance right up to the moment when the actor steps onstage. An appendix of practical exercises is included for the actor to follow. The books combines principles and techniques from both Western and Eastern disciplines of acting to provide a masterful study essential for every actor and director.
Training for Performance: A meta-disciplinary account (Performance Books)
by John Matthews'Training for Performance is the first work of its kind; not in the sense that it addresses training for performance, but in that it invites a critical questioning of the imperatives and the rhetoric which govern academic and practical concerns for training alike.' Dr Martin Welton - Queen Mary University of LondonTraining for Performance: a Meta-disciplinary Account is an innovative contribution to the field of work on contemporary actor and performer training. John Matthews introduces the concept of 'askeology' - a field of study that dissolves divisions between disciplines and their exercises - and identifies four meta-disciplinary categories in the process of training that are common to all institutional contexts: Vocation; Obedience; Formation and Automatisation.Through the exploration of contrasting accounts of training and the differing cultural politics within which they operate, Matthews provides a highly original and comprehensive approach to defining one of the most frequently used terms in theatre and performance studies. Training for Performance encourages performers to think afresh about how they understand and engage in their training and is an invaluable resource for any actor, student or professional interested in the process of performance.
CONFLICT - The Insiders' Guide to Storytelling in Factual/Reality TV & Film: An Insiders' Guide To Storytelling In Factual/reality Tv And Film (Professional Media Practice)
by Robert Thirkell"The recipe book of great television from one of the best TV makers in the world" Jamie OliverStory structure is a huge weakness for many factual or reality filmmakers and TV producers, who often concentrate on subject areas and issues rather than dramatic and memorable narrative. Consequently programmes fail to attract the audience or win any awards.In this book Robert Thirkell, the international consultant known as 'The TV Troubleshooter' and renowned television producer, sets out a professional toolkit for developing a compelling storyline in factual and reality programmes and films. Based on his popular international C.O.N.F.L.I.C.T seminars, it lifts the lids on the making of leading series such as Kitchen Nightmares, Wife Swap, The Apprentice, Coastguards, Firefighters, Oprah's Big Give Fat March, Jamie's School Dinners and When Big Chef Met Little Chef as well as offering insight and advice from leading filmmakers and TV producers worldwide.The tips and tools go right the way through the filmmaking process from finding stories and characters, to structuring scripts and filming, editing, through to delivery, titles and getting people to watch.
The Edinburgh Fringe Survival Guide: How to Make Your Show A Success
by Mark Fisher'Ah! The Fringe! I can't think of a more delightful way of putting my liver, bank account, relationship, complexion, and mental stability under the greatest strain they've ever known!' Mel GiedroycIt is the world's largest arts festival, attracting everyone from student first-timers to Hollywood stars. Thrilling, inspiring and bewildering in equal measure, the Edinburgh Festival Fringe can make you a star or break your bank.So what is the secret of making it work for you?The Edinburgh Fringe Survival Guide draws on the experiences of the festival's leading figures - their disasters as well as their triumphs - to take you step by step through the process of making your show a success in the Scottish capital.From choosing a venue to keeping on top of the budget, from sorting out accommodation to securing the best press coverage, from generating word of mouth to making the most of a hit, this unique practical guide for performers, directors and producers helps you get your show the audience it deserves.Among those sharing their expert advice are playwright Simon Stephens, comedian Phil Nichol, actor Siobhan Redmond, producer Guy Masterson, Tiger Lillies front manMartyn Jacques, theatre critic Lyn Gardner, Foster's Edinburgh Comedy Award director Nica Burns, as well as the directors of all the major Fringe venues, top press officers, international promoters and insiders from the Fringe Society itself.The foreword is written by playwright Mark Ravenhill.
The Edinburgh Fringe Survival Guide: How to Make Your Show A Success
by Mark Fisher'Ah! The Fringe! I can't think of a more delightful way of putting my liver, bank account, relationship, complexion, and mental stability under the greatest strain they've ever known!' Mel GiedroycIt is the world's largest arts festival, attracting everyone from student first-timers to Hollywood stars. Thrilling, inspiring and bewildering in equal measure, the Edinburgh Festival Fringe can make you a star or break your bank.So what is the secret of making it work for you?The Edinburgh Fringe Survival Guide draws on the experiences of the festival's leading figures - their disasters as well as their triumphs - to take you step by step through the process of making your show a success in the Scottish capital.From choosing a venue to keeping on top of the budget, from sorting out accommodation to securing the best press coverage, from generating word of mouth to making the most of a hit, this unique practical guide for performers, directors and producers helps you get your show the audience it deserves.Among those sharing their expert advice are playwright Simon Stephens, comedian Phil Nichol, actor Siobhan Redmond, producer Guy Masterson, Tiger Lillies front manMartyn Jacques, theatre critic Lyn Gardner, Foster's Edinburgh Comedy Award director Nica Burns, as well as the directors of all the major Fringe venues, top press officers, international promoters and insiders from the Fringe Society itself.The foreword is written by playwright Mark Ravenhill.
Acting Characters: 20 simple steps from rehearsal to performance (Performance Books)
by Paul ElsamRecently selected as an Edexcel set text, Paul Elsam's Acting Characters is an introductory handbook for the aspiring actor, compiled of twenty steps grouped into six sections to help create, present and sustain a believable character in most circumstances. It is fundamentally practical and avoids heavy discussion of theory, looking instead at how to use different voices and body language to convey character. According to a peer reviewer, the book is "both interesting for the casual enquirer and illuminating for the more serious practitioner". It de-mystifies the fundamental concepts of Stanislavski's teaching in an accessible way and it is this clarity and empathy with its readership that sets this book apart from its main competition, which the author describes as containing "a lot of rather mystical ideas on how actors go about their craft, but very little on the actual moment-by-moment skills you can work on".
Acting Characters: 20 simple steps from rehearsal to performance (Performance Books)
by Paul ElsamRecently selected as an Edexcel set text, Paul Elsam's Acting Characters is an introductory handbook for the aspiring actor, compiled of twenty steps grouped into six sections to help create, present and sustain a believable character in most circumstances. It is fundamentally practical and avoids heavy discussion of theory, looking instead at how to use different voices and body language to convey character. According to a peer reviewer, the book is "both interesting for the casual enquirer and illuminating for the more serious practitioner". It de-mystifies the fundamental concepts of Stanislavski's teaching in an accessible way and it is this clarity and empathy with its readership that sets this book apart from its main competition, which the author describes as containing "a lot of rather mystical ideas on how actors go about their craft, but very little on the actual moment-by-moment skills you can work on".
Stephen Poliakoff on Stage and Screen (Plays and Playwrights)
by Robin NelsonDuring a career that has spanned four decades Stephen Poliakoff has established himself as a unique talent, a fine stage dramatist and auteur. His work as writer and director has seen him hailed as 'our most poetic and best TV dramatist' while in the US his television dramas have received critical acclaim, The Lost Prince winning three Emmy Awards and Gideon's Daughter two Golden Globes. This comprehensive study of Poliakoff's work for stage and screen - the first of its kind - will prove an invaluable companion to students of film, media and theatre studies. Professor Nelson locates Poliakoff's vision and independence as a writer director in his meteoric rise to success in the theatre - which saw him become writer in residence at the National Theatre at the age of 24, in his family background and in the intersection between personal and public histories. Poliakoff's work for stage and screen is examined in broadly chronological and thematic clusters beginning with his documenting of urban youth culture in early stage plays and in his later TV drama The Tribe. It moves on to consider his women character plays, his issue plays, history plays, feature films and lastly his television dramas which have brought his work to a much larger audience and secured his reputation as the most distinctive television dramatist since Dennis Potter.
John Gielgud: Matinee Idol To Movie Star (Biography and Autobiography)
by Jonathan CroallIn his lifetime Gielgud was acclaimed as the finest classical actor of the twentieth century and Jonathan Croall's biography from 2000 was instantly recognised by critics as a masterful achievement, one that was 'unlikely to be surpassed' (Sunday Telegraph). Since that time however a considerable amount of new material has come to light and the passing of time has allowed a new candour. John Gielgud: Matinee Idol to Movie Star sees this peerless biographer return to his subject to offer the definitive life of Gielgud. For this new biography Croall's exhaustive research has included over a hundred new interviews with key people from his life and career, several hundred letters from Gielgud that have never been published, scores of letters written to him and archived versions of his film and television work. As Gielgud worked increasingly in this medium during the last third of his life much greater attention is given to this than in the earlier work. Fresh light is thrown on his professional relationships with figures such as Laurence Olivier and Edith Evans, and on turbulent episodes of his private life. The overall result is a a much more rounded, candid and richly textured portrait of this celebrated and complex actor.
Screen Adaptations: A close study of the relationship between text and film (Screen Adaptations)
by Deborah CartmellThe study of literature on screen is a growing area of study in schools and universities. Many students have to produce critical essays comparing the novel and film versions of a particular text. The Screen Adaptations series offers a wealth of study material: from the literary context of the original work, through to thought-provoking comparisons of the screen versions, critical commentary and the afterlife of the films.Pride and Prejudice is a classic piece of literature and any new adaptation is a major event. With several well-known TV and film version available (featuring stars such as Keira Knightley) as well as a Bollywood version, discussions around how these films interpret the story, themes and characters is a popular classroom choice for students and teachers alike. This new title in the Screen Adaptations series, provides a rich source of material to help students understand and write about the reciprocal relationship between film and literature. It offers in-depth analysis of the various screen versions and alternative `readings' as well as critical insight and an interview with writer Andrew Davies, best known for his 1995 BBC adaptation. Following from Shakespeare, Jane Austen on screen is now an established part of literary studies and the volume will conclude with a survey of the growing body of literature in the field.
Production Management for TV and Film: The professional's guide (Professional Media Practice)
by Linda Stradling"What Linda Stradling doesn't know about production management isn't worth knowing" The Documentary Filmmakers GroupProduction Managers are responsible for all the organisational aspects of a TV or film production such as scheduling and budgeting and assisting producers to interpret and realise the directors' vision. Linda Stradling is a highly experienced production manager and trainer. Her book is based on her training handouts and notes and offers a complete `manual' to the role including: self organisation and systems to use, budgets, schedules and cost control, cash flow, hiring and firing, contracts, insurance, health and safety, setting up an efficient and cost-effective shoot, dealing with contributors, acquiring copyright, sourcing CGI, editors, music cue sheets, deliverables, people skills and ethics. A chapter contribution is included from leading drama production manager Julie Clark (currently line producer on Glorious 39, Stephen Poliakoff's new film). Written by an industry insider, this is an exhaustive manual to every aspect of the job, with reference material and real-life examples. Essential paperwork and sample budgets can also be found on our website. A complete on-the-job reference tool.
Screen Adaptations: A close study of the relationship between text and film (Screen Adaptations)
by Courtney LehmannThe Screen Adaptations series provides an in-depth look at how classic pieces of literature have been adapted for screen. It assesses the ways in which alternative screen interpretations offer up different readings of the original text as well as the methodologies and approaches of filmmakers. Each title in the series collects together a vast array of study material, critical insight and thought-provoking comparisons - from literary context to the afterlife of the screen versions. Shakespeare on Film is a huge area of study and Romeo and Juliet one of his most popular plays with many teachers using film versions as a way of approaching the text. Focussing in the main on West Side Story and Baz Lurhmann's Shakespeare's Romeo & Juliet, this is a unique and comprehensive insight into the adaptation process providing a vital study aid for students.
Essential Radio Skills: How to present a radio show (Professional Media Practice #1)
by Peter Stewart"One of the few books we'd recommend" BBC Training"The perfect guide for anyone who wants to get on in this ever-changing and challenging media" Controller BBC Radio 5 Live"A rich repository of real, practical experience" Director - BBC Nations & Regions"An invaluable guide" Director - The Radio AcademyThis is a practical, how-to guide to producing and presenting radio to a professional standard. Packed with day-to-day advice that captures the essence and buzz of live broadcasting; from preparing your show before it goes out, last minute changes to running orders, deciding what to drop in over a track, how to sell a feature or promote a programme, setting up competitions, thinking fast in a phone in - this book will help you do all that and more. It covers network and commercial, music and talk radio skills and is particularly suited to the independent local or community radio. It features advice from professionals, covers industry-wide best practice with enough 'need-to-know' technical information to get you up and running. This edition has been updated throughout and has more than 500 weblinks to downloads and audio and video examples, as well as cross-references to the official National Occupational Standards for Radio Content.
101 Dance Ideas age 5-11 (101 Drills Ser.)
by Roger Hurn Ms Cush JumboA book jam-packed full of fun dances, dance steps andchoreographed routines for primary children and teachers. Written inthe 101 series style - a series trusted by primary school teachers. Includes: Warm up and cool down, Easy dances (e.g. Kenyan hop,Twist), Medium dances (e.g. Hilly Billy, Mambo), Harder dances (e.g.Salsa, Cha cha).An introduction explains the importance of getting childrendancing to improve their fitness and develop their listening andthinking skills.
How to Get a Job in Television: Build your career from runner to series producer (Professional Media Practice)
by Elsa Sharp'Incredibly timely, practical advice for developing contacts and skills' Jo Taylor, 4Talent Manager at Channel 4TV is a notoriously difficult industry to get into and progress within. There is no set career path and 70% of applicants rely on contacts to get a foothold. Based on the author's experience as a TV researcher, series producer and recruitment executive, this contemporary guide will help thousands of hopefuls break into TV. It is packed with inside information and advice from training bodies, HR executives, and people working in the industry at every level, including for example: Conrad Green - the multi award-winning British Executive Producer of American Idol and Dancing With the Stars (US) Tim Hincks - Chairman of Endemol (makers of Big Brother) Grant Mansfield - Chairman and MD of RDF Television Kate Phillips - Head of Development at BBC TVFrom the do's and don'ts of work experience, the role of the researcher, the 'seven stages of CV', pathways to series producer and how to move up the ladder, this is the TV job hunter's bible.
Greenlit: The Professional Guide to Pitching Factual Shows (Professional Media Practice Ser.)
by Nicola Lees"Blows the lid on so many TV secrets" Tom Archer, Controller Factual, BBC"If every first-time producer read this before pitching a program, I guarantee a greater success rate" Gary Lico, President/CEO, CABLEready, USAIn recent years there has been an explosion of broadcast and cable channels with a desperate need for original factual/reality programming to fill their schedules: -documentaries, observational series, makeover formats, reality competitions. Yet television executives receive a daily avalanche of inappropriate pitches from pushy, badly prepared producers. Only 1 in 100 proposals are considered worth a second look, and most commissioners never read past the first paragraph. Greenlit explains how to develop, research, pitch and sell your idea for any type of factual or reality television show. It gives the inside track on: * What channel executives are really looking for in a pitch, * The life stories of hit factual shows such as The Apprentice, Deadliest Catch and Strictly Come Dancing* Advice from channel commissioners, development producers and on-screen talent on both sides of the Atlantic. * Eleven steps that will increase your chance of winning a commissionIn a rapidly expanding TV market, Greenlit is packed with resource lists, sample proposals, case studies and exercises designed to boost your skills and develop commission-winning proposals.
Dance Composition: A practical guide to creative success in dance making (Performance Books #3)
by Jacqueline M. Smith-AutardDance composition - the discipline that translates ideas into dances - is an important part of dance education. This book, a bestseller for over twenty years, is a practical guide to creative success in dance making and is invaluable for all those who are interested in dance composition, from secondary school to university. This fifth edition has been revised and updated to include a new chapter exploring creative processes in relation to composing dances.
Grinning At The Edge: A Biography of Alan Ayckbourn (Biography and Autobiography)
by Paul AllenNow in paperback, the hugely acclaimed, authorised biography of Britain's most popular playwrightAlan Ayckbourn is Britain's most popular playwright and its most private. He has won numerous awards for his plays and has worked with some of theatre's most celebrated names, yet he spends most of his time away from the limelight in a Yorkshire seaside town not writing at all but running a small repertory theatre.This is a portrait of a man who - from Relatively Speaking in 1965 to his double play House and Garden at the National Theatre in 2000 - has chronicled human behaviour, our aspirations and insecurities, while shaping the theatrical experience of millions."Mr Allen's book makes me want to start reading the entire Ayckbourn canon over again...splendid stuff" Hugh Leonard, Sunday Independent"Paul Allen has come up with a wise, well-informed book that not only persuades us of Ayckbourn's genius but also helps to explain this complex, driven man" Michael Billington, Country Life"Lucid, meticulously researched ... this impressively detailed account benefits from Paul Allen's rich inside knowledge of theatre" Terry Eagleton, Times Literary Supplement"Thorough and enjoyable" Christopher Hirst, Independent
Lindsay Anderson Diaries (Diaries, Letters and Essays)
by Lindsay AndersonAs a director, critic, writer and actor, Lindsay Anderson established a reputation as one of the most innovative, impassioned and fiercely independent British artists of the twentieth century. In directing films such as IF, THIS SPORTING LIFE and O LUCKY MAN he championed a new wave of social responsiveness in British cinema, while as director at the Royal Court he was responsible for establishing the reputation of a number of groundbreaking plays. Throughout his life Anderson stood in opposition to the establishment of his day. Published for the first time, his diaries provide a uniquely personal document of his artistic integrity and vision, his work, and his personal and public struggles. Peopled by a myriad of artists and stars - Malcolm McDowell, Richard Harris, Albert Finney, Anthony Hopkins Brian Cox, Karel Reisz, Arthur Miller, George Michael - the Diaries provide a fascinating account of one of the most creative periods of British cultural life.