- Table View
- List View
Artists and Markets in Music: The Political Economy of Music During the Covid Era and Beyond (Routledge Studies in the Economics of Business and Industry)
by Cameron M. Weber Ying Zhen J.J. AriasThis monograph is an innovative examination of the political economy of music. It integrates original economic theories and empirical research to shed light on the economic and social forces shaping music and society today. Interactive relationships, such as the importance of entrepreneurship, serendipity and authenticity, will be explored in artist subjective determinations of success. In particular, this book deeply explores the mental health of musicians and "creative destruction" during the covid era, copyrights in music markets and an evaluation of the importance of entrepreneurship and brand marketing in the life of musical artists. The monograph contributes empirical research to underexplored areas in the cultural economics of music, such as the proposed musical production function by Samuel Cameron (Routledge 2015) and the concept of distinction in cultural production by Pierre Bourdieu (Routledge 1984, 2010) as uniquely applied with examples from the covid era. Readers will benefit from this easy-to-understand interdisciplinary exploration of the music industry with a focus on the United States and the political economy of music during the covid era. Most cultural economics is focused on Europe and Asia, so this emphasis on the United States will be of interest. This book will be a beneficial reference work for researchers and will find an audience among music professionals and artists. Academics and non-academics, experts and novices interested in music and political economy will also find value in Artists and Markets in Music.
Artists and Markets in Music: The Political Economy of Music During the Covid Era and Beyond (Routledge Studies in the Economics of Business and Industry)
by Cameron M. Weber Ying Zhen J.J. AriasThis monograph is an innovative examination of the political economy of music. It integrates original economic theories and empirical research to shed light on the economic and social forces shaping music and society today. Interactive relationships, such as the importance of entrepreneurship, serendipity and authenticity, will be explored in artist subjective determinations of success. In particular, this book deeply explores the mental health of musicians and "creative destruction" during the covid era, copyrights in music markets and an evaluation of the importance of entrepreneurship and brand marketing in the life of musical artists. The monograph contributes empirical research to underexplored areas in the cultural economics of music, such as the proposed musical production function by Samuel Cameron (Routledge 2015) and the concept of distinction in cultural production by Pierre Bourdieu (Routledge 1984, 2010) as uniquely applied with examples from the covid era. Readers will benefit from this easy-to-understand interdisciplinary exploration of the music industry with a focus on the United States and the political economy of music during the covid era. Most cultural economics is focused on Europe and Asia, so this emphasis on the United States will be of interest. This book will be a beneficial reference work for researchers and will find an audience among music professionals and artists. Academics and non-academics, experts and novices interested in music and political economy will also find value in Artists and Markets in Music.
Audrey in Paris
by Caroline YoungA charming, illustrated gift book combining two timelessly stylish subjects - Audrey Hepburn and the city of Paris.Both classic, both inimitable, both fashion icons - Audrey Hepburn and Paris are a match made in heaven. Falling in love with the city at a young age, Audrey returned to Paris again and again in some of her most celebrated films (Sabrina, Funny Face, How to Steal a Million, Charade) wearing outfits from her favourite Parisian couturier, Hubert de Givenchy, and creating some of the most significant fashion moments of the twentieth century.Audrey in Paris brings together over 100 stunning photographs of her most iconic moments in the city, from film stills and behind-the-scenes shots to candid images of Audrey enjoying the city as a visitor. The book also includes a bespoke illustrated map showing her favourite spots. While dozens of successful books on Audrey have been published, this will be the first to document her time in the city of light.Tapping into Audrey's status as a fashion idol, which spans across the generations, as well as Paris's status as the world's capital of elegance, Audrey in Paris combines the gifty charm of How to be Parisian Wherever You Are with Audrey's forever appeal as a fashion muse.Gorgeous finishes will make this a stylish gift book to be treasured for years to come.
Authors and Adaptation: Writing Across Media in the Nineteenth and Early Twentieth Centuries (Palgrave Studies in Adaptation and Visual Culture)
by Annie NissenThis book studies British literary writers’ engagement with adaptations of their work across literary, theatrical, and film media in the nineteenth and early twentieth centuries. It considers their critical, reflective, and autobiographical writings about the process of adaptation, and traces how their work was shaped, as well as delimited, by their involvement with adaptations to different media and intermedial writing. Linking canonical and non-canonical writers both chronologically and contemporaneously, and bridging studies of prose fiction adaptation from nineteenth-century theatre to early twentieth-century film, this book offers an interdisciplinary, transhistorical, cultural, and analytical study of adaptation and the variable positions of writers within and across media.
Babylon Berlin, German Visual Spectacle, and Global Media Culture (Visual Cultures and German Contexts)
by Hester Baer and Jill Suzanne SmithThe essays in this collection address the German television series Babylon Berlin and explore its unique contribution to contemporary visual culture.Since its inception in 2017 the series, a neo-noir thriller set in Berlin in the final years of the Weimar republic, has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical and popular acclaim. As a visual work rife with historical and contemporary citations Babylon Berlin offers its audience a panoramic view of politics, crime, culture, gender, and sexual relations in the German capital.Focusing especially on the intermedial and transhistorical dimensions of the series, across four parts-Babylon Berlin, Global Media and Fan Culture; The Look and Sound of Babylon Berlin; Representing Weimar History; and Weimar Intertexts-the volume brings together an interdisciplinary and international group of scholars to critically examine various facets of the show, including its aesthetic form and citation style, its representation of the history and politics of the late Weimar Republic, and its exemplary status as a blockbuster production of neoliberal media culture.Considering the series from the perspective of a variety of disciplines, Babylon Berlin, German Visual Spectacle, and Global Media Culture is essential reading for students of film, TV, media studies, and visual culture on German Studies, History, and European Studies programmes.
Beyond Pain: The Anthropology of Body Suspensions
by Federica ManfrediThe practice of body suspension — piercing one’s own flesh with metal hooks and hanging from them — and its uniquely sprawling community challenge our cultural understanding of pain. The suspendees experience physical suffering to trigger altered states of consciousness that help them define and create an enhanced version of the self. Through experimental and practice-based methodology, Beyond Pain combines thirteen years of intermittent ethnographical fieldwork during suspension festivals and private events in Italy, Portugal, and Norway, along with online sites such as Facebook groups, to uncover the often silenced and misunderstood voices of the people who undertake this practice.
Beyond Pain: The Anthropology of Body Suspensions
by Federica ManfrediThe practice of body suspension — piercing one’s own flesh with metal hooks and hanging from them — and its uniquely sprawling community challenge our cultural understanding of pain. The suspendees experience physical suffering to trigger altered states of consciousness that help them define and create an enhanced version of the self. Through experimental and practice-based methodology, Beyond Pain combines thirteen years of intermittent ethnographical fieldwork during suspension festivals and private events in Italy, Portugal, and Norway, along with online sites such as Facebook groups, to uncover the often silenced and misunderstood voices of the people who undertake this practice.
A Black Girl in the Middle: Essays on (Allegedly) Figuring It All Out
by Shenequa Golding'Growing up in Queens, I didn't know being named Shenequa was considered "ghetto" or uncouth. It was only later in life that I realized I was being judged by a decision I had no control over... I will examine the double-standard Black girls with big names like Shenequa face, and the quick math we have to calculate when trying to de-escalate drama.'In A BLACK GIRL IN THE MIDDLE, a timely, compelling, and blazingly honest essay collection, Shenequa Golding holds up her magnifying glass to both her own experiences and those of young Black women everywhere. With her trademark wit and originality, Shenequa covers identity-searching themes of white supremacy, feminism, misogyny, love, sex and heartbreak. But this isn't just a book about Black women's trauma, it is also a book that embraces and celebrates the things that make Black women different. For readers of SLAY IN YOUR LANE, Candice Brathwaite and Issa Rae.
Black Women Centre Stage: Diasporic Solidarity in Contemporary Black British Theatre (Routledge Advances in Theatre & Performance Studies)
by Paola Prieto LópezThis book examines the political alliances that are built across the diaspora in contemporary plays written by Black women playwrights in the UK. Through the concept of creative diasporic solidarity, it offers an innovative theoretical approach to examine the ways in which the playwrights respond creatively to the violence and marginalisation of Black communities, especially Black women. This study demonstrates that theatre can act as a productive space for the ethical encounter with the Other (understood in terms of alterity, as someone different from the self) by examining the possibilities of these plays to activate the spectators’ responsibility and solidarity towards different types of violence experienced by Black women, offering alternative modes of relationality. The book engages with a range of contemporary works written by Black women playwrights in the UK, including Mojisola Adebayo, Theresa Ikoko, Diana Nneka Atuona, Gloria Williams, Charlene James, or Yusra Warsama, bringing to the fore a gendered and intersectional approach to the analysis of the texts. This book will be of great interest to students and scholars in contemporary theatre, gender studies and diaspora studies.
Black Women Centre Stage: Diasporic Solidarity in Contemporary Black British Theatre (Routledge Advances in Theatre & Performance Studies)
by Paola Prieto LópezThis book examines the political alliances that are built across the diaspora in contemporary plays written by Black women playwrights in the UK. Through the concept of creative diasporic solidarity, it offers an innovative theoretical approach to examine the ways in which the playwrights respond creatively to the violence and marginalisation of Black communities, especially Black women. This study demonstrates that theatre can act as a productive space for the ethical encounter with the Other (understood in terms of alterity, as someone different from the self) by examining the possibilities of these plays to activate the spectators’ responsibility and solidarity towards different types of violence experienced by Black women, offering alternative modes of relationality. The book engages with a range of contemporary works written by Black women playwrights in the UK, including Mojisola Adebayo, Theresa Ikoko, Diana Nneka Atuona, Gloria Williams, Charlene James, or Yusra Warsama, bringing to the fore a gendered and intersectional approach to the analysis of the texts. This book will be of great interest to students and scholars in contemporary theatre, gender studies and diaspora studies.
Blender All-in-One For Dummies
by Jason van GumsterCreate excellent 3D animations with free, open-source software When you’re looking for help with creating animation with Blender, look no further than the top-selling Blender book on the market. This edition of Blender For Dummies covers every step in the animation process, from basic design all the way to finished product. This book walks you through each project phase, including creating models, adding lighting and environment, animating objects, and building a final shareable file. Written by long-time Blender evangelist Jason van Gumster, this deep reference teaches you the full animation process from idea to final vision. With this fun and easy guide, you’re on your way toward making your animation dreams a reality. Set up Blender and navigate the interface Learn how to build models in virtual space Texture, light, and animate your figures—then render your final product Get help and inspiration from the Blender community If you’re new to Blender or an experienced user in need of a reference, Blender For Dummies is the easy-to-use guide for you.
Blender All-in-One For Dummies
by Jason van GumsterCreate excellent 3D animations with free, open-source software When you’re looking for help with creating animation with Blender, look no further than the top-selling Blender book on the market. This edition of Blender For Dummies covers every step in the animation process, from basic design all the way to finished product. This book walks you through each project phase, including creating models, adding lighting and environment, animating objects, and building a final shareable file. Written by long-time Blender evangelist Jason van Gumster, this deep reference teaches you the full animation process from idea to final vision. With this fun and easy guide, you’re on your way toward making your animation dreams a reality. Set up Blender and navigate the interface Learn how to build models in virtual space Texture, light, and animate your figures—then render your final product Get help and inspiration from the Blender community If you’re new to Blender or an experienced user in need of a reference, Blender For Dummies is the easy-to-use guide for you.
The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic
by Daniel de ViséThe Blues Brothers hit theatres on June 20, 1980. Their scripted mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote much of the film, had a greater mission: to honour the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists - Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles - made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since it has been acknowledged a classic: inducted into the National Film Registry for its cultural significance, even declared a 'Catholic classic' by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the 20th century.The saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colourful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard's Lampoon and Chicago's Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy.
The Bodies We Are: A Choreographic Research on Practicing Self-Distancing (TanzScripte #71)
by Antje VelsingerIn Western neo-liberal society, the human body is increasingly used as an »identity project« and »designable object«. Antje Velsinger investigates these specific roles of the body and develops choreographic strategies for becoming unfamiliar to the own self and play as two means for emancipating the body from the neo-liberal imperative of optimization and control. Theoretical and practical artistic perspectives are in constant dialogue throughout this study. It uses the choreographic field as a gray area between theory and practice to imagine, propose, and rehearse an alternative approach to the body.
The Body in Jean-Luc Godard's New Wave Films (Routledge Focus on Film Studies)
by Francesca Minnie HardyThis original study examines the representation of the body in French New Wave films through discussion of a series of films by Jean-Luc Godard, perhaps the central figure of the French New Wave. Through analysis of À bout de souffle, Une femme est une femme, Le Mépris and Alphaville, alongside discussion of some of Godard’s lesser-known French New Wave films, the book explores the interrelation between bodies, books and bathrooms that they facilitate. In so doing, it aims to destabilise the French New Wave’s myth of male exceptionalism and denaturalise the gender dynamic most commonly viewed at its heart, revealing that the women who make up a fundamental part of its fabric are not textually trapped by Godard’s authorial presence. Instead, their corporeality disrupts any purported authorial and national ownership of their bodies. Given the enduring popularity and visibility of the French New Wave, and of Jean-Luc Godard, in universities and journals, The Body in Jean-Luc Godard’s New Wave Films will appeal to scholars in the disciplines of French and film studies, as well as to undergraduate and postgraduate students of these disciplines.
The Body in Jean-Luc Godard's New Wave Films (Routledge Focus on Film Studies)
by Francesca Minnie HardyThis original study examines the representation of the body in French New Wave films through discussion of a series of films by Jean-Luc Godard, perhaps the central figure of the French New Wave. Through analysis of À bout de souffle, Une femme est une femme, Le Mépris and Alphaville, alongside discussion of some of Godard’s lesser-known French New Wave films, the book explores the interrelation between bodies, books and bathrooms that they facilitate. In so doing, it aims to destabilise the French New Wave’s myth of male exceptionalism and denaturalise the gender dynamic most commonly viewed at its heart, revealing that the women who make up a fundamental part of its fabric are not textually trapped by Godard’s authorial presence. Instead, their corporeality disrupts any purported authorial and national ownership of their bodies. Given the enduring popularity and visibility of the French New Wave, and of Jean-Luc Godard, in universities and journals, The Body in Jean-Luc Godard’s New Wave Films will appeal to scholars in the disciplines of French and film studies, as well as to undergraduate and postgraduate students of these disciplines.
Bollypolitics: Popular Hindi Cinema and Hindutva (World Cinema)
by Ajay GehlawatThis book provides an in-depth exploration of the evolving landscape of Bollywood cinema in response to recent socio-political changes in India, including a surge in sectarian violence and the ascent of Hindutva, or Hindu nationalism, under Prime Minister Narendra Modi's leadership. Through a comprehensive analysis of prominent filmmakers and actors like Sanjay Leela Bhansali, Kangana Ranaut, Akshay Kumar, and Anupam Kher, Ajay Gehlawat investigates the extent to which their recent works align with key tenets of the Hindutva movement. He scrutinizes the growing influence of the Bharatiya Janata Party (BJP) on film production, manifesting in collaborations covering diverse themes, from Modi's Clean India initiative to the nation's space exploration endeavors and grand historical epics such as Padmaavat (2018) and Manikarnika (2019) that seek to reshape Indian history in line with Hindutva ideology.Gehlawat goes on to dissect smaller budget films like Article 15 (2019) and Shubh Mangal Zyada Saavdhan (2020), which tackle pressing social issues like caste-based violence and homophobia exacerbated by the surge in right-wing extremism in India. In doing so, he elucidates the profound and far-reaching impact of Hindutva ideology on Indian cinematic narratives and aesthetics, while also considering the broader implications for Indian society as a whole.
Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture (Asian Celebrity and Fandom Studies)
by Thomas BaudinetteOver the past several years, the Thai popular culture landscape has radically transformed due to the emergence of “Boys Love” (BL) soap operas which celebrate the love between handsome young men. Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture is the first book length study of this increasingly significant transnational pop culture phenomenon. Drawing upon six years of ethnographic research, the book reveals BL's impacts on depictions of same-sex desire in Thai media culture and the resultant mainstreaming of queer romance through new forms of celebrity and participatory fandom. The author explores how the rise of BL has transformed contemporary Thai consumer culture, leading to heterosexual female fans of male celebrities who perform homoeroticism becoming the main audience to whom Thai pop culture is geared. Through the case study of BL, this book thus also investigates how Thai media is responding to broader regional trends across Asia where the economic potentials of female and queer fans are becoming increasingly important. Baudinette ultimately argues that the center of queer cultural production in Asia has shifted from Japan to Thailand, investigating both the growing international fandom of Thailand's BL series as well as the influence of international investment into the development of these media. The book particularly focuses on specific case studies of the fandom for Thai BL celebrity couples in Thailand, China, the Philippines, and Japan to explore how BL series have transformed each of these national contexts' queer consumer cultures.
The Bressonians: French Cinema and the Culture of Authorship
by Codruţa MorariHow should we understand film authorship in an era when the idea of the solitary and sovereign auteur has come under attack, with critics proclaiming the death of the author and the end of cinema? The Bressonians provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema’s pluralistic community. Bresson’s example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.
The British Sitcom Spinoff Film
by Stephen GlynnThis book constitutes the first full volume dedicated to an academic analysis of theatrically-released spinoff films derived from British radio and television sitcoms. Regularly maligned as the nadir of British film production and marginalised as a last resort for the financially-bereft industry during the 1970s, this study demonstrates that the sitcom spinoff film has instead been a persistent and important presence in British cinema from the 1940s to the present day, and includes (occasional) works with distinct artistic merit. Alongside an investigation of the economic imperative underpinning these productions, i.e. the exploitation of proven product with a ready-made audience, it is argued that, with a longevity stretching from Arthur Askey and his wartime Band Waggon (1940) to the crew of Kurupt FM and their recent People Just Do Nothing: Big in Japan (2021), the British sitcom spinoff can be interpreted as following a full generic ‘life cycle’. Starting with the ‘formative’ stage where works from Hi Gang! (1941) to I Only Arsked! (1958) establish the genre’s characteristics, the spinoff genre moves to its ‘classic’ stage where, secure for form and content, it enjoys considerable popular success with films like Till Death Us Do Part (1969), On the Buses (1971), The Likely Lads (1976) and Rising Damp (1980); the genre’s revival since the late-1990s reveals a more ‘parodic’ final stage, with films like The League of Gentlemen’s Apocalypse (2005) adopting a consciously self-reflective mode. It is also posited that the sitcom spinoff film is a viable source for social history, with the often-stereotypical re-presentations of characters and events an (often blatant) ideological metonym for the concerns of wider British society, notably in issues of class, race, gender and sexuality.
Burning Man: Learning from Heterotopia (Routledge Advances in Theatre & Performance Studies)
by Linda Noveroske-TrittenThis book centres on a philosophical analysis of creative acts in the Burning Man Festival and their roles in wider social change. With particular focus on the Ten Principles of Burning Man, Linda Noveroske posits a re-interpretation of common notions of “self” and “other” as they apply to identity, difference, and the ways that these personal impulses ripple outward from changing individuals into changing societies. Such radical re-imagination of ideology can be most powerful when it occurs in spaces of otherness, of heterotopia. This study casts Burning Man as a heterotopia to not only destabilizes what we think we know about visual art, performance, and creative encounters, but also bring these acts into an attitude of immediacy that facilitates previously unimagined behaviour and opens out artistic drive into the unknown. This book would be of value for scholars and practitioners in Performance Studies, Theatre and Dance, Art History, Psychology, Phenomenology, Architecture and Urban Studies.
Burning Man: Learning from Heterotopia (Routledge Advances in Theatre & Performance Studies)
by Linda Noveroske-TrittenThis book centres on a philosophical analysis of creative acts in the Burning Man Festival and their roles in wider social change. With particular focus on the Ten Principles of Burning Man, Linda Noveroske posits a re-interpretation of common notions of “self” and “other” as they apply to identity, difference, and the ways that these personal impulses ripple outward from changing individuals into changing societies. Such radical re-imagination of ideology can be most powerful when it occurs in spaces of otherness, of heterotopia. This study casts Burning Man as a heterotopia to not only destabilizes what we think we know about visual art, performance, and creative encounters, but also bring these acts into an attitude of immediacy that facilitates previously unimagined behaviour and opens out artistic drive into the unknown. This book would be of value for scholars and practitioners in Performance Studies, Theatre and Dance, Art History, Psychology, Phenomenology, Architecture and Urban Studies.
A Career in Radio: Understanding the Key Building Blocks
by Sayed Mohammad AmirThis book gives an overview of the development, significance, and impact of radio as a medium of mass communication in modern society. It provides a thorough understanding of the various wings and functionaries of the radio industry. The book also covers aspects of commercial radio, the basics of understanding the pulse of radio listeners, formatting radio programming, making an effective sales pitch and producing great commercials to exhaustive advice on presenting a show, appearing for interviews, and public speaking. It also gives insight into the changes brought in by technology in terms of traditional radio broadcasts, such as digital radio, highlighting its advancements in audio quality and the diversity of programming options available, and satellite radio, subscription-based services, and exclusive access to specialised programming. An outcome of the author’s vast experience of working as a radio jockey and programme manager for over 17 years, his book will be an ideal textbook for undergraduate and postgraduate students of journalism and mass communication, taking courses on radio, audio and podcasting, media production and digital media. Additionally, this book will be an invaluable companion to existing radio professionals as a resource-book for their professional development.
A Career in Radio: Understanding the Key Building Blocks
by Sayed Mohammad AmirThis book gives an overview of the development, significance, and impact of radio as a medium of mass communication in modern society. It provides a thorough understanding of the various wings and functionaries of the radio industry. The book also covers aspects of commercial radio, the basics of understanding the pulse of radio listeners, formatting radio programming, making an effective sales pitch and producing great commercials to exhaustive advice on presenting a show, appearing for interviews, and public speaking. It also gives insight into the changes brought in by technology in terms of traditional radio broadcasts, such as digital radio, highlighting its advancements in audio quality and the diversity of programming options available, and satellite radio, subscription-based services, and exclusive access to specialised programming. An outcome of the author’s vast experience of working as a radio jockey and programme manager for over 17 years, his book will be an ideal textbook for undergraduate and postgraduate students of journalism and mass communication, taking courses on radio, audio and podcasting, media production and digital media. Additionally, this book will be an invaluable companion to existing radio professionals as a resource-book for their professional development.
Carrie's Dance School (Read It Yourself)
by LadybirdTwo stories that build on the phonics learnt in previous steps and focus on different pronunciations of familiar letter combinations.Carrie's Dance School is from Beginner Reader Level 0 and is ideal for children aged from 3+ who are developing their phonics and early reading skills.Each book has been carefully checked by educational and subject consultants and includes comprehension puzzles, book band information, and tips for helping children with their reading.With five levels to take children from first phonics to fluent reading and a wide range of different stories and topics for every interest, Read It Yourself helps children build their confidence and begin reading for pleasure.