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The Captain of Köpenick (Oberon Modern Plays)
by Ron Hutchinson Carl Zuckmayer‘I used to think all the trouble in the world was caused by people giving orders. Now I reckon that it’s people being so willing to take them.’ Released after fifteen years in prison, trapped in a bureaucratic maze, petty criminal Wilhelm Voight wanders 1910 Berlin in desperate, hazardous pursuit of identity papers. Luck changes when he picks up an abandoned military uniform in a fancy-dress shop and finds the city ready to obey his every command. At the head of six soldiers, he marches to the Mayor’s office, cites corruption and confiscates the treasury with ease. But still what he craves is official recognition that he exists.A nation heads blindly towards war as the misfit takes on thestate in Ron Hutchinson’s savagely funny new version of Carl Zuckmayer’s The Captain of Köpenick, first staged in Germany in 1931.
Captain Amazing (Modern Plays)
by Alistair McDowallMy dad is a superhero. No one else knows 'cos it has to stay a secret.Alistair McDowall's play is a funny and poignant one-man show that thrusts us into the life of Britain's only part-time superhero. Struggling to balance his family responsibilities and more conventional job with defeating super-villains and rescuing families from burning buildings, Captain Amazing represents how all parents strive to be heroes in the eyes of their children. Discover this man's origins, his family life, and how even the invincible aren't immune to tragedy.Captain Amazing received its world premiere at the Edinburgh Festival Fringe 2013, starring Mark Weinman, and directed by Clive Judd. It was revived for a national tour from March 2014.'[He] is the kind of man you wouldn't look twice at in the street: balding; stooped; tentative. He's skating over the surface of life, marking time with his job at B&Q, barely acquiring possessions, not speaking to his alcoholic father. And then he meets a woman who does look twice at him; who gives birth to their daughter, Emily, and suddenly Emily is convinced that her beloved father is a superhero.' Daily Telegraph
Captain Amazing: Brilliant Adventures; Captain Amazing; Talk Show; Pomona (Modern Plays)
by Alistair McDowallMy dad is a superhero. No one else knows 'cos it has to stay a secret.Alistair McDowall's play is a funny and poignant one-man show that thrusts us into the life of Britain's only part-time superhero. Struggling to balance his family responsibilities and more conventional job with defeating super-villains and rescuing families from burning buildings, Captain Amazing represents how all parents strive to be heroes in the eyes of their children. Discover this man's origins, his family life, and how even the invincible aren't immune to tragedy.Captain Amazing received its world premiere at the Edinburgh Festival Fringe 2013, starring Mark Weinman, and directed by Clive Judd. It was revived for a national tour from March 2014.'[He] is the kind of man you wouldn't look twice at in the street: balding; stooped; tentative. He's skating over the surface of life, marking time with his job at B&Q, barely acquiring possessions, not speaking to his alcoholic father. And then he meets a woman who does look twice at him; who gives birth to their daughter, Emily, and suddenly Emily is convinced that her beloved father is a superhero.' Daily Telegraph
Cape Fear (Devil's Advocates)
by Rob DanielMartin Scorsese’s Cape Fear (1991) opens with a shot of water and climaxes on a raging river. Despite, or perhaps because of, the film’s great commercial success, critical analysis of the film typically does not delve beneath the surface of Scorsese’s first major box office hit. As it reaches its 30th anniversary, Cape Fear is now ripe for a full appraisal. The remake of J. Lee Thompson’s 1962 Cape Fear was originally conceived as a straightforward thriller intended for Steven Spielberg. Author Rob Daniel investigates the fascinating ways Scorsese’s style and preoccupations transform his version into a horror epic. The director’s love of fear cinema, his Catholicism and filmmaking techniques shift Cape Fear into terrifying psychological and psychosexual waters. The analysis also examines the influence of Gothic literature and fairy tales, plus how academic approaches to genre aid an understanding of the film.
Cape Fear (Devil's Advocates)
by Rob DanielMartin Scorsese’s Cape Fear (1991) opens with a shot of water and climaxes on a raging river. Despite, or perhaps because of, the film’s great commercial success, critical analysis of the film typically does not delve beneath the surface of Scorsese’s first major box office hit. As it reaches its 30th anniversary, Cape Fear is now ripe for a full appraisal. The remake of J. Lee Thompson’s 1962 Cape Fear was originally conceived as a straightforward thriller intended for Steven Spielberg. Author Rob Daniel investigates the fascinating ways Scorsese’s style and preoccupations transform his version into a horror epic. The director’s love of fear cinema, his Catholicism and filmmaking techniques shift Cape Fear into terrifying psychological and psychosexual waters. The analysis also examines the influence of Gothic literature and fairy tales, plus how academic approaches to genre aid an understanding of the film.
The Canterbury Puzzles
by Henry DudeneyFor the mastermind who has what it takes to solve the tricky conundrums from Britain's first and greatest puzzle master.---------------------------------------Solve the puzzle of The Mystery of Ravensdene Park . . . trace the route of the butler, the gamekeeper and the two anonymous guests and the key to the mystery will reveal itself.---------------------------------------Decipher the riddle of The Frogs' Ring for The Merry Monks of Riddlewell . . . ---------------------------------------At The Squire's Christmas Puzzle Party ascertain just how many kisses had been given Under the Mistletoe Bough . . . ---------------------------------------First published in 1907, Dudeney's The Canterbury Puzzles is a classic of the genre, based on characters from Chaucer's Tales. The book contains 114 puzzles suitable for young enthusiasts, recreational mathematicians and veteran puzzlers alike. As challenging today as it was over a century ago, this ingenious book will provide hours-worth of puzzles to keep your brain alert."Regular exercise is supposed to be as necessary for the brain as for the body. Many of us are very apt to suffer from mental cobwebs, and there is nothing equal to the solving of puzzles for sweeping them away." - Henry Dudeney (1847-1930)
Can't Stand Up For Falling Down: Rock'n'Roll War Stories
by Allan JonesAllan Jones launched Uncut magazine in 1997 and for 15 years wrote a popular monthly column called Stop Me If You've Heard This One Before, based on his experiences as a music journalist in the 70s and 80s, a gilded time for the music press. By turns hilarious, cautionary, poignant and powerful, the Stop Me...stories collected here include encounters with some of rock's most iconic stars, including David Bowie, Lou Reed, Leonard Cohen, Van Morrison, Neil Young, Elvis Costello, The Sex Pistols, The Clash, The Smiths, R.E.M. and Pearl Jam. From backstage brawls and drug blow-outs, to riots, superstar punch-ups, hotel room confessionals and tour bus lunacy, these are stories from the madness of a music scene now long gone.
Can't Stand Up For Falling Down: Rock'n'Roll War Stories
by Allan JonesAllan Jones launched Uncut magazine in 1997 and for 15 years wrote a popular monthly column called Stop Me If You've Heard This One Before, based on his experiences as a music journalist in the 70s and 80s, a gilded time for the music press. By turns hilarious, cautionary, poignant and powerful, the Stop Me...stories collected here include encounters with some of rock's most iconic stars, including David Bowie, Lou Reed, Leonard Cohen, Van Morrison, Neil Young, Elvis Costello, The Sex Pistols, The Clash, The Smiths, R.E.M. and Pearl Jam. From backstage brawls and drug blow-outs, to riots, superstar punch-ups, hotel room confessionals and tour bus lunacy, these are stories from the madness of a music scene now long gone.
Can't Be Satisfied: The Life and Times of Muddy Waters
by Robert GordonCan't Be Satisfied is that rare thing in musical biographies: a book that maps out not just a single, extraordinary life but the cultural forces that shaped it' Sean O'Hagan, Observer Muddy Waters was the greatest blues musician ever, and the most influential. He invented electric blues, inspired the Rolling Stones and created the template for the rock 'n' roll band and its wild lifestyle. Robert Gordon's definitive biography vividly chronicles the extraordinary life and personality of the musical legend who changed the course of modern popular music.
Cannibalism in Literature and Film
by J. BrownA comprehensive study of cannibalism in literature and film, spanning colonial fiction, Gothic texts and contemporary American horror. Amidst the sharp teeth and horrific appetite of the cannibal, this book examines real fears of over-consumerism and consumption that trouble an ever-growing modern world.
Cannibal Holocaust (Devil's Advocates)
by Calum WaddellCannibal Holocaust is one of the most controversial horror films ever made. Despite not achieving huge success when it was first released, the Italian production found an audience on home video in the 1980s and became a 'must-see' for connoisseurs of extreme cinema. Indeed, Cannibal Holocaust's foremost legacy is in the United Kingdom, where it obtained its reputation as one of the most harrowing and offensive 'video nasties' – a term used to refer to a group of films deemed to be 'obscene' by the Department of Public Prosecutions. However, as the years have progressed, Cannibal Holocaust has been re-evaluated, mainly as the forefather of the 'found footage' film, and recent home video re-releases have added some valuable perspective to the onscreen violence with extensive cast and crew interviews. What is missing from this contemporary activity is contextualization of Cannibal Holocaust's style, affirmation and discussion of its locations and any extensive discourse about its representation of third world inhabitants (i.e. as 'primitives'). In addition, and also amiss from previous dialogue on the production, is that Cannibal Holocaust can be seen as one of the key post-Vietnam films. It is the spectre of war – and an explicit warning about Western involvement in civil conflict – which progresses Deodato's story of jungle adventurers in peril. By approaching the film from a more formalist position, this Devil's Advocate provides an insightful discussion of this groundbreaking film.
Cane Toads and Other Rogue Species: Participant Second Book Project
by Participant Productions edited by Karl WeberWhat does an unusually large, ugly, invasive species of toad have to do with global warming, international trade, and the survival of biodiversity? Quite a lot, actually. Mark Lewis's amazing and hilarious documentary Cane Toads tells the story of Bufo marinus, which was introduced to Australia in 1935 to control bugs but which quickly became a far greater menace than the beetles they eat. Today they number in the hundreds of millions and are taking over Australian habitats at 25 miles per year, spreading disease and killing native species as they go.Rogue Species explains the little-understood dangers of invasive species. Ranging from the zebra mussel (currently threatening the health of the Great Lakes) to the infamous kudzu vine (a Japanese import that now smothers seven million acres in the American southeast), these disastrous human blunders threaten the biodiversity on which all life-including our own-depends. The book will raise readers' awareness about the threat of non-native species, increase their appreciation of natural biodiversity, and explain what they can do to help protect unique ecosystems wherever they live or travel.
Candyman (Devil's Advocates)
by Jon TowlsonWhen Candyman was released in 1992, Roger Ebert gave it his thumbs up, remarking that the film was “scaring him with ideas and gore, rather than just gore.” Indeed, Candyman is almost unique in 1990s horror cinema in that it tackles its sociopolitical themes head on. As critic Kirsten Moana Thompson has remarked, Candyman is "the return of the repressed as national allegory": the film’s hook-handed killer of urban legend embodies a history of racism, miscegenation, lynching, and slavery, "the taboo secrets of America’s past and present."In this book, Jon Towlson considers how Candyman might be read both as a "return of the repressed" during the George H. W. Bush era, and as an example of nineties neoconservative horror. He traces the project’s development from its origins as a Clive Barker short story ("The Forbidden"); discusses the importance of its gritty real-life Cabrini-Green setting; and analyzes the film’s appropriation (and interrogation) of urban myth. The two official sequels (Candyman: Farewell to the Flesh [1995] and Candyman: Day of the Dead [1999]) are also considered, plus a number of other urban myth-inspired horror movies such as Bloody Mary (2006) and films in the Urban Legend franchise. The book features an in-depth interview with Candyman’s writer-director Bernard Rose.
Candyman (Devil's Advocates)
by Jon TowlsonWhen Candyman was released in 1992, Roger Ebert gave it his thumbs up, remarking that the film was “scaring him with ideas and gore, rather than just gore.” Indeed, Candyman is almost unique in 1990s horror cinema in that it tackles its sociopolitical themes head on. As critic Kirsten Moana Thompson has remarked, Candyman is "the return of the repressed as national allegory": the film’s hook-handed killer of urban legend embodies a history of racism, miscegenation, lynching, and slavery, "the taboo secrets of America’s past and present."In this book, Jon Towlson considers how Candyman might be read both as a "return of the repressed" during the George H. W. Bush era, and as an example of nineties neoconservative horror. He traces the project’s development from its origins as a Clive Barker short story ("The Forbidden"); discusses the importance of its gritty real-life Cabrini-Green setting; and analyzes the film’s appropriation (and interrogation) of urban myth. The two official sequels (Candyman: Farewell to the Flesh [1995] and Candyman: Day of the Dead [1999]) are also considered, plus a number of other urban myth-inspired horror movies such as Bloody Mary (2006) and films in the Urban Legend franchise. The book features an in-depth interview with Candyman’s writer-director Bernard Rose.
Cancer on Five Dollars a Day (chemo not included): How Humor Got Me Through the Toughest Journey of My Life
by Robert SchimmelIn the spring of 2000, stand-up comedian Robert Schimmel was diagnosed with stage III non-Hodgkin's lymphoma, and soon the fire of his white-hot career started to fizzle.But Schimmel never lost his sense of humor, his searing honesty, and most of all, his passion to make people laugh. Indeed, it was his basic need to entertain-even if the only people around him were suffering from cancer and the room he was playing was the Mayo Clinic infusion center-that carried him through his ordeal.Alternately laugh-out-loud funny and deeply moving, Cancer on 5 a Day is a stirring account of how one man's face-off with a deadly disease helped him better understand himself, and ultimately changed his life.
Canadian Cultural Policy in Transition (Routledge Studies in Media and Cultural Industries)
by Devin BeauregardThis book offers a comprehensive overview of Canadian cultural policy and research, at a time of transition and redefinition, to establish a dialogue between conventional and emerging foundations. Taking a historical view, the book informs insights on current trends in policy and explores global debates underpinning cultural policy studies within a local context. The book first acknowledges what Canadian cultural policy research conventionally recognizes and refers to in terms of institutions, values, and debates, before moving on to take stock of the transformations that are continuing to reshape Canadian cultural policy in terms of values, orientations, actors, and institutions. With a focus on all levels of government-- federal, provincial, and local -- the book also centers on Indigenous arts policies and practices. This systematic and inclusive volume will appeal to academic researchers, graduate students, managers of arts and culture programs and institutions, and in the areas of cultural policy, public administration, political science, cultural studies, film and media studies, theatre and performance, and museum studies.
Canadian Cultural Policy in Transition (Routledge Studies in Media and Cultural Industries)
by Devin Beauregard Jonathan PaquetteThis book offers a comprehensive overview of Canadian cultural policy and research, at a time of transition and redefinition, to establish a dialogue between conventional and emerging foundations. Taking a historical view, the book informs insights on current trends in policy and explores global debates underpinning cultural policy studies within a local context. The book first acknowledges what Canadian cultural policy research conventionally recognizes and refers to in terms of institutions, values, and debates, before moving on to take stock of the transformations that are continuing to reshape Canadian cultural policy in terms of values, orientations, actors, and institutions. With a focus on all levels of government-- federal, provincial, and local -- the book also centers on Indigenous arts policies and practices. This systematic and inclusive volume will appeal to academic researchers, graduate students, managers of arts and culture programs and institutions, and in the areas of cultural policy, public administration, political science, cultural studies, film and media studies, theatre and performance, and museum studies.
Can You Make This Thing Go Faster?
by Jeremy ClarksonThe hilarious new collection of stories and observations from Jeremy Clarkson - setting our off-kilter world to rights with thigh-slapping wit once againThese days, you might know him better as a tractor-driving Gentleman Farmer, but Jeremy Clarkson wasn't always a horny-handed son of the soil.Not at all . . .Back in the day Jeremy was far more likely to be found gunning around the world in a haze of burnt rubber and petrol fumes. But life as a globe-trotting petrol-head also meant he was forced endure more than his fair share of foolishness, frustration and downright bafflement. And, while Jeremy may not a patient man, you have to ask why anyone should have to consider issues as diverse and perplexing as:·The downsides of relaxing in a bath of crude oil·Why fishing is for people who hate their kids·Whether there are noise-cancelling headphones with the power to silence James May·Why saving the planet means soggy paper straws and no more children·What to do about the rambler who stole his marrowBut as puzzling and exasperating as life on the road often seemed to be, you could always count on Jeremy to set the world to rights with a rare wit and unique understanding. And at full throttle. Just don't expect it to all go smoothly . . .Praise for Clarkson:'Brilliant . . . laugh-out-loud' Daily Telegraph 'Outrageously funny . . . will have you in stitches' Time Out'Very funny . . . I cracked up laughing on the tube' Evening Standard
Can We Still Trust the BBC?
by Robin AitkenThe scandals that have rocked the BBC have touched the corporation from top to bottom. As the revelations about Jimmy Savile unfold and shock the nation, people may reasonably ask what possible trust they can have in this incomparable national institution, once the embodiment of truth and moral excellence.This book asks a big question: can we still trust the BBC? Drawing on his earlier book, Can We Trust the BBC?, Robin Aitken, a BBC reporter and executive for 25 years, argues that these most recent controversies are rooted in longstanding lapses and shortcomings in the BBC's doctrine of impartiality. In the wake of the Jimmy Savile scandal, he considers how 'public sector broadcasting' can survive now that public trust in the BBC has been jeopardized. This book blends analysis and sharp polemic to paint a vivid picture of life inside the news machine, as well as the Light Entertainment department, giving the reader unique insight into the context in which the scandals revealed in 2012 unfolded.Everything Robin Aitken prophesised in his original book has come true. His analysis at least is to be trusted.
Can Anyone Hear Me?: Testing Times With Test Match Special On Tour
by Peter BaxterFor 34 years from 1973 Peter Baxter was BBC producer of the hugely popular Test Match Special, and during that time he reported on Test matches from around the world. This funny and revealing book takes us behind the scenes as Baxter and his much-loved TMS colleagues do battle with local conditions and sometimes bizarre red tape to bring back home the latest news of England's progress (or otherwise) on the field. It should have been straightforward, but somehow it rarely was...
Campus Cinephilia in Neoliberal South Korea: A Different Kind of Fun (East Asian Popular Culture)
by Josie Jung SohnTaking a transnational approach to the study of film culture, this book draws on ethnographic fieldwork in a South Korean university film club to explore a cosmopolitan cinephile subculture that thrived in an ironic unevenness between the highly nationalistic mood of commercial film culture and the intense neoliberal milieu of the 2000s. As these time-poor students devoted themselves to the study of film that is unlikely to help them in the job market, they experienced what a student described as ‘a different kind of fun’, while they appreciated their voracious consumption of international art films as a very private matter at a time of unprecedented boom in the domestic film industry. This unexpectedly vibrant cosmopolitan subculture of student cinephiles in neoliberal South Korea makes the nation’s film culture more complex and interesting than a simple nationalistic affair.
Camp TV of the 1960s: Reassessing the Vast Wasteland
by Isabel C. Pinedo and W. D. PhillipsCamp TV of the 1960s offers a comprehensive understanding of all of the many forms camp TV took during that critical decade. In reevaluating the history of camp on television, the authors reconsider the infantilized conceptualization of sixties television, which has generally been characterized as the creative and cultural ebb between the 1950s Golden Age of television and the networks' shift to "relevance" in the early 1970s. Encompassing contributions from a broad range of media and television scholars that (re)consider programs like Batman, The Monkees, The Addams Family, Bewitched, F Troop, The Beverly Hillbillies, and Rowan & Martin's Laugh-In, chapters closely examine beloved 1960s American prime-time programs that drew significantly on aspects of camp, many of which were widely syndicated and left continuing imprints on popular culture. Other chapters consider key TV precursors from the early sixties; British camp television programs such as The Avengers; the use of musical codes to convey camp humor (even on black-and-white sets); the role that the viewing strategies of queer communities played - and continued to play even decades later; and how camp's multivalence allowed for more conservative readings, especially among older audiences, which were critical for the move to "mass camp" throughout American culture by the early seventies. Camp TV of the 1960s is essential reading for students and scholars in television studies and others interested in the history and theory of camp, the 1960s, or popular culture, as well as fans of these well-known but generally understudied television programs.
Camp TV of the 1960s: Reassessing the Vast Wasteland
Camp TV of the 1960s offers a comprehensive understanding of all of the many forms camp TV took during that critical decade. In reevaluating the history of camp on television, the authors reconsider the infantilized conceptualization of sixties television, which has generally been characterized as the creative and cultural ebb between the 1950s Golden Age of television and the networks' shift to "relevance" in the early 1970s. Encompassing contributions from a broad range of media and television scholars that (re)consider programs like Batman, The Monkees, The Addams Family, Bewitched, F Troop, The Beverly Hillbillies, and Rowan & Martin's Laugh-In, chapters closely examine beloved 1960s American prime-time programs that drew significantly on aspects of camp, many of which were widely syndicated and left continuing imprints on popular culture. Other chapters consider key TV precursors from the early sixties; British camp television programs such as The Avengers; the use of musical codes to convey camp humor (even on black-and-white sets); the role that the viewing strategies of queer communities played - and continued to play even decades later; and how camp's multivalence allowed for more conservative readings, especially among older audiences, which were critical for the move to "mass camp" throughout American culture by the early seventies. Camp TV of the 1960s is essential reading for students and scholars in television studies and others interested in the history and theory of camp, the 1960s, or popular culture, as well as fans of these well-known but generally understudied television programs.
Camp Siegfried
by Bess WohlI'm a killer I told youI told you that all alongYou were the dummy to believeI could ever be anything elseTwo teenagers fall in love on Long Island. There's fun and dancing, sports and team spirit, there's the woods and beer and physical hard work. But it's 1938, the world is on the brink of war, and their wholesome summer camp is exclusively for American youth of German descent. As their mutual attraction deepens, so they become intoxicated by the Nazi ideology that fuels the camp, an ideology that will culminate in global atrocity and genocide.Inspired by the real Camp Siegfried, Bess Wohl's play premiered at the Old Vic Theatre, London, in September 2021.
Camp David
by David WalliamsBritain's Got Talent is BACK . . . so it's time to get serious with Britain's favourite funny man.Famous comedian and actor, funniest judge on Britain's Got Talent, high-achieving sportsman and BESTSELLING AUTHOR of The World's Worst Children series, David Walliams is a man of many talents . . . Launched to fame with the record-breaking Little Britain, his characters - Lou, Florence, Emily, amongst others - became embedded in our shared popular culture. You couldn't enter a playground for a long while without hearing "eh, eh, eh" or "computer says no".And Walliams is a mystery. Often described as a bundle of contradictions, he is disarming and enigmatic, playing up his campness one minute and hinting about his depression the next.To read Camp David is to be truly shocked, as well as tickled pink: David Walliams bares his soul like never before and reveals a fascinating and complex mind. This searingly honest autobiography is a true roller-coaster ride of emotions, as this nation's sweetheart unlocks closely guarded secrets that until now have remained hidden in his past.'Will surprise, entertain, and allow fans and newcomers to enter the comic's uniquely brilliant world' GQ Magazine 'Raucously funny and superbly written' Heat 'Hilarious' Telegraph 'A great read. My only criticism is it ended too soon' The Sun 'A fascinating read' Star Magazine 'Brilliantly written' Express 'Fascinating stuff' Closer 'Uproariously great' Guardian