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The VES Handbook of Virtual Production
by Susan Zwerman Jeffrey A. Okun Susan Thurmond O’NealThe VES Handbook of Virtual Production is a comprehensive guide to everything about virtual production available today – from pre-production to digital character creation, building a stage, choosing LED panels, setting up Volume Control, in-camera compositing of live action and CG elements, Virtual Art Departments, Virtual Previs and scouting, best practices and much more.Current and forward-looking, this book covers everything one may need to know to execute a successful virtual production project – including when it is best to use virtual production and when it is not. More than 80 industry leaders in all fields of virtual production share their knowledge, experiences, techniques, and best practices. The text also features charts, technical drawings, color images, and an extensive glossary of virtual production terms.The VES Handbook of Virtual Production is a vital resource for anyone wishing to gain essential knowledge in all aspects of virtual production. This is a must-have book for both aspiring and veteran professionals. It has been carefully compiled by the editors of The VES Handbook of Visual Effects.
Tissues, Cultures, Art (Palgrave BioArt)
by Ionat Zurr Oron CattsTissues, Cultures, Art narrates the twenty-five years of collaborative and sometimes provocative artistic practice and scholarly thought of Catts & Zurr, who pioneered the use of regenerative biology techniques to create Semi-Living art using living cells, tissues, and technological surrogate bodies. Through hands-on work in biological laboratories, the authors researched concepts such as partial-life and DNA-Chauvinism and explored the fantasies of living in a technologically mediated victimless utopia. The authors delve into life’s resistance to reductionism, systemisation and control, asking whether there is something unique to life without the need to resort to metaphysics. Their practices reach beyond the confines of art and are often cited as precursors to the cellular agriculture and biofabrication industries. Through a hybrid of personal reflections, poetics, and anecdotes with a more rigorous, scholarly approach – all illustrated with artworks - the authors present a critical view on the use of life as a raw material for human manipulation.
The Language of Balinese Shadow Theater
by Mary Sabine ZurbuchenBali's shadow puppet theater, like others in Southeast Asia, is a complex tradition with many conventions that puzzle Western observers. Mary Zurbuchen demonstrates how the linguistic codes of this rich art form mediate between social groups, cultural influences, historical periods, and conceptual schemes.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Visual Sociology: Practices and Politics in Contested Spaces (Routledge Advances In Sociology Ser. #91)
by Dennis Zuev Gary BratchfordThis book provides a user-friendly guide to the expanding scope of visual sociology, through a discussion of a broad range of visual material, and reflections on how such material can be studied sociologically. The chapters draw on specific case-study examples that examine the complexity of the hyper-visual social world we live in, exploring three domains of the ‘relational image’: the urban, social media, and the aerial. Zuev and Bratchford tackle issues such as visual politics and surveillance, practices of visual production and visibility, analysing the changing nature of the visual. They review a range of methods which can be used by researchers in the social sciences, utilising new media and their visual interfaces, while also assessing the changing nature of visuality. This concise overview will be of use to students and researchers aiming to adopt visual methods and theories in their own subject areas such as sociology, visual culture and related courses in photography, new-media and visual studies.
Beyond the Best Dressed: A Cultural History of the Most Glamorous, Radical, and Scandalous Oscar Fashion
by Esther ZuckermanExplore two dozen of the most glamorous, scandalous, and history-making Oscar looks in Beyond the Best Dressed, film and culture critic Esther Zuckerman's personality-filled romp through red carpet fashion, complete with original fashion drawings from illustrator Montana Forbes. From the show-stoppingly elegant (Halle Berry winning the award for Monster&’s Ball in a breathtaking Elie Saab) to the decidedly kooky (Adam Rippon in a formal harness), the Academy Awards Telecast is one of the few nights of the year devoted entirely to glamor (in all its forms). Even in the age of streaming, millions upon millions of people sit down at the same time, turn on their televisions, and watch celebrities strut down the red carpet (and, sure, win some awards). Now fans can relive the glamor, drama, and lasting legacy of some of the most influential outfits from more than ninety years of the Oscar in Beyond the Best Dressed: A Cultural History of the Most Glamorous, Radical, and Scandalous Oscar Fashion. In twenty-five essays, culture writer Esther Zuckerman explores the iconic fashion choices that made history on the most elegant stage of all, and analyzes the cultural impact of wardrobe decisions both absurd and wonderful. Beginning with Hattie McDaniel&’s historic and trendsetting turquoise gown in 1940 (worn at a table segregated from her white agent), Zuckerman goes beyond the &“best of&” lists to shine a deserved spotlight on the truly unforgettable outfits–and deciphers what those outfits represented.Beyond the Best Dressed is a first-of-its-kind commemoration of Oscar fashion that perfectly captures the glitz and the glamor for anyone who has ever been to an Oscar watch party (or texted their friends while they watched alone). Fully illustrated with whimsical fashion drawings of the outfits–including Michelle Williams' golden Versace, Sharon Stone's iconic Gap t-shirt, and Rita Moreno's groundbreaking dress worn in both 1962 and 2018–this book is a joyful and vivid odyssey that doesn&’t stop at the hem of the dress, delving deeper into the cultural effect of these fashion flash points with research and original reporting.
A Field Guide to Internet Boyfriends: Meme-Worthy Celebrity Crushes from A to Z
by Esther ZuckermanFrom Keanu Reeves and Idris Elba to Timothe Chalamet, A Field Guide to Internet Boyfriends is the ultimate celebration of the suave, sexy, sensitive, and silly celebrities who have captured our hearts and memes! Handsome and heartfelt, with winning smiles and pinnable Tweets -- this is what Internet Boyfriends are made of. But who are these meme-able men, and what makes them catch fire online? Discover the answers to these questions and more in A Field Guide to Internet Boyfriends, an interactive exploration of our collective crushes. Entertainment journalist Esther Zuckerman breaks down the world of Internet Boyfriends -- and even a few Internet Girlfriends -- from documentary-style "spotting guides" to discussions on the key categories of boyfriend, like Sensitive Souls, Beautiful Boys and Daddys. A playful, teen magazine-style quiz -- to help readers find their ideal crush -- and in-depth profiles of some of the most beloved Internet Boyfriends and Girlfriends, from Ryan Gosling (the original) to Harry Styles (the Gen Z icon) to Janelle Monae (the space queen), round out this fully-illustrated romp through the celebs behind the memes.
Figures of Light: Actors and Directors Illuminate the Art of Film Acting (PDF)
by Carole ZuckerFigures of Light Actors and Directors Illuminate the Art of Film Acting
In the Company of Actors: Reflections on the Craft of Acting
by Carole ZuckerIn the Company of Actors is a wonderful ensemble of entertaining and illuminating discussions with sixteen of the most celebrated and prestigious actors in contemporary theatre, film and television. The impressive list of actors includes: Eileen Atkins, Alan Bates, Simon Callow, Judi Dench, Brenda Fricker, Nigel Hawthorne, Jane Lapotaire, Janet McTeer, Ian Richardson, Miranda Richardson, Stephen Rea, Fiona Shaw, Anthony Sher, Janet Suzman, David Suchet, and Penelope Wilton. Carole Zucker covers a wide range of topics including the actors' main childhood influences, their actor training, early acting experience, preparation for roles and sound advice for coping with actors' problems such as creative differences with other actors or directors.
In the Company of Actors: Reflections on the Craft of Acting (Stage And Costume Ser.)
by Carole ZuckerIn the Company of Actors is a wonderful ensemble of entertaining and illuminating discussions with sixteen of the most celebrated and prestigious actors in contemporary theatre, film and television. The impressive list of actors includes: Eileen Atkins, Alan Bates, Simon Callow, Judi Dench, Brenda Fricker, Nigel Hawthorne, Jane Lapotaire, Janet McTeer, Ian Richardson, Miranda Richardson, Stephen Rea, Fiona Shaw, Anthony Sher, Janet Suzman, David Suchet, and Penelope Wilton. Carole Zucker covers a wide range of topics including the actors' main childhood influences, their actor training, early acting experience, preparation for roles and sound advice for coping with actors' problems such as creative differences with other actors or directors.
The Cinematic Superhero as Social Practice
by Joseph Zornado Sara ReillyThis book analyzes the cinematic superhero as social practice. The study’s critical context brings together psychoanalysis and restorative and reflective nostalgia as a way of understanding the ideological function of superhero fantasy. It explores the origins of cinematic superhero fantasy from antecedents in myth and religion, to twentieth-century comic book, to the cinematic breakthrough with Superman (1978). The authors then focus on Spider-Man as reflective response to Superman’s restorative nostalgia, and read MCU’s overarching narrative from Iron Man to End Game in terms of the concurrent social, political, and environmental conditions as a world in crisis. Zornado and Reilly take up Wonder Woman and Black Panther as self-conscious attempts to reflect on gender and race in restorative superhero fantasy, and explore Christopher Nolan’s Dark Knight trilogy as a meditation on the need for authoritarian fascism. The book concludes with Logan, Wonder Woman 1984, and Amazon Prime’s The Boys as distinctly reflective fantasy narratives critical of the superhero fantasy phenomenon.
Disney and the Dialectic of Desire
by Joseph ZornadoThis book analyzes Walt Disney's impact on entertainment, new media, and consumer culture in terms of a materialist, psychoanalytic approach to fantasy. The study opens with a taxonomy of narrative fantasy along with a discussion of fantasy as a key concept within psychoanalytic discourse. Zornado reads Disney's full-length animated features of the "golden era" as symbolic responses to cultural and personal catastrophe, and presents Disneyland as a monument to Disney fantasy and one man's singular, perverse desire. What follows after is a discussion of the "second golden age" of Disney and the rise of Pixar Animation as neoliberal nostalgia in crisis. The study ends with a reading of George Lucas as latter-day Disney and Star Wars as Disney fantasy. This study should appeal to film and media studies college undergraduates, graduates students and scholars interested in Disney.
Disney and the Dialectic of Desire: Fantasy as Social Practice (PDF)
by Joseph ZornadoThis book analyzes Walt Disney’s impact on entertainment, new media, and consumer culture in terms of a materialist, psychoanalytic approach to fantasy. The study opens with a taxonomy of narrative fantasy along with a discussion of fantasy as a key concept within psychoanalytic discourse. Zornado reads Disney’s full-length animated features of the “golden era” as symbolic responses to cultural and personal catastrophe, and presents Disneyland as a monument to Disney fantasy and one man’s singular, perverse desire. What follows after is a discussion of the “second golden age” of Disney and the rise of Pixar Animation as neoliberal nostalgia in crisis. The study ends with a reading of George Lucas as latter-day Disney and Star Wars as Disney fantasy. This study should appeal to film and media studies college undergraduates, graduates students and scholars interested in Disney.
Color By Fox: The Fox Network And The Revolution In Black Television
by Kristal Brent ZookFollowing the overwhelming success of "The Cosby Show" in the 1980s, an unprecedented shift took place in television history: white executives turned to black dollars as a way of salvaging network profits lost in the war against video cassettes and cable T.V. Not only were African-American viewers watching disproportionately more network television than the general population but, as Nielsen finally realized, they preferred black shows. As a result, African-American producers, writers, directors, and stars were given an unusual degree of creative control over shows such as "The Fresh Prince of Bel Air," "Roc," "Living Single," and "New York Undercover". What emerged were radical representations of African-American memory and experience. Offering a fascinating examination of the explosion of black television programming in the 1980s and 1990s, this book provides, for the first time ever, an interpretation of black TV based in both journalism and critical theory. Locating a persistent black nationalist desire--a yearning for home and community--in the shows produced by and for African-Americans in this period, Kristal Brent Zook shows how the Fox hip-hop sitcom both reinforced and rebelled against earlier black sitcoms from the sixties and seventies. Incorporating interviews with such prominent executives, producers, and stars as Keenen Ivory Wayans, Sinbad, Quincy Jones, Robert Townsend, Charles Dutton, Yvette Lee Bowser, and Ralph Farquhar, this study looks at both production and reception among African-American viewers, providing nuanced readings of the shows themselves as well as the sociopolitical contexts in which they emerged. While black TV during this period may seem trivial or buffoonish to some, Color by Fox reveals its deep-rooted ties to African-American protest literature and autobiography, and a desire for social transformation.
Comedy at the Edge: How Stand-up in the 1970s Changed America
by Richard ZoglinWhen Lenny Bruce overdosed in 1966, he left behind an impressive legacy of edgy, politically charged comedy. Four short years later, a new breed of comic, inspired by Bruce's artistic fearlessness, made telling jokes an art form, forever putting to rest the stereotype of the one-liner borscht belt set. During the 1970s, a small group of brilliant, iconoclastic comedians, led by George Carlin, Richard Pryor, and Robert Klein, tore through the country and became as big as rock stars in an era when Saturday Night Live and SCTV were the apotheosis of cool, and the Improv and Catch a Rising Star were the hottest clubs around. That a new wave of innovative comedians, like Steve Martin, Albert Brooks, Robin Williams, and Andy Kauffman followed closely behind only cemented comedy's place as one of the most important art forms of the decade. In Comedy at the Edge, Richard Zoglin explores in depth this ten-year period when comedians stood, with microphone in hand, at the white-hot center of popular culture, stretching the boundaries of the genre, fighting obscenity laws, and becoming the collective voices of their generation. In the process, they revolutionized an art form. Based on extensive interviews with club owners, booking agents, groupies, and the players themselves, Zoglin traces the decade's tumultuous arc in this no-holds barred, behind-the-scenes look at one of the most influential decades in American popular culture.
Enjoy Your Symptom!: Jacques Lacan in Hollywood and Out
by Slavoj ZizekThe title is just the first of many startling asides, observations and insights that fill this guide to Hollywood on the Lacanian psychoanalyst’s couch. Zizek introduces the ideas of Jacques Lacan through the medium of American film, taking his examples from over 100 years of cinema, from Charlie Chaplin to The Matrix and referencing along the way such figures as Lenin and Hegel, Michel Foucault and Jesus Christ. Enjoy Your Symptom! is a thrilling guide to cinema and psychoanalysis from a thinker who is perhaps the last standing giant of cultural theory in the twenty-first century.
Enjoy Your Symptom!: Jacques Lacan in Hollywood and Out
by Slavoj ZizekThe title is just the first of many startling asides, observations and insights that fill this guide to Hollywood on the Lacanian psychoanalyst’s couch. Zizek introduces the ideas of Jacques Lacan through the medium of American film, taking his examples from over 100 years of cinema, from Charlie Chaplin to The Matrix and referencing along the way such figures as Lenin and Hegel, Michel Foucault and Jesus Christ. Enjoy Your Symptom! is a thrilling guide to cinema and psychoanalysis from a thinker who is perhaps the last standing giant of cultural theory in the twenty-first century.
Political Performance in Syria: From the Six-Day War to the Syrian Uprising (Studies in International Performance)
by Edward ZiterPolitical Performance in Syria, charts the history of a theatre that has sought the expansion of civil society and imagined alternate political realities. In doing so, the manuscript situates the current use of performance and theatre by artists of the Syrian Revolution within a long history of political contestation.
Fairy-Tale Films Beyond Disney: International Perspectives
by Jack Zipes Pauline Greenhill Kendra Magnus-JohnstonThe fairy tale has become one of the dominant cultural forms and genres internationally, thanks in large part to its many manifestations on screen. Yet the history and relevance of the fairy-tale film have largely been neglected. In this follow-up to Jack Zipes’s award-winning book The Enchanted Screen (2011), Fairy-Tale Films Beyond Disney offers the first book-length multinational, multidisciplinary exploration of fairy-tale cinema. Bringing together twenty-three of the world’s top fairy-tale scholars to analyze the enormous scope of these films, Zipes and colleagues Pauline Greenhill and Kendra Magnus-Johnston present perspectives on film from every part of the globe, from Hayao Miyazaki’s Spirited Away, to Jan Švankmajer’s Alice, to the transnational adaptations of 1001 Nights and Hans Christian Andersen. Contributors explore filmic traditions in each area not only from their different cultural backgrounds, but from a range of academic fields, including criminal justice studies, education, film studies, folkloristics, gender studies, and literary studies. Fairy-Tale Films Beyond Disney offers readers an opportunity to explore the intersections, disparities, historical and national contexts of its subject, and to further appreciate what has become an undeniably global phenomenon.
Fairy-Tale Films Beyond Disney: International Perspectives
by Jack Zipes Pauline Greenhill Kendra Magnus-JohnstonThe fairy tale has become one of the dominant cultural forms and genres internationally, thanks in large part to its many manifestations on screen. Yet the history and relevance of the fairy-tale film have largely been neglected. In this follow-up to Jack Zipes’s award-winning book The Enchanted Screen (2011), Fairy-Tale Films Beyond Disney offers the first book-length multinational, multidisciplinary exploration of fairy-tale cinema. Bringing together twenty-three of the world’s top fairy-tale scholars to analyze the enormous scope of these films, Zipes and colleagues Pauline Greenhill and Kendra Magnus-Johnston present perspectives on film from every part of the globe, from Hayao Miyazaki’s Spirited Away, to Jan Švankmajer’s Alice, to the transnational adaptations of 1001 Nights and Hans Christian Andersen. Contributors explore filmic traditions in each area not only from their different cultural backgrounds, but from a range of academic fields, including criminal justice studies, education, film studies, folkloristics, gender studies, and literary studies. Fairy-Tale Films Beyond Disney offers readers an opportunity to explore the intersections, disparities, historical and national contexts of its subject, and to further appreciate what has become an undeniably global phenomenon.
The Enchanted Screen: The Unknown History of Fairy-Tale Films
by Jack ZipesThe Enchanted Screen: The Unknown History of Fairy-Tale Films offers readers a long overdue, comprehensive look at the rich history of fairy tales and their influence on film, complete with the inclusion of an extensive filmography compiled by the author. With this book, Jack Zipes not only looks at the extensive, illustrious life of fairy tales and cinema, but he also reminds us that, decades before Walt Disney made his mark on the genre, fairy tales were central to the birth of cinema as a medium, as they offered cheap, copyright-free material that could easily engage audiences not only though their familiarity but also through their dazzling special effects. Since the story of fairy tales on film stretches far beyond Disney, this book, therefore, discusses a broad range of films silent, English and non-English, animation, live-action, puppetry, woodcut, montage (Jim Henson), cartoon, and digital. Zipes, thus, gives his readers an in depth look into the special relationship between fairy tales and cinema, and guides us through this vast array of films by tracing the adaptations of major fairy tales like "Little Red Riding Hood," "Cinderella," "Snow White," "Peter Pan," and many more, from their earliest cinematic appearances to today. Full of insight into some of our most beloved films and stories, and boldly illustrated with numerous film stills, The Enchanted Screen, is essential reading for film buffs and fans of the fairy tale alike.
The Enchanted Screen: The Unknown History of Fairy-Tale Films
by Jack ZipesThe Enchanted Screen: The Unknown History of Fairy-Tale Films offers readers a long overdue, comprehensive look at the rich history of fairy tales and their influence on film, complete with the inclusion of an extensive filmography compiled by the author. With this book, Jack Zipes not only looks at the extensive, illustrious life of fairy tales and cinema, but he also reminds us that, decades before Walt Disney made his mark on the genre, fairy tales were central to the birth of cinema as a medium, as they offered cheap, copyright-free material that could easily engage audiences not only though their familiarity but also through their dazzling special effects. Since the story of fairy tales on film stretches far beyond Disney, this book, therefore, discusses a broad range of films silent, English and non-English, animation, live-action, puppetry, woodcut, montage (Jim Henson), cartoon, and digital. Zipes, thus, gives his readers an in depth look into the special relationship between fairy tales and cinema, and guides us through this vast array of films by tracing the adaptations of major fairy tales like "Little Red Riding Hood," "Cinderella," "Snow White," "Peter Pan," and many more, from their earliest cinematic appearances to today. Full of insight into some of our most beloved films and stories, and boldly illustrated with numerous film stills, The Enchanted Screen, is essential reading for film buffs and fans of the fairy tale alike.
The Mad Boy, Lord Berners, My Grandmother And Me: An Aristocratic Family, A High-society Scandal And An Extraordinary Legacy
by Sofka ZinovieffFaringdon House in Oxfordshire was the home of Lord Berners, composer, writer, painter, friend of Stravinsky and Gertrude Stein, a man renowned for his eccentricity – masks, practical jokes, a flock of multi-coloured doves – and his homosexuality. Before the war he made Faringdon an aesthete’s paradise, where exquisite food was served to many of the great minds, beauties and wits of the day. Since the early thirties his companion there was Robert Heber-Percy, twenty-eight years his junior, wildly physical, unscholarly, a hothead who rode naked through the grounds, loved cocktails and nightclubs, and was known to all as the Mad Boy. If the two men made an unlikely couple, at a time when homosexuality was illegal, the addition to the household in 1942 of a pregnant Jennifer Fry, a high society girl known to be ‘fast’, as Robert’s wife was simply astounding.After Victoria was born the marriage soon foundered (Jennifer later married Alan Ross). Berners died in 1950, leaving Robert in charge of Faringdon, aided by a ferocious Austrian housekeeper who strove to keep the same culinary standards in a more austere age. This was the world Sofka Zinovieff, Victoria’s daughter, a typical child of the sixties, first encountered at the age of seventeen. Eight years later, to her astonishment, Robert told her he was leaving her Faringdon House.Her book about Faringdon and its people is marvellously witty and full of insight, bringing to life a vanished world and the almost fantastical people who lived in it.
Screenwriters Advice: From Popular and Award Winning Film, TV, and Streaming Shows (The Guerilla Filmmaker’s Handbooks)
by Mr Andrew Zinnes Ms Genevieve JolliffeThis book looks at the most important part of the filmmaking process from the point of view of those who grind away at a keyboard or notepad trying to bring new ideas and perspectives to an increasingly diversified world. Using The Guerilla Film Makers Handbook's tried and true Q&A style, with selected screenwriters, creating an engaging and easily digestible conversational feel, this book chronicles story theory, formatting, business issues and the creative process itself. Whether you're a seasoned scribe or an inexperienced writer, this book will give you perspectives and tips to get your creative juices flowing and make your story happen.
Screenwriters Advice: From Popular and Award Winning Film, TV, and Streaming Shows (The Guerilla Filmmaker’s Handbooks)
by Mr Andrew Zinnes Ms Genevieve JolliffeThis book looks at the most important part of the filmmaking process from the point of view of those who grind away at a keyboard or notepad trying to bring new ideas and perspectives to an increasingly diversified world. Using The Guerilla Film Makers Handbook's tried and true Q&A style, with selected screenwriters, creating an engaging and easily digestible conversational feel, this book chronicles story theory, formatting, business issues and the creative process itself. Whether you're a seasoned scribe or an inexperienced writer, this book will give you perspectives and tips to get your creative juices flowing and make your story happen.
Terrence McNally: A Casebook (Casebooks on Modern Dramatists #No. 22)
by Toby Silverman ZinmanFirst Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.