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Using Storytelling to Support Children and Adults with Special Needs: Transforming lives through telling tales
by Nicola GroveThis innovative and wide-ranging book shows how storytelling can open new worlds for learners with or without special educational needs. With sections that outline both therapeutic and educational approaches, the leading practitioners who contribute to this practical resource draw on their extensive experience, and distil their own approaches for the reader to use as inspiration for their own lessons. Providing a highly accessible combination of theory and practice, the contributors to this book: define their own approach to storytelling describe the principles and theory that underpin their practice demonstrate how they work with different types of story provide extensive case-studies and assessment frameworks for a range of different special needs and age ranges provide some ‘top tips’ for practitioners who want to start using stories in this way. Using Storytelling to Support Children and Adults with Special Needs will be of interest to all education professionals as well as therapists, youth workers, counsellors, and storytellers and theatre practitioners working in special education.
Using Storytelling to Support Children and Adults with Special Needs: Transforming lives through telling tales
by Nicola Grove Nicola GrovesThis innovative and wide-ranging book shows how storytelling can open new worlds for learners with or without special educational needs. With sections that outline both therapeutic and educational approaches, the leading practitioners who contribute to this practical resource draw on their extensive experience, and distil their own approaches for the reader to use as inspiration for their own lessons. Providing a highly accessible combination of theory and practice, the contributors to this book: define their own approach to storytelling describe the principles and theory that underpin their practice demonstrate how they work with different types of story provide extensive case-studies and assessment frameworks for a range of different special needs and age ranges provide some ‘top tips’ for practitioners who want to start using stories in this way. Using Storytelling to Support Children and Adults with Special Needs will be of interest to all education professionals as well as therapists, youth workers, counsellors, and storytellers and theatre practitioners working in special education.
Using Open Scenes to Act Successfully on Stage and Screen
by Dan Carter Brant L. PopeUsing Open Scenes as a "way in" to scripted material, this book establishes a foundational actor training methodology that can be applied to the performance of film or television acting, commercials, and theatrical realism. Unlike other methodologies, this unique approach is devoid of casting considerations or imposed identity, providing actors opportunities that do not rely on nor are restricted by age, gender, race, ethnicity, regional accent, body type, identity, or other defining or delimiting aspects that come into play during the casting process. This allows the actor to focus on personal authenticity as they develop their skills. This book will appeal to undergraduate students, acting teachers, and the contemporary actor seeking a career in film, television, or other electronic media. Visit the companion website www.usingopenscenestoactsuccessful.godaddysites.com for additional Open Scenes and more.
Using Open Scenes to Act Successfully on Stage and Screen
by Dan Carter Brant L. PopeUsing Open Scenes as a "way in" to scripted material, this book establishes a foundational actor training methodology that can be applied to the performance of film or television acting, commercials, and theatrical realism. Unlike other methodologies, this unique approach is devoid of casting considerations or imposed identity, providing actors opportunities that do not rely on nor are restricted by age, gender, race, ethnicity, regional accent, body type, identity, or other defining or delimiting aspects that come into play during the casting process. This allows the actor to focus on personal authenticity as they develop their skills. This book will appeal to undergraduate students, acting teachers, and the contemporary actor seeking a career in film, television, or other electronic media. Visit the companion website www.usingopenscenestoactsuccessful.godaddysites.com for additional Open Scenes and more.
User Not Found (Oberon Modern Plays)
by Chris Goode Dante Or DieIt’s the moment of your death.There’s a magic button.Do you delete your entire online legacy?Or do you keep it – and leave the choice for someone else?USER NOT FOUND is about our digital lives after we die. Dante or Die's new play, created with pioneering theatre-artist Chris Goode, is performed in cafés across the country, where you’ll be handed a smartphone and a pair of headphones. Become a fly-on-the-wall to peer into the life of a man who is faced with keeping or deleting. A story of contemporary grief unfolds through this intimate, funny performance that gently interrogates our need for connection.
The Use of Asian Theatre for Modern Western Theatre: The Displaced Mirror (Palgrave Studies in Theatre and Performance History)
by Min TianThis book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self-)reflection or, more precisely, a (self-)projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.
Us Against Whatever (Oberon Modern Plays)
by Maureen LennonAn electrifying cabaret about the places we keep in our hearts “We don’t wanna talk about Westminster or Farage or Brussels. We want to talk about us. Here. Cos we’re the bit that matters.” Anna is starting to think she made a mistake in moving to Hull. Steph sees her city changing and misses her dad. Both are looking for somewhere to call home and something to believe in. And Sheila? She’s determined to bring people together again, the only way she knows how – karaoke! ‘Cause what we need right now is to get up on our feet, grab a mic together and belt out a ballad after a pint or five. From Pride in Poland and Windass at Wembley, to City of Culture and Brexit Britain, Us Against Whatever is an electrifying cabaret about the places we keep in our hearts, with support from Hull’s finest voices – you! Setting fire to expectations of what a night at the theatre can be, this is the latest call to arms from the company behind 2017’s award-winning All We Ever Wanted Was Everything. Us Against Whatever was developed with the support of the National Theatre and British Council.
Urban Playmaking: Constructivist Teaching with a Radical Agenda
by Bethany NelsonThis book explores the concept of playmaking and activism through three research projects in which culturally and linguistically diverse high school students and young adults created original theatre around the issues that inform their lives and constrain their futures. Each study discussed by the author is considered through the lens of one or more best practices. The outcomes of the playmaking experiences, communicated through detailed ethnographic data and the voices of student participants, make a strong case for using what we already know about teaching to positively impact gross inequities of outcome for culturally and linguistically diverse students. This study will be of great interest to students, scholars, and practitioners in Applied Theatre, Theatre Education, and Art Therapy.
Urban Playmaking: Constructivist Teaching with a Radical Agenda
by Bethany NelsonThis book explores the concept of playmaking and activism through three research projects in which culturally and linguistically diverse high school students and young adults created original theatre around the issues that inform their lives and constrain their futures. Each study discussed by the author is considered through the lens of one or more best practices. The outcomes of the playmaking experiences, communicated through detailed ethnographic data and the voices of student participants, make a strong case for using what we already know about teaching to positively impact gross inequities of outcome for culturally and linguistically diverse students. This study will be of great interest to students, scholars, and practitioners in Applied Theatre, Theatre Education, and Art Therapy.
Urban Drama: The Metropolis in Contemporary North American Plays
by J. Chris WestgateIdentifying an apprehension about the nature and constitution of urbanism in North American plays, Westgate examines how cities like New York City and Los Angeles became focal points for identity politics and social justice at the end of the twentieth century, and how urban crises inform the dramaturgy of contemporary playwrights.
Urban Children Distress
by Cristina Szanton BlancThis book describes how deprived urban children and their families and communities try to cope with scarcity, neglect and discrimination. It communicates the smell, the sweat, the agonies and the occasional triumphs of the poor in their day-to-day struggle for a rightful share of human dignity.
Urban Children Distress
by Cristina Szanton BlancThis book describes how deprived urban children and their families and communities try to cope with scarcity, neglect and discrimination. It communicates the smell, the sweat, the agonies and the occasional triumphs of the poor in their day-to-day struggle for a rightful share of human dignity.
UR (Oberon Modern Plays)
by Sulayman Al BassamIn Ancient Sumeria, a woman’s desire for sexual sovereignty and radical vision of civic plurality draws the anger and outrage of the male status quo and unleashes catastrophe onto her city and her body.The seminal Lamentation for the Destruction of the City of Ur is the first poem written for a civic entity -- a city -- in the history of mankind. Writing scenes across multiple timelines that stretch from 2000 BC, to the European Imperialist fantasies of the late 19th Century, to the ISIS destruction of Palmyra in 2015, to a distorted Utopian vision of the future, Al Bassam’s play is a riot of imagination and poetic archaeology, exploring themes of iconoclasm, civic space and feminine apotheosis.UR evokes the utopia and destruction of one of humanity's oldest cities, and is played by an ensemble composed of four Arabic actors working alongside four members of the Residenztheater ensemble.
Upward Panic: The Autobiography of Eva Palmer-Sikelianos (Choreography and Dance Studies Series)
by John P. AntonFirst Published in 1993.A complete autobiography of Evalina Palmer-Sikelianos (1874-1952), a woman of immense spiritual strength who fought for the arts against the background of war. She contributed impressively throughout her life to the revival of interest in classical Greece, the theatre and choral dance, and advocated an adherence to mythical authenticity rather than a romanticised view of Greek tragic drama.
Upward Panic: The Autobiography of Eva Palmer-Sikelianos (Choreography and Dance Studies Series #Vol. 4.)
by John P. AntonFirst Published in 1993.A complete autobiography of Evalina Palmer-Sikelianos (1874-1952), a woman of immense spiritual strength who fought for the arts against the background of war. She contributed impressively throughout her life to the revival of interest in classical Greece, the theatre and choral dance, and advocated an adherence to mythical authenticity rather than a romanticised view of Greek tragic drama.
Upton Plays: Ashes and Sand; Sunspots; People on the River; Stealing Souls; Know Your Rights (Contemporary Dramatists)
by Judy Upton"Judy Upton's a playful writer who likes nothing better than to upset expectations" IndependentAshes and Sand: "Searing, brutal...Judy Upton's vicious little hand grenade of a play explodes onto the stage...her writing blazes with anger about the waste of a generation with no hopes" Independent"Sunspots confirms Upton as one of the most promising writers working in London at present" What's OnPeople on the River: "A skilfully written and entertainingly hard-nosed look at the victim culture of tabloid telly" Time OutStealing Souls: "The writing is diamond hard, slippery and clear like thin ice covering a particularly murky pond" GuardianKnow Your Rights: "A moving and accomplished piece...Upton's play can dispense with arguments and right-on statements because in creating characters she develops situation." The Times
Upton Plays: Ashes and Sand; Sunspots; People on the River; Stealing Souls; Know Your Rights (Contemporary Dramatists)
by Judy Upton"Judy Upton's a playful writer who likes nothing better than to upset expectations" IndependentAshes and Sand: "Searing, brutal...Judy Upton's vicious little hand grenade of a play explodes onto the stage...her writing blazes with anger about the waste of a generation with no hopes" Independent"Sunspots confirms Upton as one of the most promising writers working in London at present" What's OnPeople on the River: "A skilfully written and entertainingly hard-nosed look at the victim culture of tabloid telly" Time OutStealing Souls: "The writing is diamond hard, slippery and clear like thin ice covering a particularly murky pond" GuardianKnow Your Rights: "A moving and accomplished piece...Upton's play can dispense with arguments and right-on statements because in creating characters she develops situation." The Times
Upstart Crow
by Ben Elton"This does indeed deserve comparisons with Blackadder" Radio Times"A knockabout, well-researched take on the working and domestic life of Shakespeare." The GuardianIt’s the 1590s. William Shakespeare – brought to life on screen by the inimitable David Mitchell – is at the start of his career. But no one is taking him seriously. In London, he is mercilessly mocked by his rivals and at home in Stratford he is belittled by his sullen teenage daughter. Yet he is determined to find an ending for his newest creation Romeo and Juliet. Luckily, inspiration is forthcoming. The trials and tribulations of his closest friends and family reveal the plot twists he’d been missing. And not only for this famous tragedy but for many of his finest plays. With sparkling wordplay, hilarious gags and his trademark wit, Ben Elton celebrates the great William Shakespeare and reveals the startling stories behind the playwright’s best-known plays.
The Upstairs Room (Modern Plays)
by David K. O'HaraReally, we don't have to keep worrying about the time, Gordon. Let's just sit here together. Okay? For a little while.London is sinking, there's constant rain, and everyone is trying to escape. Gordon, an American writer, finds himself holed up in the attic room of a half-way house, awaiting forged papers and safe passage back to the States. He becomes trapped with Stella, a mysterious and seductive woman, and a teenage girl called Iris who, between them, take Gordon on an emotional journey through his past and into the present, forcing him to face the painful truth as to why he is there.David K. O'Hara's The Upstairs Room is a modern take on Sartre's play Huis Clos in which a man and two women find themselves confined together in a drawing room for eternity. First produced at the King's Head Theatre from 13 November to 8 December 2012 by Giddy Notion, The Upstairs Room is a compelling and well-written play.
The Upstairs Room (Modern Plays)
by David K. O'HaraReally, we don't have to keep worrying about the time, Gordon. Let's just sit here together. Okay? For a little while.London is sinking, there's constant rain, and everyone is trying to escape. Gordon, an American writer, finds himself holed up in the attic room of a half-way house, awaiting forged papers and safe passage back to the States. He becomes trapped with Stella, a mysterious and seductive woman, and a teenage girl called Iris who, between them, take Gordon on an emotional journey through his past and into the present, forcing him to face the painful truth as to why he is there.David K. O'Hara's The Upstairs Room is a modern take on Sartre's play Huis Clos in which a man and two women find themselves confined together in a drawing room for eternity. First produced at the King's Head Theatre from 13 November to 8 December 2012 by Giddy Notion, The Upstairs Room is a compelling and well-written play.
Upstaged: Making Theatre in a Media Age
by Anne Nicholson WeberFirst Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
The Upside: A Memoir (Movie Tie-In Edition)
by Abdel SellouThe acclaimed true story of an aristocrat, a con man, and the friendship that transformed them both, now the inspiration for a major motion picture starring Kevin Hart, Bryan Cranston, and Nicole Kidman. Abdel Sellou and Philippe Pozzo di Borgo were two people marginalized by society: Sellou a wisecracking, unemployed immigrant, just out on parole; Pozzo a man born to wealth and privilege, recently paralyzed from the neck down after a paragliding accident. How they came to help each other, and the unlikely friendship that became a lifeline for them both, is an uplifting story that's now been told and retold around the world. In this bestselling memoir, Sellou shows us the irreverent, real-life character behind Kevin Hart's smiling face. The book takes us from Sellou's childhood spent stealing candy from the local grocery store to his career as a pickpocket and scam artist, to his unexpected employment as a companion for a quadriplegic. Sellou tells his story with a stunning amount of talent, humor, style, and--though he denies that he has any--humility. Originally published as You Changed My Life
The Upside: A Memoir (Movie Tie-In Edition)
by Abdel SellouYou Saved My Life tells the extraordinary true story of the charming Algerian con-man whose friendship with a disabled French aristocrat inspired the record-breaking hit film, The Intouchables (the American remake starring Kevin Hart and Bryan Cranston coming in 2018). Sellou's fictional reincarnation, Driss, played to critical acclaim by French comedian Omar Sy in the movie Les Intouchables, captured the hearts of millions. Already a bestseller in France and Germany, You Changed My Life shows us the real man behind Sy's edgy charm. The book takes us from his childhood spent stealing candy from the local grocery store, to his career as a pickpocket and scam artist, to his unexpected employment as a companion for a quadriplegic. Sellou has never before divulged the details of his past. In many interviews and documentaries, he has evaded or shrugged off the question of his childhood and his stay in prison, until now. He tells his story with a stunning amount of talent, with humor, style, and-though he denies that he has any-humility. Sellou's idiosyncratic and candidly charming voice is magnificently captured in this memoir, a fact to which his friend Philippe Pozzo di Borgo testifies in his touching preface for the book.
Upper Cut (Oberon Modern Plays)
by Juliet Gilkes Romero‘Seventy percent of my constituents are white, Karen. I have to be a politician, who “happens” to be black. Not a black man who “happens” to be a politician.’ Karen loves politics. She’s a rising star but on the eve of a general election she risks her career and reputation in a bitter and contentious fight over whether to allow short lists for black Parliamentary candidates. Deselected by her party, and betrayed by the men she loves, Karen must embark on a relentless road to power and political redemption. Provocative and raw, Upper Cut unravels the fight for diversity and black representation through today’s coalition politics, the hope and rebirth of New Labour and delves into the troubled heart of a Labour party struggling under the might of Thatcher’s Tory revolution. Upper Cut is inspired by true political events.
Upfront Theatre: Why Is John Lennon Wearing A Skirt?; Arsehammers; The Year of the Monkey; Hard Working Families (Plays for Young People)
by Claire DowieAn anthology bringing together a selection of Claire Dowie's plays for young people, which are ideal for performance with a large cast.The anthology includes the following plays and an introduction by the author.Why Is John Lennon Wearing A Skirt? (Stage2 version, large cast) portrays a 14-year-old girl who dresses like a boy and would rather play football than anything else. This version can be performed by a cast of up to 100.Arsehammers (Stage2 version, large cast) is about a boy's relationship with his grandfather, who is suffering from Alzheimer's (or "Arsehammers", as the boy hears it). He believes his grandad to have superpowers on account of his routine disappearances. A brilliant tale of living with, and understanding, mental illness. It has been reimagined for a cast of around 20.The Year of the Monkey (Stage2 version, large cast) shows a mother dreaming of injecting some excitement into her humdrum life. The play has been revised the play for around 25 young people.Hard Working Families (original version, large cast), which hasn't previously been published, is a satirical play with music that exposes the true impact that earning a living has on young people in modern-day society. It is a response to politicians' visions of 'ordinary people', set against the reality of earning a living and the way this impacts on young people's lives. It can be performed by a cast of up to 50.