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Oedipus at Colonus (Dover Thrift Editions)
by SophoclesThis outstanding drama of classical antiquity, part of the Cadmean trilogy that includes Oedipus Rex and Antigone, was first presented in 405 B.C. Thought to be among Sophocles' last works, it represents the great playwright's crowning achievement in depicting the painful quest for truth and self-knowledge that leads to spiritual triumph.Blinded and disgraced, Oedipus dwells quietly in Thebes until the kingdom is roiled by discord attributed to his presence and the curse put upon him by the gods. The citizens banish their erstwhile sovereign to years of lonely exile. Finally, the aging king finds refuge in a sacred olive grove at Colonus, near Athens. In the meantime, Oedipus' two sons wage a struggle for control of Thebes. Secure in the protection of Theseus, ruler of Athens, and faithfully attended by his daughters Antigone and Ismene, Oedipus is a towering tragic figure whose final years comprise a moving portrayal of the perseverance of human dignity in the face of an incomprehensible and impersonal universe.Students, teachers, and lovers of classical drama will welcome this inexpensive edition of an enduring literary and theatrical landmark.
Oedipus at Colonus (Greek Tragedy in New Translations)
by SophoclesThe latest title to join the acclaimed Greek Tragedy in New Translations series, Sophocles' Oedipus at Colonus tells the story of the last day in the life of Oedipus. It was written at the end of the fifth century BCE in Athens, in the final years of the "Golden Age" of Athenian culture, and in the last year of Sophocles' own life. At the center of the play is the mysterious transformation of Oedipus from an old and blind beggar, totally dependent on his daughters, to the man who rises from his seat and, without help, leads everyone to the place where he is destined to die. In the background of this transformation stands the grove of the Furies, the sacred place of the implacable goddesses who pursue the violators of blood relationships. Although Oedipus, who killed his father and married his mother, is an obvious target of the Furies' vengeance, he enters their grove at the beginning of the play, sure that it is the resting place Apollo has predicted for him. The reversals and paradoxes in the play speak to the struggle that Oedipus' life and the action of the play bring vividly before us: how do we as humans, subject to constant change, find stable ground on which to stand and define our moral lives? Sophocles offers his play as a witness to the remarkable human capacity to persevere in this struggle.
The Odyssey: Adapted for the Stage
by Simon ArmitageA high-ranking government minister with a colourful past is sent on a diplomatic mission to Istanbul. When his trip ends up in a bar-room brawl, he becomes Europe's most wanted man overnight. Chased by the authorities, damned by religious leaders, pursued by those looking for vengeance and head-hunted by fanatics, his odyssey begins. Plunged into the ancient past, Odysseus must now contend with all the unworldly beings and unnatural phenomena that stand in his way. The Cyclops, the Sirens, witches, whirlpools and flesh-eating armies must all be overcome in the struggle for survival and the long voyage back home.Simon Armitage's The Odyssey: Missing Presumed Dead premiered at the Liverpool Everyman in September 2015 then toured the UK in a co-production with English Touring Theatre.
The Odyssey: (It's a Really Really Really Long Journey) (Plays for Young People)
by Nina SegalIt starts – like many stories – with a man.A man leaving – heard that before?A man going off to find his fortune.A man going off to start a war.Telemachus was just a baby when his dad Odysseus left to fight in the Trojan War. Now he's almost grown he sets off on a quest to find him, even if his mum is not convinced. Luckily he has the muses - and some great tunes - to guide him on his heroic journey.Join Telemachus on an epic adventure through stormy seas and strange lands, filled with mystical creatures, dangerous monsters and enchanting sirens - plus two talking sheep - and discover what really makes a true hero.This fun, musical re-telling of Homer's classic story The Odyssey is adapted by Nina Segal, with the original production directed by Jennifer Tang.This edition was published to coincide with the world premiere at Unicorn Theatre in London, in March 2024.
The Odyssey: (It's a Really Really Really Long Journey) (Plays for Young People)
by Nina SegalIt starts – like many stories – with a man.A man leaving – heard that before?A man going off to find his fortune.A man going off to start a war.Telemachus was just a baby when his dad Odysseus left to fight in the Trojan War. Now he's almost grown he sets off on a quest to find him, even if his mum is not convinced. Luckily he has the muses - and some great tunes - to guide him on his heroic journey.Join Telemachus on an epic adventure through stormy seas and strange lands, filled with mystical creatures, dangerous monsters and enchanting sirens - plus two talking sheep - and discover what really makes a true hero.This fun, musical re-telling of Homer's classic story The Odyssey is adapted by Nina Segal, with the original production directed by Jennifer Tang.This edition was published to coincide with the world premiere at Unicorn Theatre in London, in March 2024.
Odysseus (Oberon Modern Playwright's Ser.)
by Peter OswaldAfter ten years at war, Odysseus returns to Ithaca to find his palace in the hands of violent men. These mortal enemies are overcome but the ghosts of war are not so easily vanquished. Drawing on the Iliad and Odyssey of Homer, and loosely following the model of classical Greek drama, Peter Oswald explores the personal journey behind the fantastic one, and asks what it means to be a hero.
Ödön von Horváth: Two Plays (Oberon Modern Plays)
by Christopher Hampton Ödön Von Horváth Ian HuishDON JUAN COMES BACK FROM THE WAR (DON JUAN KOMMT AUS DEM KRIEG): The anti-hero of the title returns from the front in a fervour of despair. The girl he is searching for has died and the romantic ideal he is trying to construct is opposed by endless recriminations from the succession of women he encounters. Don Juan Comes Back from the War was first performed in this translation at the National Theatre in 1978. FIGARO GETS DIVORCED (FIGARO LÄSST SICH SCHEIGEN): An aristocratic couple and their two servants are on the run from a revolution. Their fortunes rise and fall against a background of social and political upheaval. Figaro Gets Divorced was premiered in this translation at the Gate Theatre in 1990.
The Odin Teatret Archives
by Mirella SchinoThe Odin Teatret Archives presents collections from the archives of one of the foremost reference points in global theatre. Letters, notes, work diaries, articles, and a wealth of photographs all chart the daily activity that underpins the life of Odin Teatret, telling the adventurous, complex stories which have produced the pioneering work that defines Odin's laboratory approach to theatre. Odin Teatret have been at the forefront of theatrical innovation for over fifty years, devising new strategies for actor training, knowledge sharing, performance making, theatrical alliances, and ways of creating and encountering audiences. Their extraordinary work has pushed boundaries between Western and Eastern theatre; between process and performance; and between different theatre networks across the world. In this unique volume, Mirella Schino brings together a never before seen collection of source materials which reveal the social, political, and artistic questions facing not just one groundbreaking company, but everyone who tries to make a life in the theatre.
The Odin Teatret Archives
by Mirella SchinoThe Odin Teatret Archives presents collections from the archives of one of the foremost reference points in global theatre. Letters, notes, work diaries, articles, and a wealth of photographs all chart the daily activity that underpins the life of Odin Teatret, telling the adventurous, complex stories which have produced the pioneering work that defines Odin's laboratory approach to theatre. Odin Teatret have been at the forefront of theatrical innovation for over fifty years, devising new strategies for actor training, knowledge sharing, performance making, theatrical alliances, and ways of creating and encountering audiences. Their extraordinary work has pushed boundaries between Western and Eastern theatre; between process and performance; and between different theatre networks across the world. In this unique volume, Mirella Schino brings together a never before seen collection of source materials which reveal the social, political, and artistic questions facing not just one groundbreaking company, but everyone who tries to make a life in the theatre.
Odin Teatret: Theatre in a New Century
by Adam LedgerFocusing on Odin Teatret's latest work, this discussion is updated by drawing on fresh research. The group's productions since 2000 are included and the book offers a reassessment of Odin's actor training. Its community work and legacy are discussed and Barba's intercultural practice is viewed alongside two major Theatrum Mundi productions.
Ode to Leeds (Modern Plays)
by Zodwa NyoniThere's always a pause,between the inhale and the first word.The room is silent. Butterflies collide.The words begin to rise up inside of you;Metaphors and similes contort like question marks.Your mouth unhinges,You speakFive young poets from Leeds are selected to compete at the world's most prestigious international poetry slam competition in New York City.Fuelled by love, pride and passionate protest, their words light fires to show the world who they are and what they can be. But the determination to be crowned International Slam Champions threatens to overwhelm everything. As the competition draws closer, the poets are forced to discover not just their voices, but what they must find the courage to say.Ode to Leeds is a funny and moving coming-of-age story; a celebration of Leeds and language; and an ode to the art that changed Nyoni's own life. It blends spoken word poetry, heart and soul to provide a poignant and uplifting portrait of the city of Leeds. The play received its world premiere at the West Yorkshire Playhouse, Leeds, on 10 June 2017.
Ode to Leeds (Modern Plays)
by Zodwa NyoniThere's always a pause,between the inhale and the first word.The room is silent. Butterflies collide.The words begin to rise up inside of you;Metaphors and similes contort like question marks.Your mouth unhinges,You speakFive young poets from Leeds are selected to compete at the world's most prestigious international poetry slam competition in New York City.Fuelled by love, pride and passionate protest, their words light fires to show the world who they are and what they can be. But the determination to be crowned International Slam Champions threatens to overwhelm everything. As the competition draws closer, the poets are forced to discover not just their voices, but what they must find the courage to say.Ode to Leeds is a funny and moving coming-of-age story; a celebration of Leeds and language; and an ode to the art that changed Nyoni's own life. It blends spoken word poetry, heart and soul to provide a poignant and uplifting portrait of the city of Leeds. The play received its world premiere at the West Yorkshire Playhouse, Leeds, on 10 June 2017.
Octopus (Oberon Modern Plays)
by Afsaneh Gray“You’re an octopus. All mixed up, like me. One leg something, and one leg something else.” As far as Sarah, Sara and Scheherazade are concerned, they have nothing in common. And yet they’ve all been called in for an interview to determine how British they are: a new requirement for those with ‘non-indigenous heritage’. Sara looks kind of Asian. Scheherazade looks kind of Middle Eastern. And Sarah is kind of white and has no idea why she’s here. She also keeps bursting into song. But by the end of the play it becomes clear that the three women are all what Scheherazade thinks of as ‘octopuses’ — mixed race and mixed up with it. And maybe that’s true of Britishness too. Octopus takes a satirical look at what it means to be British, how it feels to be treated as a foreigner in your own land, and the power of punk.
Octagon (Modern Plays)
by Kristiana Rae ColónSome poems are better written in flesh . . .After Wall Street and Tahrir Square, after ISIS and the NSA, after Ferguson and Eric Garner: here come the poets.In a downtown poetry slam with a place on the team to be won, eight young poets prepare to do battle. But backstage it's all kicking off with love triangles, families to feed and wounds to rip open. And in the end, is it about winning – or finding the words that need to be said?Octagon received its world premiere at the Arcola Theatre, London, on 16 September 2015.
Octagon (Modern Plays)
by Kristiana Rae ColónSome poems are better written in flesh . . .After Wall Street and Tahrir Square, after ISIS and the NSA, after Ferguson and Eric Garner: here come the poets.In a downtown poetry slam with a place on the team to be won, eight young poets prepare to do battle. But backstage it's all kicking off with love triangles, families to feed and wounds to rip open. And in the end, is it about winning – or finding the words that need to be said?Octagon received its world premiere at the Arcola Theatre, London, on 16 September 2015.
OCR GCSE (9-1) Drama 400MB File: Request
by Annie FoxA new resource to help you plan and deliver the OCR GCSE (9-1) Drama specification
Ocr Classical Civilisation As And A Level Components 21 And 22: Greek Theatre And Imperial Image (PDF)
by Robert Hancock-Jones James Renshaw Laura SwiftThis textbook is endorsed by OCR and supports the specification for AS and A-Level Classical Civilisation (first teaching September 2017). It covers Components 21 and 22 from the 'Culture and the Arts' Component Group:Greek Theatre by James Renshaw and Laura SwiftImperial Image by Robert Hancock-JonesWhy was tragedy and comedy so central to Athenian life? How did drama challenge Athenians to reflect on their way of living? How did the emperor Augustus present himself as the restorer of Rome's greatness? To what extent did he provide an example to later political figures as a promoter of his regime?This book guides AS and A-Level students to a greater understanding of these issues. The Greek Theatre chapter explores the festival context in which tragedies and comedies were performed, and then analyses three plays: Oedipus the King by Sophocles, Bacchae by Euripides and Frogs by Aristophanes. The Imperial Image chapter analyses the self-presentation of Rome's most dynamic emperor, who claimed to have found Rome 'a city of bricks, but left it a city of marble'. The ideal preparation for the final examinations, all content is presented by experts and experienced teachers in a clear and accessible narrative. Ancient literary and visual sources are described and analysed, with supporting images. Helpful student features include study questions, quotations from contemporary scholars, further reading, and boxes focusing in on key people, events and terms. Practice questions and exam guidance prepare students for assessment. A Companion Website is available at www. bloomsbury. com/class-civ-as-a-level.
Occupied (Modern Plays)
by Carla GraulsWe are making little territories in your country, a hostile take-over of your garden sheds, your abandoned houses and your toilets. The occupation has begun!Driven by a desire for belonging, two Romanian immigrants kidnap an Englishman to learn how to be English. Set in a derelict Victorian public toilet, Occupied is a darkly comic play about identity in crisis. The play was first performed at Labfest 2012 and received a full production at Theatre503, London, on 1 April 2014, directed by Anna Mors (winner of the Kevin Spacey Award for Emerging Artists).
Occupied (Modern Plays)
by Carla GraulsWe are making little territories in your country, a hostile take-over of your garden sheds, your abandoned houses and your toilets. The occupation has begun!Driven by a desire for belonging, two Romanian immigrants kidnap an Englishman to learn how to be English. Set in a derelict Victorian public toilet, Occupied is a darkly comic play about identity in crisis. The play was first performed at Labfest 2012 and received a full production at Theatre503, London, on 1 April 2014, directed by Anna Mors (winner of the Kevin Spacey Award for Emerging Artists).
Occupational Hazards (Oberon Modern Plays)
by Rory Stewart Stephen Brown‘It’s democracy. Everyone is equally unhappy. It’s the defining feature of the system’ September 2003. Rory Stewart, a thirty year old former British diplomat, is posted to serve as governor in a province of the newly liberated Iraq. His job is to help build a society at peace with itself and its neighbours – an ambitious mission, admittedly, but outperforming Saddam should surely not prove too difficult… Stephen Brown’s new play, based on Rory Stewart’s critically acclaimed memoir Occupational Hazards, tells an extraordinary story about the moral conflicts, the dangers and the comic absurdities inherent in any foreign occupation.
The Observer
by Matt CharmanAn international group of observers arrives in a West African country to oversee and rubber stamp its first democratic election. New voters queue in their thousands, but a senior member of the observation team finds herself both horrified by the president's suppressive tactics and, for once, in a position to do something about it.Yet as violence on the streets escalates and the country enters freefall, an increasingly angry young translator forces this well-meaning outsider to confront the impact of her intervention.People walked for six miles to vote. I've been doing this job for twelve years and I'm telling you that for the first time in what feels like a lifetime we can do something real here.The Observer by Matt Charman premiered at the National Theatre, London, in May 2009.
Observe the Sons of Ulster Marching Towards the Somme: Factory Girls; Observe The Sons Of Ulster Marching Towards The Somme; Innocence; Carthiginians; Baglady
by Frank McGuinness'This powerful and subtle play . . . follows the experience of eight men who volunteer to serve in the 36th (Ulster) Division at the beginning of the First World War. It reaches a climax at the start of the terrible battle of the Somme on July 1, 1916, the actual anniversary of the battle of the Boyne in 1690. The Somme, where the Ulster Division suffered heavy casualties, has, like the Boyne, come to have a sacred place in the Loyalist Protestant mind. It marks the Union sealed with blood. It stands for the ultimate test of Ulster's loyalty; a blood-sacrifice to match any made by Irish nationalists.' Times Literary SupplementObserve the Sons of Ulster Marching Towards the Somme was revived by the Abbey Theatre, Dublin, in 1994 as part of an acknowledgement of the peace process. The production was subsequently taken to the Edinburgh Festival in 1995 and opened at the Royal Shakespeare Company's Barbican Theatre, London, in March 1996.
Observatory (Modern Plays)
by Daragh CarvilleA gothic science-fiction thriller, Observatory details the entangled lives of four people across two centuriesObservatory is set at the Armagh Observatory and Museum for Astronomy and Natural Philosophy, in both 1799 and 1999. Historian Jon McKenna, hired to compile a computerised catalogue of the Observatory archives, finds his life becoming entangled with that of Nicola McLoughlin, assistant astronomer at the Observatory. Together they work to uncover the two-hundred-year-old story of astronomer Archibald Hamilton and his assistant Robert Hogg - man of science, man of God, and revolutionary. The Observatory, a symbol of both science and religion, becomes the setting for a powerful exploration of nationhood and revolution, love and betrayal."The writing is inspired, deceptively subtle behind its up-front bile and cracked humour" (Guardian)
Observatory (Modern Plays)
by Daragh CarvilleA gothic science-fiction thriller, Observatory details the entangled lives of four people across two centuriesObservatory is set at the Armagh Observatory and Museum for Astronomy and Natural Philosophy, in both 1799 and 1999. Historian Jon McKenna, hired to compile a computerised catalogue of the Observatory archives, finds his life becoming entangled with that of Nicola McLoughlin, assistant astronomer at the Observatory. Together they work to uncover the two-hundred-year-old story of astronomer Archibald Hamilton and his assistant Robert Hogg - man of science, man of God, and revolutionary. The Observatory, a symbol of both science and religion, becomes the setting for a powerful exploration of nationhood and revolution, love and betrayal."The writing is inspired, deceptively subtle behind its up-front bile and cracked humour" (Guardian)
Objekte, die die Welt bedeuten: Carl Niessen und der Denkraum der Theaterwissenschaft (Szene & Horizont. Theaterwissenschaftliche Studien #4)
by Nora ProbstDas Buch widmet sich in wissenschaftsgeschichtlicher Perspektive den Anfängen der Theaterwissenschaft in Köln. Es untersucht die Wissenschaftspraktiken des Kölner Institutsgründers Carl Niessen (1890–1969), der das Fach als Forscher, Dozent, Sammler und Kurator über einen Zeitraum von rund 40 Jahren geprägt hat. Besonderes Augenmerk legt diese erste wissenschaftsgeschichtliche Monografie über Niessen auf dessen erweitertes Theaterverständnis, das den Bogen von rituellen Handlungen und cultural performances bis hin zu den Phänomenen des europäischen Gegenwartstheaters spannte. – Ausgangspunkt der Studie ist das Gebäude des im Zweiten Weltkrieg zerstörten Theatermuseums am Salierring in Köln. Durch das virtuelle Abschreiten der Museumsräume werden die durch Niessen initiierten Praktiken der frühen Theaterforschung und -lehre kartografiert und vor dem Hintergrund der Fachentwicklung analysiert.