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Now, I See (Nhb Modern Plays Ser.)

by Lanre Malaolu

Two brothers, long estranged, reunite at a ceremony to honour their lost sibling's life. As they seek to let go, they must confront the past whilst rediscovering the joy that binds them together. A powerful fusion of movement, song and text, Now, I See is an exploration of identity, forgiveness and nature's capacity to heal. It celebrates the profound bond of brotherhood and the resilience that can be found in joy. Now, I See is the second instalment in Lanre Malaolu's groundbreaking trilogy that excavates and celebrates the reality of being a Black man in contemporary Britain. It was premiered at Stratford East, London, in 2024, directed by Malaolu.

The Bounds (Nhb Modern Plays Ser.)

by Stewart Pringle

The year is 1553, the true Golden Age of English football. It's the Allen Valley Whitsun Game, and men will die today. This is the big game, and it's been raging for hours. Percy and Rowan are out in the middle of nowhere, miles from the action, when a stranger joins them. A stranger with tidings that will blow their world apart. Time passes. Night falls. The great chain of being collapses. And they're losing the bloody football… Stewart Pringle's play The Bounds is a darkly comedic tale of national divides, folk horror and the end of the world as we know it. It was first co-produced by Live Theatre, Newcastle upon Tyne, and the Royal Court Theatre, London, and performed at both theatres in 2024, directed by Jack McNamara.

LO: Screendance Remixed (ISSN)

by Alanna Thain Priscilla Guy

This edited collection assembles international perspectives from artists, academics, and curators in the field to bring the insights of screendance theory and practice back into conversations with critical methods, at the intersections of popular culture, low-tech media practices, dance, and movement studies, and the minoritarian perspectives of feminism, queer theory, critical race studies and more.This book represents new vectors in screendance studies, featuring contributions by both artists and theoreticians, some of the most established voices in the field as well as the next generation of emerging scholars, artists, and curators. It builds on the foundational cartographies of screendance studies that attempted to sketch out what was particular to this practice. Sampling and reworking established forms of inquiry, artistic practice and spectatorial habits, and suspending and reorienting gestures into minoritarian forms, these conversations consider the affordances of screendance for reimaging the relations of bodies, technologies, and media today.This collection will be of great interest to students and scholars in dance studies, performance studies, cinema and media studies, feminist studies, and cultural studies.

QueerBeograd Cabaret: A Shared Space between Queer, Anti-Facism and No Borders Politics (Theater #158)

by Ivana Marjanovic

The clandestine festival QueerBeograd created spaces of critique and transformation in order to foster a politics of interconnectedness. Ivana Marjanovi explores the festival's transnational activist cabaret between 2006 and 2008, which was devised, directed and produced by Jet Moon, a founding member of the QueerBeograd collective. This pioneering study demonstrates how the process of staging QueerBeograd Cabaret created a shared space between queer, anti-fascism and No Borders politics, contributing to the advancement of the intersectionality perspective beyond identity. The study thus investigates historical genealogies of gender and political difference in the former and post-Yugoslav space, bringing these into relation with global social and art movements.

The Legend of Ned Ludd (Nhb Modern Plays Ser.)

by Joe Ward Munrow

Machines can make our work easier. They can also make it vanish overnight. Joe Ward Munrow's play The Legend of Ned Ludd weaves together stories from around the world and takes us on a whirlwind global commute, from the Luddites' nineteenth-century war against new technology through to London, Liverpool, Lagos and beyond… But we're all at the mercy of The Machine. And, in this powerful exploration of work, automation and capitalism, The Machine selects the scenes for each performance, resulting in 256 possible versions of the play, spun from all the stories included in this published edition. It premiered at the Liverpool Everyman in 2024, directed by Jude Christian. 'Thrillingly audacious… an arresting drama of man, machine and revolution… each scene change is like a magic trick… gradually unfurling profound observations' - Financial Times 'An unpredictable and novel theatrical experience… thought-provoking and engaging… quietly devastating' - The Stage 'Ambitious and witty' - Indiependent

The House Party (Nhb Modern Plays Ser.)

by August Strindberg

A wild party. A friendship. A cherished pet. And a night that changes everything. It's Julie's eighteenth birthday, and she's throwing a party in her father's extravagant townhouse. Her boyfriend has just dumped her and her long-suffering best friend Christine is trying to pick up the pieces. As the revellers pile into the booze, down in the kitchen Christine and her boyfriend Jon – son of Julie's cleaner – clear up and dare to dream of the future. But as the volume goes up and the shots go down, Julie concocts a twisted cocktail of privilege, desire and destruction. Laura Lomas's play The House Party spins Strindberg's classic play Miss Julie into intense, fizzing life for today's generation. It was first performed at the Minerva Theatre, Chichester, in 2024, co-produced with Headlong in association with Frantic Assembly, and directed by Holly Race Roughan. 'Dazzling… brings Strindberg's classic searing into the 21st century, a blazing hot ménage à trois that transforms the stage into a cauldron of desire, resentment and revenge' - Broadway World 'Fresh, ferociously intense and visually striking… this searing, emotionally charged adaptation puts a convincing contemporary twist on the dark story of class conflict, self-destruction and seething sexual tension' - The Stage 'Ferocious… blows the roof off the theatre… Laura Lomas has brought the classic play bang up to date… bracingly relevant and searingly shocking' - WhatsOnStage

Multiple Casualty Incident (Nhb Modern Plays Ser.)

by Sami Ibrahim

Here, in a London training centre, people prepare to help strangers on another side of the world. There, a city is burning. Here, Sarah gets a meal deal. There, people are in danger. Here, Khaled watches a training video. There, there are men with guns. Here, Sarah and Khaled flirt with each other. There, an aid worker looks after a refugee. Suddenly – here becomes there. In Sami Ibrahim's play Multiple Casualty Incident, roleplay, desire and compassion intertwine, revealing the limits of help, the beginnings of harm and the complexities of humanitarian work. It was first performed at The Yard Theatre, London, in 2024, directed by Jaz Woodcock-Stewart. 'A timely exploration of the ethics of foreign aid' - The Stage 'Unforgettable… when what's actually going on is revealed, the impact is astonishing' - Time Out 'Mind-bending and reality-blending… the political becomes extraordinarily personal in ways [that are] wholly unexpected… does not shy away from the disconcerting questions [about] Western humanitarian aid' - A Youngish Perspective

Between Riverside and Crazy (Modern Plays)

by Stephen Adly Guirgis

"Son, that girl, she's a nice girl, but she don't study accounting. Her lips move when she read the horoscope – that ain't the mark of a future accountant!"Since his wife died, ex-cop Walter 'Pops' Washington has filled his palatial rent-controlled apartment in one of Manhattan's most desirable areas with an oddball extended family of petty criminals. So now he's besieged by the landlords, who want him out, the NYPD, who want him to settle his lawsuit against them, and the ladies from the local church, who want to save his soul… But Pops, calm at the eye of the storm, is going to do precisely what Pops wants to do…Stephen Adly Guirgis' fast-moving Rabelaisian tragicomedy was a Broadway hit and won multiple awards, including the Pulitzer Prize for Drama. His other plays include Jesus Hopped the A-Train, The Last Days of Judas Iscariot and The Motherf**ker with the Hat.This edition was published to coincide with the UK premiere at the Hampstead Theatre, London in May 2024.

Between Riverside and Crazy (Modern Plays)

by Stephen Adly Guirgis

"Son, that girl, she's a nice girl, but she don't study accounting. Her lips move when she read the horoscope – that ain't the mark of a future accountant!"Since his wife died, ex-cop Walter 'Pops' Washington has filled his palatial rent-controlled apartment in one of Manhattan's most desirable areas with an oddball extended family of petty criminals. So now he's besieged by the landlords, who want him out, the NYPD, who want him to settle his lawsuit against them, and the ladies from the local church, who want to save his soul… But Pops, calm at the eye of the storm, is going to do precisely what Pops wants to do…Stephen Adly Guirgis' fast-moving Rabelaisian tragicomedy was a Broadway hit and won multiple awards, including the Pulitzer Prize for Drama. His other plays include Jesus Hopped the A-Train, The Last Days of Judas Iscariot and The Motherf**ker with the Hat.This edition was published to coincide with the UK premiere at the Hampstead Theatre, London in May 2024.

The Philosophical Stage: Drama and Dialectic in Classical Athens

by Joshua Billings

A bold new reconception of ancient Greek drama as a mode of philosophical thinkingThe Philosophical Stage offers an innovative approach to ancient Greek literature and thought that places drama at the heart of intellectual history. Drawing on evidence from tragedy and comedy, Joshua Billings shines new light on the development of early Greek philosophy, arguing that drama is our best source for understanding the intellectual culture of classical Athens.In this incisive book, Billings recasts classical Greek intellectual history as a conversation across discourses and demonstrates the significance of dramatic reflections on widely shared theoretical questions. He argues that neither "literature" nor "philosophy" was a defined category in the fifth century BCE, and develops a method of reading dramatic form as a structured investigation of issues at the heart of the emerging discipline of philosophy.A breathtaking work of intellectual history by one of today&’s most original classical scholars, The Philosophical Stage presents a novel approach to ancient drama and sets a path for a renewed understanding of early Greek thought.

Shakespeare and Lecoq: A Practical Guide for Actors, Directors, Students and Teachers (Arden Performance Companions)

by Dr Abigail Rokison-Woodall Ed Woodall

This book provides actors, directors, teachers and students with a clear, practical guide to applying the work of influential theatre practitioner Jacques Lecoq to the process of rehearsing or workshopping the Shakespeare text. Written by theatre practitioner Ed Woodall, who trained with Lecoq himself, and Shakespeare academic Abigail Rokison-Woodall, this guide begins with warm-ups and ensemble-building, and moves through explorations of the story, the world of the play, the text, character emotion, thought and physicality and staging. Lecoq's method often relies on 'play', and play is often seen as trivial or inconsequential. This book argues that the more playful you are, the more playfully you investigate your speech or scene and the more physically motivated that playfulness is, the more vital and lifelike your acting of Shakespeare will be.

Shakespeare and Lecoq: A Practical Guide for Actors, Directors, Students and Teachers (Arden Performance Companions)

by Dr Abigail Rokison-Woodall Ed Woodall

This book provides actors, directors, teachers and students with a clear, practical guide to applying the work of influential theatre practitioner Jacques Lecoq to the process of rehearsing or workshopping the Shakespeare text. Written by theatre practitioner Ed Woodall, who trained with Lecoq himself, and Shakespeare academic Abigail Rokison-Woodall, this guide begins with warm-ups and ensemble-building, and moves through explorations of the story, the world of the play, the text, character emotion, thought and physicality and staging. Lecoq's method often relies on 'play', and play is often seen as trivial or inconsequential. This book argues that the more playful you are, the more playfully you investigate your speech or scene and the more physically motivated that playfulness is, the more vital and lifelike your acting of Shakespeare will be.

Publikumsschwund?: Ein Blick auf die Theaterstatistik seit 1949

by Rainer Glaap

Durch den teils massiven Publikumsschwund nach der Pandemie stellt sich die Frage, ob diese als Brandbeschleuniger gewirkt hat für bereits vorhandene Trends. Der Autor geht dem nach anhand der Besuchszahlen bis zur letzten vollständigen vorpandemischen Spielzeit 2018/19. Er zeigt historische Zeitreihen zu Sparten- und Personalentwicklung, Vertriebskanälen und den Einnahmen. Die Theaterstatistik des Bühnenvereins dient vielen Entscheidungsträgern als Grundlage für z.B. kulturpolitische Steuerungen, obwohl sie nicht die komplette deutsche Theaterlandschaft abbildet. Deshalb beleuchtet der Autor weitere Anbieter. Da die Theaterstatistik große kulturpolitische Bedeutung hat, gibt es zum Schluss einige Vorschläge für die Zukunft.

christopher oscar peña: how to make an American Son; the strangers; a cautionary tail (Methuen Drama Play Collections)

by christopher oscar peña

“Transcending 20th-century notions of race and culture, Peña's work succeeds in simultaneously touching our hearts, stimulating our minds, and examining our society.” - David Henry Hwang christopher oscar peña is a Latinx American playwright and screenwriter whose works frequently focus on stories that deal with bicultural identities, sexuality, and growing up in the modern world. In this first collected works, three of his plays are brought together, with an introduction by director Mark Armstrong. Together they offer a progressive and formally inventive collection of work to inspire theatre makers, actors and students alike. how to make an American Son: A “Model Immigrant” and business mogul, Honduran-born Mando's cleaning empire is bracing for a downturn at the exact same moment when he must rein in his over-privileged American son, Orlando. A moving coming-of-age comedy about the complexities of privilege, citizenship, sexual identity, and the most complex relationship of all: family. the strangers: Cris returns to a place he once used to know, only to find a world he no longer recognizes. As he connects with a new stranger tasked to show him around town, an unexpected spark challenges all of Cris' preconceived notions. a cautionary tail: First generation Chinese-Americans growing up in New York City, siblings Vivienne and Luke confront their confused tangle of family, their diverse array of friends, and their rampant sexuality. In our digital age, how can they navigate the traditional expectations of their mother with their American culture of individuality?

christopher oscar peña: how to make an American Son; the strangers; a cautionary tail (Methuen Drama Play Collections)

by christopher oscar peña

“Transcending 20th-century notions of race and culture, Peña's work succeeds in simultaneously touching our hearts, stimulating our minds, and examining our society.” - David Henry Hwang christopher oscar peña is a Latinx American playwright and screenwriter whose works frequently focus on stories that deal with bicultural identities, sexuality, and growing up in the modern world. In this first collected works, three of his plays are brought together, with an introduction by director Mark Armstrong. Together they offer a progressive and formally inventive collection of work to inspire theatre makers, actors and students alike. how to make an American Son: A “Model Immigrant” and business mogul, Honduran-born Mando's cleaning empire is bracing for a downturn at the exact same moment when he must rein in his over-privileged American son, Orlando. A moving coming-of-age comedy about the complexities of privilege, citizenship, sexual identity, and the most complex relationship of all: family. the strangers: Cris returns to a place he once used to know, only to find a world he no longer recognizes. As he connects with a new stranger tasked to show him around town, an unexpected spark challenges all of Cris' preconceived notions. a cautionary tail: First generation Chinese-Americans growing up in New York City, siblings Vivienne and Luke confront their confused tangle of family, their diverse array of friends, and their rampant sexuality. In our digital age, how can they navigate the traditional expectations of their mother with their American culture of individuality?

Captain Amazing: Brilliant Adventures; Captain Amazing; Talk Show; Pomona (Modern Plays)

by Mr Alistair McDowall

What do you do as Captain Amazing?Fight… baddies and things. Save people… make people go to bed when they're supposed to go to bed… Join the world's most unassuming superhero in Alistair McDowall's (Pomona, The Glow, X, all of it) critically-acclaimed masterpiece. From battling his arch-nemesis, to getting his daughter to school on time, follow Captain Amazing on his incredible adventures and discover how even the invincible aren't immune to tragedy.A hilarious and heart-breaking adventure which reminds us that one day, even the bravest of superheroes will need to hang up their cape… forever.This edition was published to coincide with the 10th anniversary production at London's Southwark Playhouse in May 2024.

Twentieth Century Scottish Drama (Canongate Classics #98)

by Cairns Craig Randall Stevens

Edited and introduced by Cairns Craig and Randall Stevenson. Ever since the major revival of dramatic writing and production in the 1970s, the style and the subject matter of Scottish writing for stage and screen has been a continuing influence on our contemporary culture, exciting, offending and challenging audiences in equal measure. Yet modern Scottish drama has a history of controversy, conflict and entertainment going back to the 1920s, notable at every turn for the vigour of its language and its direct confrontation with telling issues. The plays in this anthology offer a unique chance to grasp the different topics and also the recurrent themes of Scottish drama in the twentieth century. Gathered together in a single omnibus volume, there is the poetic eeriness of Barrie and the political commitment of Joe Corrie and Sue Glover; there is the Brechtian debate of Bridie and the verbal brilliance of John Byrne and Liz Lochhead; there is working-class experience and feminist insight; broad Scots and existential anxiety; street realism and a meeting with the devil; social injustice and raucous humour; historical comedy and tragic loss. Here is both the breadth and the continuity of the modern Scottish tradition in a single volume.

The Buddha of Suburbia (Modern Plays)

by Emma Rice Hanif Kureishi

My name is Karim Amir, and I am an Englishman born and bred. Almost.South London in the late seventies. High unemployment, high inflation, food shortages and strikes. But despite the winter of discontent, 17-year-old Karim's life is about to explode into glorious technicolour as he navigates a path to enlightenment. Or at the very least, Beckenham.Emma Rice adapts the award-winning 1990 novel, which was later turned into an acclaimed TV series, with Hanif Kureishi. On stage it becomes an irresistible, heart-breaking and joyful exploration of family, friends, sex, theatre and, ultimately, belonging.This edition was published to coincide with the world premiere at the RSC in April 2024.

The Buddha of Suburbia (Modern Plays)

by Emma Rice Hanif Kureishi

My name is Karim Amir, and I am an Englishman born and bred. Almost.South London in the late seventies. High unemployment, high inflation, food shortages and strikes. But despite the winter of discontent, 17-year-old Karim's life is about to explode into glorious technicolour as he navigates a path to enlightenment. Or at the very least, Beckenham.Emma Rice adapts the award-winning 1990 novel, which was later turned into an acclaimed TV series, with Hanif Kureishi. On stage it becomes an irresistible, heart-breaking and joyful exploration of family, friends, sex, theatre and, ultimately, belonging.This edition was published to coincide with the world premiere at the RSC in April 2024.

Second Chances: Shakespeare and Freud (The Anthony Hecht Lectures in the Humanities Series)

by Stephen Greenblatt Adam Phillips

A powerful exploration of the human capacity for renewal, as seen through Shakespeare and Freud In this fresh investigation, Stephen Greenblatt and Adam Phillips explore how the second chance has been an essential feature of the literary imagination and a promise so central to our existence that we try to reproduce it again and again. Innumerable stories, from the Homeric epics to the New Testament, and from Oedipus Rex to Hamlet, explore the realization or failure of second chances—outcomes that depend on accident, acts of will, or fate. Such stories let us repeatedly rehearse the experience of loss and recovery: to know the joy that comes with a renewal of love and pleasure and to face the pain that comes with realizing that some damage can never be undone. Through a series of illuminating readings, the authors show how Shakespeare was the supreme virtuoso of the second chance and Freud was its supreme interpreter. Both Shakespeare and Freud believed that we can narrate our life stories as tales of transformation, of momentous shifts, constrained by time and place but often still possible. Ranging from The Comedy of Errors to The Winter’s Tale, and from D. W. Winnicott to Marcel Proust, the authors challenge readers to imagine how, as Phillips writes, “it is the mending that matters.&rdquo

The Routledge Companion to Theatre-Fiction (Routledge Literature Handbooks)

by Graham Wolfe

Novelists have long been attracted to theatre. Some have pursued success on the stage, but many have sought to combine these worlds, entering theatre through their fiction, setting stages on their novels’ pages, and casting actors, directors, and playwrights as their protagonists. The Routledge Companion to Theatre-Fiction has convened an international community of scholars to explore the remarkable array of novelists from many eras and parts of the world who have created fiction from the stuff of theatre, asking what happens to theatre on the pages of novels, and what happens to novels when they collaborate with theatre. From J. W. Goethe to Louisa May Alcott, Mikhail Bulgakov, Virginia Woolf, and Margaret Atwood, some of history’s most influential novelists have written theatre-fiction, and this Companion discusses many of these figures from new angles. But it also spotlights writers who have received less critical attention, such as Dorothy Leighton, Agustín de Rojas Villandrando, Ronald Firbank, Syed Mustafa Siraj, Li Yu, and Vicente Blasco Ibañez, bringing their work into conversation with a vital field. A valuable resource for students, scholars, and admirers of both theatre and novels, The Routledge Companion to Theatre-Fiction offers a wealth of new perspectives on topics of increasing critical concern, including intermediality, theatricality, antitheatricality, mimesis, diegesis, and performativity.

The Cherry Orchard: In A New English Version (Modern Plays)

by Anton Chekhov

The orchard's white, all white. You haven't forgotten, have you, Lyuba? The avenue lined with trees, unfurling like a slender ribbon. And on moonlit nights, it shimmers. You remember, don't you? You haven't forgotten?Can anyone persuade Ranevskaya and her aristocratic household that the world is changing, and they must too?Following internationally acclaimed productions of The Seagull (Belvoir St Theatre, Sydney) and Three Sisters (Young Vic, London), director Benedict Andrews has a reputation as one of the world's leading interpreters of Chekhov. For the Donmar Warehouse he stages the great writer's final play. It's a work that predicted and captured the end of an era, but is timeless in its humanity, prescience, humour and pathos. The Cherry Orchard is Chekhov's masterpiece.This edition was published to coincide with its world premiere at London's Donmar Warehouse in April 2024.

The Cherry Orchard (Modern Plays)

by Anton Chekhov

The orchard's white, all white. You haven't forgotten, have you, Lyuba? The avenue lined with trees, unfurling like a slender ribbon. And on moonlit nights, it shimmers. You remember, don't you? You haven't forgotten?Can anyone persuade Ranevskaya and her aristocratic household that the world is changing, and they must too?Following internationally acclaimed productions of The Seagull (Belvoir St Theatre, Sydney) and Three Sisters (Young Vic, London), director Benedict Andrews has a reputation as one of the world's leading interpreters of Chekhov. For the Donmar Warehouse he stages the great writer's final play. It's a work that predicted and captured the end of an era, but is timeless in its humanity, prescience, humour and pathos. The Cherry Orchard is Chekhov's masterpiece.This edition was published to coincide with its world premiere at London's Donmar Warehouse in April 2024.

Under Milk Wood: Images By Peter Blake (Collins Classics)

by null Dylan Thomas

HarperCollins is proud to present its new range of best-loved, essential classics. We are not wholly bad or good, who live our lives under Milk Wood. On a dark moonless night in spring, the seaside town of Llareggub sleeps. Dreams of hope and heartache unfurl, revealing the innermost desires and fears of its inhabitants. But when morning arrives, the chaotic muddle of everyday life begins again: the hardships, the gossip, the quarrels, the moments of tenderness and love, all intertwined in a spectacular chorus of voices. A much loved and celebrated modern classic, Dylan Thomas originally wrote Under Milk Wood as a radio drama and it was first broadcast by the BBC in 1954. Since then, Thomas’s masterful and humorous depiction of his characters continues to entertain and resonate with readers today.

Teaching Practical Theatrical 3D Printing: Creating Props for Production

by Robert C. Berls

Teaching Practical Theatrical 3D Printing: Creating Props for Production is a cohesive and practical guide for instructors teaching 3D printing techniques in stagecraft, costume and props courses.Written for the instructor, this book uses non-technical language to explain 3D printers, their workflows and products. Coverage includes the ins and outs of multiple filaments, pros and cons of different types of printers, shop or laboratory setup and safety concerns. The book features lesson plans, rubrics and class-tested sample student projects from design to finished product that highlight learning objectives and methodologies, as well as software and hardware usage explanations and common problems that can occur within design and printing. Step-by-step instructions are included for many types of projects, including fake noses, candlestick phones, buttons, 3D scans, historical recreations and linear actuators. The book also contains examples of poor, average and excellent work with grading explanations and guidance on how to help the student move to the next level with their projects. Chapter objectives, chapter summaries, checklists and reflection points facilitate an instructor in gaining confidence with 3D printers and incorporating their use in the classroom.Teaching Practical Theatrical 3D Printing is an excellent resource for instructors of Props and Costume Design and Construction courses that are interested in using state of the art tools and technology for theatre production.Fully editable files for every object featured in the book are available at www.routledge.com/9781032453279, allowing readers to jump-start their projects and giving them the flexibility to change and redesign the items to best fit their needs.

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