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Project X Alien Adventures: Grey Book Band, Oxford Level 13 The Rust Monster
by Steve ColeBlast off on the biggest micro-adventure yet with the popular Project X characters Max, Cat, Ant and Tiger and their new robot micro-friend, Eight. Carefully levelled and highly motivating, this book is ideal for independent reading. The micro-friends accidentally wake up a terrifying rust monster called Rustan.
Project X Alien Adventures: Grey Book Band, Oxford Level 13 Pit-stop Peril
by James NobleBlast off on the biggest micro-adventure yet with the popular Project X characters Max, Cat, Ant and Tiger and their new robot micro-friend, Eight. Carefully levelled and highly motivating, this book is ideal for independent reading. The Excelsa is hit by a long-range tracer darts. The micro-friends fly to a space garage to get it removed.
Project X Alien Adventures: Grey Book Band, Oxford Level 13: The Red Cutlass
by Elen CaldecottBlast off on the biggest micro-adventure yet with the popular Project X characters Max, Cat, Ant and Tiger and their new robot micro-friend, Eight. Carefully levelled and highly motivating, this book is ideal for independent reading. Badlaw has put a bounty out on the Excelsa. The Excelsa is captured by space pirates.
Project X Alien Adventures: Grey Book Band, Oxford Level 13: Cyberbee Break Out
by Mike TuckerBlast off on the biggest micro-adventure yet with the popular Project X characters Max, Cat, Ant and Tiger and their new robot micro-friend, Eight. Carefully levelled and highly motivating, this book is ideal for independent reading. The crew of the Excelsa respond to a distress signal and go in search of a missing cargo of cyberbees.
Project X Alien Adventures: Grey Book Band, Oxford Level 14: Operation Holotanium
by Justin RichardsBlast off on the biggest micro-adventure yet with the popular Project X characters Max, Cat, Ant and Tiger and their new robot micro-friend, Eight. Carefully levelled and highly motivating, this book is ideal for independent reading. The micro-friends have to make an emergency landing on Planet Ashriss to try and find some holotanium.
Project X Alien Adventures: Grey Book Band, Oxford Level 14: An Ancient Enemy
by Steve ColeBlast off on the biggest micro-adventure yet with the popular Project X characters Max, Cat, Ant and Tiger and their new robot micro-friend, Eight. Carefully levelled and highly motivating, this book is ideal for independent reading. The micro-friends take refuge in an old space station. It turns out to be the worst mistake of their lives.
Project X Alien Adventures: Grey Book Band, Oxford Level 14: The Fury of Vogoss
by Steve ColeBlast off on the biggest micro-adventure yet with the popular Project X characters Max, Cat, Ant and Tiger and their new robot micro-friend, Eight. Carefully levelled and highly motivating, this book is ideal for independent reading. The micro-friends have to defeat two villains Vogoss and Badlaw!
Project X Alien Adventures: Grey Book Band, Oxford Level 14: The Waythroo Wormhole
by Jacqueline RaynerBlast off on the biggest micro-adventure yet with the popular Project X characters Max, Cat, Ant and Tiger and their new robot micro-friend, Eight. Carefully levelled and highly motivating, this book is ideal for independent reading. The micro-friends are nearly home but with Krool 1 stowed away on board, will they make it?
Oxford Reading Tree, Level 14, TreeTops Myths and Legends: Dragon Tales (2014 edition) (PDF)
by Andy BlackfordBook band 14 dark blue. Oxford level 14 and 15. Meet three very different dragons in Dragon Tales. Imagine a dragon - perhaps fire breathing, with scales, claws and a long tail! The dragons in these action-packed, fantastic funny stories from Libya, China and England, might surprise you. Captivating versions of some of the best myths and legends from around the world. TreeTops Myths and Legends are fascinating and action-packed stories that will motivate and inspire readers. These are some of the oldest and most enduring stories in the world, retold by leading contemporarychildren's authors to bring out all of the action, drama, humour and depth of the original stories in a way that makes them as exciting and meaningful today as ever. The stories are beautifully illustrated in a range of styles to bring each tale to life. Books contain inside cover notes to support children in their reading. Alternate ISBN 9780198469643
Oxford Reading Tree, Treetops Myths and Legends, Level 16, Dark Blue: Mythical Beasts And Fabulous Monsters (PDF)
by Timothy Knapman Mike Phillips Harris Sofokleous Andrés Martínez Ricci Lily TrotterIn Mythical Beasts and Fabulous Monsters a prince faces the man-eating Minotaur, a Viking challenges the hungry Kraken, an adventurer rises with the immense Roc and a boy quizzes the wise Phoenix. Captivating versions of some of the best myths and legends from around the world. TreeTops Myths and Legends are fascinating and action-packed stories that will motivate and inspire readers. These are some of the oldest and most enduring stories in the world, retold by leading contemporarychildren's authors to bring out all of the action, drama, humour and depth of the original stories in a way that makes them as exciting and meaningful today as ever. The stories are beautifully illustrated in a range of styles to bring each tale to life. Books contain inside cover notes to support children in their reading. Help with children's reading development also available at a href="http://www. oxfordowl. co. uk/"www. oxfordowl. co. uk/a. The books are finely levelled, making it easy to match every child to the right book.
Stories about Stories: Fantasy and the Remaking of Myth
by Brian AtteberyMyth is oral, collective, sacred, and timeless. Fantasy is a modern literary mode and a popular entertainment. Yet the two have always been inextricably intertwined. Stories about Stories examines fantasy as an arena in which different ways of understanding myth compete and new relationships with myth are worked out. The book offers a comprehensive history of the modern fantastic as well as an argument about its nature and importance. Specific chapters cover the origins of fantasy in the Romantic search for localized myths, fantasy versions of the Modernist turn toward the primitive, the post-Tolkienian exploration of world mythologies, post-colonial reactions to the exploitation of indigenous sacred narratives by Western writers, fantasies based in Christian belief alongside fundamentalist attempts to stamp out the form, and the emergence of ever-more sophisticated structures such as metafiction through which to explore mythic constructions of reality.
Stories about Stories: Fantasy and the Remaking of Myth
by Brian AtteberyMyth is oral, collective, sacred, and timeless. Fantasy is a modern literary mode and a popular entertainment. Yet the two have always been inextricably intertwined. Stories about Stories examines fantasy as an arena in which different ways of understanding myth compete and new relationships with myth are worked out. The book offers a comprehensive history of the modern fantastic as well as an argument about its nature and importance. Specific chapters cover the origins of fantasy in the Romantic search for localized myths, fantasy versions of the Modernist turn toward the primitive, the post-Tolkienian exploration of world mythologies, post-colonial reactions to the exploitation of indigenous sacred narratives by Western writers, fantasies based in Christian belief alongside fundamentalist attempts to stamp out the form, and the emergence of ever-more sophisticated structures such as metafiction through which to explore mythic constructions of reality.
As If: Modern Enchantment and the Literary Prehistory of Virtual Reality
by Michael SalerMany people throughout the world "inhabit" imaginary worlds communally and persistently, parsing Harry Potter and exploring online universes. These activities might seem irresponsibly escapist, but history tells another story. Beginning in the late nineteenth century, when Sherlock Holmes became the world's first "virtual reality" character, readers began to colonize imaginary worlds, debating serious issues and viewing reality in provisional, "as if" terms rather than through essentialist, "just so" perspectives. From Lovecraft's Cthulhu Mythos and Tolkien's Middle-earth to the World of Warcraft and Second Life, As If provides a cultural history that reveals how we can remain enchanted but not deluded in an age where fantasy and reality increasingly intertwine.
Classics and Comics (Classical Presences)
by George Kovacs C. W. MarshallSince at least 1939, when daily-strip caveman Alley Oop time-traveled to the Trojan War, comics have been drawing (on) material from Greek and Roman myth, literature and history. At times the connection is cosmetic-as perhaps with Wonder Woman's Amazonian heritage-and at times it is almost irrelevant-as with Hercules' starfaring adventures in the 1982 Marvel miniseries. But all of these make implicit or explicit claims about the place of classics in modern literary culture. Classics and Comics is the first book to explore the engagement of classics with the epitome of modern popular literature, the comic book. This volume collects sixteen articles, all specially commissioned for this volume, that look at how classical content is deployed in comics and reconfigured for a modern audience. It opens with a detailed historical introduction surveying the role of classical material in comics since the 1930s. Subsequent chapters cover a broad range of topics, including the incorporation of modern theories of myth into the creation and interpretation of comic books, the appropriation of characters from classical literature and myth, and the reconfiguration of motif into a modern literary medium. Among the well-known comics considered in the collection are Frank Miller's 300 and Sin City, DC Comics' Wonder Woman, Jack Kirby's The Eternals, Neil Gaiman's Sandman, and examples of Japanese manga. The volume also includes an original 12-page "comics-essay," drawn and written by Eisner Award-winning Eric Shanower, creator of the graphic novel series Age of Bronze.
Classics and Comics (Classical Presences)
by C. W. Marshall George KovacsSince at least 1939, when daily-strip caveman Alley Oop time-traveled to the Trojan War, comics have been drawing (on) material from Greek and Roman myth, literature and history. At times the connection is cosmetic-as perhaps with Wonder Woman's Amazonian heritage-and at times it is almost irrelevant-as with Hercules' starfaring adventures in the 1982 Marvel miniseries. But all of these make implicit or explicit claims about the place of classics in modern literary culture. Classics and Comics is the first book to explore the engagement of classics with the epitome of modern popular literature, the comic book. This volume collects sixteen articles, all specially commissioned for this volume, that look at how classical content is deployed in comics and reconfigured for a modern audience. It opens with a detailed historical introduction surveying the role of classical material in comics since the 1930s. Subsequent chapters cover a broad range of topics, including the incorporation of modern theories of myth into the creation and interpretation of comic books, the appropriation of characters from classical literature and myth, and the reconfiguration of motif into a modern literary medium. Among the well-known comics considered in the collection are Frank Miller's 300 and Sin City, DC Comics' Wonder Woman, Jack Kirby's The Eternals, Neil Gaiman's Sandman, and examples of Japanese manga. The volume also includes an original 12-page "comics-essay," drawn and written by Eisner Award-winning Eric Shanower, creator of the graphic novel series Age of Bronze.
The Oxford Handbook of Science Fiction (Oxford Handbooks)
The excitement of possible futures found in science fiction has long fired the human imagination, but the genre's acceptance by academe is relatively recent. No longer marginalized and fighting for respectability, science-fictional works are now studied alongside more traditional art forms. Tracing the capacious genre's birth, evolution, and impact across nations, time periods, subgenres, and media, The Oxford Handbook of Science Fiction offers an in-depth, comprehensive assessment of this robust area of scholarly inquiry and considers the future directions that will dictate the terms of the scholarly discourse. The Handbook begins with a focus on questions of genre, covering topics such as critical history, keywords, narrative, the fantastic, and fandom. A subsequent section on media engages with film, television, comics, architecture, music, video games, and more. The genre's role in the convergence of art and everyday life animates a third section, which addresses topics such as UFOs,
Fantastic Worlds: Myths, Tales, and Stories (Galaxy Books)
by Eric S. RabkinAs the first international anthology to cover the entire scope of fantastic narrative, Fantastic Worlds presents over fifty tales, myths, and stories, ranging from Genesis to Ovid, Hans Christian Andersen to J.R.R. Tolkien, Edgar Allan Poe to James Thurber, and Franz Kafka to Italo Calvino. Including tales of fairies and elves, ghost stories, high fantasy, and stories of social criticism and the conflict between science and religion, this volume presents a diverse selection of writings that all share the same capacity to liberate the human spirit through the wild mental acrobatics of fantasy.
As If: Modern Enchantment and the Literary Prehistory of Virtual Reality
by Michael SalerMany people throughout the world "inhabit" imaginary worlds communally and persistently, parsing Harry Potter and exploring online universes. These activities might seem irresponsibly escapist, but history tells another story. Beginning in the late nineteenth century, when Sherlock Holmes became the world's first "virtual reality" character, readers began to colonize imaginary worlds, debating serious issues and viewing reality in provisional, "as if" terms rather than through essentialist, "just so" perspectives. From Lovecraft's Cthulhu Mythos and Tolkien's Middle-earth to the World of Warcraft and Second Life, As If provides a cultural history that reveals how we can remain enchanted but not deluded in an age where fantasy and reality increasingly intertwine.
Wallis's War: A Novel of Diplomacy and Intrigue
by Kate AuspitzScandalous divorcée. Nazi sympathizer. Style icon. Her Grace the Duchess of Windsor. Such are the many—and many times questionable—monikers of the infamous Wallis Simpson. And with Wallis’s War, Kate Auspitz adds another to this list: unwitting heroine. The facts: reviled by the British as a social-climbing seductress even as Time magazine named her its 1936 Woman of the Year, Simpson was the American socialite whose affair with King Edward VIII led him to abdicate the throne on the eve of WWII. In this fanciful novel written in the form of a fictional memoir, Auspitz imagines an alternative history in which Simpson was encouraged by Allied statesmen to remove defeatist, pro-German Edward from the throne, forever altering the course of the war. A comically unreliable narrator who knows more than she realizes, and reveals more than she knows, Simpson leads us from historic treaties and military campaigns to dinner parties and cruises as she describes encounters with everyone from Duff and Diana Cooper to Charles Lindbergh, Coco Chanel, and Hitler—all the while acting as a willing but seemingly oblivious pawn of international intrigue. A rare blend of diplomacy and dalliance, fashion and fascists, this meticulously researched satire offers witty and erudite entertainment and leaves us speculating: who really brought about the abdication and—always—what were they wearing?
Wallis's War: A Novel of Diplomacy and Intrigue
by Kate AuspitzScandalous divorcée. Nazi sympathizer. Style icon. Her Grace the Duchess of Windsor. Such are the many—and many times questionable—monikers of the infamous Wallis Simpson. And with Wallis’s War, Kate Auspitz adds another to this list: unwitting heroine. The facts: reviled by the British as a social-climbing seductress even as Time magazine named her its 1936 Woman of the Year, Simpson was the American socialite whose affair with King Edward VIII led him to abdicate the throne on the eve of WWII. In this fanciful novel written in the form of a fictional memoir, Auspitz imagines an alternative history in which Simpson was encouraged by Allied statesmen to remove defeatist, pro-German Edward from the throne, forever altering the course of the war. A comically unreliable narrator who knows more than she realizes, and reveals more than she knows, Simpson leads us from historic treaties and military campaigns to dinner parties and cruises as she describes encounters with everyone from Duff and Diana Cooper to Charles Lindbergh, Coco Chanel, and Hitler—all the while acting as a willing but seemingly oblivious pawn of international intrigue. A rare blend of diplomacy and dalliance, fashion and fascists, this meticulously researched satire offers witty and erudite entertainment and leaves us speculating: who really brought about the abdication and—always—what were they wearing?
Wallis's War: A Novel of Diplomacy and Intrigue
by Kate AuspitzScandalous divorcée. Nazi sympathizer. Style icon. Her Grace the Duchess of Windsor. Such are the many—and many times questionable—monikers of the infamous Wallis Simpson. And with Wallis’s War, Kate Auspitz adds another to this list: unwitting heroine. The facts: reviled by the British as a social-climbing seductress even as Time magazine named her its 1936 Woman of the Year, Simpson was the American socialite whose affair with King Edward VIII led him to abdicate the throne on the eve of WWII. In this fanciful novel written in the form of a fictional memoir, Auspitz imagines an alternative history in which Simpson was encouraged by Allied statesmen to remove defeatist, pro-German Edward from the throne, forever altering the course of the war. A comically unreliable narrator who knows more than she realizes, and reveals more than she knows, Simpson leads us from historic treaties and military campaigns to dinner parties and cruises as she describes encounters with everyone from Duff and Diana Cooper to Charles Lindbergh, Coco Chanel, and Hitler—all the while acting as a willing but seemingly oblivious pawn of international intrigue. A rare blend of diplomacy and dalliance, fashion and fascists, this meticulously researched satire offers witty and erudite entertainment and leaves us speculating: who really brought about the abdication and—always—what were they wearing?
Wallis's War: A Novel of Diplomacy and Intrigue
by Kate AuspitzScandalous divorcée. Nazi sympathizer. Style icon. Her Grace the Duchess of Windsor. Such are the many—and many times questionable—monikers of the infamous Wallis Simpson. And with Wallis’s War, Kate Auspitz adds another to this list: unwitting heroine. The facts: reviled by the British as a social-climbing seductress even as Time magazine named her its 1936 Woman of the Year, Simpson was the American socialite whose affair with King Edward VIII led him to abdicate the throne on the eve of WWII. In this fanciful novel written in the form of a fictional memoir, Auspitz imagines an alternative history in which Simpson was encouraged by Allied statesmen to remove defeatist, pro-German Edward from the throne, forever altering the course of the war. A comically unreliable narrator who knows more than she realizes, and reveals more than she knows, Simpson leads us from historic treaties and military campaigns to dinner parties and cruises as she describes encounters with everyone from Duff and Diana Cooper to Charles Lindbergh, Coco Chanel, and Hitler—all the while acting as a willing but seemingly oblivious pawn of international intrigue. A rare blend of diplomacy and dalliance, fashion and fascists, this meticulously researched satire offers witty and erudite entertainment and leaves us speculating: who really brought about the abdication and—always—what were they wearing?
Lost Mars: Stories from the Golden Age of the Red Planet
by Mike Ashley“I was suddenly struck with the sight of a trail of rich red vegetation of several miles in the midst of the eternal snows. I approached with curiosity this oasis in the frozen desert.” An antique-shop owner gets a glimpse of the Red Planet through an intriguing artifact. A Martian’s wife contemplates the possibility of life on Earth. A resident of Venus describes his travels across the two alien planets. From an arid desert to an advanced society far superior to that of Earth, portrayals of Mars have differed radically in their attempts to uncover the truth about our neighboring planet. Since the 1880s, after an astronomer first described “channels” on the surface of Mars, writers have been fascinated with the planet, endlessly speculating on what life on Mars might look like and what might happen should we make contact with the planet's inhabitants. This wonderful collection offers ten wildly imaginative short stories from the golden age of science fiction by such classic sci-fi writers as H.G. Wells, Ray Bradbury, and J. G. Ballard, as well as hard-to-find stories by unjustly forgotten writers from the genre. Assembled and introduced by acclaimed anthologist Mike Ashley, these stories vividly evoke a time when notions of life on other planets—from vegetation and water to space invaders and utopian societies—were new and startling. As we continue to imagine landing people on Mars, these stories are well worth revisiting as gripping and vivid dispatches from futurists past.
Lost Mars: Stories from the Golden Age of the Red Planet
by Mike Ashley“I was suddenly struck with the sight of a trail of rich red vegetation of several miles in the midst of the eternal snows. I approached with curiosity this oasis in the frozen desert.” An antique-shop owner gets a glimpse of the Red Planet through an intriguing artifact. A Martian’s wife contemplates the possibility of life on Earth. A resident of Venus describes his travels across the two alien planets. From an arid desert to an advanced society far superior to that of Earth, portrayals of Mars have differed radically in their attempts to uncover the truth about our neighboring planet. Since the 1880s, after an astronomer first described “channels” on the surface of Mars, writers have been fascinated with the planet, endlessly speculating on what life on Mars might look like and what might happen should we make contact with the planet's inhabitants. This wonderful collection offers ten wildly imaginative short stories from the golden age of science fiction by such classic sci-fi writers as H.G. Wells, Ray Bradbury, and J. G. Ballard, as well as hard-to-find stories by unjustly forgotten writers from the genre. Assembled and introduced by acclaimed anthologist Mike Ashley, these stories vividly evoke a time when notions of life on other planets—from vegetation and water to space invaders and utopian societies—were new and startling. As we continue to imagine landing people on Mars, these stories are well worth revisiting as gripping and vivid dispatches from futurists past.
Lost Mars: Stories from the Golden Age of the Red Planet
“I was suddenly struck with the sight of a trail of rich red vegetation of several miles in the midst of the eternal snows. I approached with curiosity this oasis in the frozen desert.” An antique-shop owner gets a glimpse of the Red Planet through an intriguing artifact. A Martian’s wife contemplates the possibility of life on Earth. A resident of Venus describes his travels across the two alien planets. From an arid desert to an advanced society far superior to that of Earth, portrayals of Mars have differed radically in their attempts to uncover the truth about our neighboring planet. Since the 1880s, after an astronomer first described “channels” on the surface of Mars, writers have been fascinated with the planet, endlessly speculating on what life on Mars might look like and what might happen should we make contact with the planet's inhabitants. This wonderful collection offers ten wildly imaginative short stories from the golden age of science fiction by such classic sci-fi writers as H.G. Wells, Ray Bradbury, and J. G. Ballard, as well as hard-to-find stories by unjustly forgotten writers from the genre. Assembled and introduced by acclaimed anthologist Mike Ashley, these stories vividly evoke a time when notions of life on other planets—from vegetation and water to space invaders and utopian societies—were new and startling. As we continue to imagine landing people on Mars, these stories are well worth revisiting as gripping and vivid dispatches from futurists past.