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The(y)ology: Mythopoetics for Queer/Trans Liberation
by Max Yeshaye Brumberg-KrausEvery body contains multitudes, but no body is immune to the ideology of oneness: one true self, one sexuality, one gender, one vision of the world, one true God. For many who identify (or who have been named by others) as transgender, queer, and nonbinary, the refusal to fit within the illusion of one set of sex and gender expectations has been met with violence and suppression. While the myth of oneness is a powerful story that shapes the contours of our societies and our selves, it is not the only myth. Performances, fictions, rituals, and theologies can transform current realities. The(y)ology: Mythopoetics for Queer/Trans Liberation is a manifesto for artists, teachers, theologians, clergy, and activists looking for ways to resist rigid paradigms of gender, sexuality, self, and the sacred. In these pages, we are called to tell new stories about who we are and how we relate to each other within our ecosystems. The myths discussed wrestle with and transform the complex mytho-histories that have birthed and, often, harmed us. No story comes from nothing, and, more radically, perhaps no story is fully irredeemable. In The(y)ology, feminist philosophies join with trans poetics, literary theory with liberation theologies, drag performance with kabbalah, ecologies with pornographies, and ancient theater with queer autobiographies. However ambitious its scope might be, The(y)ology is fundamentally about encouraging us all to think playfully and to play thoughtfully with the mythologies that define our lives.
Thealogy and Embodiment: The Post-Patriarchal Reconstruction of Female Sacrality
by Melissa Raphael'Thealogy and Embodiment' both analyses and contributes to spiritural feminism's postmodern construction of the female body as a metaphor and medium of divine generativity. Addressing religious studies and women's studies students and all those interested in contemporary spirituality, Raphael counters reformist feminism's recurrent criticism of goddess feminism as naively essentialist and sub-political. She presents spiritual feminism as a set of religio-political manoeuvres that powerfully resist such patriarchal degradations of female/natural generativity as environmental destruction, weight-reducing diets, and menstrual taboos.
Theandric and Triune: John Owen and Christological Agency (T&T Clark Studies in Systematic Theology)
by Ty KieserDescribing Jesus as an “agent” of divine actions, or as one who possesses human “agency,” is commonplace in christological discussions. Yet these discussions often wade in a shallow understanding of the terms' meanings and the theological implications of such claims. For example, while many theologians who are committed to the definition of Chalcedon consider Jesus one agent, we might ask if this implies that the triune God comprises “three agents?” Or, if Christ possesses “singular agency,” how are his divinity and humanity operative in his actions?In response, this work draws from the theology of John Owen and advancements in philosophy of action in order to offer an account of divine and human agency in christological action from within the Reformed tradition. It provides clarity to the christological and trinitarian uses of the language of “agent/agency” in Christ and attends to the theological (esp. trinitarian) entailments therein. While at first glance there may appear to be internal inconsistencies with accounts that subscribe to classical trinitarianism and Reformed Christological agency, this book argues that Owen helps us recover an understanding of christological agency that is internally coherent and theologically prudent. As such the Reformed tradition can articulate Christological “agency” in a way that is coherent with the testimony of Scripture, the ecumenical councils, and classical trinitarianism while contributing to contemporary theological discussions. The case not only provides terminological clarity and theological coherence, but also inclines Christians to appreciate the trinitarian love of God in Christ's action and the human sympathy of Christ for his people.
Theandric and Triune: John Owen and Christological Agency (T&T Clark Studies in Systematic Theology)
by Ty KieserDescribing Jesus as an “agent” of divine actions, or as one who possesses human “agency,” is commonplace in christological discussions. Yet these discussions often wade in a shallow understanding of the terms' meanings and the theological implications of such claims. For example, while many theologians who are committed to the definition of Chalcedon consider Jesus one agent, we might ask if this implies that the triune God comprises “three agents?” Or, if Christ possesses “singular agency,” how are his divinity and humanity operative in his actions?In response, this work draws from the theology of John Owen and advancements in philosophy of action in order to offer an account of divine and human agency in christological action from within the Reformed tradition. It provides clarity to the christological and trinitarian uses of the language of “agent/agency” in Christ and attends to the theological (esp. trinitarian) entailments therein. While at first glance there may appear to be internal inconsistencies with accounts that subscribe to classical trinitarianism and Reformed Christological agency, this book argues that Owen helps us recover an understanding of christological agency that is internally coherent and theologically prudent. As such the Reformed tradition can articulate Christological “agency” in a way that is coherent with the testimony of Scripture, the ecumenical councils, and classical trinitarianism while contributing to contemporary theological discussions. The case not only provides terminological clarity and theological coherence, but also inclines Christians to appreciate the trinitarian love of God in Christ's action and the human sympathy of Christ for his people.
Theater and Incarnation
by Max HarrisThis introduction to the theatre also attempts to offer a meditation on the theatricality of the Incarnation. Arguing that both biblical and dramatic texts should be approached with a theatrical rather than a literary imagination, the author explores theatrical history.
Theater des Konsums: Vorstudien für eine Soziologie der Verbraucherbühnen (Konsumsoziologie und Massenkultur)
by Kai-Uwe HellmannDiese Aufsatzsammlung beschäftigt sich vornehmlich mit der Frage, unter welchen Bedingungen die Erfahrung gemacht wird, dass typische Verbraucherrollen, ob Käufer-, Kunden- oder Konsumentenrolle, in kommerziell organisierten Kauf- oder Konsumsituationen unangefochten ausgespielt werden können und den Interaktionsverlauf strukturell wie prozessual wesentlich bestimmen. Denn keineswegs überall, wo Kauf- oder Verbrauchsakte empirisch stattfinden, definieren diese die jeweilige Situation auch in Gänze, so dass nahezu sämtliche Aufmerksamkeit durch die damit verbundenen, kommerziell orientierten Erlebnisse und Handlungen physisch, psychisch und sozial okkupiert wird, bei weitgehender Neutralisierung aller sonstigen Rollenverpflichtungen. Immerhin müssen sich Verbraucherrollen angesichts einer funktional differenzierten Gesellschaft, in der das ständige Management einer Vielzahl von Publikumsrollen unausweichlich ist, die knapp bemessene Aufmerksamkeitsspanne mit zahlreichen weiteren Publikumsrollen teilen. Im Kern geht es bei diesem Konzept darum, kommerziell organisierte Settings zu identifizieren, die wie Gerichte, Kirchen, Klöster, Krankenhäuser, Schulen, Sportstadien usw., bei denen die jeweiligen Inklusionseffekte eine temporäre Transformation der Personen in Folge der Übernahme entsprechender Publikumsrollen auslösen können – nicht zu vergessen temporäre Transformationseffekte im Zuge der aktiven Partizipation an Zeugenvernehmungen, Gottesdiensten, Fastenritualen, Krankenbehandlungen, Unterrichtseinheiten, Sportwettbewerben usw. – funktional Äquivalentes bei der Ausübung von Verbraucherrollen bewerkstelligen. Als prototypisch für solche kommerziell organisierten Settings, hier verkürzt als ‚Verbraucherbühnen‘ bezeichnet, werden in der Konsum- und Serviceforschung übrigens die Freizeitparks der Walt Disney Company behandelt. Dabei erfordert die Erforschung solcher Verbraucherbühnen eine Kombination von Rollen-, Organisations- und Interaktionsanalysen, zudem eine kultur- und mediensoziologische Perspektive, wie sie für das Studium von Verbraucherleitbildern empfehlenswert erscheint. Denn wie schon die soziologische Rollentheorie festgestellt hatte, orientieren sich Rollenspiele immer an gewissen Images, Rationalitätsfiktionen, Stereotypen, d. h. Normen des Rollenverhaltens, die Richtung und Reichweite typischen Rollenverhaltens vorschreiben und anleiten.
Theaterdisposition: Die Kunst des Kunstermöglichens: ein Leitfaden für Theorie und Praxis (Kunst- und Kulturmanagement)
by Oliver GrafDas vorliegende praxisorientierte Buch erörtert die Grundlagen der Theaterdisposition mit Blick auf die für diese Tätigkeit unabdingbaren rechtlichen und tariflichen Voraussetzungen und auf die schließlich in der Praxis angewandte Umsetzung. Der Ablauf der einzelnen Produktionen, der strukturelle Aufbau der Theaterdisposition, ihre Entstehung und das Zusammenspiel der äußeren Einflüsse werden detailliert erläutert. Die relevanten Gesetzestexte, von denen jede_r Disponent_in Kenntnis haben sollte, die aktuellen Tarifverträge, Interessensverbände und mögliche Software-Lösungen werden vorgestellt. Anhand von konkreten Beispielen wird die Entwicklung einer Theaterdisposition exemplarisch und logisch nachvollziehbar dargestellt. Praxiserfahrungen von Theaterdisponent_innen und Einblicke in den Alltag eines künstlerischen Betriebsbüros gewähren einen Blick hinter die Kulissen. Ein Wörterverzeichnis gibt eine Übersicht über die momentan gebräuchlichen Fachausdrücke der zu disponierenden Inhalte, während eine Auflistung und Auswertung der für die Theaterdisposition grundlegenden Paragrafen aus Tarifverträgen und Gesetzestexten das Buch abrundet. Das Buch richtet sich an Kulturmanager_innen, Theaterdisponent_innen, Künstler_innen und Beschäftigte an Theatern, es richtet sich sowohl an Profis als auch an Studierende, Auszubildende und an theateraffines Publikum.
Theatre: Signs Of Life (Theatre And Ser.)
by Marvin CarlsonFrom before history was recorded to the present day, theatre has been a major artistic form around the world. From puppetry to mimes and street theatre, this complex art has utilized all other art forms such as dance, literature, music, painting, sculpture, and architecture. Every aspect of human activity and human culture can be, and has been, incorporated into the creation of theatre. In this Very Short Introduction Marvin Carlson takes us through Ancient Greece and Rome, to Medieval Japan and Europe, to America and beyond, and looks at how the various forms of theatre have been interpreted and enjoyed. Exploring the role that theatre artists play — from the actor and director to the designer and puppet-master, as well as the audience — this is an engaging exploration of what theatre has meant, and still means, to people of all ages at all times. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Theatre and Christianity (Theatre And)
by Elizabeth SchaferThis critical new title in the Theatre & series explores the fluctuating relationship between theatre and Christianity by focusing on key points of intersection - the challenge of realism and the real, the treatment of women and the role of amateur performance. It covers a wide range of examples from medieval times to today, examining how theatre and Christianity have sometimes clashed dramatically and sometimes embraced one another to great effect. Engaging and enlightening, this book offers an insight into the complex dynamic between theatre and Christianity perfect for undergraduate and postgraduate students of Theatre or Religious Studies.
Theatre and Christianity (Theatre And)
by Elizabeth SchaferThis critical new title in the Theatre & series explores the fluctuating relationship between theatre and Christianity by focusing on key points of intersection - the challenge of realism and the real, the treatment of women and the role of amateur performance. It covers a wide range of examples from medieval times to today, examining how theatre and Christianity have sometimes clashed dramatically and sometimes embraced one another to great effect. Engaging and enlightening, this book offers an insight into the complex dynamic between theatre and Christianity perfect for undergraduate and postgraduate students of theatre or religious studies.
Theatre and Residual Culture: J.M. Synge and Pre-Christian Ireland
by Christopher CollinsThis book considers the cultural residue from pre-Christian Ireland in Synge’s plays and performances. By dramatising a residual culture in front of a predominantly modern and political Irish Catholic middle class audience, the book argues that Synge attempted to offer an alternative understanding of what it meant to be “modern” at the beginning of the twentieth century. The book draws extensively on Synge’s archive to demonstrate how pre-Christian residual culture informed not just how he wrote and staged pre-Christian beliefs, but also how he thought about an older, almost forgotten culture that Catholic Ireland desperately wanted to forget. Each of Synge’s plays is considered in an individual chapter, and they identify how Synge’s dramaturgy was informed by pre-Christian beliefs of animism, pantheism, folklore, superstition and magical ritual.
The Theatre of the Occult Revival: Alternative Spiritual Performance from 1875 to the Present (Palgrave Studies in Theatre and Performance History)
by E. LinganThis book explores the religious foundations, political and social significance, and aesthetic aspects of the theatre created by the leaders of the Occult Revival. Lingan shows how theatre contributed to the fragmentation of Western religious culture and how contemporary theatre plays a part in the development of alternative, occult religions.
Their Amish Reunion: Their Amish Reunion Counting On The Cowboy Mountain Country Courtship (Amish Seasons #1)
by Lenora WorthReturn to Lancaster County Love blooms in the Amish Seasons series.
Their Baby Blessing (Mills And Boon Love Inspired Ser.)
by Heidi McCahanThe Navy prepared him for anything… except an instant family.
Their Christmas Prayer (Mills And Boon Love Inspired Ser.)
by Myra JohnsonA Texas pastor has a million reasons to go… and just one to stay: her
Their Convenient Amish Marriage: Their Convenient Amish Marriage Rocky Mountain Daddy Instant Father (Pinecraft Homecomings)
by Cheryl WillifordMarrying the woman he once deserted…A prodigal seeks forgiveness in this Pinecraft Homecomings story.
Their Family Blessing: The Promised Amish Bride The Rancher's Unexpected Baby Their Family Blessing (Mississippi Hearts #3)
by Lorraine BeattyShe owns the lodge, but he owns the land… Mississippi Hearts seek happy endings
Their Family Legacy: An Amish Holiday Wedding Christmas With The Cowboy Their Family Legacy (Mississippi Hearts #2)
by Lorraine BeattyCan new love spring from old pain? Hope lives in Mississippi Hearts
Their Kingdom Come: Inside The Secret World Of Opus Dei
by Robert HutchisonTo the outside world, Opus Dei's stated intention is 'to remind all people that they are called to holiness, especially through work and ordinary life'. But with an elite membership of 80,000 and tentacles reaching around the globe, this secretive sect within the Catholic Church has far greater potential influence.In recent years it has come under criticism from within the Catholic Church and from authorities in the countries where it operates, revealing a more sinister intention: to confront Islam on the world's spiritual battlefields, by whatever means necessary.Their Kingdom Come demonstrates how Opus Dei has forged an unholy alliance with the Mafia, secular powerbrokers and highly placed prelates, with the result that Christian values are being threatened by the malign influences of power politics and big money.Opus Dei's command council runs an immense intelligence network and a vast multinational conglomerate, preparing for what the organisation regards as Christendom's inevitable showdown with radical Islam...
Their Mistletoe Matchmakers: A Lawman For Christmas Mail-order Christmas Baby Their Mistletoe Matchmakers A Child's Christmas Wish (Mills And Boon Love Inspired Historical Ser.)
by Keli GwynA Christmas Match
Their Pretend Amish Courtship: An Amish Courtship (The Amish Bachelors #4)
by Patricia DavidsMake-Believe Beau
Their Second Chance Love: The Cowboy's Easter Family Wish Winning Over The Cowboy Their Second Chance Love (Texas Sweethearts #3)
by Kat BrookesA Lone Star Reunion
Their Second Republic: Islamism in the Sudan from Disintegration to Oblivion
by Abdullahi A. GallabBuilding on his successful book, The First Islamist Republic, Abdullahi A. Gallab’s Their Second Republic: Islamism in the Sudan from Disintegration to Oblivion deals with Islamism, its representations, history, and transformations in the region. Continuing the study of Islamism in power the book affirms the continuous disintegration of the Islamist movement in the Sudan taking a critical look at its institutions and their ideological and rhetorical stances. The book provides an entry point into Hasan al-Turabi’s Islamism, its local regimes and their disintegration. The book addresses the profound transformations that stem from the anachronistic qualities of political Islam as it deploys violence to maintain power. Gallab describes this as savage separation of religion and state. The main focus of the book is to provide a socio-historical analysis of developments and transformations of historic forms of Islamism and its runaway world as well as situating it in its local and global contexts.