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ClearRevise AQA GCSE English Literature 8702; Love and Relationships, Poetry anthology
by Pg OnlineClearRevise illustrated revision and practice. With over 150 marks worth of examination style questions, answers provided for all questions within the book along with examination tips and techniques. Each poem from the anthology is reproduced in full and with a complete summary and analysis to help students compare poems across the cluster. Exam-style questions are all specifically and carefully devised throughout this book.
Coins in Rivers: Poems
by Rochelle PotkarIf I were a country and you my journalist I would have shot you down a street and left you to bleed.Fierce and unflinching, Rochelle Potkar's poetry springs from the deeply personal and ripples out to the world, capturing lovers' whispers and reverberations of explosions with equal ease. Vividly depicting love, grief, anger, and defiance, these poems glimmer like coins beneath the water surface, tethered with the weight of wishes clinging to them. As sensuous as it is articulate, Coins in Rivers is a deep meditation on womanhood, motherhood, and citizenship.
Cold Mountain Poems: Text Travel and Canon Construction
by Anjiang HuThis book unveils the legendary life and the mystic poems of the iconic Chinese Tang poet Han-shan (known by his pen name “Cold Mountain”) and investigates the dissemination and reception of the Cold Mountain Poems (CMPs) attributed to him. Han-shan and the CMPs are amongst the most legendary literary landscapes and cultural memories in the history of world scholarly exchange. The maniac poet recluse hidden in the Cold Mountains, the delicate poetic realms of Confucianism, Buddhism, Zen and Taoism contained in the Cold Mountain Poems, and the incredible pervasiveness of its text travel and canon construction worldwide, as well as the profound impact of CMPs on comparative literature, world literature and Chinese studies, provide the perfect lens to learn about Chinese language, literature, culture and society. This book is thus intended to investigate CMPs in a coherent global context. Considering the vertical studies of the Chinese literature polysystem, it highlights the horizontal influence of CMPs, literarily or non-literarily. Furthermore, it addresses the making and developing of the Han-shan phenomenon and its implications for translation studies, travel writing, canon construction and literary historiography. This book is for scholars, researchers and students in literary history and East Asian Studies focusing on Chinese literature and culture and those interested in the history of poetry in general.
Cold Mountain Poems: Text Travel and Canon Construction
by Anjiang HuThis book unveils the legendary life and the mystic poems of the iconic Chinese Tang poet Han-shan (known by his pen name “Cold Mountain”) and investigates the dissemination and reception of the Cold Mountain Poems (CMPs) attributed to him. Han-shan and the CMPs are amongst the most legendary literary landscapes and cultural memories in the history of world scholarly exchange. The maniac poet recluse hidden in the Cold Mountains, the delicate poetic realms of Confucianism, Buddhism, Zen and Taoism contained in the Cold Mountain Poems, and the incredible pervasiveness of its text travel and canon construction worldwide, as well as the profound impact of CMPs on comparative literature, world literature and Chinese studies, provide the perfect lens to learn about Chinese language, literature, culture and society. This book is thus intended to investigate CMPs in a coherent global context. Considering the vertical studies of the Chinese literature polysystem, it highlights the horizontal influence of CMPs, literarily or non-literarily. Furthermore, it addresses the making and developing of the Han-shan phenomenon and its implications for translation studies, travel writing, canon construction and literary historiography. This book is for scholars, researchers and students in literary history and East Asian Studies focusing on Chinese literature and culture and those interested in the history of poetry in general.
Collier Laddie
by Rab WilsonForty years on from the 1984–85 UK Miners' Strike, the largest union-led industrial action in the 20th century, Rab Wilson – a former miner deeply entrenched in the strike – delivers a powerful narrative through his mining poems and strike diary, addressing contemporary social and economic issues in Scotland and the UK then and now. Having toiled in Scotland's mining industry for eight years, Rab provides an authentic voice that resonates with the struggles faced during the strike, vividly captured from his involvement between 12 March 1984 and 5 March 1985. This book serves as a testament to the working-class struggle, offering a unique perspective on the historical significance of Scotland's mining industry, skillfully expressed by a poet intimately connected to it. Rab Wilson emerges as an essential chronicler, ensuring the legacy of the miners' challenging strike endures in the pages of this evocative and timely work. Collier Laddie is an ode to resilience, solidarity and the enduring legacy of those who fought for justice during a pivotal moment in industrial history.
The Correspondence of Ezra Pound and the Frobenius Institute, 1930-1959 (Modernist Archives)
by Ezra PoundCollecting in full for the first time the correspondence between Ezra Pound and members of Leo Frobenius' Forschungsinstitut für Kulturmorphologie in Frankfurt across a 30 year period, this book sheds new light on an important but previously unexplored influence on Pound's controversial intellectual development in the Fascist era. Ezra Pound's long-term interest in anthropology and ethnography exerted a profound influence on early 20th century literary Modernism. These letters reveal the extent of the influence of Frobenius' concept of 'Paideuma' on Pound's poetic and political writings during this period and his growing engagement with the culture of Nazi Germany. Annotated throughout, the letters are supported by contextualising essays by leading Modernist scholars as well as relevant contemporary published articles by Pound himself and his leading correspondent at the Institute, the American Douglas C. Fox.
The Crossodile: A laugh-out-loud story about managing anger
by Rachel MorrisroeBEWARE the swirling, storming Crossodile!Though Hayden Hill likes lots of things - like eating ice-cream, playing chess, and looking after his pet lizard - some things make him a bit, well . . . cross.And when he can't stop himself from getting crosser and crosser, a rather strange thing happens - his little pet lizard turns into a giant snapping whirlwind of a CROSSODILE!As his out-of-control Crossodile causes destruction everywhere it goes and terrifies his friends, Hayden realises that he can't keep letting it take over.Can he figure out how to understand his anger and tame his Crossodile once and for all?A hilarious and heartwarming rhyming tale about understanding your anger and the importance of friendship, from incredible picture book talent Rachel Morrisroe and bestselling illustrator Ella Okstad.More magical stories from Rachel Morrisroe and Ella Okstad:The Drama LlamaThe Truth about Yeticorns
Death Styles
by Joyelle McSweeney'McSweeney is one of our most dynamic poets' Nick Ropatrazone, The Millions'I've never read anything by Joyelle McSweeney that wasn't totally exciting' Dennis CooperOne of LitHub's Most Anticipated Books for 2024In this follow-up to her award-winning collection, Toxicon and Arachne, Joyelle McSweeney proposes a link between style and survival, even in the gravest of circumstances. Setting herself the task of writing a poem a day and accepting a single icon as her starting point, however unlikely - River Phoenix, Mary Magdalene, a backyard skunk - McSweeney follows each inspiration to the point of exhaustion and makes it through each difficult day. In frank, mesmeric lyrics, Death Styles navigates the opposing forces of survival and grief, finding a way to press against death's interface, to step the wrong way out of the grave.
The Department of Work and Pensions Assesses a Jade Fish: (pdf)
by Nuala WattA poetry collection focusing on visual impairment, welfare reform and its effects on disabled people and disabled parenthood as major topics.
Derek Walcott's Encounter with Homer: Landscape, History, and Poetic Voice in Omeros (Classical Presences)
by Rachel D. FriedmanDerek Walcott's Encounter with Homer puts Derek Walcott's epic poem Omeros in conversation with Homer, especially the Odyssey, to show how reading them against each other changes our understanding of the poems of both poets. It explores Walcott's conscious use of the Odyssey and the Homeric persona of Omeros to explore his own deepening relationship with his craft and his identity as a Caribbean poet. Walcott's ability to serve as the vessel of history for his people and their landscapes rests on his transformation into (and self-perception as) Homer's contemporary and equal. Central to the project of Omeros is thus an account of his shift from a diachronic to synchronic relationship with Homer: over the course of the poem his poetic persona, the "Poet", and Homer come to occupy the same temporality and creative space. By locating the poems of Walcott and Homer in a zone of vibrant and unexpected encounter, Rachel Friedman demonstrates how they can be seen as mutually informing texts, each made richer in the presence of the other. The argument follows two intertwined thematic threads. The first focuses on the poems' landscapes and seascapes and the ways in which Omeros reworks the Odyssey's affective geography. While the Odyssey represents the sea as a dangerous space and valorizes life on land, Walcott reverses this trajectory from sea to land, bearing witness to the painful histories carried in the St Lucian soil and relocating homecoming to the space of the Caribbean Sea, a space which accommodates diasporic histories and the imagining of fluid forms of emplacement. The second thread focuses on Walcott's poetic persona: his journey in and out of the poem and his positioning of himself as a "tribal poet" like Homer. Central to the project of Omeros is the Poet's account of the processes by which he becomes the poet who can adequately give voice to the histories of his people and the archipelago they inhabit.
Edmund Spenser and Animal Life (Palgrave Studies in Animals and Literature)
by Rachel Stenner Abigail ShinnThis book is the first extended critical study of the early modern poet Edmund Spenser from the perspective of animal studies. With an introduction situating Spenser in current discussions of animal life and literary form, and early modern animal studies, the book proceeds in four sections: “Animals and Cultural Practices”; “Animals, Slavery, and Race”; “Animals in Complaints”; “Readers and Poetics in The Faerie Queene”. Contributors discuss a broad range of Spenser’s work, putting it into dialogue with a number of early modern discourses, including politics, poetics, and natural history.
European Churches and Chinese Temples as Neuro-Theatrical Sites (Cognition, Poetics, and the Arts)
by Prof. or Dr. Mark PizzatoCompares monumental designs and performance spaces of Christian, Buddhist, and related sanctuaries, exploring how brain networks, animal-human emotions, and cultural ideals are reflected historically and affected today as "inner theatre" elements. Integrating research across the humanities and sciences, this book explores how traditional designs of outer theatrical spaces left cultural imprints for the inner staging of Self and Other consciousness, which each of us performs daily based on how we think others view us. But believers also perform in a cosmic theatre. Ancestral spirits and gods (or God) watch and interact with them in awe-inspiring spaces, grooming affects toward in-group identification and sacrifice, or out-group rivalry and scapegoating. In a study of over 80 buildings – shown by 40 images in the book, plus thousands of photos and videos online – Pizzato demonstrates how they reflect meta-theatrical projections from prior generations. They also affect the embodied, embedded, enacted, and extended (4E) cognition of current visitors, who bring performance frameworks of belief, hope, and doubt to the sacred site. This involves neuro-social, inner/outer theatre networks with patriarchal, maternal, and trickster paradigms. European Churches and Chinese Temples as Neuro-Theatrical Sites investigates performative material cultures, creating dialogs between theatre, philosophy, history, and various (cognitive, affective, social, biological) sciences. It applies them to the architecture of religious buildings: from Catholic, Orthodox, and Protestant in Europe, plus key sites in Jerusalem and prior “pagan” temples, to Buddhist, Daoist, Confucian, and imperial in China. It thus reveals individualist/collectivist, focal/holistic, analytical/dialectical, and melodramatic/tragicomic trajectories, with cathartic poetics for the future.
Everybody Is a Poem: Midlife in Rhymes
by Jan BriertonFor the multitaskers, the overreactors, the silent screamers and the quiet lovers Everybody Is a Poem: Midlife in Rhymes is Jan Brierton's second collection. Inspired by Jan's popular podcast these 52 poems delve into the darkest and brightest moments of our day, month or year. Combining rhyme and illustration, Jan puts simple words to those deepest of feelings. She riffs on menopause, midlife, the mental load, friendships, relationships, loss and self-acceptance. Plain-speaking and completely relatable, each poem is served with Jan's signature combination of humour, wit and poignancy. This is poetry for everybody.
A Face Out of Clay: Poems (Mountain West Poetry Series)
by Brent AmeneyroWritten at the convergence of imagination and memory, A Face Out of Clay delves deep into childhood experiences and cultural identity. Through eloquent verses and poignant imagery, alternating between narrative and lyric poems, the book paints a complicated portrait of a bi-national speaker. The poems navigate the interplay between Mexican roots and the American experience, seeking to reconcile both cultural identities. They present themes of social justice, family bonds, and the power of cultural traditions, highlighting both difficult truths and everyday beauty. The poems transport readers back in time, reliving childhood innocence, natural disasters, and political oppressors. They serve as a reminder of the power of nostalgia along with the challenges that come with recreating memories. A Face Out of Clay is a profound exploration of the human experience, inviting readers to reflect, celebrate, and connect with the transformative power of poetry.
“‘Faith’ is a fine invention”: Dickinson’s Performance of Doubt and Belief
by Regina YoongThis book covers nineteenth-century American poet Emily Dickinson who captured the multifaceted nature of life in all of its uncertainties. Studies on her exploration of faith are ample, but in this book, the author uncovers Dickinson’s playful role-play in enacting solemn themes of religion, death, and the unknown. Dickinson’s creativity encompasses not only her use of language but also her poetic personae and self-created poetic stages inviting readers to question, contemplate deeply or even poke fun at life's absurdities. By using performative roles such as the rejected outcast, passive supplicant, and playful warrior, Dickinson unveils--through a paradoxical framework of belief and unbelief-- a line of inquiry that is multifocal and erratic to “tell all the truth and tell it slant.”
Fast by the Horns: The hotly anticipated second novel from the prizewinning author of An Olive Grove in Ends
by Moses McKenzieFrom the Hawthornden Prize-winning author of An Olive Grove in Ends, a powerful story of broken dreams and divided loyaltiesBristol, 1980. In the tight-knit neighbourhood of St. Pauls, 14-year-old Jabari is proud of his position as the only son of revered community leader Ras Levi. Raised in a world of sus laws and council neglect, Jabari finds hope in his Rastafari faith, which offers the comforting vision that one day he and his fellow believers will repatriate to the motherland, where they will at last be free from oppression and prejudice.But in St Pauls a local firebrand activist has been arrested, and violence soon overflows, pulling both father and son into its maelstrom. As Jabari rages against the iniquity, a chance encounter with a young Black child gifts him an opportunity for justice - or is it revenge?Praise for An Olive Grove in Ends:'Tough yet tender' Observer - 10 Best Debut Novelists of 2022''Luminous' Cherie Jones'Moses' talent is off the scale' Donal Ryan'Remarkable' Nathan Harris'Consummately crafted' Patrick McCabe
Feeling All the Kills (Pavilion Poetry)
by Helen CalcuttFeeling All the Kills is a dazzling new collection that breaks the poet’s silence on what it means to experience and live in the wake of a violent assault and rape. Calcutt weaves stunning musicality with raw, unhindered storytelling, as the poems both collectively, and in their individual power, explore the distinctly connected, yet fractured selves of ‘sexual being’, ‘mother’ and ‘abused person’. Through the poems’ breathtaking and vital vocabulary Calcutt brings the physical, emotional, and sexual nuances of life to the foreground, with strength, subtlety and beauty, and courageously harnesses a sense of ownership over such a lasting trauma. At the heart of this collection is a personal desire to navigate a way back to a sensual, whole-feeling self, to shamelessly ‘feel all’ -- with authenticity and power.
Food for the Dead: ‘Beautiful and necessary’ Ilya Kaminsky
by Charlotte Shevchenko Knight**WINNER OF AN ERIC GREGORY AWARD**This searingly powerful first collection about Ukrainian identity is a howl of anguish and an elegant counter-song against totalitarianism'A beautiful, necessary book'ILYA KAMINSKY, author of Deaf Republic'Every poem is a masterpiece'OLIA HERCULES, author of MamushkaWith this searingly powerful first collection, Charlotte Shevchenko Knight gives the current war in Ukraine some much-needed human focus, while examining its brutal aggression within a wider and more accurate historical context.Central to this book is ‘a timeline of hunger’, a lyric sequence which examines the legacy of the Holodomor (‘death by hunger’ in Ukrainian) – Stalin’s man-made famine of the 1930s. This long poem opens in Kyiv in 2021 – ‘brief visitations / of appetite / I devour / beetroot / its juices / running / down my lips / blood / of the past’ – and closes in Donetsk in 1929: ‘we burst the balloon / skin of tomatoes / between our teeth / seeds running down chins / like confetti / & we already know / every meal / should be celebrated.’ Through the poet’s sensitive approach to the historical, moving from that genocide of the early 1930s, then on through the Second World War, the Chornobyl disaster, to modern-day invaded Ukraine, we understand that within their ‘bones Holodomor / lives on’.Both a howl of anguish and an eloquent counter-song against totalitarianism, this is a book about invasion, war, destruction and death, but also about the bonds of humanity, family and a history of oppression – about staying alive while always hungry.
Frank O'Hara's New York School and Mid-Century Mannerism: Perfectly Disgraceful (Oxford Mid-Century Studies Series)
by Sam LadkinFrank O'Hara's New York School and Mid-Century Mannerism offers a ground-breaking account of the poet Frank O'Hara and the extraordinary cultural blossoming O'Hara catalysed, namely the mid-century experimental and multi-disciplinary arts scene, the New York School. Fresh accounts of canonical figures (Jackson Pollock, Willem de Kooning, George Balanchine, Fred Astaire) and original work on those too little discussed (Edwin Denby, Elaine de Kooning) resound with analysis of queer iconology from Michelangelo's David to James Dean. Sam Ladkin argues that O'Hara and the New York School revive Mannerism. Turning away from interpretations of O'Hara's Transcendentalism, Romanticism, or pastoralism, 'mid-century Mannerism' helps explain O'Hara's self-conscious style, its play with sweet and grand grace, contortion of conventional measure, risks with affectation, conceits, nonchalance, and scrambling of high/low culture. Mannerism clarifies the sociability implicit in the formal innovations of the New York School. The work also studies the kinship between art mediums by retooling rhetoric and recovering a perennial manneristic tendency beyond period style. Genealogies of grace, the figura serpentinata, sprezzatura, ornatus, and the marvellous exemplify qualities exhibited by O'Hara's New York School. Ladkin relates the essential role of dance in the New York School. O'Hara's reception has been tied to painting, predominantly Abstract Expressionism. He was also, however, a balletomane, a fan, for whom ballet was 'made up exclusively of qualities which other arts only aspire to in order to be truly modern.' Relaying ballet's Mannerist origins and aesthetics, and demonstrating its influence alongside Broadway and Hollywood musical-dance on art and poetry, completes the portrait of mid-century modernity.
Ghosts and the Overplus: Reading Poetry in the Twenty-First Century (Poets On Poetry)
by Christina PughGhosts and the Overplus is a celebration of lyric poetry in the twenty-first century and how lyric poetry incorporates the voices of our age as well as the poetic “ghosts” from the past. Acclaimed poet and award-winning teacher Christina Pugh is fascinated by how poems continually look backward into literary history. Her essays find new resonance in poets ranging from Emily Dickinson to Gwendolyn Brooks to the poetry of the present. Some of these essays also consider the way that poetry interacts with the visual arts, dance, and the decision to live life as a nonconformist. This wide-ranging collection showcases the critical discussions around poetry that took place in America over the first two decades of our current millennium. Essay topics include poetic forms continually in migration, such as the sonnet; poetic borrowings across visual art and dance; and the idiosyncrasies of poets who lived their lives against the grain of literary celebrity and trend. What unites all of these essays is a drive to dig more deeply into the poetic word and act: to go beyond surface reading in order to reside longer with poems. In essays both discursive and personal, Pugh shows that poetry asks us to think differently—in a way that gathers feeling into the realm of thought, thereby opening the mysteries that reside in us and in the world around us.
Good Grief
by Brianna Pastor'Brianna Pastor is by far one of my favourite new writers. If you want to feel seen and deeply moved, read Good Grief. Let the power of her writing guide you to a better life.' Yung Pueblo, #1 New York Times bestselling authorAn expanded edition with over forty brand-new poems of the bestselling poetry collection Good Grief by Brianna Pastor.When Brianna Pastor released her self-published poetry collection, Good Grief, she was blown away by the outpouring of support from people who reached out and said, 'Yes. Me too.' For anyone who has struggled with questions of identity or coped with serious emotional issues, including grief, trauma, anxiety and depression, this collection will help you find hope on the other side.We don't know how long our pain will last. we assume that because it hurts now, it is probably going to hurt tomorrow. it may even hurt the next day. perhaps it will get worse. but we sleep, and you see, and we do this marvellous thing in our sleep - we mend. And tomorrow is not always what we thought it would be. From Good Grief
The Great Modern Poets: An anthology of the essential poets and poetry since 1900
by Michael SchmidtAn essential introduction to the most significant poems and their works since 1900Reproduced within this collection are some of the greatest poems of the 20th century, featuring works from major writers such as T.S. Eliot and Sylvia Plath to Langston Hughes and W.B. Yeats. For each, Michael Schmidt provides an insight into their themes and the background to their work, opening for the reader a deeper understanding and enjoyment of these extraordinary poems.Poets include:W.B. YeatsRobert FrostEdward ThomasPhilip LarkinT.S. EliotTed HughesLangston HughesSylvia PlathC.S SissonDerek WalcottEzra Pound& many more!
Gub
by Scott McKendry'Gub is unlike anything I have ever read. In a playful demotic that is exhilarating, hilarious and never forced, Scott McKendry makes magic of a Belfast that in other hands would make grim reading. The most exciting poet to come out of the north of Ireland in many years' Louise Kennedy, author of Tresspasses'There is nothing else like this in Irish poetry. A lyrical savant of the highest level, and one of the most exciting writers in Ireland today, McKendry is utterly his own beast' Michael Nolan, author of Close To Home'A distinctive and energetic voice' Sunday Times IrelandDemons, geese, The Laughing Cow, marching bands, LSD and pistols smuggled home from the USSR. You'll find all these in Scott McKendry's GUB. Rooted in the language of working-class Belfast, and slipping between eras and time zones, closing the gap between the real and the fantastical, the academic and the everyday, the parish and the polis, McKendry's exhilarating debut collection comes to terms with generational trauma, social decay and the rituals of a place with a fraught history and an uncertain future. Invoking the balaclava'd gunmen, urban warlords and explosions which gripped the decades either side of the Good Friday Agreement, GUB drags the language of ghettoised Belfast into serious Irish poetry. Wearing the lyrical influences of his 'ugly city' lightly - Carson, McGuckian, Longley - McKendry's tightly-wrought structures weave an unprecedented verse of mourning, witness, alter ego, class alienation and aesthetic turmoil. Noisy, dark and witty, GUB is an utterly new voice out of Belfast, but one posting bulletins across inner-city neighbourhoods everywhere.
The Hidden Story of Estie Noor
by Nadine Aisha JassatNo one wanted to hear Estie's side of the story. Now she's on a mission to make sure the truth is heard . . . A page-turning mystery novel in verse about identity, friendship and learning to use your voice, with accessible text and beautiful illustrations throughout. When twelve-year-old Estie is expelled from school, she's sent to stay with her aunt in Scotland over the summer. Even though nobody, not even her mum, asked to hear her side of the story. Estie's determined to keep her barriers up and stick to herself until the holidays are over. But when she comes across an intricately folded paper castle with a secret message written inside - a message from someone desperate to tell their own unbelieved story - a chord is struck, and Estie can't help but follow the clues to the next piece of artwork. Who are these messages from? And what will their secret reveal about the town? In helping to uncover the anonymous artist's truth, Estie just might find the words to tell her own. . .
Höfische Lyrik: Eine Einführung
by Andreas KraßMinnesang, Sangspruch und Leich – die drei Hauptgattungen der deutschsprachigen Lyrik des Hochmittelalters stehen im Zentrum dieser Einführung. Der erste Teil behandelt die kulturgeschichtlichen und politischen Voraussetzungen sowie die form- und gattungsgeschichtlichen Entwicklungen. Ein besonderes Augenmerk liegt dabei auf der kulturellen Konstruktion der Geschlechterrollen und Liebeskonzepte. Der zweite Teil bietet zahlreiche Interpretationen zu konkreten Fallbeispielen aus allen drei Gattungen der höfischen Lyrik und führt so in die Praxis der Textanalyse ein. Kapitel zur Überlieferungs- und Editionsgeschichte sowie ein weiterführendes Literaturverzeichnis runden den Band ab.