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William Shakespeare and John Donne: Stages of the soul in early modern English poetry (The Manchester Spenser)
by Angelika ZirkerThis study analyses concepts and representations of the soul in the poetry of William Shakespeare and John Donne. It shows how the soul becomes a linking element between the genres of poetry and drama, and how poetry becomes dramatic whenever the soul is at its focus. This double movement can be observed in Shakespeare’s The Rape of Lucrece and Donne’s Holy Sonnets: in these texts, the connection between interiority and performance, psychology and religious self-care can be found, which is central to the understanding of early modern drama and its characteristic development of the soliloquy. The study thus offers a new reading of the poems by Shakespeare and Donne by analysing them, in different ways, as staged dialogues within the soul. It contributes to research on the soliloquy as much as on concepts of inwardness during the early modern period. The book is aimed at readers studying early modern literature and culture.
Archetypes (Psychology Revivals)
by Elémire ZollaMan is dominated by his archetypes; they mould not only his history but his dreams. But how are we to define and evaluate them? Is it perhaps possible for us to relate more creatively to them? Originally published in 1981, these are some of the questions raised by this title. To answer them the author gathered together a vast amount of material drawn from Eastern and Western traditions, from science, literature, art and poetry. The answers he puts forward are often highly original and will surely challenge many of our most cherished patterns of thought. There emerges from this book what can only be described as a global metaphysical system, yet the author’s language is not that of an ordinary metaphysical treatise, and what he writes offered new challenge and hope to those suffering from the despair and cynicism engendered by a great deal in modern society at the time. Zolla does not, however, advocate a return to earlier historical patterns, nor is he proposing a new Utopia, but rather offers us a brilliant series of lessons in the art of centring. In the words of Bernard Wall, writing in the Times Literary Supplement, Zolla’s ‘deep, polymathic probing of the terms of human existence makes it sensible to compare him with Simone Weil, while some of his conclusions about ultimate mysteries – expressed in signs, symbols and sacraments, the sense of which we have lost – will make us think of the later T. S. Eliot’.
Archetypes (Psychology Revivals)
by Elémire ZollaMan is dominated by his archetypes; they mould not only his history but his dreams. But how are we to define and evaluate them? Is it perhaps possible for us to relate more creatively to them? Originally published in 1981, these are some of the questions raised by this title. To answer them the author gathered together a vast amount of material drawn from Eastern and Western traditions, from science, literature, art and poetry. The answers he puts forward are often highly original and will surely challenge many of our most cherished patterns of thought. There emerges from this book what can only be described as a global metaphysical system, yet the author’s language is not that of an ordinary metaphysical treatise, and what he writes offered new challenge and hope to those suffering from the despair and cynicism engendered by a great deal in modern society at the time. Zolla does not, however, advocate a return to earlier historical patterns, nor is he proposing a new Utopia, but rather offers us a brilliant series of lessons in the art of centring. In the words of Bernard Wall, writing in the Times Literary Supplement, Zolla’s ‘deep, polymathic probing of the terms of human existence makes it sensible to compare him with Simone Weil, while some of his conclusions about ultimate mysteries – expressed in signs, symbols and sacraments, the sense of which we have lost – will make us think of the later T. S. Eliot’.
The First Book: Twentieth-Century Poetic Careers in America
by Jesse Zuba"We have many poets of the First Book," the poet and critic Louis Simpson remarked in 1957, describing a sense that the debut poetry collection not only launched the contemporary poetic career but also had come to define it. Surveying American poetry over the past hundred years, The First Book explores the emergence of the poetic debut as a unique literary production with its own tradition, conventions, and dynamic role in the literary market. Through new readings of poets ranging from Wallace Stevens and Marianne Moore to John Ashbery and Louise Glück, Jesse Zuba illuminates the importance of the first book in twentieth-century American literary culture, which involved complex struggles for legitimacy on the part of poets, critics, and publishers alike. Zuba investigates poets' diverse responses to the question of how to launch a career in an increasingly professionalized literary scene that threatened the authenticity of the poetic calling. He shows how modernist debuts evoke markedly idiosyncratic paths, while postwar first books evoke trajectories that balance professional imperatives with traditional literary ideals. Debut titles ranging from Simpson's The Arrivistes to Ken Chen's Juvenilia stress the strikingly pervasive theme of beginning, accommodating a new demand for career development even as it distances the poets from that demand.Combining literary analysis with cultural history, The First Book will interest scholars and students of twentieth-century literature as well as readers and writers of poetry.
The First Book: Twentieth-Century Poetic Careers in America
by Jesse Zuba"We have many poets of the First Book," the poet and critic Louis Simpson remarked in 1957, describing a sense that the debut poetry collection not only launched the contemporary poetic career but also had come to define it. Surveying American poetry over the past hundred years, The First Book explores the emergence of the poetic debut as a unique literary production with its own tradition, conventions, and dynamic role in the literary market. Through new readings of poets ranging from Wallace Stevens and Marianne Moore to John Ashbery and Louise Glück, Jesse Zuba illuminates the importance of the first book in twentieth-century American literary culture, which involved complex struggles for legitimacy on the part of poets, critics, and publishers alike. Zuba investigates poets' diverse responses to the question of how to launch a career in an increasingly professionalized literary scene that threatened the authenticity of the poetic calling. He shows how modernist debuts evoke markedly idiosyncratic paths, while postwar first books evoke trajectories that balance professional imperatives with traditional literary ideals. Debut titles ranging from Simpson's The Arrivistes to Ken Chen's Juvenilia stress the strikingly pervasive theme of beginning, accommodating a new demand for career development even as it distances the poets from that demand.Combining literary analysis with cultural history, The First Book will interest scholars and students of twentieth-century literature as well as readers and writers of poetry.
Petrarch in Romantic England
by E. ZuccatoThe Petrarchan revival in Romantic England was a unique phenomenon which involved an impressive number of scholars, translators and poets. This book analyses the way Petrarch was read and re-written by Romantic figures. The result is a history of the Romantic-era sonnet and a new lens for understanding English Romantic poetry.
Edmund Spenser's 'The Faerie Queene': A Reading Guide
by Andrew ZurcherThis Guide will help new readers to understand and enjoy The Faerie Queene, drawing attention to its various ironies, its self-reflexive construction, its visual emphasis and the timeless ethical, political, and literary questions that it asks of all of us. The book includes key selections from the poem (each accompanied by a headnote, commentary and glosses), historical and critical discussions, teaching and learning plans and a guide to further resources in electronic and print media
Edmund Spenser's 'The Faerie Queene': A Reading Guide (Reading Guides to Long Poems)
by Andrew ZurcherIntroduces a Renaissance masterpiece to a modern audience.
Politics and Language in Dryden's Poetry: The Art of Disguise
by Steven N. ZwickerThis study of Dryden's poetic career addresses the nature of covert argument in an age of violently contested political and religious issues.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Abkehr von Schönheit und Ideal in der Liebeslyrik
Die hohe Minne und die höfische Liebe bestimmen unser Bild der Liebeslyrik, das durch die Textauswahl der Philologen sowie ihre Urteile entscheidend geprägt wurde. Die 27 Beiträge dieses Bandes behandeln - mit romanistischem Schwerpunkt - Gedichte aus acht europäischen Literaturen und neun Jahrhunderten. Sie zeigen, daß bereits im Mittelalter die irdischen Aspekte der Liebe bis hin zur Gewalttätigkeit dargestellt wurden, und dies nicht nur in Sammlungen wie den Carmina Burana, sondern auch in den Gesängen der Troubadours. Die Anbetung einer idealen Geliebten ist nur eine mögliche Haltung; gleichzeitig finden wir deutlich misogyne Tendenzen, oder eben die Liebe zu einer Frau, die nicht den stereotypen Vorstellungen innerer und äußerer Vollkommenheit entspricht. Gleichzeitig wird deutlich, daß die Texte, die sich von den Idealen der höfischen Liebe abwenden, durchaus in einer eigenen Tradition stehen und nicht nur als Gegenbewegung wie der Antipetrarkismus verstanden werden dürfen. Die Umwertung des Schönen und des Hässlichen, die das ästhetische Denken im 18. Jahrhundert hervorgebracht hat, bleibt nicht ohne Wirkung auf die Beurteilung weiblicher Reize und auf die Liebeslyrik im 19. und 20. Jahrhundert.
Ambulante Poesie: Explorationen deutschsprachiger Reiselyrik seit dem 18. Jahrhundert
Dass Reisen nicht nur zu Prosa anregen, veranschaulicht in prägnanter Weise die Gattung der Reiselyrik. Neben der kultur- und literaturhistorischen Einordnung von Reisegedichten vom 18. Jahrhundert bis zur Gegenwart steht im vorliegenden Band die poetologische Frage im Vordergrund, was es bedeutet, in der üblicherweise durch Vers, Bildlichkeit, Konzision und Selbstreflexivität sprachlich reglementierten Lyrik über das Reisen zu schreiben.
Ancient Greek Myth in Modern Greek Poetry: Essays in Memory of C. A. Trypanis (Routledge Revivals)
Originally published in 1996, this volume contains essays by scholars, critics and translators and includes themes such as the myth in the Cretan Renaissance and the use of ancient myth by 19th and 20th Century poets. Some essays deal with individual mythical figures such as Odysseus, Orpheus, Prometheus and Aphrodite, while others deal with the problematic issue of the use of myth by Greek women poets. The discussion is completed by comparing attitudes to the ancient Greeks as embodied in English and modern Greek poetry.
The Art of Revising Poetry: 21 U.S. Poets on their Drafts, Craft, and Process
Using side-by-side pairings of first drafts and final versions, including full-page reproductions from the poets' personal notebooks, as well as an insightful essay on each poem's journey from start to finish, The Art of Revising Poetry tracks the creative process of twenty-one of the United States' most influential poets as they struggle over a single word, line break, or thought. This behind-the-scenes look into the creative minds of working poets, including African American, Latino, Asian American, and Native poets from across the US, is an essential resource for students practicing poetry, and for instructors looking to enliven the classroom with real world examples. Students learn first-hand from the deft revisions working poets make, while poetry teachers can show in detail how experienced poets self-edit, tinker, cut, rearrange, and craft a poem. The Art of Revising Poetry is a must-have for aspiring poets and poetry teachers at all levels.
Assembly and its Other in German Romantic Literature and Thought: The Inexhaustible Gathering (Romantic Reconfigurations: Studies in Literature and Culture 1780-1850 #16)
This collection of essays turns on a shift in Romantic studies from viewing wholeness as an absolute value to critiquing it as a limiting construction. Wholeness and its concomitant sense of harmony, rather than a natural given, is a construct that was assembled and disassembled, theorized and criticized, by diverse authors and artists in a wide variety of disciplines and socio-historical contexts, and instrumentalized for diverse purposes. The plurality of these constructions – that Goethe’s Urpflanze, for example, is not synonymous with Friedrich Schlegel’s universal progressive poetry – is but one manifestation of how “assembly” strives but fails to be absolute. The “other” of assembly referenced in the title suggests two divergent but inseparable tendencies: firstly, how a construction can take on the appearance of a natural given; and secondly, how assemblages of wholeness harbor within themselves their own principle of disarticulation. These two tendencies underlie the “inexhaustible” character of Romantic “gatherings”. As a construction passes itself off as nature, the natural fails to account for itself as a whole. The scope of this volume encompasses the establishment, mapping, and interrogation of assembly and its other in German Romanticism through interdisciplinary studies on literature, aesthetics, philosophy, drama, music, synaesthesia, mathematics, science, and exploration.List of contributors: Beate Allert, Frederick Burwick, Alexis B. Smith, Margaret Strair, Christina Weiler, Joshua Wilner.
The Bloomsbury Handbook of Contemporary American Poetry (Bloomsbury Handbooks)
With chapters written by leading scholars such as Steven Gould Axelrod, Cary Nelson, Aldon Lynn Nielsen and Marjorie Perloff, this comprehensive Handbook explores the full range and diversity of poetry and criticism in 21st-century America.The Bloomsbury Handbook of Contemporary American Poetry covers such topics as:· Major histories and genealogies of post-war poetry – from the language poets and the Black Arts Movement to New York school and the Beats· Poetry, identity and community – from African American, Chicana/o and Native American poetry to Queer verse and the poetics of disability· Key genres and forms – including digital, visual, documentary and children's poetry· Central critical themes – economics, publishing, popular culture, ecopoetics, translation and biographyThe book also includes an interview section in which major contemporary poets such as Rae Armantrout, Charles Bernstein and Claudia Rankine reflect on the craft and value of poetry today.
The Bloomsbury Handbook to Sylvia Plath (Bloomsbury Handbooks)
Sylvia Plath is one of the most widely recognised and inspiring poets of the 20th century. With chapters written by more than 25 leading and emerging international scholars this is the most up-to-date and in-depth reference guide to 21st century scholarship on her life and work.The Bloomsbury Handbook to Sylvia Plath covers the full range of contemporary scholarship on Plath's work, including such topics as:· New insights from the publication of Plath's letters· Current scholarly perspectives: feminist and gender studies, race, medical humanities and ecocriticism· Plath's poetry, the major novel, The Bell Jar, and Plath's writing for children· Plath's literary contexts, from Ovid and Robert Lowell to Ted Hughes, Doris Lessing and Stevie Smith· Plath's broadcasting work for the BBCThe book also includes a substantial annotated bibliography of key primary and secondary writing by and on the author.
Brinkmann-Handbuch: Leben – Werk – Wirkung
Das herausragende Werk Rolf Dieter Brinkmanns hat weit über den deutschsprachigen Raum hinaus Resonanz gefunden. Die gegenwärtige Aktualität der Popliteratur macht einen grundlegenden und strukturierten Überblick zum Autor notwendig. Das Handbuch bietet erstmals eine Gesamtdarstellung aller Texte und der Medien, mit denen Brinkmann gearbeitet hat. Aufschlussreiche Querschnitte durch dieses vielschichtige Œuvre bieten die Kapitel zu den Kontexten: Sie widmen sich der Nachkriegsliteratur, der Moderne sowie der Wissensgeschichte. Konzepte wie Präsenz, Materialität und Intermedialität, Literatur- und Kunsttheorie führen hin zu den umfassenden Einzelanalysen. Beiträge zur deutschsprachigen und internationalen Wirkung, ein Anhang mit ausführlichen Informationen zu den Ausgaben und der Nachlasssituation sowie zur Sekundärliteratur runden den Band ab.
Celan-Handbuch: Leben - Werk - Wirkung
Begegnung mit Paul Celan. Er gilt als einer der bedeutendsten deutschsprachigen Dichter des 20. Jahrhunderts. Sein Werk, vor allem die Todesfuge , ist fester Bestandteil des literarischen Kanons, seine Wirkung auf Kunst, Musik, Theologie und Philosophie allgegenwärtig. Sein Leitmotiv: die Shoah. Das Handbuch schlüsselt Gedichte, Prosa und Übersetzungen auf, beleuchtet historische und biografische Hintergründe, setzt sich mit den Plagiats-Vorwürfen auseinander und führt durch die Celan-Forschung. Eine Annäherung an den Dichter, die bislang fehlte.
Celan-Handbuch: Leben – Werk – Wirkung
Begegnung mit Paul Celan. Er gilt als einer der bedeutendsten deutschsprachigen Dichter des 20. Jahrhunderts und sein Einfluss auf Literatur, Kunst und Musik ist unumstritten. Sein Leitmotiv: die Shoah. Das Handbuch schlüsselt Gedichte, Prosa und Übersetzungen auf, beleuchtet historische und biografische Hintergründe und bietet Orientierung innerhalb einer kaum noch überschaubaren Forschung. In der 2. Auflage auch zur Rezeption in Großbritannien und den USA, in den Niederlanden, in Ungarn, Polen und Russland sowie zu Arbeitsweisen und Schreibprozessen Celans.
Chapters into Verse: Volume 1: Genesis to Malachi
For generations, poets have turned to the Bible for insight and inspiration. What did so many creative minds find in scripture? Is the Bible still a vital source of poetic inspirations? Chapters Into Verse is the first comprehensive collection ever made of poems written in English inspired by the Bible. A groundbreaking anthology, it introduces readers to a distinct heritage of English poetry: the scriptural tradition. Though frequently ignored and sometimes suppressed, this tradition rivals the classical and is every bit as venerable. Drawing a unique map of the history of English poetry, the two volumes of Chapters Into Verse survey and define the literary legacy of the Scriptures from the fourteenth century to the present. Each volume is arranged in scriptural order, and each poem is preceded by the biblical passage that inspired it. Thus readers can conveniently witness the various ways sacred text has sparked the imagination of poets throughout the ages. In Volume I, which covers Genesis to Malachi, almost every book of the Old Testament is represented. The collection features verses both famous and unfamiliar, from Milton's Paradise Lost and Lord Byron's Hebrew Melodies to Christopher Smart's hymns and Mary Herbert's psalms. The editors have included poems by virtually all the prominent religious poets--among them, John Donne, George Herbert, Henry Vaughan, Edward Taylor, and Gerard Manley Hopkins. Included, too, are devotional and visionary works from a wide range of vintage poets--Robert Burns, William Blake, Walt Whitman, Emily Dickinson, Christina Rossetti, Alfred Tennyson, and Robert Browning. Proving that the Bible is just as powerful a source of inspiration today as it was in the past, the collection assembles a mixed congregation of modern and contemporary poets, such as Marianne Moore, Delmore Schwartz, Dylan Thomas, Robert Frost, William Carlos Williams, Countee Cullen, e.e. cummings, William Butler Yeats, Robert Lowell, Hugh McDiarmid, Laura (Riding) Jackson, Charles Reznikoff, A.D. Hope, Geoffrey Hill, Denise Levertov, Philip Levine, John Ashbery, and Derek Walcott. Of enduring interest to readers of both scripture and literature, this anthology illuminates key passages of the Old Testament. The measured speech and inspired leaps of poetry offer a spirited alternative to the textual exegesis usually supplied by prose commentary. As such, Chapters Into Verse is truly a poets' Bible. In selection after selection, readers will encounter an astonishing variety of religious experiences, as a host of poets from many eras and many backgrounds respond to Holy Scripture spiritually, profoundly, and imaginatively.
Classic Chinese Poems of Mourning and Texts of Lament: An Anthology
Bathed with the blood and tears of countless poets and authors and naturally expressing the most heartfelt emotions of ancient peoples, poems of mourning and texts of lament stand out in classical Chinese literature as brilliant and unique. Composed and celebrated over 3000 years, they are central to the Chinese literary tradition but have been largely unknown to English readers. Including over 100 major pieces by leading literary figures from 800 BCE – 1800, this is the first English anthology of classic Chinese poems of mourning and texts of sacrificial offering. With annotated translations by leading scholars and reading guides accompanying each piece, this book reveals a powerful literary heritage to students and serious readers of Chinese literature, history and civilization.
The Collected Letters of Sir George and Lady Beaumont to the Wordsworth Family, 1803–1829: with a Study of the Creative Exchange between Wordsworth and Beaumont (Romantic Reconfigurations: Studies in Literature and Culture 1780-1850 #14)
Sir George Beaumont is a key figure in the history of British art. As well as being a respected amateur landscape painter, he was a prominent patron, a collector, and co-founder of the National Gallery. William Wordsworth described Beaumont’s friendship as one of the chief blessings of his life, and this edition reveals that the two men became collaborators as well as companions. In addition to documenting unique perspectives on social, political, and cultural events of the early nineteenth century (providing new contexts for reading Wordsworth’s mature poetry), the letters collected here chart the progress of an increasingly intimate inter-familial relationship. The picture that emerges is of a coterie that – in influence, creativity, and affection – rivals Wordsworth’s more famous exchange with Coleridge at Nether Stowey in the 1790s. The edition includes an extended study of how Wordsworth and Beaumont helped shape one another’s work, tracing processes of mutual artistic development that involved not only a meeting of aristocratic refinement and rural simplicity, of a socialite and a lover of retirement, of a painter and a poet, but also an aesthetic rapprochement between neoclassical and romantic values, between the impulse to idealize and the desire to particularize.
Dreams of Waking: An Anthology of Iberian Lyric Poetry, 1400-1700
In this anthology, Vincent Barletta, Mark L. Bajus, and Cici Malik treat the Iberian lyric in the late Middle Ages and early modernity as a deeply multilingual, transnational genre that needs to break away from the old essentialist ideas about language, geography, and identity in order to be understood properly. More and more, scholars and students are recognizing the limitations of single-language, nationalist, and period-bound canons and are looking for different ways to approach the study of literature. The Iberian Peninsula is an excellent site for this approach, where the history and politics of the region, along with its creative literature, need to be read and studied together with the way the works were composed by poets and eventually consumed by readers. With a generous selection of more than one hundred poems from thirty-three poets, Dreams of Waking is unique in its coverage of the three main languages—Catalan, Portuguese, and Spanish—and lyrical styles employed by peninsular poets. It contains new translations of canonical poems but also translations of many poems that have never before been edited or translated. Brief headnotes provide essential details of the poets’ lives, and a general introduction by the volume editors shows how the poems and languages fruitfully intersect. With helpful annotations to the poetry, as well as a selected bibliography containing the most important editions and translations from all three of the main Iberian languages, this volume will be an indispensable tool for both specialists and students in comparative literature.
Dylan Thomas (New Casebooks)
A collection of essays on one of the twentieth century's most popular yet critically neglected authors, this book explores the full range of Thomas's work. It uses approaches - such as marxism, feminism and deconstruction - previously neglected by critics and focuses on his complex relationships with surrealism, modernism, Wales, popular culture, the USA and his own contemporaries. In doing so, it restores Thomas to his rightful place as a major twentieth century literary figure and cultural icon.
Elizabeth Barrett Browning: Selected Writings (21st-Century Oxford Authors)
This volume in the 21st Century Oxford Authors series offers students and readers a comprehensive selection of the work of the poet Elizabeth Barrett Browning (1806-1861). Accompanied by full scholarly apparatus, this authoritative edition enables students to study Barrett Browning's work within the rich context of her life and writing career. The revaluation of Elizabeth Barrett Browning's work by feminist scholars has made her an established author in university syllabuses in Britain and in America. Yet the reception of Barrett Browning as a writer within an explicitly female tradition has tended to limit the appreciation of her wider contribution to English literary culture in the nineteenth century, just as her popular image as a ringleted romantic heroine served sentimentally to eclipse her role as a literary pioneer. This edition complements or corrects these emphases by being the first edition dedicated to witnessing the progress and growth of the poet's creative direction—from her juvenilia through to her major achievements and beyond. The selection of works presented here appear in the order in which they were originally published, enabling students and readers to experience the contours of Barrett Browning's poetic career. Thus, following selections from published juvenilia, The Battle of Marathon (1820) and 'An Essay on Mind' and Other Poems (1826) and from 'Prometheus Bound' and Miscellaneous Poems (1833), there are more extensive selections from 'The Seraphim' and Other Poems (1838), from Poems 1844 and from Poems 1850 including the full text of Sonnets from the Portuguese. Substantial excerpts from Casa Guidi Windows (1851) is followed by the full text of Aurora Leigh (1857) and by selections from the posthumous Last Poems (1862). These individual sections are supplemented by careful selections (also chronologically ordered) from the correspondence, including the courtship letters with Robert Browning, and, where applicable, from poetry unpublished in the nineteenth century. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Barrett Browning, and a Chronology.