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Shakespeare's Sonnets: Revised (PDF)
by Katherine Duncan-JonesShakespeare's Sonnets are universally loved and much-quoted throughout the world. First published in 1997 to much critical acclaim, the Sonnets has been a consistent best-seller in the Arden Shakespeare series. Katherine Duncan-Jones tackles the controversies and mysteries surrounding these beautiful poems head on, and explores the issues of sexuality to be found in them, making this a truly modern edition for today's readers and students. This revised edition has been updated and corrected in the light of new scholarship and critical thinking since its first publication.
Sing a Song of Bottoms!
by Jeanne WillisThis eBook has been optimised for viewing on colour devices.Join Jeanne Willis in the funniest talent show ever. In a fabulous rhyming text, meet bears with baggy bottoms, pigs with perky pinky ones and peacocks who love to put theirs on display. Perfect for reading aloud and guaranteed to cause fits of giggles, one thing's for sure - whoever is the winner, bottoms are top!
Sing a Song of Bottoms!
by Jeanne WillisJoin Jeanne Willis in the funniest talent show ever. In a fabulous rhyming text, meet bears with baggy bottoms, pigs with perky pinky ones and peacocks who love to put theirs on display. Perfect for reading aloud and guaranteed to cause fits of giggles, one thing's for sure - whoever is the winner, bottoms are top!From the dynamic duo behind Bottoms Up!
Sir Philip Sidney, Cultural Icon
by R. HillyerThis study analyzes Sir Philip Sidney's reputation from his own day to the present by discussing his reception in the work of authors as diverse in time and type as Sir Fulke Greville, Christopher Hill, Charles Lamb, Edmund Waller, and Thomas Warton the elder.
Sir Walter Ralegh
by Ruth PadelIn this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets of our literature.Sir Walter Ralegh, poet, scholar, soldier and explorer, travel-writer, historian and favourite courtier of Queen Elizabeth I, was born in Devon around 1552, knighted in 1584, imprisoned twice in the Tower of London, where he wrote his History of the World, and executed in 1618. Many famous poems attributed to him, like "The Passionate Man's Pilgrimage", may not actually be his. But, like the many poems written to him by the Queen and others, they testify to what Ralegh stood for in the Elizabethan age, as a poet and a man.
Slow Trains Overhead: Chicago Poems and Stories
by Reginald GibbonsFew people writing today could successfully combine an intimate knowledge of Chicago with a poet’s eye, and capture what it’s really like to live in this remarkable city. Embracing a striking variety of human experience—a chance encounter with a veteran on Belmont Avenue, the grimy majesty of the downtown El tracks, domestic violence in a North Side brownstone, the wide-eyed wonder of new arrivals at O’Hare, and much more—these new and selected poems and stories by Reginald Gibbons celebrate the heady mix of elation and despair that is city life. With Slow Trains Overhead, he has rendered a living portrait of Chicago as luminously detailed and powerful as those of Nelson Algren and Carl Sandburg. Gibbons takes the reader from museums and neighborhood life to tense proceedings in Juvenile Court, from comically noir-tinged scenes at a store on Clark Street to midnight immigrants at a gas station on Western Avenue, and from a child's piggybank to nature in urban spaces. For Gibbons, the city’s people, places, and historical reverberations are a compelling human array of the everyday and the extraordinary, of poverty and beauty, of the experience of being one among many. Penned by one of its most prominent writers, Slow Trains Overhead evokes and commemorates human life in a great city.
Slow Trains Overhead: Chicago Poems and Stories
by Reginald GibbonsFew people writing today could successfully combine an intimate knowledge of Chicago with a poet’s eye, and capture what it’s really like to live in this remarkable city. Embracing a striking variety of human experience—a chance encounter with a veteran on Belmont Avenue, the grimy majesty of the downtown El tracks, domestic violence in a North Side brownstone, the wide-eyed wonder of new arrivals at O’Hare, and much more—these new and selected poems and stories by Reginald Gibbons celebrate the heady mix of elation and despair that is city life. With Slow Trains Overhead, he has rendered a living portrait of Chicago as luminously detailed and powerful as those of Nelson Algren and Carl Sandburg. Gibbons takes the reader from museums and neighborhood life to tense proceedings in Juvenile Court, from comically noir-tinged scenes at a store on Clark Street to midnight immigrants at a gas station on Western Avenue, and from a child's piggybank to nature in urban spaces. For Gibbons, the city’s people, places, and historical reverberations are a compelling human array of the everyday and the extraordinary, of poverty and beauty, of the experience of being one among many. Penned by one of its most prominent writers, Slow Trains Overhead evokes and commemorates human life in a great city.
Slow Trains Overhead: Chicago Poems and Stories
by Reginald GibbonsFew people writing today could successfully combine an intimate knowledge of Chicago with a poet’s eye, and capture what it’s really like to live in this remarkable city. Embracing a striking variety of human experience—a chance encounter with a veteran on Belmont Avenue, the grimy majesty of the downtown El tracks, domestic violence in a North Side brownstone, the wide-eyed wonder of new arrivals at O’Hare, and much more—these new and selected poems and stories by Reginald Gibbons celebrate the heady mix of elation and despair that is city life. With Slow Trains Overhead, he has rendered a living portrait of Chicago as luminously detailed and powerful as those of Nelson Algren and Carl Sandburg. Gibbons takes the reader from museums and neighborhood life to tense proceedings in Juvenile Court, from comically noir-tinged scenes at a store on Clark Street to midnight immigrants at a gas station on Western Avenue, and from a child's piggybank to nature in urban spaces. For Gibbons, the city’s people, places, and historical reverberations are a compelling human array of the everyday and the extraordinary, of poverty and beauty, of the experience of being one among many. Penned by one of its most prominent writers, Slow Trains Overhead evokes and commemorates human life in a great city.
Small Hours
by Lachlan MackinnonLachlan MacKinnon's fourth collection opens with a gathering of lyrics and descriptive poems: observing rites of passage (elegies, wedding poems), offering nuanced accounts of places and their patchwork afterlives (the Midlands, a Suffolk sketchbook), or meditations on historical figures introspectively at odds with their time (King Canute, Edward Thomas). This preoccupation with contingency - personal and historical - opens onto The Book of Emma: a long poem of fifty-four sections, written mostly in prose, which address a lost friend and contemporary in terms which seem laconically factual, but which draw their power from archaic conventions (Egyptian, Celtic) of talking to the dead.
The Song of Lunch
by Christopher ReidLunch in Soho with a former lover - but Zanzotti's is under new management, and as the wine takes effect fond memories give way to something closer to the bone. A mock-elegy for the heady joys of old-time Soho, The Song of Lunch displays the full range of Christopher Reid's wit, craft and human sympathy.
Sound and Sight: Poetry and Courtier Culture in the Yongming Era (483-493)
by Meow GohThis is the first book to examine Chinese poetry and courtier culture using the concept of shengse—sound and sight—which connotes "sensual pleasure." Under the moral and political imperative to avoid or even eliminate representations of sense perception, premodern Chinese commentators treated overt displays of artistry with great suspicion, and their influence is still alive in modern and contemporary constructions of literary and cultural history. The Yongming poets, who openly extolled "sound and rhymes," have been deemed the main instigators of a poetic trend toward the sensual. Situating them within the court milieu of their day, Meow Hui Goh asks a simple question: What did shengse mean to the Yongming poets? By unraveling the aural and visual experiences encapsulated in their poems, she argues that their pursuit of "sound and sight" reveals a complex confluence of Buddhist influence, Confucian value, and new sociopolitical conditions. Her study challenges the old perception of the Yongming poets and the common practice of reading classical Chinese poems for semantic meaning only.
Swift’s Irish Writings: Selected Prose and Poetry
by C. Fabricant R. MahonyThis edition presents Jonathan Swift's most important Irish writings in both prose and verse, together with an introduction, head notes and annotations that shed new light on the full context and significance of each piece. Familiar works such as "Gulliver's Travels" and "A Tale of a Tub" acquire new and deeper meanings when considered within the Irish frameworks presented in the edition. Differing in noteworthy ways from the more traditional, canonical, Anglocentric picture conveyed by other published volumes, the Swift that emerges from these pages is a brilliant polemicist, popular satirist, political agitator, playful versifier, tormented Jeremiah, and Irish patriot.
The Sword of Judith: Judith Studies Across the Disciplines (PDF)
by Kevin R. Brine Elena Ciletti Henrike LähnemannThe Book of Judith tells the story of a fictitious Jewish woman beheading the general of a powerful army to free her people. The parabolic story was set as an example of how God will help the righteous. Judith's heroic action not only became a validating charter myth of Judaism itself but has also been appropriated by many Christian and secular groupings, and has been an inspiration for numerous literary texts and works of art. It continues to exercise its power over artists, authors and academics and is becoming a major field of research in its own right. The Sword of Judith is the first multidisciplinary collection of essays to discuss representations of Judith throughout the centuries. It transforms our understanding across a wide range of disciplines. The collection includes new archival source studies, the translation of unpublished manuscripts, the translation of texts unavailable in English, and Judith images and music.
Talk of the Town
by Jacob Polley1986, the last day of the summer holidays, and Christopher Hearsey is wondering why his best mate Arthur has suddenly disappeared, and whether lippy Gill Ross a few doors down might know anything about it. The border city of Carlisle is buzzing with rumours following an act of terrible violence, and in order to begin his search Chris must face down his own dread, not only of the consequences of his own actions, but of local big man Booby Grove, and his psychotic sidekick Carl ‘the black’ Hole. Populated by a menacing and hilarious cast of characters, and moving from the dark aggrieved streets of the city to the agricultural hinterland of the Solway Firth, this is the story of a boy desperate to get out of town, out of a bad situation, even out of his own skin . . . ‘A fierce cry of talent, raw as a confession and tender as a poem. Polley’s language is mercurial, his humour quick and surprising.’ Chris Cleave ‘A perfectly pitched quest for lost innocence’ John Burnside, Guardian ‘This is a disconcerting debut novel about how meaning is constructed from murmur, gossip and half-truth . . . Capturing the chaotic rhythms of these young lives in vivid yet unsentimental prose, Polley hits the perfect pitch.’ Anita Sethi, Independent
Teaching Modernist Poetry (Teaching the New English)
by N. Marsh P. MiddletonThis book recognizes that modernist poetry can be both difficult and rewarding to teach. Leading scholars and poets from the UK and the US offer practical, innovative, up to date strategies for teaching the reading and writing of modernist poetry across its long diverse histories, taking in experimentation, performance, hypertext and much more.
Tennyson Among the Novelists (Continuum Reception Studies)
by John MortonUntil now, the study of literary allusion has focused on allusions made by poets to other poets. In Tennyson Among the Novelists, John Morton presents the first book-length account of the presence of a poet's work in works of prose fiction. As well as shedding new light on the poems of Tennyson and their reception history, Morton covers a wide variety of novelists including Thomas Hardy, James Joyce, Evelyn Waugh, and Andrew O'Hagan, offering a fresh look at their approach to writing. Morton shows how Tennyson's poetry, despite its frequent depreciation by critics, has survived as a vivifying presence in the novel from the Victorian period to the present day.
Thirukural
by ThiruvalluvarOrganized into three sections Thirukural is the one most ancients texts in Tamil that focuses on ethics. Known popularly as Ullaga Podhu Marai, Thirukural is made up of the three sections, viz, Arattu Paal, Porutpaal and Kaamattupaal
Thiruppavai
by AndalPart of Naalayira thivvya prabantham, Thriuppavai is a collection of 30 songs sung by Andal in praise of the Lord Mahavishnu. These songs are sung typically in the Tamil month of marghazhi culminating in the pongal festival in the month of Thai. It is said that Andal merged one with God at the end of these thirty days.
Tourist in Hell (Phoenix Poets)
by Eleanor WilnerEleanor Wilner’s poems attempt to absorb the shock of the wars and atrocities of the twentieth and early twenty-first centuries. In their litany of loss, in their outrage and sorrow, they retain the joy in life, mercy for the mortal condition, and praise for the plenitude of nature and the gifts of human artistry. As with her six earlier collections, these poems are drawn from the transpersonal realm of history and cultural memory, but they display an increasing horror at the bloody repetitions of history, its service of death, and the destructive savagery of power separated from intelligence and restraint. The poems describe “a sordid drama” in which the players wear “eyeless masks,” and the only thing time changes is the name of the enemy. Underneath it all, driving “the art that” in both senses “keeps nothing at bay,” swim the enormous formal energies of life, the transitive figure that moves on in the depths, something glimpsed in the first light, something stronger than hope. “It is a relief to come across work in which a moral intelligence is matched by aesthetic refinement, in which the craft of the poems is equal to their concerns.”--Christian Wiman, Poetry
Trauma, Transcendence, and Trust: Wordsworth, Tennyson, and Eliot Thinking Loss (Nineteenth-Century Major Lives and Letters)
by T. BrennanThomas Brennan finds roots of the 'sensibility of trauma' by returning to the work of Wordsworth, Tennyson, and Eliot. By reading these poets of mourning through the framework of trauma, Brennan reflects on our traumatized moment and weighs two potential responses - the fantasy of transcendence and the ethic of trust.
Two Cures for Love: Selected Poems 1979-2006
by Wendy CopeThe idea for this book grew out of Wendy Cope's experience of meeting her audience, when reading her poems in schools. This is an edition of the poems which identifies the references, verse-forms, contexts and occasions of her work, and which offers readers a new arrangement of the poetry as a whole. The notes also identify dates of composition, so that it is possible to observe the development of her work. As well as drawing on Wendy Cope's three published books, the selection also includes a significant number of poems collected or published for the first time.
Two for Joy: Scenes From Married Life
by Dannie AbseDannie and Joan Abse had been married for more than fifty years when she was killed in a car crash in 2005. After her death he wrote his extraordinary memoir of loss, The Presence, which was the Wales Book of the Year in 2008.In contrast, much of this new collection is a delightful celebration. In it Dannie Abse returns to their marriage through all its seasons, and celebrates love in verse which is funny, tender and playful as well as serious and passionate. Almost half the poems appear in this form for the first time. 'One for sorrow, two for joy' is the old country saw about the magpie. These poems reflect its truth, and in the process transfigure ordinary life and love into something rich and strange.
Unoriginal Genius: Poetry by Other Means in the New Century
by Marjorie PerloffWhat is the place of individual genius in a global world of hyper-information— a world in which, as Walter Benjamin predicted more than seventy years ago, everyone is potentially an author? For poets in such a climate, "originality" begins to take a back seat to what can be done with other people’s words—framing, citing, recycling, and otherwise mediating available words and sentences, and sometimes entire texts. Marjorie Perloff here explores this intriguing development in contemporary poetry: the embrace of "unoriginal" writing. Paradoxically, she argues, such citational and often constraint-based poetry is more accessible and, in a sense, "personal" than was the hermetic poetry of the 1980s and 90s. Perloff traces this poetics of "unoriginal genius" from its paradigmatic work, Benjamin’s encyclopedic Arcades Project, a book largely made up of citations. She discusses the processes of choice, framing, and reconfiguration in the work of Brazilian Concretism and Oulipo, both movements now understood as precursors of such hybrid citational texts as Charles Bernstein’s opera libretto Shadowtime and Susan Howe’s documentary lyric sequence The Midnight. Perloff also finds that the new syncretism extends to language: for example, to the French-Norwegian Caroline Bergvall writing in English and the Japanese Yoko Tawada, in German. Unoriginal Genius concludes with a discussion of Kenneth Goldsmith’s conceptualist book Traffic—a seemingly "pure’" radio transcript of one holiday weekend’s worth of traffic reports. In these instances and many others, Perloff shows us "poetry by other means" of great ingenuity, wit, and complexity.
Untitled (Oberon Modern Plays)
by Inua EllamsTo name something is to call it into life, to determine its future. If we let our children name themselves, will they author their own destinies? Will the nameless ones be free? Untitled is a magical realist story set in Nigeria and England, of identical twin boys separated at infancy. In the quarrel after the marred naming ceremony, the mother grabs the titled child and flees, leaving the unnamed brother to lead an impetuous, chaotic, blasphemous existence until the spirits of the land make their stand.
Verse and Poetics in George Herbert and John Donne
by Frances CruickshankInnovative and highly readable, this study traces George Herbert's and John Donne's development of a distinct poetics through close readings of their poems, references to their letters, sermons, and prose treatises, and to other contemporary poets and theorists. In demonstrating a relationship between poetics and religious consciousness in Donne's and Herbert's verse, Frances Cruickshank explores their attitudes to the cultural, theological, and aesthetic enterprise of writing and reading verse. Cruickshank shows that Donne and Herbert regarded poetry as a mode not determined by its social and political contexts, but as operating in and on them with its own distinct set of aesthetic and intellectual values, and that ultimately, verse mattered as a privileged mode of religious discourse. This book is an important contribution to the ongoing scholarly dialogue about the nature of literary and cultural study of early modern England, and about the relationship between the writer and the world. Cruickshank confirms Donne's reputation as a fascinating and brilliant poetic figure while simultaneously rousing interest in Herbert by noting his unique merging of rusticity and urbanity and tranquility and uncertainty, allowing the reader to enter into these poets' imaginative worlds and to understand the literary genre they embraced and then transformed.